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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82D1AF it is the complementary color #7D2E50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82D1AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82D1AF shade: #87D1AA, #98E3BD, #A9F5D0, #BAFFE3 and #CBFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82D1AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82D1AF shade: #82D1AF, #71BF9C, #60AD89, #4F9B76 and #3E8963

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82D1AF shade: #80D0AE, #80D098, #80D083, #94D080 and #A9D080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82D1AF shade: #80D0AE, #80D0C3, #80C7D0, #80B2D0 and #809CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82D1AF shade matches the following richer shades: #80D0AE, #72DEB0, #64ECB2 and #56FAB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82D1AF shade: #80D0AE, #8EC2AC, #9CB4AA, #ABA6A8 and #B998A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82D1AF shade: #80D083, #80D098, #80D0AE, #80D0C3 and #80C8D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82D1AF shade: #45B987, #62C59B, #80D0AE, #9FDBC1 and #BDE6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82D1AF shade: #82D1AF, #8093D0 and #D08E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82D1AF shade: #82D1AF, #AE80D0 and #D0AE80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82D1AF shade: #82D1AF, #8093D0, #D080A3 and #D0BE80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82D1AF shade: #82D1AF, #8680D0, #D080A3 and #CBD080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 16 / 18

HEX #82D1AF

RGB 130 209 175

HSL 154.18, 0.46%, 0.66%

LAB 78.14, -31.86, 9.27

 

Complementary color

CMYK 0 / 63 / 36 / 51

HEX #7D2E50

RGB 125 46 80

HSL 334.18, 0.46%, 0.34%

LAB 31.56, 37.78, -2.95

 

CMYK 35 / 0 / 19 / 18

HEX #87D1AA

RGB 135 209 170

HSL 148.38, 0.45%, 0.67%

LAB 78.26, -31.45, 12.15

 

CMYK 33 / 0 / 17 / 11

HEX #98E3BD

RGB 152 227 189

HSL 149.6, 0.57%, 0.74%

LAB 84.63, -31.2, 11.25

 

CMYK 31 / 0 / 15 / 4

HEX #A9F5D0

RGB 169 245 208

HSL 150.79, 0.79%, 0.81%

LAB 90.91, -30.97, 10.41

 

CMYK 27 / 0 / 11 / 0

HEX #BAFFE3

RGB 186 255 227

HSL 155.65, 1%, 0.86%

LAB 94.95, -26.98, 6.51

 

CMYK 20 / 0 / 4 / 0

HEX #CBFFF6

RGB 203 255 246

HSL 169.62, 1%, 0.9%

LAB 96.36, -18.14, -1.12

 

CMYK 38 / 0 / 16 / 18

HEX #82D1AF

RGB 130 209 175

HSL 154.18, 0.46%, 0.66%

LAB 78.14, -31.86, 9.27

 

CMYK 41 / 0 / 18 / 25

HEX #71BF9C

RGB 113 191 156

HSL 153.08, 0.38%, 0.6%

LAB 71.67, -32.1, 10.19

 

CMYK 45 / 0 / 21 / 32

HEX #60AD89

RGB 96 173 137

HSL 151.95, 0.32%, 0.53%

LAB 65.11, -32.33, 11.18

 

CMYK 49 / 0 / 24 / 39

HEX #4F9B76

RGB 79 155 118

HSL 150.79, 0.32%, 0.46%

LAB 58.43, -32.53, 12.26

 

CMYK 55 / 0 / 28 / 46

HEX #3E8963

RGB 62 137 99

HSL 149.6, 0.38%, 0.39%

LAB 51.63, -32.68, 13.46

 

CMYK 38 / 0 / 16 / 18

HEX #80D0AE

RGB 128 208 174

HSL 154.5, 0.46%, 0.66%

LAB 77.73, -32.16, 9.21

 

CMYK 38 / 0 / 27 / 18

HEX #80D098

RGB 128 208 152

HSL 138, 0.46%, 0.66%

LAB 77.26, -36.5, 20.26

 

