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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82C229 it is the complementary color #7D3DD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82C229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82C229 shade: #87C224, #98D437, #A9E64A, #BAF85D and #CBFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82C229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82C229 shade: #82C229, #71B016, #609E03, #4F8C00 and #3E7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82C229 shade: #82C229, #ABC229, #C2AF29, #C28629 and #C25D29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82C229 shade: #82C229, #59C229, #30C229, #29C24C and #29C275

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82C229 shade matches the following richer shades: #82C229, #85D516 and #88E803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82C229 shade: #82C229, #7FAF3C, #7C9C4F, #788962 and #757675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82C229 shade: #C2B029, #ABC229, #82C229, #59C229 and #31C229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82C229 shade: #547D1B, #6BA022, #82C229, #96D63E and #A9DD60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82C229 shade: #82C229, #29C287 and #C229BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82C229 shade: #82C229, #2982C2 and #C22982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82C229 shade: #82C229, #29C287, #6929C2 and #C22964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82C229 shade: #82C229, #29C2B5, #6929C2 and #C22936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

Complementary color

CMYK 42 / 71 / 0 / 16

HEX #7D3DD6

RGB 125 61 214

HSL 265.1, 0.65%, 0.54%

LAB 42.08, 57.87, -68.15

 

CMYK 30 / 0 / 81 / 24

HEX #87C224

RGB 135 194 36

HSL 82.41, 0.69%, 0.45%

LAB 72.14, -40.98, 66.23

 

CMYK 28 / 0 / 74 / 17

HEX #98D437

RGB 152 212 55

HSL 82.93, 0.65%, 0.52%

LAB 78.48, -41.58, 66.79

 

CMYK 27 / 0 / 68 / 10

HEX #A9E64A

RGB 169 230 74

HSL 83.46, 0.76%, 0.6%

LAB 84.75, -42.01, 66.64

 

CMYK 25 / 0 / 63 / 3

HEX #BAF85D

RGB 186 248 93

HSL 84, 0.92%, 0.67%

LAB 90.95, -42.32, 66.08

 

CMYK 20 / 0 / 56 / 0

HEX #CBFF70

RGB 203 255 112

HSL 81.82, 1%, 0.72%

LAB 94.05, -37.68, 61.84

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 36 / 0 / 88 / 31

HEX #71B016

RGB 113 176 22

HSL 84.55, 0.78%, 0.39%

LAB 65.45, -41.87, 63.26

 

CMYK 39 / 0 / 98 / 38

HEX #609E03

RGB 96 158 3

HSL 84, 0.96%, 0.32%

LAB 58.93, -40.87, 60.61

 

CMYK 44 / 0 / 100 / 45

HEX #4F8C00

RGB 79 140 0

HSL 86.14, 1%, 0.27%

LAB 52.31, -39.46, 55.56

 

CMYK 49 / 0 / 100 / 52

HEX #3E7A00

RGB 62 122 0

HSL 89.51, 1%, 0.24%

LAB 45.56, -37.89, 49.96

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 12 / 0 / 79 / 24

HEX #ABC229

RGB 171 194 41

HSL 69.02, 0.65%, 0.46%

LAB 74.45, -26.47, 67.79

 

CMYK 0 / 10 / 79 / 24

HEX #C2AF29

RGB 194 175 41

HSL 52.55, 0.65%, 0.46%

LAB 71.07, -7.03, 65.46

 

CMYK 0 / 31 / 79 / 24

HEX #C28629

RGB 194 134 41

HSL 36.47, 0.65%, 0.46%

LAB 60.5, 15.08, 55.83

 

CMYK 0 / 52 / 79 / 24

HEX #C25D29

RGB 194 93 41

HSL 20.39, 0.65%, 0.46%

LAB 51.22, 37.16, 46.98

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 54 / 0 / 79 / 24

HEX #59C229

RGB 89 194 41

HSL 101.18, 0.65%, 0.46%

LAB 70.08, -55.85, 62.17

 

CMYK 75 / 0 / 79 / 24

HEX #30C229

RGB 48 194 41

HSL 117.25, 0.65%, 0.46%

LAB 69.02, -64.62, 60.79

 

CMYK 79 / 0 / 61 / 24

HEX #29C24C

RGB 41 194 76

HSL 133.73, 0.65%, 0.46%

LAB 69.17, -62.4, 47.5

 

CMYK 79 / 0 / 40 / 24

HEX #29C275

RGB 41 194 117

HSL 149.8, 0.65%, 0.46%

LAB 69.71, -55.99, 28.01

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 38 / 0 / 90 / 16

HEX #85D516

RGB 133 213 22

HSL 85.13, 0.81%, 0.46%

LAB 77.66, -50.12, 73.89

 

