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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82FD8C it is the complementary color #7D0273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82FD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82FD8C shade: #87FD87, #98FF9A, #A9FFAD, #BAFFC0 and #CBFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82FD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82FD8C shade: #82FD8C, #71EB79, #60D966, #4FC753 and #3EB540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82FD8C shade: #81FD8B, #99FD81, #BAFD81, #DBFD81 and #FDFD81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82FD8C shade: #81FD8B, #81FDAD, #81FDCE, #81FDF0 and #81E9FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82FD8C shade matches the following richer shades: #81FD8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82FD8C shade: #81FD8B, #8CF394, #96E89D, #A0DEA5 and #ABD4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82FD8C shade: #BBFD81, #9AFD81, #81FD8A, #81FDAB and #81FDCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82FD8C shade: #30FC41, #59FC66, #81FD8B, #AAFEB1 and #D3FED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82FD8C shade: #82FD8C, #81DCFD and #FD81AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82FD8C shade: #82FD8C, #8A81FD and #FD8A81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82FD8C shade: #82FD8C, #81DCFD, #FD81F5 and #FDA281

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82FD8C shade: #82FD8C, #81B7FD, #FD81F5 and #FDC781

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 45 / 1

HEX #82FD8C

RGB 130 253 140

HSL 124.88, 0.97%, 0.75%

LAB 90.27, -56.97, 43.58

 

Complementary color

CMYK 0 / 98 / 8 / 51

HEX #7D0273

RGB 125 2 115

HSL 304.88, 0.97%, 0.25%

LAB 28.49, 56.07, -30.35

 

CMYK 47 / 0 / 47 / 1

HEX #87FD87

RGB 135 253 135

HSL 120, 0.97%, 0.76%

LAB 90.39, -56.33, 46.16

 

CMYK 40 / 0 / 40 / 0

HEX #98FF9A

RGB 152 255 154

HSL 121.17, 1%, 0.8%

LAB 91.92, -49.68, 39.06

 

CMYK 34 / 0 / 32 / 0

HEX #A9FFAD

RGB 169 255 173

HSL 122.79, 1%, 0.83%

LAB 93, -41.72, 31.2

 

CMYK 27 / 0 / 25 / 0

HEX #BAFFC0

RGB 186 255 192

HSL 125.22, 1%, 0.86%

LAB 94.21, -33.35, 23.39

 

CMYK 20 / 0 / 17 / 0

HEX #CBFFD3

RGB 203 255 211

HSL 129.23, 1%, 0.9%

LAB 95.55, -24.7, 15.7

 

CMYK 49 / 0 / 45 / 1

HEX #82FD8C

RGB 130 253 140

HSL 124.88, 0.97%, 0.75%

LAB 90.27, -56.97, 43.58

 

CMYK 52 / 0 / 49 / 8

HEX #71EB79

RGB 113 235 121

HSL 123.93, 0.75%, 0.68%

LAB 84.13, -56.98, 44.85

 

CMYK 56 / 0 / 53 / 15

HEX #60D966

RGB 96 217 102

HSL 122.98, 0.61%, 0.61%

LAB 77.92, -56.85, 46.14

 

CMYK 60 / 0 / 58 / 22

HEX #4FC753

RGB 79 199 83

HSL 122, 0.52%, 0.55%

LAB 71.65, -56.53, 47.41

 

CMYK 66 / 0 / 65 / 29

HEX #3EB540

RGB 62 181 64

HSL 121.01, 0.49%, 0.48%

LAB 65.31, -55.91, 48.55

 

CMYK 49 / 0 / 45 / 1

HEX #81FD8B

RGB 129 253 139

HSL 124.84, 0.97%, 0.75%

LAB 90.22, -57.37, 43.99

 

CMYK 40 / 0 / 49 / 1

HEX #99FD81

RGB 153 253 129

HSL 108.39, 0.97%, 0.75%

LAB 91.06, -51.92, 49.98

 

CMYK 26 / 0 / 49 / 1

HEX #BAFD81

RGB 186 253 129

HSL 92.42, 0.97%, 0.75%

LAB 92.7, -41.18, 52.36

 

CMYK 13 / 0 / 49 / 1

HEX #DBFD81

RGB 219 253 129

HSL 76.45, 0.97%, 0.75%

LAB 94.69, -29.28, 55.24

 

CMYK 0 / 0 / 49 / 1

HEX #FDFD81

RGB 253 253 129

HSL 60, 0.97%, 0.75%

LAB 97.11, -16.27, 58.71

 

CMYK 49 / 0 / 45 / 1

HEX #81FD8B

RGB 129 253 139

HSL 124.84, 0.97%, 0.75%

LAB 90.22, -57.37, 43.99

 

CMYK 49 / 0 / 32 / 1

HEX #81FDAD

RGB 129 253 173

HSL 141.29, 0.97%, 0.75%

LAB 90.75, -51.92, 27.87

 

CMYK 49 / 0 / 19 / 1

HEX #81FDCE

RGB 129 253 206

HSL 157.26, 0.97%, 0.75%

LAB 91.4, -45.48, 11.91

 

CMYK 49 / 0 / 5 / 1

HEX #81FDF0

RGB 129 253 240

HSL 173.71, 0.97%, 0.75%

LAB 92.22, -37.79, -4.49

 

CMYK 49 / 8 / 0 / 1

HEX #81E9FD

RGB 129 233 253

HSL 189.68, 0.97%, 0.75%

LAB 87.01, -25.06, -19.04

 

CMYK 49 / 0 / 45 / 1

HEX #81FD8B

RGB 129 253 139

HSL 124.84, 0.97%, 0.75%

LAB 90.22, -57.37, 43.99

 