CMYK 38 / 0 / 37 / 18

HEX #80D083

RGB 128 208 131

HSL 122.25, 0.46%, 0.66%

LAB 76.88, -40.1, 30.72

 

CMYK 29 / 0 / 38 / 18

HEX #94D080

RGB 148 208 128

HSL 105, 0.46%, 0.66%

LAB 77.86, -34.07, 33.72

 

CMYK 19 / 0 / 38 / 18

HEX #A9D080

RGB 169 208 128

HSL 89.25, 0.46%, 0.66%

LAB 79.1, -26.64, 35.58

 

CMYK 38 / 0 / 16 / 18

HEX #80D0AE

RGB 128 208 174

HSL 154.5, 0.46%, 0.66%

LAB 77.73, -32.16, 9.21

 

CMYK 38 / 0 / 6 / 18

HEX #80D0C3

RGB 128 208 195

HSL 170.25, 0.46%, 0.66%

LAB 78.25, -27.52, -1.29

 

CMYK 38 / 4 / 0 / 18

HEX #80C7D0

RGB 128 199 208

HSL 186.75, 0.46%, 0.66%

LAB 76.06, -19.92, -11.53

 

CMYK 38 / 14 / 0 / 18

HEX #80B2D0

RGB 128 178 208

HSL 202.5, 0.46%, 0.66%

LAB 70.16, -8.94, -20.42

 

CMYK 38 / 25 / 0 / 18

HEX #809CD0

RGB 128 156 208

HSL 219, 0.46%, 0.66%

LAB 64.1, 3.23, -29.73

 

CMYK 38 / 0 / 16 / 18

HEX #80D0AE

RGB 128 208 174

HSL 154.5, 0.46%, 0.66%

LAB 77.73, -32.16, 9.21

 

CMYK 49 / 0 / 21 / 13

HEX #72DEB0

RGB 114 222 176

HSL 154.44, 0.62%, 0.66%

LAB 81.27, -41.78, 13.09

 

CMYK 58 / 0 / 25 / 7

HEX #64ECB2

RGB 100 236 178

HSL 154.41, 0.78%, 0.66%

LAB 84.95, -50.45, 17.17

 

CMYK 66 / 0 / 28 / 2

HEX #56FAB4

RGB 86 250 180

HSL 154.39, 0.94%, 0.66%

LAB 88.75, -58.22, 21.37

 

CMYK 38 / 0 / 16 / 18

HEX #80D0AE

RGB 128 208 174

HSL 154.5, 0.46%, 0.66%

LAB 77.73, -32.16, 9.21

 

CMYK 27 / 0 / 11 / 24

HEX #8EC2AC

RGB 142 194 172

HSL 154.62, 0.3%, 0.66%

LAB 74.39, -21.61, 5.59

 

CMYK 13 / 0 / 6 / 29

HEX #9CB4AA

RGB 156 180 170

HSL 155, 0.14%, 0.66%

LAB 71.29, -10.23, 2.31

 

CMYK 0 / 3 / 2 / 33

HEX #ABA6A8

RGB 171 166 168

HSL 336, 0.03%, 0.66%

LAB 68.58, 2.17, -0.4

 

CMYK 0 / 18 / 10 / 27

HEX #B998A6

RGB 185 152 166

HSL 334.55, 0.19%, 0.66%

LAB 66.15, 14.61, -2.69

 

CMYK 38 / 0 / 37 / 18

HEX #80D083

RGB 128 208 131

HSL 122.25, 0.46%, 0.66%

LAB 76.88, -40.1, 30.72

 

CMYK 38 / 0 / 27 / 18

HEX #80D098

RGB 128 208 152

HSL 138, 0.46%, 0.66%

LAB 77.26, -36.5, 20.26

 

CMYK 38 / 0 / 16 / 18

HEX #80D0AE

RGB 128 208 174

HSL 154.5, 0.46%, 0.66%

LAB 77.73, -32.16, 9.21

 

CMYK 38 / 0 / 6 / 18

HEX #80D0C3

RGB 128 208 195

HSL 170.25, 0.46%, 0.66%

LAB 78.25, -27.52, -1.29

 

