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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82EF91 it is the complementary color #7D106E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82EF91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82EF91 shade: #87EF8C, #98FF9F, #A9FFB2, #BAFFC5 and #CBFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82EF91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82EF91 shade: #82EF91, #71DD7E, #60CB6B, #4FB958 and #3EA745

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82EF91 shade: #81EF90, #8FEF81, #ADEF81, #CAEF81 and #E8EF81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82EF91 shade: #81EF90, #81EFAD, #81EFCB, #81EFE9 and #81D7EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82EF91 shade matches the following richer shades: #81EF90 and #75FA87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82EF91 shade: #81EF90, #8CE398, #98D7A1, #A3CCA9 and #AFC0B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82EF91 shade: #ADEF81, #8FEF81, #81EF8F, #81EFAD and #81EFCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82EF91 shade: #38E54F, #5CEA70, #81EF90, #A5F3B0 and #CAF8D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82EF91 shade: #82EF91, #81CAEF and #EF819E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82EF91 shade: #82EF91, #8F81EF and #EF8F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82EF91 shade: #82EF91, #81CAEF, #EF81E0 and #EFA581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82EF91 shade: #82EF91, #81A9EF, #EF81E0 and #EFC681

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 39 / 6

HEX #82EF91

RGB 130 239 145

HSL 128.26, 0.77%, 0.72%

LAB 86.27, -50.58, 35.97

 

Complementary color

CMYK 0 / 87 / 12 / 51

HEX #7D106E

RGB 125 16 110

HSL 308.26, 0.77%, 0.28%

LAB 29.05, 52.82, -26.26

 

CMYK 44 / 0 / 41 / 6

HEX #87EF8C

RGB 135 239 140

HSL 122.88, 0.76%, 0.73%

LAB 86.39, -49.95, 38.65

 

CMYK 40 / 0 / 38 / 0

HEX #98FF9F

RGB 152 255 159

HSL 124.08, 1%, 0.8%

LAB 92, -48.93, 36.7

 

CMYK 34 / 0 / 30 / 0

HEX #A9FFB2

RGB 169 255 178

HSL 126.28, 1%, 0.83%

LAB 93.09, -40.91, 28.8

 

CMYK 27 / 0 / 23 / 0

HEX #BAFFC5

RGB 186 255 197

HSL 129.57, 1%, 0.86%

LAB 94.31, -32.51, 20.98

 

CMYK 20 / 0 / 15 / 0

HEX #CBFFD8

RGB 203 255 216

HSL 135, 1%, 0.9%

LAB 95.65, -23.82, 13.29

 

CMYK 46 / 0 / 39 / 6

HEX #82EF91

RGB 130 239 145

HSL 128.26, 0.77%, 0.72%

LAB 86.27, -50.58, 35.97

 

CMYK 49 / 0 / 43 / 13

HEX #71DD7E

RGB 113 221 126

HSL 127.22, 0.61%, 0.65%

LAB 80.03, -50.71, 37.23

 

CMYK 53 / 0 / 47 / 20

HEX #60CB6B

RGB 96 203 107

HSL 126.17, 0.51%, 0.59%

LAB 73.71, -50.74, 38.54

 

CMYK 57 / 0 / 52 / 27

HEX #4FB958

RGB 79 185 88

HSL 125.09, 0.43%, 0.52%

LAB 67.33, -50.62, 39.89

 

CMYK 63 / 0 / 59 / 35

HEX #3EA745

RGB 62 167 69

HSL 124, 0.46%, 0.45%

LAB 60.86, -50.26, 41.23

 

CMYK 46 / 0 / 40 / 6

HEX #81EF90

RGB 129 239 144

HSL 128.18, 0.77%, 0.72%

LAB 86.21, -51.01, 36.39

 

CMYK 40 / 0 / 46 / 6

HEX #8FEF81

RGB 143 239 129

HSL 112.36, 0.77%, 0.72%

LAB 86.58, -49.16, 44.33

 

