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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82FFEACE it is the complementary color #7D0015CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82FFEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82FFEACE shade: #87FFE5CE, #98FFF8CE, #A9FFFFCE, #BAFFFFCE and #CBFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82FFEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82FFEACE shade: #82FFEACE, #71EDD7CE, #60DBC4CE, #4FC9B1CE and #3EB79ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82FFEACE shade: #80FFEA, #80FFC7, #80FFA5, #80FF82 and #9FFF80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82FFEACE shade: #80FFEA, #80F2FF, #80D0FF, #80ADFF and #808BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82FFEACE shade matches the following richer shades: #80FFEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82FFEACE shade: #80FFEA, #8AF5E3, #94EADC, #9EE0D5 and #A9D6CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82FFEACE shade: #80FFA4, #80FFC6, #80FFE8, #80F4FF and #80D2FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82FFEACE shade: #2DFFDC, #56FFE3, #80FFEA, #A9FFF1 and #D2FFF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82FFEACE shade: #82FFEA, #8280FF and #FFB580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82FFEACE shade: #82FFEA, #E880FF and #FFE880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82FFEACE shade: #82FFEA, #8280FF, #FF8097 and #FDFF80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82FFEACE shade: #82FFEA, #A880FF, #FF8097 and #D7FF80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 7 / 0

HEX #82FFEACE

RGBA 130 255 234 0.81

HSLA 169.92, 1%, 0.75%, 0.81

LABA 92.67, -39.91, -0.73, 0.81

 

Complementary color

CMYK 0 / 81 / 67 / 41

HEX #7D0015CE

RGBA 125 0 21 0.81

HSLA 349.92, 1%, 0.25%, 0.81

LABA 25, 47.7, 27.33, 0.81

 

CMYK 38 / 0 / 8 / 0

HEX #87FFE5CE

RGBA 135 255 229 0.81

HSLA 167, 1%, 0.76%, 0.81

LABA 92.72, -39.95, 1.96, 0.81

 

CMYK 33 / 0 / 2 / 0

HEX #98FFF8CE

RGBA 152 255 248 0.81

HSLA 175.92, 1%, 0.8%, 0.81

LABA 93.87, -31.6, -6.1, 0.81

 

CMYK 27 / 0 / 0 / 0

HEX #A9FFFFCE

RGBA 169 255 255 0.81

HSLA 180, 1%, 0.83%, 0.81

LABA 94.81, -25.74, -8.24, 0.81

 

CMYK 22 / 0 / 0 / 0

HEX #BAFFFFCE

RGBA 186 255 255 0.81

HSLA 180, 1%, 0.86%, 0.81

LABA 95.66, -21.17, -6.9, 0.81

 

CMYK 17 / 0 / 0 / 0

HEX #CBFFFFCE

RGBA 203 255 255 0.81

HSLA 180, 1%, 0.9%, 0.81

LABA 96.59, -16.31, -5.41, 0.81

 

CMYK 40 / 0 / 7 / 0

HEX #82FFEACE

RGBA 130 255 234 0.81

HSLA 169.92, 1%, 0.75%, 0.81

LABA 92.67, -39.91, -0.73, 0.81

 

CMYK 42 / 0 / 8 / 6

HEX #71EDD7CE

RGBA 113 237 215 0.81

HSLA 169.35, 0.78%, 0.69%, 0.81

LABA 86.5, -39.9, 0.09, 0.81

 

CMYK 45 / 0 / 9 / 11

HEX #60DBC4CE

RGBA 96 219 196 0.81

HSLA 168.78, 0.63%, 0.62%, 0.81

LABA 80.26, -39.83, 0.96, 0.81

 

CMYK 49 / 0 / 10 / 17

HEX #4FC9B1CE

RGBA 79 201 177 0.81

HSLA 168.2, 0.53%, 0.55%, 0.81

LABA 73.94, -39.67, 1.91, 0.81

 

