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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #830870 it is the complementary color #7CF78F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #830870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #830870 shade: #88086B, #991A7E, #AA2C91, #BB3EA4 and #CC50B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #830870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #830870 shade: #830870, #72005D, #61004A, #500037 and #3F0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #830870 shade: #81086F, #81084E, #81082D, #81080D and #810808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #830870 shade: #81086F, #730881, #530881, #320881 and #110881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #830870 shade matches the following richer shades: #81086F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #830870 shade: #81086F, #761367, #6B1F5F, #602A58 and #553550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #830870 shade: #530881, #730881, #81086F, #81084F and #81082F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #830870 shade: #34032C, #5B064E, #81086F, #A80B90 and #CF0DB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #830870 shade: #830870, #813308 and #088163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #830870 shade: #830870, #6F8108 and #086F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #830870 shade: #830870, #813308, #08811A and #085781

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #830870 shade: #830870, #815708, #08811A and #083381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 15 / 49

HEX #830870

RGB 131 8 112

HSL 309.27, 0.88%, 0.27%

LAB 29.83, 55.83, -26.22

 

Complementary color

CMYK 50 / 0 / 42 / 3

HEX #7CF78F

RGB 124 247 143

HSL 129.27, 0.88%, 0.73%

LAB 88.35, -55.71, 39.61

 

CMYK 0 / 94 / 21 / 47

HEX #88086B

RGB 136 8 107

HSL 313.59, 0.89%, 0.28%

LAB 30.57, 56.19, -21.8

 

CMYK 0 / 83 / 18 / 40

HEX #991A7E

RGB 153 26 126

HSL 312.76, 0.71%, 0.35%

LAB 36.02, 58.99, -25.07

 

CMYK 0 / 74 / 15 / 33

HEX #AA2C91

RGB 170 44 145

HSL 311.9, 0.59%, 0.42%

LAB 41.83, 60.43, -27.46

 

CMYK 0 / 67 / 12 / 27

HEX #BB3EA4

RGB 187 62 164

HSL 311.04, 0.5%, 0.49%

LAB 47.87, 60.99, -29.22

 

CMYK 0 / 61 / 10 / 20

HEX #CC50B7

RGB 204 80 183

HSL 310.16, 0.55%, 0.56%

LAB 54.02, 61.01, -30.57

 

CMYK 0 / 94 / 15 / 49

HEX #830870

RGB 131 8 112

HSL 309.27, 0.88%, 0.27%

LAB 29.83, 55.83, -26.22

 

CMYK 0 / 100 / 18 / 55

HEX #72005D

RGB 114 0 93

HSL 311.05, 1%, 0.22%

LAB 24.85, 51.09, -21.94

 

CMYK 0 / 100 / 24 / 62

HEX #61004A

RGB 97 0 74

HSL 314.23, 1%, 0.19%

LAB 20.19, 44.93, -16.72

 

CMYK 0 / 100 / 31 / 69

HEX #500037

RGB 80 0 55

HSL 318.75, 1%, 0.16%

LAB 15.39, 38.59, -11.16

 

CMYK 0 / 100 / 43 / 75

HEX #3F0024

RGB 63 0 36

HSL 325.71, 1%, 0.12%

LAB 10.44, 32.08, -5.1

 

CMYK 0 / 94 / 14 / 49

HEX #81086F

RGB 129 8 111

HSL 308.93, 0.88%, 0.27%

LAB 29.38, 55.28, -26.32

 

CMYK 0 / 94 / 40 / 49

HEX #81084E

RGB 129 8 78

HSL 325.29, 0.88%, 0.27%

LAB 27.82, 51.15, -7.13

 

CMYK 0 / 94 / 65 / 49

HEX #81082D

RGB 129 8 45

HSL 341.65, 0.88%, 0.27%

LAB 26.82, 48.39, 13.78

 

CMYK 0 / 94 / 90 / 49

HEX #81080D

RGB 129 8 13

HSL 357.52, 0.88%, 0.27%

LAB 26.36, 47.09, 33.5

 

CMYK 0 / 94 / 94 / 49

HEX #810808

RGB 129 8 8

HSL 0, 0.88%, 0.27%

LAB 26.33, 46.99, 35.62

 

CMYK 0 / 94 / 14 / 49

HEX #81086F

RGB 129 8 111

HSL 308.93, 0.88%, 0.27%

LAB 29.38, 55.28, -26.32

 

CMYK 11 / 94 / 0 / 49

HEX #730881

RGB 115 8 129

HSL 293.06, 0.88%, 0.27%

LAB 27.85, 55.51, -40.35

 

CMYK 36 / 94 / 0 / 49

HEX #530881

RGB 83 8 129

HSL 277.19, 0.88%, 0.27%

LAB 22.29, 50.5, -49.64

 

CMYK 61 / 94 / 0 / 49

HEX #320881

RGB 50 8 129

HSL 260.83, 0.88%, 0.27%

LAB 17.63, 46.84, -57.49

 

CMYK 87 / 94 / 0 / 49

HEX #110881

RGB 17 8 129

HSL 244.46, 0.88%, 0.27%

LAB 14.83, 44.99, -62.22

 

CMYK 0 / 94 / 14 / 49

HEX #81086F

RGB 129 8 111

HSL 308.93, 0.88%, 0.27%

LAB 29.38, 55.28, -26.32

 

CMYK 0 / 94 / 14 / 49

HEX #81086F

RGB 129 8 111

HSL 308.93, 0.88%, 0.27%

LAB 29.38, 55.28, -26.32

 