CMYK 41 / 0 / 99 / 9

HEX #88E803

RGB 136 232 3

HSL 85.15, 0.97%, 0.46%

LAB 83.42, -56.9, 80.64

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 27 / 0 / 66 / 31

HEX #7FAF3C

RGB 127 175 60

HSL 85.04, 0.49%, 0.46%

LAB 66.13, -34.11, 51.94

 

CMYK 21 / 0 / 49 / 39

HEX #7C9C4F

RGB 124 156 79

HSL 84.94, 0.33%, 0.46%

LAB 60.45, -24.35, 36.5

 

CMYK 12 / 0 / 28 / 46

HEX #788962

RGB 120 137 98

HSL 86.15, 0.17%, 0.46%

LAB 54.83, -13.49, 18.93

 

CMYK 1 / 0 / 1 / 54

HEX #757675

RGB 117 118 117

HSL 120, 0%, 0.46%

LAB 49.52, -0.58, 0.41

 

CMYK 0 / 9 / 79 / 24

HEX #C2B029

RGB 194 176 41

HSL 52.94, 0.65%, 0.46%

LAB 71.34, -7.55, 65.7

 

CMYK 12 / 0 / 79 / 24

HEX #ABC229

RGB 171 194 41

HSL 69.02, 0.65%, 0.46%

LAB 74.45, -26.47, 67.79

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 54 / 0 / 79 / 24

HEX #59C229

RGB 89 194 41

HSL 101.18, 0.65%, 0.46%

LAB 70.08, -55.85, 62.17

 

CMYK 75 / 0 / 79 / 24

HEX #31C229

RGB 49 194 41

HSL 116.86, 0.65%, 0.46%

LAB 69.04, -64.47, 60.81

 

CMYK 33 / 0 / 78 / 51

HEX #547D1B

RGB 84 125 27

HSL 85.1, 0.64%, 0.3%

LAB 47.79, -29.93, 45.46

 

CMYK 33 / 0 / 79 / 37

HEX #6BA022

RGB 107 160 34

HSL 85.24, 0.65%, 0.38%

LAB 60.23, -36.63, 55.35

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 30 / 0 / 71 / 16

HEX #96D63E

RGB 150 214 62

HSL 85.26, 0.65%, 0.54%

LAB 79, -42.77, 64.85

 

CMYK 24 / 0 / 57 / 13

HEX #A9DD60

RGB 169 221 96

HSL 84.96, 0.65%, 0.62%

LAB 82.37, -36.27, 54.98

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 79 / 0 / 30 / 24

HEX #29C287

RGB 41 194 135

HSL 156.86, 0.65%, 0.46%

LAB 70.04, -52.3, 18.92

 

CMYK 0 / 79 / 2 / 24

HEX #C229BF

RGB 194 41 191

HSL 301.18, 0.65%, 0.46%

LAB 48.03, 73.46, -44.75

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 79 / 33 / 0 / 24

HEX #2982C2

RGB 41 130 194

HSL 205.1, 0.65%, 0.46%

LAB 52.21, -3.54, -40.69

 

CMYK 0 / 79 / 33 / 24

HEX #C22982

RGB 194 41 130

HSL 325.1, 0.65%, 0.46%

LAB 45.17, 65.29, -12.81

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 79 / 0 / 30 / 24

HEX #29C287

RGB 41 194 135

HSL 156.86, 0.65%, 0.46%

LAB 70.04, -52.3, 18.92

 

CMYK 46 / 79 / 0 / 24

HEX #6929C2

RGB 105 41 194

HSL 265.1, 0.65%, 0.46%

LAB 34.97, 58.41, -68.26

 

CMYK 0 / 79 / 48 / 24

HEX #C22964

RGB 194 41 100

HSL 336.86, 0.65%, 0.46%

LAB 44.2, 62.34, 4.26

 

CMYK 33 / 0 / 79 / 24

HEX #82C229

RGB 130 194 41

HSL 85.1, 0.65%, 0.46%

LAB 71.89, -42.61, 64.51

 

CMYK 79 / 0 / 7 / 24

HEX #29C2B5

RGB 41 194 181

HSL 174.9, 0.65%, 0.46%

LAB 71.14, -40.76, -4.46

 

CMYK 46 / 79 / 0 / 24

HEX #6929C2

RGB 105 41 194

HSL 265.1, 0.65%, 0.46%

LAB 34.97, 58.41, -68.26

 

CMYK 0 / 79 / 72 / 24

HEX #C22936

RGB 194 41 54

HSL 354.9, 0.65%, 0.46%

LAB 43.24, 59.38, 31.43

 

Description

Color code: HEX #82C229 | qconv.com Color code: HEX #82C229 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 194 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 194 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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