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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82EAA0 it is the complementary color #7D155F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82EAA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82EAA0 shade: #87EA9B, #98FCAE, #A9FFC1, #BAFFD4 and #CBFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82EAA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82EAA0 shade: #82EAA0, #71D88D, #60C67A, #4FB467 and #3EA254

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82EAA0 shade: #81EA9F, #81EA83, #9BEA81, #B7EA81 and #D4EA81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82EAA0 shade: #81EA9F, #81EABB, #81EAD7, #81DFEA and #81C3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82EAA0 shade matches the following richer shades: #81EA9F and #75F69A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82EAA0 shade: #81EA9F, #8DDEA4, #98D2A9, #A4C6AE and #B0BAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82EAA0 shade: #9BEA81, #81EA82, #81EA9E, #81EABA and #81EAD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82EAA0 shade: #3ADE69, #5DE484, #81EA9F, #A4F0BA and #C7F6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82EAA0 shade: #82EAA0, #81B7EA and #EA818D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82EAA0 shade: #82EAA0, #9E81EA and #EA9E81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82EAA0 shade: #82EAA0, #81B7EA, #EA81CC and #EAB381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82EAA0 shade: #82EAA0, #8197EA, #EA81CC and #EAD381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 32 / 8

HEX #82EAA0

RGB 130 234 160

HSL 137.31, 0.71%, 0.71%

LAB 85.06, -45.99, 26.77

 

Complementary color

CMYK 0 / 83 / 24 / 51

HEX #7D155F

RGB 125 21 95

HSL 317.31, 0.71%, 0.29%

LAB 28.7, 49.43, -17.09

 

CMYK 42 / 0 / 34 / 8

HEX #87EA9B

RGB 135 234 155

HSL 132.12, 0.7%, 0.72%

LAB 85.18, -45.48, 29.52

 

CMYK 40 / 0 / 31 / 1

HEX #98FCAE

RGB 152 252 174

HSL 133.2, 0.94%, 0.79%

LAB 91.39, -45.24, 28.39

 

CMYK 34 / 0 / 24 / 0

HEX #A9FFC1

RGB 169 255 193

HSL 136.74, 1%, 0.83%

LAB 93.37, -38.36, 21.58

 

CMYK 27 / 0 / 17 / 0

HEX #BAFFD4

RGB 186 255 212

HSL 142.61, 1%, 0.86%

LAB 94.62, -29.84, 13.74

 

CMYK 20 / 0 / 9 / 0

HEX #CBFFE7

RGB 203 255 231

HSL 152.31, 1%, 0.9%

LAB 95.99, -21.07, 6.07

 

CMYK 44 / 0 / 32 / 8

HEX #82EAA0

RGB 130 234 160

HSL 137.31, 0.71%, 0.71%

LAB 85.06, -45.99, 26.77

 

CMYK 48 / 0 / 35 / 15

HEX #71D88D

RGB 113 216 141

HSL 136.31, 0.57%, 0.65%

LAB 78.78, -46.19, 27.96

 

CMYK 52 / 0 / 38 / 22

HEX #60C67A

RGB 96 198 122

HSL 135.29, 0.47%, 0.58%

LAB 72.42, -46.32, 29.23

 

CMYK 56 / 0 / 43 / 29

HEX #4FB467

RGB 79 180 103

HSL 134.26, 0.4%, 0.51%

LAB 65.97, -46.35, 30.59

 

CMYK 62 / 0 / 48 / 36

HEX #3EA254

RGB 62 162 84

HSL 133.2, 0.45%, 0.44%

LAB 59.44, -46.2, 32.02

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9F

RGB 129 234 159

HSL 137.14, 0.71%, 0.71%

LAB 85, -46.44, 27.2

 

CMYK 45 / 0 / 44 / 8

HEX #81EA83

RGB 129 234 131

HSL 121.14, 0.71%, 0.71%

LAB 84.56, -50.89, 40.68

 

CMYK 34 / 0 / 45 / 8

HEX #9BEA81

RGB 155 234 129

HSL 105.14, 0.71%, 0.71%

LAB 85.71, -43.27, 43.35

 

CMYK 22 / 0 / 45 / 8

HEX #B7EA81

RGB 183 234 129

HSL 89.14, 0.71%, 0.71%

LAB 87.24, -33.68, 45.6

 

CMYK 9 / 0 / 45 / 8

HEX #D4EA81

RGB 212 234 129

HSL 72.57, 0.71%, 0.71%

LAB 89.12, -22.93, 48.35

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9F

RGB 129 234 159

HSL 137.14, 0.71%, 0.71%

LAB 85, -46.44, 27.2

 

CMYK 45 / 0 / 20 / 8

HEX #81EABB

RGB 129 234 187

HSL 153.14, 0.71%, 0.71%

LAB 85.55, -41.1, 13.47

 

CMYK 45 / 0 / 8 / 8

HEX #81EAD7

RGB 129 234 215

HSL 169.14, 0.71%, 0.71%

LAB 86.22, -34.97, -0.26

 

CMYK 45 / 5 / 0 / 8

HEX #81DFEA

RGB 129 223 234

HSL 186.29, 0.71%, 0.71%

LAB 83.64, -25.09, -14.09

 

CMYK 45 / 17 / 0 / 8

HEX #81C3EA

RGB 129 195 234

HSL 202.29, 0.71%, 0.71%

LAB 75.85, -10.81, -25.9

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9F

RGB 129 234 159

HSL 137.14, 0.71%, 0.71%

LAB 85, -46.44, 27.2

 

CMYK 52 / 0 / 37 / 4

HEX #75F69A

RGB 117 246 154

HSL 137.21, 0.88%, 0.71%

LAB 87.98, -55.28, 33.64

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9F

RGB 129 234 159

HSL 137.14, 0.71%, 0.71%

LAB 85, -46.44, 27.2

 

