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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82D444 it is the complementary color #7D2BBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82D444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82D444 shade: #87D43F, #98E652, #A9F865, #BAFF78 and #CBFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82D444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82D444 shade: #82D444, #71C231, #60B01E, #4F9E0B and #3E8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82D444 shade: #82D544, #A9D544, #D0D544, #D5B244 and #D58B44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82D444 shade: #82D544, #5BD544, #44D554, #44D57B and #44D5A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82D444 shade matches the following richer shades: #82D544, #80E731 and #7DFA1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82D444 shade: #82D544, #85C257, #87AF69, #8A9D7C and #8D8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82D444 shade: #D0D544, #A9D544, #83D544, #5CD544 and #44D552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82D444 shade: #5AA125, #6DC32C, #82D544, #99DC66 and #AFE487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82D444 shade: #82D444, #44D5B3 and #D544BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82D444 shade: #82D444, #4483D5 and #D54483

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82D444 shade: #82D444, #44D5B3, #9644D5 and #D54466

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82D444 shade: #82D444, #44CBD5, #9644D5 and #D54E44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 68 / 17

HEX #82D444

RGB 130 212 68

HSL 94.17, 0.63%, 0.55%

LAB 77.43, -48.5, 60.69

 

Complementary color

CMYK 33 / 77 / 0 / 27

HEX #7D2BBB

RGB 125 43 187

HSL 274.17, 0.63%, 0.45%

LAB 37.25, 59.13, -60.31

 

CMYK 36 / 0 / 70 / 17

HEX #87D43F

RGB 135 212 63

HSL 91.01, 0.63%, 0.54%

LAB 77.64, -47.17, 62.86

 

CMYK 34 / 0 / 64 / 10

HEX #98E652

RGB 152 230 82

HSL 91.62, 0.75%, 0.61%

LAB 83.9, -47.47, 62.36

 

CMYK 32 / 0 / 59 / 3

HEX #A9F865

RGB 169 248 101

HSL 92.24, 0.91%, 0.68%

LAB 90.1, -47.64, 61.57

 

CMYK 27 / 0 / 53 / 0

HEX #BAFF78

RGB 186 255 120

HSL 90.67, 1%, 0.74%

LAB 93.15, -43, 57.02

 

CMYK 20 / 0 / 45 / 0

HEX #CBFF8B

RGB 203 255 139

HSL 86.9, 1%, 0.77%

LAB 94.35, -35.01, 49.92

 

CMYK 39 / 0 / 68 / 17

HEX #82D444

RGB 130 212 68

HSL 94.17, 0.63%, 0.55%

LAB 77.43, -48.5, 60.69

 

CMYK 42 / 0 / 75 / 24

HEX #71C231

RGB 113 194 49

HSL 93.52, 0.6%, 0.48%

LAB 71.09, -48.1, 60.92

 

CMYK 45 / 0 / 83 / 31

HEX #60B01E

RGB 96 176 30

HSL 92.88, 0.71%, 0.4%

LAB 64.67, -47.45, 60.38

 

CMYK 50 / 0 / 93 / 38

HEX #4F9E0B

RGB 79 158 11

HSL 92.24, 0.87%, 0.33%

LAB 58.17, -46.46, 58.5

 

CMYK 56 / 0 / 100 / 45

HEX #3E8C00

RGB 62 140 0

HSL 93.43, 1%, 0.27%

LAB 51.59, -45, 54.69

 

CMYK 39 / 0 / 68 / 16

HEX #82D544

RGB 130 213 68

HSL 94.34, 0.63%, 0.55%

LAB 77.73, -48.91, 61

 

CMYK 21 / 0 / 68 / 16

HEX #A9D544

RGB 169 213 68

HSL 78.21, 0.63%, 0.55%

LAB 79.86, -34.8, 63.88

 

CMYK 2 / 0 / 68 / 16

HEX #D0D544

RGB 208 213 68

HSL 62.07, 0.63%, 0.55%

LAB 82.6, -19.11, 67.53

 