CMYK 38 / 4 / 0 / 18

HEX #80C8D0

RGB 128 200 208

HSL 186, 0.46%, 0.66%

LAB 76.35, -20.43, -11.11

 

CMYK 63 / 0 / 27 / 27

HEX #45B987

RGB 69 185 135

HSL 154.14, 0.46%, 0.5%

LAB 67.81, -44.44, 15.93

 

CMYK 50 / 0 / 21 / 23

HEX #62C59B

RGB 98 197 155

HSL 154.55, 0.46%, 0.58%

LAB 72.82, -38.98, 12.27

 

CMYK 38 / 0 / 16 / 18

HEX #80D0AE

RGB 128 208 174

HSL 154.5, 0.46%, 0.66%

LAB 77.73, -32.16, 9.21

 

CMYK 27 / 0 / 12 / 14

HEX #9FDBC1

RGB 159 219 193

HSL 154, 0.45%, 0.74%

LAB 82.85, -24.47, 6.65

 

CMYK 18 / 0 / 8 / 10

HEX #BDE6D4

RGB 189 230 212

HSL 153.66, 0.45%, 0.82%

LAB 88.05, -16.8, 4.35

 

CMYK 38 / 0 / 16 / 18

HEX #82D1AF

RGB 130 209 175

HSL 154.18, 0.46%, 0.66%

LAB 78.14, -31.86, 9.27

 

CMYK 38 / 29 / 0 / 18

HEX #8093D0

RGB 128 147 208

HSL 225.75, 0.46%, 0.66%

LAB 61.66, 8.38, -33.5

 

CMYK 0 / 32 / 38 / 18

HEX #D08E80

RGB 208 142 128

HSL 10.5, 0.46%, 0.66%

LAB 65.21, 23.33, 17.62

 

CMYK 38 / 0 / 16 / 18

HEX #82D1AF

RGB 130 209 175

HSL 154.18, 0.46%, 0.66%

LAB 78.14, -31.86, 9.27

 

CMYK 16 / 38 / 0 / 18

HEX #AE80D0

RGB 174 128 208

HSL 274.5, 0.46%, 0.66%

LAB 60.77, 32.71, -34.59

 

CMYK 0 / 16 / 38 / 18

HEX #D0AE80

RGB 208 174 128

HSL 34.5, 0.46%, 0.66%

LAB 73.05, 5.99, 28.23

 

CMYK 38 / 0 / 16 / 18

HEX #82D1AF

RGB 130 209 175

HSL 154.18, 0.46%, 0.66%

LAB 78.14, -31.86, 9.27

 

CMYK 38 / 29 / 0 / 18

HEX #8093D0

RGB 128 147 208

HSL 225.75, 0.46%, 0.66%

LAB 61.66, 8.38, -33.5

 

CMYK 0 / 38 / 22 / 18

HEX #D080A3

RGB 208 128 163

HSL 333.75, 0.46%, 0.66%

LAB 62.92, 35.58, -5.48

 

CMYK 0 / 9 / 38 / 18

HEX #D0BE80

RGB 208 190 128

HSL 46.5, 0.46%, 0.66%

LAB 77.16, -2.48, 33.63

 

CMYK 38 / 0 / 16 / 18

HEX #82D1AF

RGB 130 209 175

HSL 154.18, 0.46%, 0.66%

LAB 78.14, -31.86, 9.27

 

CMYK 36 / 38 / 0 / 18

HEX #8680D0

RGB 134 128 208

HSL 244.5, 0.46%, 0.66%

LAB 57.13, 21.12, -40.55

 

CMYK 0 / 38 / 22 / 18

HEX #D080A3

RGB 208 128 163

HSL 333.75, 0.46%, 0.66%

LAB 62.92, 35.58, -5.48

 

CMYK 2 / 0 / 38 / 18

HEX #CBD080

RGB 203 208 128

HSL 63.75, 0.46%, 0.66%

LAB 81.49, -13.71, 39.13

 

Description

Color code: HEX #82D1AF | qconv.com Color code: HEX #82D1AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 209 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 209 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 16 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 16% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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