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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82CA03 it is the complementary color #7D35FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82CA03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82CA03 shade: #87CA00, #98DC11, #A9EE24, #BAFF37 and #CBFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82CA03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82CA03 shade: #82CA03, #71B800, #60A600, #4F9400 and #3E8200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82CA03 shade: #81C903, #B7C903, #C9A603, #C97003 and #C93B03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82CA03 shade: #81C903, #4CC903, #17C903, #03C925 and #03C95A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82CA03 shade matches the following richer shades: #81C903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82CA03 shade: #81C903, #7DB814, #78A824, #749735 and #6F8745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82CA03 shade: #C9A503, #B8C903, #84C903, #4FC903 and #1AC903

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82CA03 shade: #4D7802, #67A002, #81C903, #9BF204 and #ADFC23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82CA03 shade: #82CA03, #03C970 and #BF03C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82CA03 shade: #82CA03, #0384C9 and #C90384

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82CA03 shade: #82CA03, #03C970, #4803C9 and #C9035C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82CA03 shade: #82CA03, #03C9AB, #4803C9 and #C90321

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 99 / 21

HEX #82CA03

RGB 130 202 3

HSL 81.71, 0.97%, 0.4%

LAB 74.19, -47.01, 73.3

 

Complementary color

CMYK 50 / 79 / 0 / 1

HEX #7D35FC

RGB 125 53 252

HSL 261.71, 0.97%, 0.6%

LAB 44.14, 70.68, -86.31

 

CMYK 33 / 0 / 100 / 21

HEX #87CA00

RGB 135 202 0

HSL 79.9, 1%, 0.4%

LAB 74.44, -45.24, 73.92

 

CMYK 31 / 0 / 92 / 14

HEX #98DC11

RGB 152 220 17

HSL 80.1, 0.86%, 0.46%

LAB 80.68, -46.33, 77.47

 

CMYK 29 / 0 / 85 / 7

HEX #A9EE24

RGB 169 238 36

HSL 80.5, 0.86%, 0.54%

LAB 86.86, -47.24, 79.79

 

CMYK 27 / 0 / 78 / 0

HEX #BAFF37

RGB 186 255 55

HSL 80.7, 1%, 0.61%

LAB 92.68, -47.54, 80.75

 

CMYK 20 / 0 / 71 / 0

HEX #CBFF4A

RGB 203 255 74

HSL 77.24, 1%, 0.65%

LAB 93.76, -40.34, 76.35

 

CMYK 36 / 0 / 99 / 21

HEX #82CA03

RGB 130 202 3

HSL 81.71, 0.97%, 0.4%

LAB 74.19, -47.01, 73.3

 

CMYK 39 / 0 / 100 / 28

HEX #71B800

RGB 113 184 0

HSL 83.15, 1%, 0.36%

LAB 67.87, -45.68, 68.35

 

CMYK 42 / 0 / 100 / 35

HEX #60A600

RGB 96 166 0

HSL 85.3, 1%, 0.33%

LAB 61.45, -44.26, 63.02

 

CMYK 47 / 0 / 100 / 42

HEX #4F9400

RGB 79 148 0

HSL 87.97, 1%, 0.29%

LAB 54.91, -42.76, 57.59

 

CMYK 52 / 0 / 100 / 49

HEX #3E8200

RGB 62 130 0

HSL 91.38, 1%, 0.25%

LAB 48.25, -41.12, 52.06

 

CMYK 36 / 0 / 99 / 21

HEX #81C903

RGB 129 201 3

HSL 81.82, 0.97%, 0.4%

LAB 73.83, -46.95, 73

 

CMYK 9 / 0 / 99 / 21

HEX #B7C903

RGB 183 201 3

HSL 65.45, 0.97%, 0.4%

LAB 77.19, -25.64, 77.03

 

CMYK 0 / 17 / 99 / 21

HEX #C9A603

RGB 201 166 3

HSL 49.39, 0.97%, 0.4%

LAB 69.25, 0.03, 71.91

 

CMYK 0 / 44 / 99 / 21

HEX #C97003

RGB 201 112 3

HSL 33.03, 0.97%, 0.4%

LAB 56.1, 29.27, 62.94

 

CMYK 0 / 71 / 99 / 21

HEX #C93B03

RGB 201 59 3

HSL 16.97, 0.97%, 0.4%

LAB 46.38, 54.3, 57.22

 

CMYK 36 / 0 / 99 / 21

HEX #81C903

RGB 129 201 3

HSL 81.82, 0.97%, 0.4%

LAB 73.83, -46.95, 73

 

CMYK 62 / 0 / 99 / 21

HEX #4CC903

RGB 76 201 3

HSL 97.88, 0.97%, 0.4%

LAB 71.77, -62.8, 70.49

 

CMYK 89 / 0 / 99 / 21

HEX #17C903

RGB 23 201 3

HSL 113.94, 0.97%, 0.4%

LAB 70.84, -70.83, 69.36

 

CMYK 99 / 0 / 82 / 21

HEX #03C925

RGB 3 201 37

HSL 130.3, 0.97%, 0.4%

LAB 70.82, -70.72, 63.47

 

CMYK 99 / 0 / 55 / 21

HEX #03C95A

RGB 3 201 90

HSL 146.36, 0.97%, 0.4%

LAB 71.24, -65.48, 43.39

 

CMYK 36 / 0 / 99 / 21

HEX #81C903

RGB 129 201 3

HSL 81.82, 0.97%, 0.4%

LAB 73.83, -46.95, 73

 

CMYK 36 / 0 / 99 / 21

HEX #81C903

RGB 129 201 3

HSL 81.82, 0.97%, 0.4%

LAB 73.83, -46.95, 73

 