CMYK 49 / 0 / 45 / 1

HEX #81FD8B

RGB 129 253 139

HSL 124.84, 0.97%, 0.75%

LAB 90.22, -57.37, 43.99

 

CMYK 42 / 0 / 39 / 5

HEX #8CF394

RGB 140 243 148

HSL 124.66, 0.81%, 0.75%

LAB 87.88, -49, 36.66

 

CMYK 35 / 0 / 32 / 9

HEX #96E89D

RGB 150 232 157

HSL 125.12, 0.64%, 0.75%

LAB 85.32, -39.87, 28.8

 

CMYK 28 / 0 / 26 / 13

HEX #A0DEA5

RGB 160 222 165

HSL 124.84, 0.48%, 0.75%

LAB 83.14, -30.81, 21.8

 

CMYK 19 / 0 / 18 / 17

HEX #ABD4AE

RGB 171 212 174

HSL 124.39, 0.32%, 0.75%

LAB 81.18, -20.78, 14.43

 

CMYK 26 / 0 / 49 / 1

HEX #BBFD81

RGB 187 253 129

HSL 91.94, 0.97%, 0.75%

LAB 92.75, -40.84, 52.44

 

CMYK 39 / 0 / 49 / 1

HEX #9AFD81

RGB 154 253 129

HSL 107.9, 0.97%, 0.75%

LAB 91.1, -51.62, 50.05

 

CMYK 49 / 0 / 45 / 1

HEX #81FD8A

RGB 129 253 138

HSL 124.35, 0.97%, 0.75%

LAB 90.21, -57.51, 44.45

 

CMYK 49 / 0 / 32 / 1

HEX #81FDAB

RGB 129 253 171

HSL 140.32, 0.97%, 0.75%

LAB 90.72, -52.28, 28.83

 

CMYK 49 / 0 / 19 / 1

HEX #81FDCC

RGB 129 253 204

HSL 156.29, 0.97%, 0.75%

LAB 91.36, -45.9, 12.88

 

CMYK 81 / 0 / 74 / 1

HEX #30FC41

RGB 48 252 65

HSL 125, 0.97%, 0.59%

LAB 87.31, -80.25, 71.09

 

CMYK 65 / 0 / 60 / 1

HEX #59FC66

RGB 89 252 102

HSL 124.79, 0.96%, 0.67%

LAB 88.31, -70.8, 58.32

 

CMYK 49 / 0 / 45 / 1

HEX #81FD8B

RGB 129 253 139

HSL 124.84, 0.97%, 0.75%

LAB 90.22, -57.37, 43.99

 

CMYK 33 / 0 / 30 / 0

HEX #AAFEB1

RGB 170 254 177

HSL 125, 0.98%, 0.83%

LAB 92.84, -40.33, 28.98

 

CMYK 17 / 0 / 16 / 0

HEX #D3FED6

RGB 211 254 214

HSL 124.19, 0.96%, 0.91%

LAB 95.83, -21.11, 14.63

 

CMYK 49 / 0 / 45 / 1

HEX #82FD8C

RGB 130 253 140

HSL 124.88, 0.97%, 0.75%

LAB 90.27, -56.97, 43.58

 

CMYK 49 / 13 / 0 / 1

HEX #81DCFD

RGB 129 220 253

HSL 195.97, 0.97%, 0.75%

LAB 83.41, -18.58, -24.49

 

CMYK 0 / 49 / 32 / 1

HEX #FD81AB

RGB 253 129 171

HSL 339.68, 0.97%, 0.75%

LAB 69.13, 51.5, -0.21

 

CMYK 49 / 0 / 45 / 1

HEX #82FD8C

RGB 130 253 140

HSL 124.88, 0.97%, 0.75%

LAB 90.27, -56.97, 43.58

 

CMYK 45 / 49 / 0 / 1

HEX #8A81FD

RGB 138 129 253

HSL 244.35, 0.97%, 0.75%

LAB 60.07, 34.1, -60.94

 

CMYK 0 / 45 / 49 / 1

HEX #FD8A81

RGB 253 138 129

HSL 4.35, 0.97%, 0.75%

LAB 69.93, 42.61, 24.4

 

CMYK 49 / 0 / 45 / 1

HEX #82FD8C

RGB 130 253 140

HSL 124.88, 0.97%, 0.75%

LAB 90.27, -56.97, 43.58

 

CMYK 49 / 13 / 0 / 1

HEX #81DCFD

RGB 129 220 253

HSL 195.97, 0.97%, 0.75%

LAB 83.41, -18.58, -24.49

 

CMYK 0 / 49 / 3 / 1

HEX #FD81F5

RGB 253 129 245

HSL 303.87, 0.97%, 0.75%

LAB 71.67, 62.25, -37.44

 

CMYK 0 / 36 / 49 / 1

HEX #FDA281

RGB 253 162 129

HSL 15.97, 0.97%, 0.75%

LAB 75.02, 30.29, 31.17

 

CMYK 49 / 0 / 45 / 1

HEX #82FD8C

RGB 130 253 140

HSL 124.88, 0.97%, 0.75%

LAB 90.27, -56.97, 43.58

 

CMYK 49 / 28 / 0 / 1

HEX #81B7FD

RGB 129 183 253

HSL 213.87, 0.97%, 0.75%

LAB 73.3, 1.03, -40.07

 

CMYK 0 / 49 / 3 / 1

HEX #FD81F5

RGB 253 129 245

HSL 303.87, 0.97%, 0.75%

LAB 71.67, 62.25, -37.44

 

CMYK 0 / 21 / 49 / 1

HEX #FDC781

RGB 253 199 129

HSL 33.87, 0.97%, 0.75%

LAB 83.61, 10.93, 42.22

 

Description

Color code: HEX #82FD8C | qconv.com Color code: HEX #82FD8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 253 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 253 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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