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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82E8D6 it is the complementary color #7D1729. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82E8D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82E8D6 shade: #87E8D1, #98FAE4, #A9FFF7, #BAFFFF and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82E8D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82E8D6 shade: #82E8D6, #71D6C3, #60C4B0, #4FB29D and #3EA08A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82E8D6 shade: #82E8D6, #82E8BA, #82E89F, #82E883 and #9CE882

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82E8D6 shade: #82E8D6, #82DEE8, #82C3E8, #82A7E8 and #828CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82E8D6 shade matches the following richer shades: #82E8D6 and #76F4DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82E8D6 shade: #82E8D6, #8DDCCE, #99D0C6, #A5C4BE and #B1B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82E8D6 shade: #82E89E, #82E8BA, #82E8D5, #82DFE8 and #82C4E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82E8D6 shade: #3CDBBF, #5FE1CA, #82E8D6, #A4EEE1 and #C7F4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82E8D6 shade: #82E8D6, #8382E8 and #E8AC82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82E8D6 shade: #82E8D6, #D582E8 and #E8D582

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82E8D6 shade: #82E8D6, #8382E8, #E88294 and #E6E882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82E8D6 shade: #82E8D6, #A282E8, #E88294 and #C7E882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

Complementary color

CMYK 0 / 82 / 67 / 51

HEX #7D1729

RGB 125 23 41

HSL 349.41, 0.69%, 0.29%

LAB 27.11, 43.45, 16.69

 

CMYK 42 / 0 / 10 / 9

HEX #87E8D1

RGB 135 232 209

HSL 165.77, 0.68%, 0.72%

LAB 85.74, -33.95, 2.23

 

CMYK 39 / 0 / 9 / 2

HEX #98FAE4

RGB 152 250 228

HSL 166.53, 0.91%, 0.79%

LAB 91.97, -33.8, 1.47

 

CMYK 34 / 0 / 3 / 0

HEX #A9FFF7

RGB 169 255 247

HSL 174.42, 1%, 0.83%

LAB 94.6, -27.54, -4.43

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 47 / 0 / 9 / 16

HEX #71D6C3

RGB 113 214 195

HSL 168.71, 0.55%, 0.64%

LAB 79.35, -34.12, 0.25

 

CMYK 51 / 0 / 10 / 23

HEX #60C4B0

RGB 96 196 176

HSL 168, 0.46%, 0.57%

LAB 72.96, -34.16, 1.09

 

CMYK 56 / 0 / 12 / 30

HEX #4FB29D

RGB 79 178 157

HSL 167.27, 0.39%, 0.5%

LAB 66.47, -34.14, 2

 

CMYK 61 / 0 / 14 / 37

HEX #3EA08A

RGB 62 160 138

HSL 166.53, 0.44%, 0.44%

LAB 59.89, -34.01, 3

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 44 / 0 / 20 / 9

HEX #82E8BA

RGB 130 232 186

HSL 152.94, 0.69%, 0.71%

LAB 85, -40.16, 13.21

 

CMYK 44 / 0 / 31 / 9

HEX #82E89F

RGB 130 232 159

HSL 137.06, 0.69%, 0.71%

LAB 84.46, -45.31, 26.48

 

CMYK 44 / 0 / 44 / 9

HEX #82E883

RGB 130 232 131

HSL 120.59, 0.69%, 0.71%

LAB 84.02, -49.79, 40

 

CMYK 33 / 0 / 44 / 9

HEX #9CE882

RGB 156 232 130

HSL 104.71, 0.69%, 0.71%

LAB 85.2, -41.94, 42.23

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 44 / 4 / 0 / 9

HEX #82DEE8

RGB 130 222 232

HSL 185.88, 0.69%, 0.71%

LAB 83.34, -24.87, -13.47

 

CMYK 44 / 16 / 0 / 9

HEX #82C3E8

RGB 130 195 232

HSL 201.76, 0.69%, 0.71%

LAB 75.82, -11.11, -24.85

 

CMYK 44 / 28 / 0 / 9

HEX #82A7E8

RGB 130 167 232

HSL 218.24, 0.69%, 0.71%

LAB 68.17, 4.19, -36.64

 

CMYK 44 / 40 / 0 / 9

HEX #828CE8

RGB 130 140 232

HSL 234.12, 0.69%, 0.71%

LAB 61.07, 19.75, -47.78

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 52 / 0 / 9 / 4

HEX #76F4DD

RGB 118 244 221

HSL 169.05, 0.85%, 0.71%

LAB 88.82, -40.58, 0.35

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 36 / 0 / 6 / 14

HEX #8DDCCE

RGB 141 220 206

HSL 169.37, 0.53%, 0.71%

LAB 82.54, -27.36, -0.81

 

