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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82F720 it is the complementary color #7D08DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82F720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82F720 shade: #87F71B, #98FF2E, #A9FF41, #BAFF54 and #CBFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82F720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82F720 shade: #82F720, #71E50D, #60D300, #4FC100 and #3EAF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82F720 shade: #83F722, #BCF722, #F6F722, #F7BE22 and #F78522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82F720 shade: #83F722, #49F722, #22F733, #22F76D and #22F7A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82F720 shade matches the following richer shades: #83F722

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82F720 shade: #83F722, #84E434, #86D247, #88BF59 and #89AD6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82F720 shade: #F7F722, #BEF722, #85F722, #4CF722 and #22F730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82F720 shade: #5BBF07, #6EE708, #83F722, #99F849 and #AFFA71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82F720 shade: #82F720, #22F7BE and #F722DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82F720 shade: #82F720, #2285F7 and #F72285

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82F720 shade: #82F720, #22F7BE, #9322F7 and #F7225A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82F720 shade: #82F720, #22F0F7, #9322F7 and #F72922

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 87 / 3

HEX #82F720

RGB 130 247 32

HSL 92.65, 0.93%, 0.55%

LAB 87.67, -63.81, 80.53

 

Complementary color

CMYK 44 / 96 / 0 / 13

HEX #7D08DF

RGB 125 8 223

HSL 272.65, 0.93%, 0.45%

LAB 37.59, 75.36, -80.67

 

CMYK 45 / 0 / 89 / 3

HEX #87F71B

RGB 135 247 27

HSL 90.55, 0.93%, 0.54%

LAB 87.85, -62.45, 81.6

 

CMYK 40 / 0 / 82 / 0

HEX #98FF2E

RGB 152 255 46

HSL 89.57, 1%, 0.59%

LAB 90.96, -59.56, 80.84

 

CMYK 34 / 0 / 75 / 0

HEX #A9FF41

RGB 169 255 65

HSL 87.16, 1%, 0.63%

LAB 91.84, -53.07, 76.75

 

CMYK 27 / 0 / 67 / 0

HEX #BAFF54

RGB 186 255 84

HSL 84.21, 1%, 0.66%

LAB 92.84, -45.99, 71.56

 

CMYK 20 / 0 / 60 / 0

HEX #CBFF67

RGB 203 255 103

HSL 80.53, 1%, 0.7%

LAB 93.97, -38.42, 65.58

 

CMYK 47 / 0 / 87 / 3

HEX #82F720

RGB 130 247 32

HSL 92.65, 0.93%, 0.55%

LAB 87.67, -63.81, 80.53

 

CMYK 51 / 0 / 94 / 10

HEX #71E50D

RGB 113 229 13

HSL 92.22, 0.89%, 0.47%

LAB 81.61, -62.68, 77.93

 

CMYK 55 / 0 / 100 / 17

HEX #60D300

RGB 96 211 0

HSL 92.7, 1%, 0.41%

LAB 75.5, -61.23, 74.02

 

CMYK 59 / 0 / 100 / 24

HEX #4FC100

RGB 79 193 0

HSL 95.44, 1%, 0.38%

LAB 69.33, -59.44, 68.92

 

CMYK 65 / 0 / 100 / 31

HEX #3EAF00

RGB 62 175 0

HSL 98.74, 1%, 0.34%

LAB 63.08, -57.42, 63.77

 

CMYK 47 / 0 / 86 / 3

HEX #83F722

RGB 131 247 34

HSL 92.68, 0.93%, 0.55%

LAB 87.71, -63.45, 80.21

 

CMYK 24 / 0 / 86 / 3

HEX #BCF722

RGB 188 247 34

HSL 76.62, 0.93%, 0.55%

LAB 90.47, -44.08, 83.65

 

CMYK 0 / 0 / 86 / 3

HEX #F6F722

RGB 246 247 34

HSL 60.28, 0.93%, 0.55%

LAB 94.41, -21.05, 88.5

 

CMYK 0 / 23 / 86 / 3

HEX #F7BE22

RGB 247 190 34

HSL 43.94, 0.93%, 0.55%

LAB 80.02, 7.92, 76.99

 

CMYK 0 / 46 / 86 / 3

HEX #F78522

RGB 247 133 34

HSL 27.89, 0.93%, 0.55%

LAB 67.02, 37.62, 66.57

 

CMYK 47 / 0 / 86 / 3

HEX #83F722

RGB 131 247 34

HSL 92.68, 0.93%, 0.55%

LAB 87.71, -63.45, 80.21

 

CMYK 70 / 0 / 86 / 3

HEX #49F722

RGB 73 247 34

HSL 109.01, 0.93%, 0.55%

LAB 86.03, -77.04, 78.11

 

CMYK 86 / 0 / 79 / 3

HEX #22F733

RGB 34 247 51

HSL 124.79, 0.93%, 0.55%

LAB 85.55, -81.01, 73.52

 

CMYK 86 / 0 / 56 / 3

HEX #22F76D

RGB 34 247 109

HSL 141.13, 0.93%, 0.55%

LAB 85.99, -75.58, 52.32

 

CMYK 86 / 0 / 33 / 3

HEX #22F7A6

RGB 34 247 166

HSL 157.18, 0.93%, 0.55%

LAB 86.81, -65.95, 25.72

 

CMYK 47 / 0 / 86 / 3

HEX #83F722

RGB 131 247 34

HSL 92.68, 0.93%, 0.55%

LAB 87.71, -63.45, 80.21

 

CMYK 47 / 0 / 86 / 3

HEX #83F722

RGB 131 247 34

HSL 92.68, 0.93%, 0.55%

LAB 87.71, -63.45, 80.21

 

