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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82E435 it is the complementary color #7D1BCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82E435. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82E435 shade: #87E430, #98F643, #A9FF56, #BAFF69 and #CBFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82E435. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82E435 shade: #82E435, #71D222, #60C00F, #4FAE00 and #3E9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82E435 shade: #82E335, #B1E335, #E0E335, #E3B835 and #E38935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82E435 shade: #82E335, #53E335, #35E346, #35E375 and #35E3A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82E435 shade matches the following richer shades: #82E335 and #80F622

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82E435 shade: #82E335, #84D148, #86BE5A, #88AC6D and #8B997F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82E435 shade: #E1E335, #B2E335, #84E335, #55E335 and #35E344

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82E435 shade: #5AAE18, #6DD31D, #82E335, #98E859 and #AFED7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82E435 shade: #82E435, #35E3B8 and #E335C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82E435 shade: #82E435, #3584E3 and #E33584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82E435 shade: #82E435, #35E3B8, #9535E3 and #E33561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82E435 shade: #82E435, #35DBE3, #9535E3 and #E33E35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 77 / 11

HEX #82E435

RGB 130 228 53

HSL 93.6, 0.76%, 0.55%

LAB 82.1, -55.84, 70.5

 

Complementary color

CMYK 38 / 87 / 0 / 21

HEX #7D1BCA

RGB 125 27 202

HSL 273.6, 0.76%, 0.45%

LAB 36.76, 67.54, -69.91

 

CMYK 41 / 0 / 79 / 11

HEX #87E430

RGB 135 228 48

HSL 91, 0.77%, 0.54%

LAB 82.3, -54.49, 72.21

 

CMYK 38 / 0 / 73 / 4

HEX #98F643

RGB 152 246 67

HSL 91.51, 0.91%, 0.61%

LAB 88.44, -55.03, 72.54

 

CMYK 34 / 0 / 66 / 0

HEX #A9FF56

RGB 169 255 86

HSL 90.53, 1%, 0.67%

LAB 91.97, -51.76, 69.63

 

CMYK 27 / 0 / 59 / 0

HEX #BAFF69

RGB 186 255 105

HSL 87.6, 1%, 0.71%

LAB 93.01, -44.39, 63.39

 

CMYK 20 / 0 / 51 / 0

HEX #CBFF7C

RGB 203 255 124

HSL 83.82, 1%, 0.74%

LAB 94.17, -36.57, 56.66

 

CMYK 43 / 0 / 77 / 11

HEX #82E435

RGB 130 228 53

HSL 93.6, 0.76%, 0.55%

LAB 82.1, -55.84, 70.5

 

CMYK 46 / 0 / 84 / 18

HEX #71D222

RGB 113 210 34

HSL 93.07, 0.72%, 0.48%

LAB 75.9, -55.13, 69.67

 

CMYK 50 / 0 / 92 / 25

HEX #60C00F

RGB 96 192 15

HSL 92.54, 0.86%, 0.41%

LAB 69.63, -54.11, 67.65

 

CMYK 55 / 0 / 100 / 32

HEX #4FAE00

RGB 79 174 0

HSL 92.76, 1%, 0.34%

LAB 63.29, -52.73, 64.16

 

CMYK 60 / 0 / 100 / 39

HEX #3E9C00

RGB 62 156 0

HSL 96.15, 1%, 0.31%

LAB 56.88, -50.87, 58.86

 

CMYK 43 / 0 / 77 / 11

HEX #82E335

RGB 130 227 53

HSL 93.45, 0.76%, 0.55%

LAB 81.81, -55.45, 70.22

 

CMYK 22 / 0 / 77 / 11

HEX #B1E335

RGB 177 227 53

HSL 77.24, 0.76%, 0.55%

LAB 84.25, -38.85, 73.39

 

CMYK 1 / 0 / 77 / 11

HEX #E0E335

RGB 224 227 53

HSL 61.03, 0.76%, 0.55%

LAB 87.51, -19.98, 77.56

 

CMYK 0 / 19 / 77 / 11

HEX #E3B835

RGB 227 184 53

HSL 45.17, 0.76%, 0.55%

LAB 76.6, 3.04, 67.71

 

CMYK 0 / 40 / 77 / 11

HEX #E38935

RGB 227 137 53

HSL 28.97, 0.76%, 0.55%

LAB 65.34, 28, 57.01

 

CMYK 43 / 0 / 77 / 11

HEX #82E335

RGB 130 227 53

HSL 93.45, 0.76%, 0.55%

LAB 81.81, -55.45, 70.22

 

CMYK 63 / 0 / 77 / 11

HEX #53E335

RGB 83 227 53

HSL 109.66, 0.76%, 0.55%

LAB 80.2, -67.98, 68.12

 

CMYK 77 / 0 / 69 / 11

HEX #35E346

RGB 53 227 70

HSL 125.86, 0.76%, 0.55%

LAB 79.69, -71.87, 61.59

 

CMYK 77 / 0 / 48 / 11

HEX #35E375

RGB 53 227 117

HSL 142.07, 0.76%, 0.55%

LAB 80.17, -66.15, 41.52

 

CMYK 77 / 0 / 28 / 11

HEX #35E3A4

RGB 53 227 164

HSL 158.28, 0.76%, 0.55%

LAB 80.95, -57.33, 18.72

 

CMYK 43 / 0 / 77 / 11

HEX #82E335

RGB 130 227 53

HSL 93.45, 0.76%, 0.55%

LAB 81.81, -55.45, 70.22

 

CMYK 48 / 0 / 86 / 4

HEX #80F622

RGB 128 246 34

HSL 93.4, 0.92%, 0.55%

LAB 87.3, -63.97, 79.81

 