CMYK 26 / 0 / 5 / 18

HEX #99D0C6

RGB 153 208 198

HSL 169.09, 0.37%, 0.71%

LAB 79.59, -19.8, -0.79

 

CMYK 16 / 0 / 3 / 23

HEX #A5C4BE

RGB 165 196 190

HSL 168.39, 0.21%, 0.71%

LAB 76.8, -11.59, -0.48

 

CMYK 4 / 0 / 1 / 28

HEX #B1B8B7

RGB 177 184 183

HSL 171.43, 0.05%, 0.71%

LAB 74.22, -2.62, -0.35

 

CMYK 44 / 0 / 32 / 9

HEX #82E89E

RGB 130 232 158

HSL 136.47, 0.69%, 0.71%

LAB 84.45, -45.48, 26.96

 

CMYK 44 / 0 / 20 / 9

HEX #82E8BA

RGB 130 232 186

HSL 152.94, 0.69%, 0.71%

LAB 85, -40.16, 13.21

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D5

RGB 130 232 213

HSL 168.82, 0.69%, 0.71%

LAB 85.64, -34.27, -0.05

 

CMYK 44 / 4 / 0 / 9

HEX #82DFE8

RGB 130 223 232

HSL 185.29, 0.69%, 0.71%

LAB 83.62, -25.36, -13.06

 

CMYK 44 / 16 / 0 / 9

HEX #82C4E8

RGB 130 196 232

HSL 201.18, 0.69%, 0.71%

LAB 76.1, -11.64, -24.42

 

CMYK 73 / 0 / 13 / 14

HEX #3CDBBF

RGB 60 219 191

HSL 169.43, 0.69%, 0.55%

LAB 79.26, -46.86, 2.07

 

CMYK 58 / 0 / 10 / 12

HEX #5FE1CA

RGB 95 225 202

HSL 169.38, 0.68%, 0.63%

LAB 82.13, -41.24, 0.51

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 31 / 0 / 5 / 7

HEX #A4EEE1

RGB 164 238 225

HSL 169.46, 0.69%, 0.79%

LAB 89.15, -25.56, -1.02

 

CMYK 18 / 0 / 3 / 4

HEX #C7F4EC

RGB 199 244 236

HSL 169.33, 0.67%, 0.87%

LAB 92.97, -15.93, -0.93

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 44 / 44 / 0 / 9

HEX #8382E8

RGB 131 130 232

HSL 240.59, 0.69%, 0.71%

LAB 58.62, 25.87, -51.67

 

CMYK 0 / 26 / 44 / 9

HEX #E8AC82

RGB 232 172 130

HSL 24.71, 0.69%, 0.71%

LAB 75, 16.87, 30.17

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 8 / 44 / 0 / 9

HEX #D582E8

RGB 213 130 232

HSL 288.82, 0.69%, 0.71%

LAB 66.47, 48.11, -38.76

 

CMYK 0 / 8 / 44 / 9

HEX #E8D582

RGB 232 213 130

HSL 48.82, 0.69%, 0.71%

LAB 85.18, -4.58, 43.29

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 44 / 44 / 0 / 9

HEX #8382E8

RGB 131 130 232

HSL 240.59, 0.69%, 0.71%

LAB 58.62, 25.87, -51.67

 

CMYK 0 / 44 / 36 / 9

HEX #E88294

RGB 232 130 148

HSL 349.41, 0.69%, 0.71%

LAB 65.95, 41.05, 7.82

 

CMYK 1 / 0 / 44 / 9

HEX #E6E882

RGB 230 232 130

HSL 61.18, 0.69%, 0.71%

LAB 89.93, -14.9, 49.16

 

CMYK 44 / 0 / 8 / 9

HEX #82E8D6

RGB 130 232 214

HSL 169.41, 0.69%, 0.71%

LAB 85.66, -34.03, -0.53

 

CMYK 30 / 44 / 0 / 9

HEX #A282E8

RGB 162 130 232

HSL 258.82, 0.69%, 0.71%

LAB 61.2, 33.81, -47.42

 

CMYK 0 / 44 / 36 / 9

HEX #E88294

RGB 232 130 148

HSL 349.41, 0.69%, 0.71%

LAB 65.95, 41.05, 7.82

 

CMYK 14 / 0 / 44 / 9

HEX #C7E882

RGB 199 232 130

HSL 79.41, 0.69%, 0.71%

LAB 87.71, -26.77, 45.93

 

Description

Color code: HEX #82E8D6 | qconv.com Color code: HEX #82E8D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 232 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 232 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 8 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 8% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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