CMYK 42 / 0 / 77 / 11

HEX #84E434

RGB 132 228 52

HSL 92.73, 0.77%, 0.55%

LAB 82.18, -55.26, 70.91

 

CMYK 36 / 0 / 66 / 18

HEX #86D247

RGB 134 210 71

HSL 92.81, 0.61%, 0.55%

LAB 77.05, -46.09, 59.17

 

CMYK 29 / 0 / 53 / 25

HEX #88BF59

RGB 136 191 89

HSL 92.35, 0.44%, 0.55%

LAB 71.7, -35.39, 45.27

 

CMYK 21 / 0 / 38 / 32

HEX #89AD6C

RGB 137 173 108

HSL 93.23, 0.28%, 0.55%

LAB 66.74, -24.07, 29.5

 

CMYK 0 / 0 / 86 / 3

HEX #F7F722

RGB 247 247 34

HSL 60, 0.93%, 0.55%

LAB 94.49, -20.64, 88.59

 

CMYK 23 / 0 / 86 / 3

HEX #BEF722

RGB 190 247 34

HSL 76.06, 0.93%, 0.55%

LAB 90.59, -43.33, 83.8

 

CMYK 46 / 0 / 86 / 3

HEX #85F722

RGB 133 247 34

HSL 92.11, 0.93%, 0.55%

LAB 87.79, -62.86, 80.31

 

CMYK 69 / 0 / 86 / 3

HEX #4CF722

RGB 76 247 34

HSL 108.17, 0.93%, 0.55%

LAB 86.09, -76.53, 78.18

 

CMYK 86 / 0 / 81 / 3

HEX #22F730

RGB 34 247 48

HSL 123.94, 0.93%, 0.55%

LAB 85.54, -81.17, 74.3

 

CMYK 52 / 0 / 96 / 25

HEX #5BBF07

RGB 91 191 7

HSL 92.61, 0.93%, 0.39%

LAB 69.11, -55.36, 68.13

 

CMYK 52 / 0 / 97 / 9

HEX #6EE708

RGB 110 231 8

HSL 92.56, 0.93%, 0.47%

LAB 82.1, -64.29, 78.73

 

CMYK 47 / 0 / 86 / 3

HEX #83F722

RGB 131 247 34

HSL 92.68, 0.93%, 0.55%

LAB 87.71, -63.45, 80.21

 

CMYK 38 / 0 / 71 / 3

HEX #99F849

RGB 153 248 73

HSL 92.57, 0.93%, 0.63%

LAB 89.11, -55.13, 71.17

 

CMYK 30 / 0 / 55 / 2

HEX #AFFA71

RGB 175 250 113

HSL 92.85, 0.93%, 0.71%

LAB 91.09, -45.32, 57.58

 

CMYK 47 / 0 / 87 / 3

HEX #82F720

RGB 130 247 32

HSL 92.65, 0.93%, 0.55%

LAB 87.67, -63.81, 80.53

 

CMYK 86 / 0 / 23 / 3

HEX #22F7BE

RGB 34 247 190

HSL 163.94, 0.93%, 0.55%

LAB 87.28, -60.7, 14.05

 

CMYK 0 / 86 / 11 / 3

HEX #F722DB

RGB 247 34 219

HSL 307.89, 0.93%, 0.55%

LAB 58.07, 88.93, -44.35

 

CMYK 47 / 0 / 87 / 3

HEX #82F720

RGB 130 247 32

HSL 92.65, 0.93%, 0.55%

LAB 87.67, -63.81, 80.53

 

CMYK 86 / 46 / 0 / 3

HEX #2285F7

RGB 34 133 247

HSL 212.11, 0.93%, 0.55%

LAB 55.92, 13.9, -64.55

 

CMYK 0 / 86 / 46 / 3

HEX #F72285

RGB 247 34 133

HSL 332.11, 0.93%, 0.55%

LAB 54.67, 79.71, 0.56

 

CMYK 47 / 0 / 87 / 3

HEX #82F720

RGB 130 247 32

HSL 92.65, 0.93%, 0.55%

LAB 87.67, -63.81, 80.53

 

CMYK 86 / 0 / 23 / 3

HEX #22F7BE

RGB 34 247 190

HSL 163.94, 0.93%, 0.55%

LAB 87.28, -60.7, 14.05

 

CMYK 40 / 86 / 0 / 3

HEX #9322F7

RGB 147 34 247

HSL 271.83, 0.93%, 0.55%

LAB 44.32, 78.11, -83.11

 

CMYK 0 / 86 / 64 / 3

HEX #F7225A

RGB 247 34 90

HSL 344.23, 0.93%, 0.55%

LAB 53.66, 76.84, 25.01

 

CMYK 47 / 0 / 87 / 3

HEX #82F720

RGB 130 247 32

HSL 92.65, 0.93%, 0.55%

LAB 87.67, -63.81, 80.53

 

CMYK 86 / 3 / 0 / 3

HEX #22F0F7

RGB 34 240 247

HSL 181.97, 0.93%, 0.55%

LAB 86.69, -42.78, -16.59

 

CMYK 40 / 86 / 0 / 3

HEX #9322F7

RGB 147 34 247

HSL 271.83, 0.93%, 0.55%

LAB 44.32, 78.11, -83.11

 

CMYK 0 / 83 / 86 / 3

HEX #F72922

RGB 247 41 34

HSL 1.97, 0.93%, 0.55%

LAB 53.47, 73.51, 55.7

 

Description

Color code: HEX #82F720 | qconv.com Color code: HEX #82F720 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 247 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 247 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 87 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 87% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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