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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82DC89 it is the complementary color #7D2376. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82DC89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82DC89 shade: #87DC84, #98EE97, #A9FFAA, #BAFFBD and #CBFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82DC89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82DC89 shade: #82DC89, #71CA76, #60B863, #4FA650 and #3E943D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82DC89 shade: #84DC8B, #95DC84, #ADDC84, #C4DC84 and #DCDC84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82DC89 shade: #84DC8B, #84DCA2, #84DCBA, #84DCD2 and #84CEDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82DC89 shade matches the following richer shades: #84DC8B, #77E980 and #6AF675

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82DC89 shade: #84DC8B, #90CF95, #9DC3A0, #AAB6AB and #B7A9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82DC89 shade: #ADDC84, #95DC84, #84DC8A, #84DCA1 and #84DCB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82DC89 shade: #43CA4E, #63D36C, #84DC8B, #A4E5A9 and #C4EEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82DC89 shade: #82DC89, #84C5DC and #DC84A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82DC89 shade: #82DC89, #8A84DC and #DC8A84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82DC89 shade: #82DC89, #84C5DC, #DC84D6 and #DC9B84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82DC89 shade: #82DC89, #84AADC, #DC84D6 and #DCB684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 38 / 14

HEX #82DC89

RGB 130 220 137

HSL 124.67, 0.56%, 0.69%

LAB 80.59, -43.81, 32.55

 

Complementary color

CMYK 0 / 72 / 6 / 51

HEX #7D2376

RGB 125 35 118

HSL 304.67, 0.56%, 0.31%

LAB 31.51, 48.32, -27.48

 

CMYK 39 / 0 / 40 / 14

HEX #87DC84

RGB 135 220 132

HSL 117.95, 0.56%, 0.69%

LAB 80.74, -43.07, 35.32

 

CMYK 36 / 0 / 37 / 7

HEX #98EE97

RGB 152 238 151

HSL 119.31, 0.72%, 0.76%

LAB 87.03, -42.86, 34.14

 

CMYK 34 / 0 / 33 / 0

HEX #A9FFAA

RGB 169 255 170

HSL 120.7, 1%, 0.83%

LAB 92.95, -42.19, 32.63

 

CMYK 27 / 0 / 26 / 0

HEX #BAFFBD

RGB 186 255 189

HSL 122.61, 1%, 0.86%

LAB 94.16, -33.85, 24.84

 

CMYK 20 / 0 / 18 / 0

HEX #CBFFD0

RGB 203 255 208

HSL 125.77, 1%, 0.9%

LAB 95.48, -25.22, 17.15

 

CMYK 41 / 0 / 38 / 14

HEX #82DC89

RGB 130 220 137

HSL 124.67, 0.56%, 0.69%

LAB 80.59, -43.81, 32.55

 

CMYK 44 / 0 / 42 / 21

HEX #71CA76

RGB 113 202 118

HSL 123.37, 0.46%, 0.62%

LAB 74.23, -44, 33.79

 

CMYK 48 / 0 / 46 / 28

HEX #60B863

RGB 96 184 99

HSL 122.05, 0.38%, 0.55%

LAB 67.78, -44.13, 35.09

 

CMYK 52 / 0 / 52 / 35

HEX #4FA650

RGB 79 166 80

HSL 120.69, 0.36%, 0.48%

LAB 61.23, -44.14, 36.42

 

CMYK 58 / 0 / 59 / 42

HEX #3E943D

RGB 62 148 61

HSL 119.31, 0.42%, 0.41%

LAB 54.6, -43.94, 37.75

 

CMYK 40 / 0 / 37 / 14

HEX #84DC8B

RGB 132 220 139

HSL 124.77, 0.56%, 0.69%

LAB 80.71, -42.9, 31.71

 

CMYK 32 / 0 / 40 / 14

HEX #95DC84

RGB 149 220 132

HSL 108.41, 0.56%, 0.69%

LAB 81.42, -38.63, 36.34

 