CMYK 0 / 16 / 68 / 16

HEX #D5B244

RGB 213 178 68

HSL 45.52, 0.63%, 0.55%

LAB 73.81, 0.87, 58.72

 

CMYK 0 / 35 / 68 / 16

HEX #D58B44

RGB 213 139 68

HSL 29.38, 0.63%, 0.55%

LAB 64.18, 21.8, 48.45

 

CMYK 39 / 0 / 68 / 16

HEX #82D544

RGB 130 213 68

HSL 94.34, 0.63%, 0.55%

LAB 77.73, -48.91, 61

 

CMYK 57 / 0 / 68 / 16

HEX #5BD544

RGB 91 213 68

HSL 110.48, 0.63%, 0.55%

LAB 76.21, -60.26, 58.94

 

CMYK 68 / 0 / 61 / 16

HEX #44D554

RGB 68 213 84

HSL 126.62, 0.63%, 0.55%

LAB 75.74, -63.6, 51.6

 

CMYK 68 / 0 / 42 / 16

HEX #44D57B

RGB 68 213 123

HSL 142.76, 0.63%, 0.55%

LAB 76.22, -58.01, 33.55

 

CMYK 68 / 0 / 24 / 16

HEX #44D5A2

RGB 68 213 162

HSL 158.9, 0.63%, 0.55%

LAB 76.94, -50.24, 14.2

 

CMYK 39 / 0 / 68 / 16

HEX #82D544

RGB 130 213 68

HSL 94.34, 0.63%, 0.55%

LAB 77.73, -48.91, 61

 

CMYK 45 / 0 / 79 / 9

HEX #80E731

RGB 128 231 49

HSL 93.96, 0.79%, 0.55%

LAB 82.89, -57.82, 72.38

 

CMYK 50 / 0 / 88 / 2

HEX #7DFA1F

RGB 125 250 31

HSL 94.25, 0.96%, 0.55%

LAB 88.37, -66.35, 81.23

 

CMYK 39 / 0 / 68 / 16

HEX #82D544

RGB 130 213 68

HSL 94.34, 0.63%, 0.55%

LAB 77.73, -48.91, 61

 

CMYK 31 / 0 / 55 / 24

HEX #85C257

RGB 133 194 87

HSL 94.21, 0.47%, 0.55%

LAB 72.4, -38.03, 47

 

CMYK 23 / 0 / 40 / 31

HEX #87AF69

RGB 135 175 105

HSL 94.29, 0.3%, 0.55%

LAB 67.15, -26.22, 31.59

 

CMYK 12 / 0 / 21 / 38

HEX #8A9D7C

RGB 138 157 124

HSL 94.55, 0.14%, 0.55%

LAB 62.48, -12.99, 15.07

 

CMYK 1 / 3 / 0 / 44

HEX #8D8A8E

RGB 141 138 142

HSL 285, 0.02%, 0.55%

LAB 57.84, 1.89, -1.74

 

CMYK 2 / 0 / 68 / 16

HEX #D0D544

RGB 208 213 68

HSL 62.07, 0.63%, 0.55%

LAB 82.6, -19.11, 67.53

 

CMYK 21 / 0 / 68 / 16

HEX #A9D544

RGB 169 213 68

HSL 78.21, 0.63%, 0.55%

LAB 79.86, -34.8, 63.88

 

CMYK 38 / 0 / 68 / 16

HEX #83D544

RGB 131 213 68

HSL 93.93, 0.63%, 0.55%

LAB 77.78, -48.58, 61.06

 

CMYK 57 / 0 / 68 / 16

HEX #5CD544

RGB 92 213 68

HSL 110.07, 0.63%, 0.55%

LAB 76.24, -60.02, 58.98

 

CMYK 68 / 0 / 62 / 16

HEX #44D552

RGB 68 213 82

HSL 125.79, 0.63%, 0.55%

LAB 75.72, -63.82, 52.45

 