CMYK 28 / 0 / 46 / 6

HEX #ADEF81

RGB 173 239 129

HSL 96, 0.77%, 0.72%

LAB 88.07, -39.46, 46.51

 

CMYK 15 / 0 / 46 / 6

HEX #CAEF81

RGB 202 239 129

HSL 80.18, 0.77%, 0.72%

LAB 89.8, -29.07, 49.04

 

CMYK 3 / 0 / 46 / 6

HEX #E8EF81

RGB 232 239 129

HSL 63.82, 0.77%, 0.72%

LAB 91.9, -17.65, 52.08

 

CMYK 46 / 0 / 40 / 6

HEX #81EF90

RGB 129 239 144

HSL 128.18, 0.77%, 0.72%

LAB 86.21, -51.01, 36.39

 

CMYK 46 / 0 / 28 / 6

HEX #81EFAD

RGB 129 239 173

HSL 144, 0.77%, 0.72%

LAB 86.71, -46.04, 22.34

 

CMYK 46 / 0 / 15 / 6

HEX #81EFCB

RGB 129 239 203

HSL 160.36, 0.77%, 0.72%

LAB 87.34, -39.95, 7.67

 

CMYK 46 / 0 / 3 / 6

HEX #81EFE9

RGB 129 239 233

HSL 176.73, 0.77%, 0.72%

LAB 88.1, -33.01, -6.92

 

CMYK 46 / 10 / 0 / 6

HEX #81D7EF

RGB 129 215 239

HSL 193.09, 0.77%, 0.72%

LAB 81.57, -19.8, -19.87

 

CMYK 46 / 0 / 40 / 6

HEX #81EF90

RGB 129 239 144

HSL 128.18, 0.77%, 0.72%

LAB 86.21, -51.01, 36.39

 

CMYK 53 / 0 / 46 / 2

HEX #75FA87

RGB 117 250 135

HSL 128.12, 0.93%, 0.72%

LAB 88.88, -59.79, 44.12

 

CMYK 46 / 0 / 40 / 6

HEX #81EF90

RGB 129 239 144

HSL 128.18, 0.77%, 0.72%

LAB 86.21, -51.01, 36.39

 

CMYK 38 / 0 / 33 / 11

HEX #8CE398

RGB 140 227 152

HSL 128.28, 0.61%, 0.72%

LAB 83.33, -41.48, 28.6

 

CMYK 29 / 0 / 25 / 16

HEX #98D7A1

RGB 152 215 161

HSL 128.57, 0.44%, 0.72%

LAB 80.66, -30.76, 20.39

 

CMYK 20 / 0 / 17 / 20

HEX #A3CCA9

RGB 163 204 169

HSL 128.78, 0.29%, 0.72%

LAB 78.37, -20.38, 13.05

 

CMYK 9 / 0 / 8 / 25

HEX #AFC0B1

RGB 175 192 177

HSL 127.06, 0.12%, 0.72%

LAB 76.06, -8.67, 5.57

 

CMYK 28 / 0 / 46 / 6

HEX #ADEF81

RGB 173 239 129

HSL 96, 0.77%, 0.72%

LAB 88.07, -39.46, 46.51

 

CMYK 40 / 0 / 46 / 6

HEX #8FEF81

RGB 143 239 129

HSL 112.36, 0.77%, 0.72%

LAB 86.58, -49.16, 44.33

 

CMYK 46 / 0 / 40 / 6

HEX #81EF8F

RGB 129 239 143

HSL 127.64, 0.77%, 0.72%

LAB 86.2, -51.16, 36.86

 

CMYK 46 / 0 / 28 / 6

HEX #81EFAD

RGB 129 239 173

HSL 144, 0.77%, 0.72%

LAB 86.71, -46.04, 22.34

 

CMYK 46 / 0 / 15 / 6

HEX #81EFCA

RGB 129 239 202

HSL 159.82, 0.77%, 0.72%

LAB 87.32, -40.17, 8.16

 

