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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82B70D it is the complementary color #7D48F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82B70D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82B70D shade: #87B708, #98C91B, #A9DB2E, #BAED41 and #CBFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82B70D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82B70D shade: #82B70D, #71A500, #609300, #4F8100 and #3E6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82B70D shade: #81B50D, #AEB50D, #B58F0D, #B5610D and #B5340D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82B70D shade: #81B50D, #53B50D, #26B50D, #0DB521 and #0DB54E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82B70D shade matches the following richer shades: #81B50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82B70D shade: #81B50D, #7BA61C, #75962C, #6F863C and #69764B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82B70D shade: #B58E0D, #B0B50D, #83B50D, #56B50D and #29B50D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82B70D shade: #4A6807, #658F0A, #81B50D, #9CDC0F and #B0F025

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82B70D shade: #82B70D, #0DB561 and #A40DB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82B70D shade: #82B70D, #0D83B5 and #B50D83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82B70D shade: #82B70D, #0DB561, #3F0DB5 and #B50D61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82B70D shade: #82B70D, #0DB593, #3F0DB5 and #B50D2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 93 / 28

HEX #82B70D

RGB 130 183 13

HSL 78.71, 0.87%, 0.38%

LAB 68.49, -38.73, 67.68

 

Complementary color

CMYK 48 / 70 / 0 / 5

HEX #7D48F2

RGB 125 72 242

HSL 258.71, 0.87%, 0.62%

LAB 46.18, 59.84, -77.35

 

CMYK 26 / 0 / 96 / 28

HEX #87B708

RGB 135 183 8

HSL 76.46, 0.92%, 0.37%

LAB 68.78, -36.86, 68.64

 

CMYK 24 / 0 / 87 / 21

HEX #98C91B

RGB 152 201 27

HSL 76.9, 0.76%, 0.45%

LAB 75.16, -37.86, 71.32

 

CMYK 23 / 0 / 79 / 14

HEX #A9DB2E

RGB 169 219 46

HSL 77.34, 0.71%, 0.52%

LAB 81.45, -38.66, 72.65

 

CMYK 22 / 0 / 73 / 7

HEX #BAED41

RGB 186 237 65

HSL 77.79, 0.83%, 0.59%

LAB 87.67, -39.28, 73.06

 

CMYK 20 / 0 / 67 / 0

HEX #CBFF54

RGB 203 255 84

HSL 78.25, 1%, 0.66%

LAB 93.82, -39.76, 72.88

 

CMYK 29 / 0 / 93 / 28

HEX #82B70D

RGB 130 183 13

HSL 78.71, 0.87%, 0.38%

LAB 68.49, -38.73, 67.68

 

CMYK 32 / 0 / 100 / 35

HEX #71A500

RGB 113 165 0

HSL 78.91, 1%, 0.32%

LAB 62.02, -37.57, 63.84

 

CMYK 35 / 0 / 100 / 42

HEX #609300

RGB 96 147 0

HSL 80.82, 1%, 0.29%

LAB 55.44, -36.17, 58.36

 

CMYK 39 / 0 / 100 / 49

HEX #4F8100

RGB 79 129 0

HSL 83.26, 1%, 0.25%

LAB 48.71, -34.73, 52.77

 

CMYK 44 / 0 / 100 / 56

HEX #3E6F00

RGB 62 111 0

HSL 86.49, 1%, 0.22%

LAB 41.83, -33.21, 47.05

 

CMYK 29 / 0 / 93 / 29

HEX #81B50D

RGB 129 181 13

HSL 78.57, 0.87%, 0.38%

LAB 67.83, -38.23, 67.12

 

CMYK 4 / 0 / 93 / 29

HEX #AEB50D

RGB 174 181 13

HSL 62.5, 0.87%, 0.38%

LAB 70.92, -19.55, 70.88

 

CMYK 0 / 21 / 93 / 29

HEX #B58F0D

RGB 181 143 13

HSL 46.43, 0.87%, 0.38%

LAB 61.22, 3.58, 63.74

 

CMYK 0 / 46 / 93 / 29

HEX #B5610D

RGB 181 97 13

HSL 30, 0.87%, 0.38%

LAB 49.98, 28.99, 55.44

 

CMYK 0 / 71 / 93 / 29

HEX #B5340D

RGB 181 52 13

HSL 13.93, 0.87%, 0.38%

LAB 41.7, 50.43, 49.66

 

CMYK 29 / 0 / 93 / 29

HEX #81B50D

RGB 129 181 13

HSL 78.57, 0.87%, 0.38%

LAB 67.83, -38.23, 67.12

 

CMYK 54 / 0 / 93 / 29

HEX #53B50D

RGB 83 181 13

HSL 95, 0.87%, 0.38%

LAB 65.68, -53.88, 64.48

 

CMYK 79 / 0 / 93 / 29

HEX #26B50D

RGB 38 181 13

HSL 111.07, 0.87%, 0.38%

LAB 64.55, -63.34, 63.09

 

CMYK 93 / 0 / 82 / 29

HEX #0DB521

RGB 13 181 33

HSL 127.14, 0.87%, 0.38%

LAB 64.36, -64.85, 58.57

 

CMYK 93 / 0 / 57 / 29

HEX #0DB54E

RGB 13 181 78

HSL 143.21, 0.87%, 0.38%

LAB 64.71, -60.41, 41.29

 

CMYK 29 / 0 / 93 / 29

HEX #81B50D

RGB 129 181 13

HSL 78.57, 0.87%, 0.38%

LAB 67.83, -38.23, 67.12

 

CMYK 29 / 0 / 93 / 29

HEX #81B50D

RGB 129 181 13

HSL 78.57, 0.87%, 0.38%

LAB 67.83, -38.23, 67.12

 