CMYK 44 / 0 / 77 / 37

HEX #5AA125

RGB 90 161 37

HSL 94.35, 0.63%, 0.39%

LAB 59.7, -42.98, 53.56

 

CMYK 44 / 0 / 77 / 24

HEX #6DC32C

RGB 109 195 44

HSL 94.17, 0.63%, 0.47%

LAB 71.19, -50.09, 62.58

 

CMYK 39 / 0 / 68 / 16

HEX #82D544

RGB 130 213 68

HSL 94.34, 0.63%, 0.55%

LAB 77.73, -48.91, 61

 

CMYK 30 / 0 / 54 / 14

HEX #99DC66

RGB 153 220 102

HSL 94.07, 0.63%, 0.63%

LAB 81.25, -40.98, 50.71

 

CMYK 23 / 0 / 41 / 11

HEX #AFE487

RGB 175 228 135

HSL 94.19, 0.63%, 0.71%

LAB 85.17, -33.02, 39.96

 

CMYK 39 / 0 / 68 / 17

HEX #82D444

RGB 130 212 68

HSL 94.17, 0.63%, 0.55%

LAB 77.43, -48.5, 60.69

 

CMYK 68 / 0 / 16 / 16

HEX #44D5B3

RGB 68 213 179

HSL 165.93, 0.63%, 0.55%

LAB 77.32, -46.23, 5.69

 

CMYK 0 / 68 / 12 / 16

HEX #D544BC

RGB 213 68 188

HSL 310.34, 0.63%, 0.55%

LAB 53.93, 68.79, -33.49

 

CMYK 39 / 0 / 68 / 17

HEX #82D444

RGB 130 212 68

HSL 94.17, 0.63%, 0.55%

LAB 77.43, -48.5, 60.69

 

CMYK 68 / 38 / 0 / 16

HEX #4483D5

RGB 68 131 213

HSL 213.93, 0.63%, 0.55%

LAB 54.31, 6.3, -48.09

 

CMYK 0 / 68 / 38 / 16

HEX #D54483

RGB 213 68 131

HSL 333.93, 0.63%, 0.55%

LAB 51.75, 61.55, -3.24

 

CMYK 39 / 0 / 68 / 17

HEX #82D444

RGB 130 212 68

HSL 94.17, 0.63%, 0.55%

LAB 77.43, -48.5, 60.69

 

CMYK 68 / 0 / 16 / 16

HEX #44D5B3

RGB 68 213 179

HSL 165.93, 0.63%, 0.55%

LAB 77.32, -46.23, 5.69

 

CMYK 30 / 68 / 0 / 16

HEX #9644D5

RGB 150 68 213

HSL 273.93, 0.63%, 0.55%

LAB 46.21, 59.14, -60.73

 

CMYK 0 / 68 / 52 / 16

HEX #D54466

RGB 213 68 102

HSL 345.93, 0.63%, 0.55%

LAB 50.97, 58.85, 13.09

 

CMYK 39 / 0 / 68 / 17

HEX #82D444

RGB 130 212 68

HSL 94.17, 0.63%, 0.55%

LAB 77.43, -48.5, 60.69

 

CMYK 68 / 5 / 0 / 16

HEX #44CBD5

RGB 68 203 213

HSL 184.14, 0.63%, 0.55%

LAB 75.29, -32.58, -15.6

 

CMYK 30 / 68 / 0 / 16

HEX #9644D5

RGB 150 68 213

HSL 273.93, 0.63%, 0.55%

LAB 46.21, 59.14, -60.73

 

CMYK 0 / 63 / 68 / 16

HEX #D54E44

RGB 213 78 68

HSL 4.14, 0.63%, 0.55%

LAB 51.85, 52.48, 34.33

 

Description

Color code: HEX #82D444 | qconv.com Color code: HEX #82D444 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 212 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 212 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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