CMYK 0 / 84 / 13 / 54

HEX #761367

RGB 118 19 103

HSL 309.09, 0.72%, 0.27%

LAB 27.56, 49.46, -24.17

 

CMYK 0 / 71 / 11 / 58

HEX #6B1F5F

RGB 107 31 95

HSL 309.47, 0.55%, 0.27%

LAB 26.54, 41.27, -20.71

 

CMYK 0 / 56 / 8 / 62

HEX #602A58

RGB 96 42 88

HSL 308.89, 0.39%, 0.27%

LAB 26.3, 31.32, -16.64

 

CMYK 0 / 38 / 6 / 67

HEX #553550

RGB 85 53 80

HSL 309.38, 0.23%, 0.27%

LAB 26.9, 19.23, -10.59

 

CMYK 36 / 94 / 0 / 49

HEX #530881

RGB 83 8 129

HSL 277.19, 0.88%, 0.27%

LAB 22.29, 50.5, -49.64

 

CMYK 11 / 94 / 0 / 49

HEX #730881

RGB 115 8 129

HSL 293.06, 0.88%, 0.27%

LAB 27.85, 55.51, -40.35

 

CMYK 0 / 94 / 14 / 49

HEX #81086F

RGB 129 8 111

HSL 308.93, 0.88%, 0.27%

LAB 29.38, 55.28, -26.32

 

CMYK 0 / 94 / 39 / 49

HEX #81084F

RGB 129 8 79

HSL 324.79, 0.88%, 0.27%

LAB 27.86, 51.25, -7.74

 

CMYK 0 / 94 / 64 / 49

HEX #81082F

RGB 129 8 47

HSL 340.66, 0.88%, 0.27%

LAB 26.87, 48.52, 12.48

 

CMYK 0 / 94 / 15 / 80

HEX #34032C

RGB 52 3 44

HSL 309.8, 0.89%, 0.11%

LAB 8.8, 28.89, -13.87

 

CMYK 0 / 93 / 14 / 64

HEX #5B064E

RGB 91 6 78

HSL 309.18, 0.88%, 0.19%

LAB 19.66, 42.64, -20.38

 

CMYK 0 / 94 / 14 / 49

HEX #81086F

RGB 129 8 111

HSL 308.93, 0.88%, 0.27%

LAB 29.38, 55.28, -26.32

 

CMYK 0 / 93 / 14 / 34

HEX #A80B90

RGB 168 11 144

HSL 309.17, 0.88%, 0.35%

LAB 38.86, 67.25, -31.53

 

CMYK 0 / 94 / 14 / 19

HEX #CF0DB1

RGB 207 13 177

HSL 309.28, 0.88%, 0.43%

LAB 47.91, 78.78, -36.58

 

CMYK 0 / 94 / 15 / 49

HEX #830870

RGB 131 8 112

HSL 309.27, 0.88%, 0.27%

LAB 29.83, 55.83, -26.22

 

CMYK 0 / 60 / 94 / 49

HEX #813308

RGB 129 51 8

HSL 21.32, 0.88%, 0.27%

LAB 31.93, 31.66, 40.07

 

CMYK 94 / 0 / 23 / 49

HEX #088163

RGB 8 129 99

HSL 165.12, 0.88%, 0.27%

LAB 47.82, -37.46, 7.95

 

CMYK 0 / 94 / 15 / 49

HEX #830870

RGB 131 8 112

HSL 309.27, 0.88%, 0.27%

LAB 29.83, 55.83, -26.22

 

CMYK 14 / 0 / 94 / 49

HEX #6F8108

RGB 111 129 8

HSL 68.93, 0.88%, 0.27%

LAB 50.8, -21.08, 53.75

 

CMYK 94 / 14 / 0 / 49

HEX #086F81

RGB 8 111 129

HSL 188.93, 0.88%, 0.27%

LAB 42.77, -19.29, -17.37

 

CMYK 0 / 94 / 15 / 49

HEX #830870

RGB 131 8 112

HSL 309.27, 0.88%, 0.27%

LAB 29.83, 55.83, -26.22

 

CMYK 0 / 60 / 94 / 49

HEX #813308

RGB 129 51 8

HSL 21.32, 0.88%, 0.27%

LAB 31.93, 31.66, 40.07

 

CMYK 94 / 0 / 80 / 49

HEX #08811A

RGB 8 129 26

HSL 128.93, 0.88%, 0.27%

LAB 46.75, -50.09, 43.97

 

CMYK 94 / 33 / 0 / 49

HEX #085781

RGB 8 87 129

HSL 200.83, 0.88%, 0.27%

LAB 34.91, -5.26, -29.6

 

CMYK 0 / 94 / 15 / 49

HEX #830870

RGB 131 8 112

HSL 309.27, 0.88%, 0.27%

LAB 29.83, 55.83, -26.22

 

CMYK 0 / 33 / 94 / 49

HEX #815708

RGB 129 87 8

HSL 39.17, 0.88%, 0.27%

LAB 40.41, 11.15, 46.4

 

CMYK 94 / 0 / 80 / 49

HEX #08811A

RGB 8 129 26

HSL 128.93, 0.88%, 0.27%

LAB 46.75, -50.09, 43.97

 

CMYK 94 / 60 / 0 / 49

HEX #083381

RGB 8 51 129

HSL 218.68, 0.88%, 0.27%

LAB 23.69, 19.32, -47.61

 

Description

Color code: HEX #830870 | qconv.com Color code: HEX #830870 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 8 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 8 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 15 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 15% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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