CMYK 26 / 0 / 83 / 35

HEX #7BA61C

RGB 123 166 28

HSL 78.7, 0.71%, 0.38%

LAB 62.98, -33.39, 59.94

 

CMYK 22 / 0 / 71 / 41

HEX #75962C

RGB 117 150 44

HSL 78.68, 0.55%, 0.38%

LAB 57.82, -27.42, 49.63

 

CMYK 17 / 0 / 55 / 47

HEX #6F863C

RGB 111 134 60

HSL 78.65, 0.38%, 0.38%

LAB 52.68, -20.56, 36.64

 

CMYK 11 / 0 / 36 / 54

HEX #69764B

RGB 105 118 75

HSL 78.14, 0.22%, 0.38%

LAB 47.58, -12.71, 22.12

 

CMYK 0 / 22 / 93 / 29

HEX #B58E0D

RGB 181 142 13

HSL 46.07, 0.87%, 0.38%

LAB 60.96, 4.13, 63.54

 

CMYK 3 / 0 / 93 / 29

HEX #B0B50D

RGB 176 181 13

HSL 61.79, 0.87%, 0.38%

LAB 71.08, -18.68, 71.07

 

CMYK 28 / 0 / 93 / 29

HEX #83B50D

RGB 131 181 13

HSL 77.86, 0.87%, 0.38%

LAB 67.95, -37.45, 67.27

 

CMYK 52 / 0 / 93 / 29

HEX #56B50D

RGB 86 181 13

HSL 93.93, 0.87%, 0.38%

LAB 65.79, -53.02, 64.62

 

CMYK 77 / 0 / 93 / 29

HEX #29B50D

RGB 41 181 13

HSL 110, 0.87%, 0.38%

LAB 64.6, -62.92, 63.15

 

CMYK 29 / 0 / 93 / 59

HEX #4A6807

RGB 74 104 7

HSL 78.56, 0.87%, 0.22%

LAB 40.2, -24.84, 44.27

 

CMYK 29 / 0 / 93 / 44

HEX #658F0A

RGB 101 143 10

HSL 78.95, 0.87%, 0.3%

LAB 54.48, -32.15, 56.09

 

CMYK 29 / 0 / 93 / 29

HEX #81B50D

RGB 129 181 13

HSL 78.57, 0.87%, 0.38%

LAB 67.83, -38.23, 67.12

 

CMYK 29 / 0 / 93 / 14

HEX #9CDC0F

RGB 156 220 15

HSL 78.73, 0.87%, 0.46%

LAB 80.9, -44.89, 77.97

 

CMYK 27 / 0 / 85 / 6

HEX #B0F025

RGB 176 240 37

HSL 78.92, 0.87%, 0.54%

LAB 87.82, -45.48, 80.55

 

CMYK 29 / 0 / 93 / 28

HEX #82B70D

RGB 130 183 13

HSL 78.71, 0.87%, 0.38%

LAB 68.49, -38.73, 67.68

 

CMYK 93 / 0 / 46 / 29

HEX #0DB561

RGB 13 181 97

HSL 150, 0.87%, 0.38%

LAB 64.96, -57.39, 32.15

 

CMYK 9 / 93 / 0 / 29

HEX #A40DB5

RGB 164 13 181

HSL 293.93, 0.87%, 0.38%

LAB 40.44, 71.86, -51.32

 

CMYK 29 / 0 / 93 / 28

HEX #82B70D

RGB 130 183 13

HSL 78.71, 0.87%, 0.38%

LAB 68.49, -38.73, 67.68

 

CMYK 93 / 28 / 0 / 29

HEX #0D83B5

RGB 13 131 181

HSL 197.86, 0.87%, 0.38%

LAB 51.44, -11.09, -34.47

 

CMYK 0 / 93 / 28 / 29

HEX #B50D83

RGB 181 13 131

HSL 317.86, 0.87%, 0.38%

LAB 40.82, 68.01, -20.3

 

CMYK 29 / 0 / 93 / 28

HEX #82B70D

RGB 130 183 13

HSL 78.71, 0.87%, 0.38%

LAB 68.49, -38.73, 67.68

 

CMYK 93 / 0 / 46 / 29

HEX #0DB561

RGB 13 181 97

HSL 150, 0.87%, 0.38%

LAB 64.96, -57.39, 32.15

 

CMYK 65 / 93 / 0 / 29

HEX #3F0DB5

RGB 63 13 181

HSL 257.86, 0.87%, 0.38%

LAB 25.81, 59.98, -75.86

 

CMYK 0 / 93 / 46 / 29

HEX #B50D61

RGB 181 13 97

HSL 330, 0.87%, 0.38%

LAB 39.54, 64.59, -0.93

 

CMYK 29 / 0 / 93 / 28

HEX #82B70D

RGB 130 183 13

HSL 78.71, 0.87%, 0.38%

LAB 68.49, -38.73, 67.68

 

CMYK 93 / 0 / 19 / 29

HEX #0DB593

RGB 13 181 147

HSL 167.86, 0.87%, 0.38%

LAB 65.94, -46.38, 6.59

 

CMYK 65 / 93 / 0 / 29

HEX #3F0DB5

RGB 63 13 181

HSL 257.86, 0.87%, 0.38%

LAB 25.81, 59.98, -75.86

 

CMYK 0 / 93 / 75 / 29

HEX #B50D2E

RGB 181 13 46

HSL 348.21, 0.87%, 0.38%

LAB 38.39, 61.42, 29.97

 

Description

Color code: HEX #82B70D | qconv.com Color code: HEX #82B70D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 183 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 183 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 93 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 93% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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