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Color name
HEX #82DF50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82DF50 it is the complementary color #7D20AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82DF50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82DF50 shade: #87DF4B, #98F15E, #A9FF71, #BAFF84 and #CBFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82DF50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82DF50 shade: #82DF50, #71CD3D, #60BB2A, #4FA917 and #3E9704

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82DF50 shade: #81DF4E, #A8DF4E, #CFDF4E, #DFC84E and #DFA14E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82DF50 shade: #81DF4E, #5ADF4E, #4EDF6A, #4EDF91 and #4EDFB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82DF50 shade matches the following richer shades: #81DF4E and #7CF03D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82DF50 shade: #81DF4E, #86CE5F, #8BBD70, #90AC81 and #959B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82DF50 shade: #CEDF4E, #A7DF4E, #81DF4E, #5ADF4E and #4EDF69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82DF50 shade: #57B922, #68D82B, #81DF4E, #9AE571 and #B3EB94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82DF50 shade: #82DF50, #4EDFC9 and #DF4EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82DF50 shade: #82DF50, #4E81DF and #DF4E81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82DF50 shade: #82DF50, #4EDFC9, #AC4EDF and #DF4E64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82DF50 shade: #82DF50, #4EC9DF, #AC4EDF and #DF644E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 64 / 13

HEX #82DF50

RGB 130 223 80

HSL 99.02, 0.69%, 0.59%

LAB 80.79, -52, 59.51

 

Complementary color

CMYK 29 / 82 / 0 / 31

HEX #7D20AF

RGB 125 32 175

HSL 279.02, 0.69%, 0.41%

LAB 34.98, 60.37, -56.9

 

CMYK 39 / 0 / 66 / 13

HEX #87DF4B

RGB 135 223 75

HSL 95.68, 0.7%, 0.58%

LAB 80.98, -50.81, 61.77

 

CMYK 37 / 0 / 61 / 5

HEX #98F15E

RGB 152 241 94

HSL 96.33, 0.84%, 0.66%

LAB 87.19, -51.02, 61.04

 

CMYK 34 / 0 / 56 / 0

HEX #A9FF71

RGB 169 255 113

HSL 96.34, 1%, 0.72%

LAB 92.2, -49.45, 58.79

 

CMYK 27 / 0 / 48 / 0

HEX #BAFF84

RGB 186 255 132

HSL 93.66, 1%, 0.76%

LAB 93.29, -41.73, 51.68

 

CMYK 20 / 0 / 41 / 0

HEX #CBFF97

RGB 203 255 151

HSL 90, 1%, 0.8%

LAB 94.5, -33.61, 44.38

 

CMYK 42 / 0 / 64 / 13

HEX #82DF50

RGB 130 223 80

HSL 99.02, 0.69%, 0.59%

LAB 80.79, -52, 59.51

 

CMYK 45 / 0 / 70 / 20

HEX #71CD3D

RGB 113 205 61

HSL 98.33, 0.59%, 0.52%

LAB 74.51, -51.68, 60.09

 

CMYK 49 / 0 / 78 / 27

HEX #60BB2A

RGB 96 187 42

HSL 97.66, 0.63%, 0.45%

LAB 68.16, -51.14, 60.14

 

CMYK 53 / 0 / 86 / 34

HEX #4FA917

RGB 79 169 23

HSL 96.99, 0.76%, 0.38%

LAB 61.74, -50.28, 59.24

 

CMYK 59 / 0 / 97 / 41

HEX #3E9704

RGB 62 151 4

HSL 96.33, 0.95%, 0.3%

LAB 55.24, -48.97, 56.92

 

CMYK 42 / 0 / 65 / 13

HEX #81DF4E

RGB 129 223 78

HSL 98.9, 0.69%, 0.59%

LAB 80.73, -52.48, 60.24

 

CMYK 25 / 0 / 65 / 13

HEX #A8DF4E

RGB 168 223 78

HSL 82.76, 0.69%, 0.59%

LAB 82.73, -39.02, 62.96

 