CMYK 32 / 0 / 89 / 28

HEX #7DB814

RGB 125 184 20

HSL 81.59, 0.8%, 0.4%

LAB 68.53, -40.92, 66.49

 

CMYK 29 / 0 / 79 / 34

HEX #78A824

RGB 120 168 36

HSL 81.82, 0.65%, 0.4%

LAB 63.45, -35.14, 57.99

 

CMYK 23 / 0 / 65 / 41

HEX #749735

RGB 116 151 53

HSL 81.43, 0.48%, 0.4%

LAB 58.13, -27.65, 46.16

 

CMYK 18 / 0 / 49 / 47

HEX #6F8745

RGB 111 135 69

HSL 81.82, 0.32%, 0.4%

LAB 53.1, -20.09, 32.5

 

CMYK 0 / 18 / 99 / 21

HEX #C9A503

RGB 201 165 3

HSL 49.09, 0.97%, 0.4%

LAB 68.99, 0.56, 71.73

 

CMYK 8 / 0 / 99 / 21

HEX #B8C903

RGB 184 201 3

HSL 65.15, 0.97%, 0.4%

LAB 77.26, -25.22, 77.12

 

CMYK 34 / 0 / 99 / 21

HEX #84C903

RGB 132 201 3

HSL 80.91, 0.97%, 0.4%

LAB 73.99, -45.87, 73.19

 

CMYK 61 / 0 / 99 / 21

HEX #4FC903

RGB 79 201 3

HSL 96.97, 0.97%, 0.4%

LAB 71.85, -62.09, 70.6

 

CMYK 87 / 0 / 99 / 21

HEX #1AC903

RGB 26 201 3

HSL 113.03, 0.97%, 0.4%

LAB 70.87, -70.6, 69.4

 

CMYK 36 / 0 / 98 / 53

HEX #4D7802

RGB 77 120 2

HSL 81.86, 0.97%, 0.24%

LAB 45.65, -31.39, 49.92

 

CMYK 36 / 0 / 99 / 37

HEX #67A002

RGB 103 160 2

HSL 81.65, 0.98%, 0.32%

LAB 59.92, -39.16, 61.69

 

CMYK 36 / 0 / 99 / 21

HEX #81C903

RGB 129 201 3

HSL 81.82, 0.97%, 0.4%

LAB 73.83, -46.95, 73

 

CMYK 36 / 0 / 98 / 5

HEX #9BF204

RGB 155 242 4

HSL 81.93, 0.97%, 0.48%

LAB 87.23, -54.43, 83.91

 

CMYK 31 / 0 / 86 / 1

HEX #ADFC23

RGB 173 252 35

HSL 81.84, 0.97%, 0.56%

LAB 91.06, -51.64, 83.63

 

CMYK 36 / 0 / 99 / 21

HEX #82CA03

RGB 130 202 3

HSL 81.71, 0.97%, 0.4%

LAB 74.19, -47.01, 73.3

 

CMYK 99 / 0 / 44 / 21

HEX #03C970

RGB 3 201 112

HSL 153.03, 0.97%, 0.4%

LAB 71.53, -61.92, 32.91

 

CMYK 5 / 99 / 0 / 21

HEX #BF03C9

RGB 191 3 201

HSL 296.97, 0.97%, 0.4%

LAB 46.12, 80.29, -53.64

 

CMYK 36 / 0 / 99 / 21

HEX #82CA03

RGB 130 202 3

HSL 81.71, 0.97%, 0.4%

LAB 74.19, -47.01, 73.3

 

CMYK 99 / 34 / 0 / 21

HEX #0384C9

RGB 3 132 201

HSL 200.91, 0.97%, 0.4%

LAB 52.66, -4.47, -43.99

 

CMYK 0 / 99 / 34 / 21

HEX #C90384

RGB 201 3 132

HSL 320.91, 0.97%, 0.4%

LAB 44.45, 73.28, -15.02

 

CMYK 36 / 0 / 99 / 21

HEX #82CA03

RGB 130 202 3

HSL 81.71, 0.97%, 0.4%

LAB 74.19, -47.01, 73.3

 

CMYK 99 / 0 / 44 / 21

HEX #03C970

RGB 3 201 112

HSL 153.03, 0.97%, 0.4%

LAB 71.53, -61.92, 32.91

 

CMYK 64 / 99 / 0 / 21

HEX #4803C9

RGB 72 3 201

HSL 260.91, 0.97%, 0.4%

LAB 28.54, 67.27, -83.12

 

CMYK 0 / 99 / 54 / 21

HEX #C9035C

RGB 201 3 92

HSL 333.03, 0.97%, 0.4%

LAB 43.15, 69.85, 7.96

 

CMYK 36 / 0 / 99 / 21

HEX #82CA03

RGB 130 202 3

HSL 81.71, 0.97%, 0.4%

LAB 74.19, -47.01, 73.3

 

CMYK 99 / 0 / 15 / 21

HEX #03C9AB

RGB 3 201 171

HSL 170.91, 0.97%, 0.4%

LAB 72.72, -48.62, 3.24

 

CMYK 64 / 99 / 0 / 21

HEX #4803C9

RGB 72 3 201

HSL 260.91, 0.97%, 0.4%

LAB 28.54, 67.27, -83.12

 

CMYK 0 / 99 / 84 / 21

HEX #C90321

RGB 201 3 33

HSL 350.91, 0.97%, 0.4%

LAB 42.14, 67.14, 42.77

 

Description

Color code: HEX #82CA03 | qconv.com Color code: HEX #82CA03 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 202 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 202 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 99 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 99% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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