CMYK 76 / 0 / 66 / 10

HEX #38E54F

RGB 56 229 79

HSL 127.98, 0.77%, 0.56%

LAB 80.43, -71.24, 58.88

 

CMYK 61 / 0 / 52 / 8

HEX #5CEA70

RGB 92 234 112

HSL 128.45, 0.77%, 0.64%

LAB 83.07, -62.72, 47.66

 

CMYK 46 / 0 / 40 / 6

HEX #81EF90

RGB 129 239 144

HSL 128.18, 0.77%, 0.72%

LAB 86.21, -51.01, 36.39

 

CMYK 32 / 0 / 28 / 5

HEX #A5F3B0

RGB 165 243 176

HSL 128.46, 0.76%, 0.8%

LAB 89.5, -37.08, 24.9

 

CMYK 19 / 0 / 16 / 3

HEX #CAF8D0

RGB 202 248 208

HSL 127.83, 0.77%, 0.88%

LAB 93.56, -22.18, 14.42

 

CMYK 46 / 0 / 39 / 6

HEX #82EF91

RGB 130 239 145

HSL 128.26, 0.77%, 0.72%

LAB 86.27, -50.58, 35.97

 

CMYK 46 / 15 / 0 / 6

HEX #81CAEF

RGB 129 202 239

HSL 200.18, 0.77%, 0.72%

LAB 77.96, -13.13, -25.36

 

CMYK 0 / 46 / 34 / 6

HEX #EF819E

RGB 239 129 158

HSL 344.18, 0.77%, 0.72%

LAB 66.92, 45.2, 3.67

 

CMYK 46 / 0 / 39 / 6

HEX #82EF91

RGB 130 239 145

HSL 128.26, 0.77%, 0.72%

LAB 86.27, -50.58, 35.97

 

CMYK 40 / 46 / 0 / 6

HEX #8F81EF

RGB 143 129 239

HSL 247.64, 0.77%, 0.72%

LAB 59.68, 31.34, -53.81

 

CMYK 0 / 40 / 46 / 6

HEX #EF8F81

RGB 239 143 129

HSL 7.64, 0.77%, 0.72%

LAB 69.17, 34.85, 23.07

 

CMYK 46 / 0 / 39 / 6

HEX #82EF91

RGB 130 239 145

HSL 128.26, 0.77%, 0.72%

LAB 86.27, -50.58, 35.97

 

CMYK 46 / 15 / 0 / 6

HEX #81CAEF

RGB 129 202 239

HSL 200.18, 0.77%, 0.72%

LAB 77.96, -13.13, -25.36

 

CMYK 0 / 46 / 6 / 6

HEX #EF81E0

RGB 239 129 224

HSL 308.18, 0.77%, 0.72%

LAB 69.06, 54.75, -30.07

 

CMYK 0 / 31 / 46 / 6

HEX #EFA581

RGB 239 165 129

HSL 19.64, 0.77%, 0.72%

LAB 74.09, 23.26, 29.65

 

CMYK 46 / 0 / 39 / 6

HEX #82EF91

RGB 130 239 145

HSL 128.26, 0.77%, 0.72%

LAB 86.27, -50.58, 35.97

 

CMYK 46 / 29 / 0 / 6

HEX #81A9EF

RGB 129 169 239

HSL 218.18, 0.77%, 0.72%

LAB 68.95, 4.81, -39.26

 

CMYK 0 / 46 / 6 / 6

HEX #EF81E0

RGB 239 129 224

HSL 308.18, 0.77%, 0.72%

LAB 69.06, 54.75, -30.07

 

CMYK 0 / 17 / 46 / 6

HEX #EFC681

RGB 239 198 129

HSL 37.64, 0.77%, 0.72%

LAB 82.01, 5.86, 39.92

 

Description

Color code: HEX #82EF91 | qconv.com Color code: HEX #82EF91 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 239 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 239 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 39 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 39% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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