CMYK 7 / 0 / 65 / 13

HEX #CFDF4E

RGB 207 223 78

HSL 66.62, 0.69%, 0.59%

LAB 85.3, -23.8, 66.45

 

CMYK 0 / 10 / 65 / 13

HEX #DFC84E

RGB 223 200 78

HSL 50.48, 0.69%, 0.59%

LAB 80.49, -5.74, 61.81

 

CMYK 0 / 28 / 65 / 13

HEX #DFA14E

RGB 223 161 78

HSL 34.34, 0.69%, 0.59%

LAB 70.68, 14.77, 51.19

 

CMYK 42 / 0 / 65 / 13

HEX #81DF4E

RGB 129 223 78

HSL 98.9, 0.69%, 0.59%

LAB 80.73, -52.48, 60.24

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4E

RGB 90 223 78

HSL 115.03, 0.69%, 0.59%

LAB 79.33, -63.14, 58.31

 

CMYK 65 / 0 / 52 / 13

HEX #4EDF6A

RGB 78 223 106

HSL 131.59, 0.69%, 0.59%

LAB 79.29, -62.43, 45.81

 

CMYK 65 / 0 / 35 / 13

HEX #4EDF91

RGB 78 223 145

HSL 147.72, 0.69%, 0.59%

LAB 79.86, -56.05, 27.17

 

CMYK 65 / 0 / 18 / 13

HEX #4EDFB7

RGB 78 223 183

HSL 163.45, 0.69%, 0.59%

LAB 80.64, -47.94, 8.35

 

CMYK 42 / 0 / 65 / 13

HEX #81DF4E

RGB 129 223 78

HSL 98.9, 0.69%, 0.59%

LAB 80.73, -52.48, 60.24

 

CMYK 48 / 0 / 75 / 6

HEX #7CF03D

RGB 124 240 61

HSL 98.88, 0.86%, 0.59%

LAB 85.47, -61.72, 71.18

 

CMYK 42 / 0 / 65 / 13

HEX #81DF4E

RGB 129 223 78

HSL 98.9, 0.69%, 0.59%

LAB 80.73, -52.48, 60.24

 

CMYK 35 / 0 / 54 / 19

HEX #86CE5F

RGB 134 206 95

HSL 98.92, 0.53%, 0.59%

LAB 76.09, -42.12, 47.62

 

CMYK 26 / 0 / 41 / 26

HEX #8BBD70

RGB 139 189 112

HSL 98.96, 0.37%, 0.59%

LAB 71.59, -30.55, 33.72

 

CMYK 16 / 0 / 25 / 33

HEX #90AC81

RGB 144 172 129

HSL 99.07, 0.21%, 0.59%

LAB 67.29, -17.77, 19.02

 

CMYK 4 / 0 / 6 / 39

HEX #959B92

RGB 149 155 146

HSL 100, 0.04%, 0.59%

LAB 63.27, -3.89, 3.96

 

CMYK 8 / 0 / 65 / 13

HEX #CEDF4E

RGB 206 223 78

HSL 67.03, 0.69%, 0.59%

LAB 85.22, -24.21, 66.35

 

CMYK 25 / 0 / 65 / 13

HEX #A7DF4E

RGB 167 223 78

HSL 83.17, 0.69%, 0.59%

LAB 82.67, -39.39, 62.88

 

CMYK 42 / 0 / 65 / 13

HEX #81DF4E

RGB 129 223 78

HSL 98.9, 0.69%, 0.59%

LAB 80.73, -52.48, 60.24

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4E

RGB 90 223 78

HSL 115.03, 0.69%, 0.59%

LAB 79.33, -63.14, 58.31

 

CMYK 65 / 0 / 53 / 13

HEX #4EDF69

RGB 78 223 105

HSL 131.17, 0.69%, 0.59%

LAB 79.28, -62.57, 46.26

 