CMYK 43 / 0 / 77 / 11

HEX #82E335

RGB 130 227 53

HSL 93.45, 0.76%, 0.55%

LAB 81.81, -55.45, 70.22

 

CMYK 37 / 0 / 66 / 18

HEX #84D148

RGB 132 209 72

HSL 93.72, 0.6%, 0.55%

LAB 76.66, -46.27, 58.33

 

CMYK 29 / 0 / 53 / 25

HEX #86BE5A

RGB 134 190 90

HSL 93.6, 0.43%, 0.55%

LAB 71.31, -35.54, 44.3

 

CMYK 21 / 0 / 37 / 33

HEX #88AC6D

RGB 136 172 109

HSL 94.29, 0.28%, 0.55%

LAB 66.4, -23.81, 28.52

 

CMYK 9 / 0 / 17 / 40

HEX #8B997F

RGB 139 153 127

HSL 92.31, 0.11%, 0.55%

LAB 61.48, -9.95, 12

 

CMYK 1 / 0 / 77 / 11

HEX #E1E335

RGB 225 227 53

HSL 60.69, 0.76%, 0.55%

LAB 87.58, -19.57, 77.66

 

CMYK 22 / 0 / 77 / 11

HEX #B2E335

RGB 178 227 53

HSL 76.9, 0.76%, 0.55%

LAB 84.31, -38.46, 73.46

 

CMYK 42 / 0 / 77 / 11

HEX #84E335

RGB 132 227 53

HSL 92.76, 0.76%, 0.55%

LAB 81.89, -54.82, 70.34

 

CMYK 63 / 0 / 77 / 11

HEX #55E335

RGB 85 227 53

HSL 108.97, 0.76%, 0.55%

LAB 80.25, -67.55, 68.19

 

CMYK 77 / 0 / 70 / 11

HEX #35E344

RGB 53 227 68

HSL 125.17, 0.76%, 0.55%

LAB 79.68, -72.04, 62.32

 

CMYK 48 / 0 / 86 / 32

HEX #5AAE18

RGB 90 174 24

HSL 93.6, 0.76%, 0.39%

LAB 63.76, -48.83, 60.95

 

CMYK 48 / 0 / 86 / 17

HEX #6DD31D

RGB 109 211 29

HSL 93.63, 0.76%, 0.47%

LAB 76.03, -56.9, 70.81

 

CMYK 43 / 0 / 77 / 11

HEX #82E335

RGB 130 227 53

HSL 93.45, 0.76%, 0.55%

LAB 81.81, -55.45, 70.22

 

CMYK 34 / 0 / 62 / 9

HEX #98E859

RGB 152 232 89

HSL 93.57, 0.76%, 0.63%

LAB 84.54, -47.72, 60.19

 

CMYK 26 / 0 / 47 / 7

HEX #AFED7E

RGB 175 237 126

HSL 93.51, 0.76%, 0.71%

LAB 87.58, -38.22, 47.36

 

CMYK 43 / 0 / 77 / 11

HEX #82E435

RGB 130 228 53

HSL 93.6, 0.76%, 0.55%

LAB 82.1, -55.84, 70.5

 

CMYK 77 / 0 / 19 / 11

HEX #35E3B8

RGB 53 227 184

HSL 165.17, 0.76%, 0.55%

LAB 81.38, -52.72, 8.82

 

CMYK 0 / 77 / 11 / 11

HEX #E335C9

RGB 227 53 201

HSL 308.97, 0.76%, 0.55%

LAB 55.17, 78.54, -38.88

 

CMYK 43 / 0 / 77 / 11

HEX #82E435

RGB 130 228 53

HSL 93.6, 0.76%, 0.55%

LAB 82.1, -55.84, 70.5

 

CMYK 77 / 42 / 0 / 11

HEX #3584E3

RGB 53 132 227

HSL 212.76, 0.76%, 0.55%

LAB 54.87, 8.72, -55.09

 

CMYK 0 / 77 / 42 / 11

HEX #E33584

RGB 227 53 132

HSL 332.76, 0.76%, 0.55%

LAB 52.45, 70.44, -2.53

 

CMYK 43 / 0 / 77 / 11

HEX #82E435

RGB 130 228 53

HSL 93.6, 0.76%, 0.55%

LAB 82.1, -55.84, 70.5

 

CMYK 77 / 0 / 19 / 11

HEX #35E3B8

RGB 53 227 184

HSL 165.17, 0.76%, 0.55%

LAB 81.38, -52.72, 8.82

 

CMYK 34 / 77 / 0 / 11

HEX #9535E3

RGB 149 53 227

HSL 273.1, 0.76%, 0.55%

LAB 44.92, 68.26, -70.83

 

CMYK 0 / 77 / 57 / 11

HEX #E33561

RGB 227 53 97

HSL 344.83, 0.76%, 0.55%

LAB 51.54, 67.63, 17.3

 

CMYK 43 / 0 / 77 / 11

HEX #82E435

RGB 130 228 53

HSL 93.6, 0.76%, 0.55%

LAB 82.1, -55.84, 70.5

 

CMYK 77 / 4 / 0 / 11

HEX #35DBE3

RGB 53 219 227

HSL 182.76, 0.76%, 0.55%

LAB 80.16, -37.73, -15.82

 

CMYK 34 / 77 / 0 / 11

HEX #9535E3

RGB 149 53 227

HSL 273.1, 0.76%, 0.55%

LAB 44.92, 68.26, -70.83

 

CMYK 0 / 73 / 77 / 11

HEX #E33E35

RGB 227 62 53

HSL 3.1, 0.76%, 0.55%

LAB 51.87, 62.52, 43.36

 

Description

Color code: HEX #82E435 | qconv.com Color code: HEX #82E435 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 228 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 228 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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