CMYK 54 / 0 / 11 / 23

HEX #3EB79ECE

RGBA 62 183 158 0.81

HSLA 167.6, 0.49%, 0.48%, 0.81

LABA 67.55, -39.36, 2.94, 0.81

 

CMYK 50 / 0 / 8 / 0

HEX #80FFEA

RGB 128 255 234

HSL 170.08, 1%, 0.75%

LAB 92.6, -40.33, -0.84

 

CMYK 50 / 0 / 22 / 0

HEX #80FFC7

RGB 128 255 199

HSL 153.54, 1%, 0.75%

LAB 91.79, -48.03, 16.05

 

CMYK 50 / 0 / 35 / 0

HEX #80FFA5

RGB 128 255 165

HSL 137.48, 1%, 0.75%

LAB 91.16, -54.38, 32.43

 

CMYK 50 / 0 / 49 / 0

HEX #80FF82

RGB 128 255 130

HSL 120.94, 1%, 0.75%

LAB 90.65, -59.63, 48.79

 

CMYK 38 / 0 / 50 / 0

HEX #9FFF80

RGB 159 255 128

HSL 105.35, 1%, 0.75%

LAB 91.89, -51.03, 51.52

 

CMYK 50 / 0 / 8 / 0

HEX #80FFEA

RGB 128 255 234

HSL 170.08, 1%, 0.75%

LAB 92.6, -40.33, -0.84

 

CMYK 50 / 5 / 0 / 0

HEX #80F2FF

RGB 128 242 255

HSL 186.14, 1%, 0.75%

LAB 89.54, -29.1, -16.29

 

CMYK 50 / 18 / 0 / 0

HEX #80D0FF

RGB 128 208 255

HSL 202.2, 1%, 0.75%

LAB 80.14, -12.08, -30.57

 

CMYK 50 / 32 / 0 / 0

HEX #80ADFF

RGB 128 173 255

HSL 218.74, 1%, 0.75%

LAB 70.66, 6.98, -45.28

 

CMYK 50 / 45 / 0 / 0

HEX #808BFF

RGB 128 139 255

HSL 234.8, 1%, 0.75%

LAB 61.89, 26.65, -59.16

 

CMYK 50 / 0 / 8 / 0

HEX #80FFEA

RGB 128 255 234

HSL 170.08, 1%, 0.75%

LAB 92.6, -40.33, -0.84

 

CMYK 50 / 0 / 8 / 0

HEX #80FFEA

RGB 128 255 234

HSL 170.08, 1%, 0.75%

LAB 92.6, -40.33, -0.84

 

CMYK 44 / 0 / 7 / 4

HEX #8AF5E3

RGB 138 245 227

HSL 169.91, 0.84%, 0.75%

LAB 89.98, -35.15, -0.99

 

CMYK 37 / 0 / 6 / 8

HEX #94EADC

RGB 148 234 220

HSL 170.23, 0.67%, 0.75%

LAB 87.15, -29.08, -1.42

 

CMYK 29 / 0 / 5 / 12

HEX #9EE0D5

RGB 158 224 213

HSL 170, 0.52%, 0.75%

LAB 84.68, -23.03, -1.29

 

CMYK 21 / 0 / 4 / 16

HEX #A9D6CE

RGB 169 214 206

HSL 169.33, 0.35%, 0.75%

LAB 82.37, -16.26, -0.89

 

CMYK 50 / 0 / 36 / 0

HEX #80FFA4

RGB 128 255 164

HSL 137.01, 1%, 0.75%

LAB 91.14, -54.54, 32.91

 

CMYK 50 / 0 / 22 / 0

HEX #80FFC6

RGB 128 255 198

HSL 153.07, 1%, 0.75%

LAB 91.77, -48.23, 16.54

 

CMYK 50 / 0 / 9 / 0

HEX #80FFE8

RGB 128 255 232

HSL 169.13, 1%, 0.75%

LAB 92.55, -40.8, 0.12

 

CMYK 50 / 4 / 0 / 0

HEX #80F4FF

RGB 128 244 255

HSL 185.2, 1%, 0.75%

LAB 90.1, -30.06, -15.45

 