CMYK 53 / 0 / 82 / 27

HEX #57B922

RGB 87 185 34

HSL 98.94, 0.69%, 0.43%

LAB 67.16, -53.46, 61.44

 

CMYK 52 / 0 / 80 / 15

HEX #68D82B

RGB 104 216 43

HSL 98.84, 0.69%, 0.51%

LAB 77.42, -59.6, 68.63

 

CMYK 42 / 0 / 65 / 13

HEX #81DF4E

RGB 129 223 78

HSL 98.9, 0.69%, 0.59%

LAB 80.73, -52.48, 60.24

 

CMYK 33 / 0 / 51 / 10

HEX #9AE571

RGB 154 229 113

HSL 98.79, 0.69%, 0.67%

LAB 84.02, -43.37, 48.91

 

CMYK 24 / 0 / 37 / 8

HEX #B3EB94

RGB 179 235 148

HSL 98.62, 0.69%, 0.75%

LAB 87.55, -33.14, 36.6

 

CMYK 42 / 0 / 64 / 13

HEX #82DF50

RGB 130 223 80

HSL 99.02, 0.69%, 0.59%

LAB 80.79, -52, 59.51

 

CMYK 65 / 0 / 10 / 13

HEX #4EDFC9

RGB 78 223 201

HSL 170.9, 0.69%, 0.59%

LAB 81.08, -43.52, -0.56

 

CMYK 0 / 65 / 16 / 13

HEX #DF4EBB

RGB 223 78 187

HSL 314.9, 0.69%, 0.59%

LAB 56.81, 67.4, -28.32

 

CMYK 42 / 0 / 64 / 13

HEX #82DF50

RGB 130 223 80

HSL 99.02, 0.69%, 0.59%

LAB 80.79, -52, 59.51

 

CMYK 65 / 42 / 0 / 13

HEX #4E81DF

RGB 78 129 223

HSL 218.9, 0.69%, 0.59%

LAB 54.71, 12.62, -53.06

 

CMYK 0 / 65 / 42 / 13

HEX #DF4E81

RGB 223 78 129

HSL 338.9, 0.69%, 0.59%

LAB 54.78, 60.37, 2.59

 

CMYK 42 / 0 / 64 / 13

HEX #82DF50

RGB 130 223 80

HSL 99.02, 0.69%, 0.59%

LAB 80.79, -52, 59.51

 

CMYK 65 / 0 / 10 / 13

HEX #4EDFC9

RGB 78 223 201

HSL 170.9, 0.69%, 0.59%

LAB 81.08, -43.52, -0.56

 

CMYK 23 / 65 / 0 / 13

HEX #AC4EDF

RGB 172 78 223

HSL 278.9, 0.69%, 0.59%

LAB 51.32, 61.45, -58.04

 

CMYK 0 / 65 / 55 / 13

HEX #DF4E64

RGB 223 78 100

HSL 350.9, 0.69%, 0.59%

LAB 54.09, 57.83, 18.84

 

CMYK 42 / 0 / 64 / 13

HEX #82DF50

RGB 130 223 80

HSL 99.02, 0.69%, 0.59%

LAB 80.79, -52, 59.51

 

CMYK 65 / 10 / 0 / 13

HEX #4EC9DF

RGB 78 201 223

HSL 189.1, 0.69%, 0.59%

LAB 75.28, -27.21, -21

 

CMYK 23 / 65 / 0 / 13

HEX #AC4EDF

RGB 172 78 223

HSL 278.9, 0.69%, 0.59%

LAB 51.32, 61.45, -58.04

 

CMYK 0 / 55 / 65 / 13

HEX #DF644E

RGB 223 100 78

HSL 9.1, 0.69%, 0.59%

LAB 57.42, 46.52, 35.79

HEX #DF644E

Description

Color code: HEX #82DF50 | qconv.com Color code: HEX #82DF50 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 223 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 223 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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