CMYK 36 / 0 / 26 / 13

HEX #8DDEA4

RGB 141 222 164

HSL 137.04, 0.55%, 0.71%

LAB 82.16, -36.86, 20.8

 

CMYK 28 / 0 / 20 / 18

HEX #98D2A9

RGB 152 210 169

HSL 137.59, 0.39%, 0.71%

LAB 79.4, -26.92, 14.42

 

CMYK 17 / 0 / 12 / 22

HEX #A4C6AE

RGB 164 198 174

HSL 137.65, 0.23%, 0.71%

LAB 76.88, -16.09, 8.27

 

CMYK 5 / 0 / 4 / 27

HEX #B0BAB3

RGB 176 186 179

HSL 138, 0.07%, 0.71%

LAB 74.57, -4.79, 2.34

 

CMYK 34 / 0 / 45 / 8

HEX #9BEA81

RGB 155 234 129

HSL 105.14, 0.71%, 0.71%

LAB 85.71, -43.27, 43.35

 

CMYK 45 / 0 / 44 / 8

HEX #81EA82

RGB 129 234 130

HSL 120.57, 0.71%, 0.71%

LAB 84.55, -51.04, 41.15

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9E

RGB 129 234 158

HSL 136.57, 0.71%, 0.71%

LAB 84.99, -46.61, 27.69

 

CMYK 45 / 0 / 21 / 8

HEX #81EABA

RGB 129 234 186

HSL 152.57, 0.71%, 0.71%

LAB 85.53, -41.31, 13.96

 

CMYK 45 / 0 / 9 / 8

HEX #81EAD6

RGB 129 234 214

HSL 168.57, 0.71%, 0.71%

LAB 86.19, -35.2, 0.23

 

CMYK 74 / 0 / 53 / 13

HEX #3ADE69

RGB 58 222 105

HSL 137.2, 0.71%, 0.55%

LAB 78.56, -65.57, 45.29

 

CMYK 59 / 0 / 42 / 11

HEX #5DE484

RGB 93 228 132

HSL 137.33, 0.71%, 0.63%

LAB 81.55, -57.32, 36.07

 

CMYK 45 / 0 / 32 / 8

HEX #81EA9F

RGB 129 234 159

HSL 137.14, 0.71%, 0.71%

LAB 85, -46.44, 27.2

 

CMYK 32 / 0 / 23 / 6

HEX #A4F0BA

RGB 164 240 186

HSL 137.37, 0.72%, 0.79%

LAB 88.81, -34.26, 18.79

 

CMYK 19 / 0 / 14 / 4

HEX #C7F6D4

RGB 199 246 212

HSL 136.6, 0.72%, 0.87%

LAB 92.93, -21.48, 11.44

 

CMYK 44 / 0 / 32 / 8

HEX #82EAA0

RGB 130 234 160

HSL 137.31, 0.71%, 0.71%

LAB 85.06, -45.99, 26.77

 

CMYK 45 / 22 / 0 / 8

HEX #81B7EA

RGB 129 183 234

HSL 209.14, 0.71%, 0.71%

LAB 72.54, -4.36, -30.97

 

CMYK 0 / 45 / 40 / 8

HEX #EA818D

RGB 234 129 141

HSL 353.14, 0.71%, 0.71%

LAB 65.84, 41.48, 11.65

 

CMYK 44 / 0 / 32 / 8

HEX #82EAA0

RGB 130 234 160

HSL 137.31, 0.71%, 0.71%

LAB 85.06, -45.99, 26.77

 

CMYK 32 / 45 / 0 / 8

HEX #9E81EA

RGB 158 129 234

HSL 256.57, 0.71%, 0.71%

LAB 60.7, 33.82, -49.33

 

CMYK 0 / 32 / 45 / 8

HEX #EA9E81

RGB 234 158 129

HSL 16.57, 0.71%, 0.71%

LAB 71.91, 25.01, 26.66

 

CMYK 44 / 0 / 32 / 8

HEX #82EAA0

RGB 130 234 160

HSL 137.31, 0.71%, 0.71%

LAB 85.06, -45.99, 26.77

 

CMYK 45 / 22 / 0 / 8

HEX #81B7EA

RGB 129 183 234

HSL 209.14, 0.71%, 0.71%

LAB 72.54, -4.36, -30.97

 

CMYK 0 / 45 / 13 / 8

HEX #EA81CC

RGB 234 129 204

HSL 317.14, 0.71%, 0.71%

LAB 67.69, 49.99, -21.12

 

CMYK 0 / 24 / 45 / 8

HEX #EAB381

RGB 234 179 129

HSL 28.57, 0.71%, 0.71%

LAB 76.87, 13.85, 33.2

 

CMYK 44 / 0 / 32 / 8

HEX #82EAA0

RGB 130 234 160

HSL 137.31, 0.71%, 0.71%

LAB 85.06, -45.99, 26.77

 

CMYK 45 / 35 / 0 / 8

HEX #8197EA

RGB 129 151 234

HSL 227.43, 0.71%, 0.71%

LAB 63.95, 13.67, -44.35

 

CMYK 0 / 45 / 13 / 8

HEX #EA81CC

RGB 234 129 204

HSL 317.14, 0.71%, 0.71%

LAB 67.69, 49.99, -21.12

 

CMYK 0 / 10 / 45 / 8

HEX #EAD381

RGB 234 211 129

HSL 46.86, 0.71%, 0.71%

LAB 84.83, -2.86, 43.38

 

Description

Color code: HEX #82EAA0 | qconv.com Color code: HEX #82EAA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 234 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 234 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 32% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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