CMYK 21 / 0 / 40 / 14

HEX #ADDC84

RGB 173 220 132

HSL 92.05, 0.56%, 0.69%

LAB 82.77, -30.38, 38.35

 

CMYK 11 / 0 / 40 / 14

HEX #C4DC84

RGB 196 220 132

HSL 76.36, 0.56%, 0.69%

LAB 84.27, -21.9, 40.57

 

CMYK 0 / 0 / 40 / 14

HEX #DCDC84

RGB 220 220 132

HSL 60, 0.56%, 0.69%

LAB 86.04, -12.65, 43.18

 

CMYK 40 / 0 / 37 / 14

HEX #84DC8B

RGB 132 220 139

HSL 124.77, 0.56%, 0.69%

LAB 80.71, -42.9, 31.71

 

CMYK 40 / 0 / 26 / 14

HEX #84DCA2

RGB 132 220 162

HSL 140.45, 0.56%, 0.69%

LAB 81.13, -38.93, 20.36

 

CMYK 40 / 0 / 15 / 14

HEX #84DCBA

RGB 132 220 186

HSL 156.82, 0.56%, 0.69%

LAB 81.64, -34.16, 8.44

 

CMYK 40 / 0 / 5 / 14

HEX #84DCD2

RGB 132 220 210

HSL 173.18, 0.56%, 0.69%

LAB 82.24, -28.79, -3.42

 

CMYK 40 / 6 / 0 / 14

HEX #84CEDC

RGB 132 206 220

HSL 189.55, 0.56%, 0.69%

LAB 78.59, -19.44, -14.2

 

CMYK 40 / 0 / 37 / 14

HEX #84DC8B

RGB 132 220 139

HSL 124.77, 0.56%, 0.69%

LAB 80.71, -42.9, 31.71

 

CMYK 49 / 0 / 45 / 9

HEX #77E980

RGB 119 233 128

HSL 124.74, 0.72%, 0.69%

LAB 83.84, -53.65, 41.15

 

CMYK 57 / 0 / 52 / 4

HEX #6AF675

RGB 106 246 117

HSL 124.71, 0.89%, 0.69%

LAB 87.12, -63.33, 50.36

 

CMYK 40 / 0 / 37 / 14

HEX #84DC8B

RGB 132 220 139

HSL 124.77, 0.56%, 0.69%

LAB 80.71, -42.9, 31.71

 

CMYK 30 / 0 / 28 / 19

HEX #90CF95

RGB 144 207 149

HSL 124.76, 0.4%, 0.69%

LAB 77.71, -31.63, 22.59

 

CMYK 19 / 0 / 18 / 24

HEX #9DC3A0

RGB 157 195 160

HSL 124.74, 0.24%, 0.69%

LAB 75.29, -19.52, 13.48

 

CMYK 7 / 0 / 6 / 29

HEX #AAB6AB

RGB 170 182 171

HSL 125, 0.08%, 0.69%

LAB 72.85, -6.26, 4.15

 

CMYK 0 / 8 / 1 / 28

HEX #B7A9B6

RGB 183 169 182

HSL 304.29, 0.09%, 0.69%

LAB 70.75, 7.41, -4.85

 

CMYK 21 / 0 / 40 / 14

HEX #ADDC84

RGB 173 220 132

HSL 92.05, 0.56%, 0.69%

LAB 82.77, -30.38, 38.35

 

CMYK 32 / 0 / 40 / 14

HEX #95DC84

RGB 149 220 132

HSL 108.41, 0.56%, 0.69%

LAB 81.42, -38.63, 36.34

 

CMYK 40 / 0 / 37 / 14

HEX #84DC8A

RGB 132 220 138

HSL 124.09, 0.56%, 0.69%

LAB 80.7, -43.06, 32.2

 

CMYK 40 / 0 / 27 / 14

HEX #84DCA1

RGB 132 220 161

HSL 139.77, 0.56%, 0.69%

LAB 81.11, -39.12, 20.86

 