CMYK 50 / 18 / 0 / 0

HEX #80D2FF

RGB 128 210 255

HSL 201.26, 1%, 0.75%

LAB 80.68, -13.12, -29.73

 

CMYK 82 / 0 / 14 / 0

HEX #2DFFDC

RGB 45 255 220

HSL 170, 1%, 0.59%

LAB 90.43, -55.79, 3.04

 

CMYK 66 / 0 / 11 / 0

HEX #56FFE3

RGB 86 255 227

HSL 170.06, 1%, 0.67%

LAB 91.25, -49.57, 0.69

 

CMYK 50 / 0 / 8 / 0

HEX #80FFEA

RGB 128 255 234

HSL 170.08, 1%, 0.75%

LAB 92.6, -40.33, -0.84

 

CMYK 34 / 0 / 5 / 0

HEX #A9FFF1

RGB 169 255 241

HSL 170.23, 1%, 0.83%

LAB 94.44, -28.86, -1.56

 

CMYK 18 / 0 / 3 / 0

HEX #D2FFF7

RGB 210 255 247

HSL 169.33, 1%, 0.91%

LAB 96.79, -15.82, -0.95

 

CMYK 49 / 0 / 8 / 0

HEX #82FFEA

RGB 130 255 234

HSL 169.92, 1%, 0.75%

LAB 92.67, -39.91, -0.73

 

CMYK 49 / 50 / 0 / 0

HEX #8280FF

RGB 130 128 255

HSL 240.94, 1%, 0.75%

LAB 59.35, 33.53, -63.23

 

CMYK 0 / 29 / 50 / 0

HEX #FFB580

RGB 255 181 128

HSL 25.04, 1%, 0.75%

LAB 79.54, 21.04, 37.6

 

CMYK 49 / 0 / 8 / 0

HEX #82FFEA

RGB 130 255 234

HSL 169.92, 1%, 0.75%

LAB 92.67, -39.91, -0.73

 

CMYK 9 / 50 / 0 / 0

HEX #E880FF

RGB 232 128 255

HSL 289.13, 1%, 0.75%

LAB 69.34, 58.81, -46.74

 

CMYK 0 / 9 / 50 / 0

HEX #FFE880

RGB 255 232 128

HSL 49.13, 1%, 0.75%

LAB 91.92, -5.22, 53.01

 

CMYK 49 / 0 / 8 / 0

HEX #82FFEA

RGB 130 255 234

HSL 169.92, 1%, 0.75%

LAB 92.67, -39.91, -0.73

 

CMYK 49 / 50 / 0 / 0

HEX #8280FF

RGB 130 128 255

HSL 240.94, 1%, 0.75%

LAB 59.35, 33.53, -63.23

 

CMYK 0 / 50 / 41 / 0

HEX #FF8097

RGB 255 128 151

HSL 349.13, 1%, 0.75%

LAB 68.7, 50.41, 10.46

 

CMYK 1 / 0 / 50 / 0

HEX #FDFF80

RGB 253 255 128

HSL 60.94, 1%, 0.75%

LAB 97.62, -17.32, 59.76

 

CMYK 49 / 0 / 8 / 0

HEX #82FFEA

RGB 130 255 234

HSL 169.92, 1%, 0.75%

LAB 92.67, -39.91, -0.73

 

CMYK 34 / 50 / 0 / 0

HEX #A880FF

RGB 168 128 255

HSL 258.9, 1%, 0.75%

LAB 62.49, 42.26, -58.02

 

CMYK 0 / 50 / 41 / 0

HEX #FF8097

RGB 255 128 151

HSL 349.13, 1%, 0.75%

LAB 68.7, 50.41, 10.46

 

CMYK 16 / 0 / 50 / 0

HEX #D7FF80

RGB 215 255 128

HSL 78.9, 1%, 0.75%

LAB 94.96, -31.79, 55.96

 

Description

Color code: HEX #82FFEACE | qconv.com Color code: HEX #82FFEACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 255 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 255 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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