CMYK 40 / 0 / 16 / 14

HEX #84DCB9

RGB 132 220 185

HSL 156.14, 0.56%, 0.69%

LAB 81.62, -34.37, 8.94

 

CMYK 67 / 0 / 61 / 21

HEX #43CA4E

RGB 67 202 78

HSL 124.89, 0.56%, 0.53%

LAB 72.22, -60.7, 50.23

 

CMYK 53 / 0 / 49 / 17

HEX #63D36C

RGB 99 211 108

HSL 124.82, 0.56%, 0.61%

LAB 76.27, -52.99, 41.26

 

CMYK 40 / 0 / 37 / 14

HEX #84DC8B

RGB 132 220 139

HSL 124.77, 0.56%, 0.69%

LAB 80.71, -42.9, 31.71

 

CMYK 28 / 0 / 26 / 10

HEX #A4E5A9

RGB 164 229 169

HSL 124.62, 0.56%, 0.77%

LAB 85.4, -32.13, 22.86

 

CMYK 18 / 0 / 16 / 7

HEX #C4EEC7

RGB 196 238 199

HSL 124.29, 0.55%, 0.85%

LAB 90.33, -20.86, 14.45

 

CMYK 41 / 0 / 38 / 14

HEX #82DC89

RGB 130 220 137

HSL 124.67, 0.56%, 0.69%

LAB 80.59, -43.81, 32.55

 

CMYK 40 / 10 / 0 / 14

HEX #84C5DC

RGB 132 197 220

HSL 195.68, 0.56%, 0.69%

LAB 76.07, -14.82, -17.98

 

CMYK 0 / 40 / 27 / 14

HEX #DC84A1

RGB 220 132 161

HSL 340.23, 0.56%, 0.69%

LAB 65.19, 37.4, -0.83

 

CMYK 41 / 0 / 38 / 14

HEX #82DC89

RGB 130 220 137

HSL 124.67, 0.56%, 0.69%

LAB 80.59, -43.81, 32.55

 

CMYK 37 / 40 / 0 / 14

HEX #8A84DC

RGB 138 132 220

HSL 244.09, 0.56%, 0.69%

LAB 59.04, 23.11, -44.27

 

CMYK 0 / 37 / 40 / 14

HEX #DC8A84

RGB 220 138 132

HSL 4.09, 0.56%, 0.69%

LAB 65.79, 30.59, 16.4

 

CMYK 41 / 0 / 38 / 14

HEX #82DC89

RGB 130 220 137

HSL 124.67, 0.56%, 0.69%

LAB 80.59, -43.81, 32.55

 

CMYK 40 / 10 / 0 / 14

HEX #84C5DC

RGB 132 197 220

HSL 195.68, 0.56%, 0.69%

LAB 76.07, -14.82, -17.98

 

CMYK 0 / 40 / 3 / 14

HEX #DC84D6

RGB 220 132 214

HSL 304.09, 0.56%, 0.69%

LAB 66.96, 45.8, -27.97

 

CMYK 0 / 30 / 40 / 14

HEX #DC9B84

RGB 220 155 132

HSL 15.68, 0.56%, 0.69%

LAB 69.7, 21.46, 21.77

 

CMYK 41 / 0 / 38 / 14

HEX #82DC89

RGB 130 220 137

HSL 124.67, 0.56%, 0.69%

LAB 80.59, -43.81, 32.55

 

CMYK 40 / 23 / 0 / 14

HEX #84AADC

RGB 132 170 220

HSL 214.09, 0.56%, 0.69%

LAB 68.62, -0.3, -29.36

 

CMYK 0 / 40 / 3 / 14

HEX #DC84D6

RGB 220 132 214

HSL 304.09, 0.56%, 0.69%

LAB 66.96, 45.8, -27.97

 

CMYK 0 / 17 / 40 / 14

HEX #DCB684

RGB 220 182 132

HSL 34.09, 0.56%, 0.69%

LAB 76.28, 6.98, 30.58

 

Description

Color code: HEX #82DC89 | qconv.com Color code: HEX #82DC89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 220 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 220 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 38 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 38% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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