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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82B481 it is the complementary color #7D4B7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82B481. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #82B481: #87B47C, #98C68F, #A9D8A2, #BAEAB5 and #CBFCC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82B481. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #82B481: #82B481, #71A26E, #60905B, #4F7E48 and #3E6C35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

Complementary color

CMYK 1 / 40 / 0 / 51

HEX #7D4B7E

RGB 125 75 126

HSL 298.82, 0.25%, 0.39%

LAB 39.41, 29.8, -20.14

 

CMYK 25 / 0 / 31 / 29

HEX #87B47C

RGB 135 180 124

HSL 108.21, 0.27%, 0.6%

LAB 68.93, -25.83, 23.86

 

CMYK 23 / 0 / 28 / 22

HEX #98C68F

RGB 152 198 143

HSL 110.18, 0.33%, 0.67%

LAB 75.48, -25.64, 22.78

 

CMYK 22 / 0 / 25 / 15

HEX #A9D8A2

RGB 169 216 162

HSL 112.22, 0.41%, 0.74%

LAB 81.92, -25.46, 21.76

 

CMYK 21 / 0 / 23 / 8

HEX #BAEAB5

RGB 186 234 181

HSL 114.34, 0.56%, 0.81%

LAB 88.27, -25.3, 20.8

 

CMYK 19 / 0 / 21 / 1

HEX #CBFCC8

RGB 203 252 200

HSL 116.54, 0.9%, 0.89%

LAB 94.52, -25.14, 19.89

 

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

CMYK 30 / 0 / 32 / 36

HEX #71A26E

RGB 113 162 110

HSL 116.54, 0.22%, 0.53%

LAB 62.06, -26.97, 21.96

 

CMYK 33 / 0 / 37 / 44

HEX #60905B

RGB 96 144 91

HSL 114.34, 0.23%, 0.46%

LAB 55.27, -27.22, 23.16

 

CMYK 37 / 0 / 43 / 51

HEX #4F7E48

RGB 79 126 72

HSL 112.22, 0.27%, 0.39%

LAB 48.33, -27.45, 24.44

 

CMYK 43 / 0 / 51 / 58

HEX #3E6C35

RGB 62 108 53

HSL 110.18, 0.34%, 0.32%

LAB 41.23, -27.62, 25.81

 

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

CMYK 28 / 0 / 24 / 29

HEX #82B489

RGB 130 180 137

HSL 128.4, 0.25%, 0.61%

LAB 68.89, -25.32, 16.73

 

CMYK 28 / 0 / 19 / 29

HEX #82B491

RGB 130 180 145

HSL 138, 0.25%, 0.61%

LAB 69.06, -23.82, 12.61

 

CMYK 28 / 0 / 15 / 29

HEX #82B499

RGB 130 180 153

HSL 147.6, 0.25%, 0.61%

LAB 69.25, -22.25, 8.49

 

CMYK 28 / 0 / 10 / 29

HEX #82B4A2

RGB 130 180 162

HSL 158.4, 0.25%, 0.61%

LAB 69.47, -20.38, 3.86

 

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

CMYK 28 / 0 / 28 / 9

HEX #A7E7A6

RGB 167 231 166

HSL 119.08, 0.58%, 0.78%

LAB 86.07, -32.6, 25.35

 

CMYK 26 / 0 / 30 / 89

HEX #141B13

RGB 20 27 19

HSL 112.5, 0.17%, 0.09%

LAB 8.82, -5.33, 4.29

 

CMYK 28 / 0 / 28 / 69

HEX #384E38

RGB 56 78 56

HSL 120, 0.16%, 0.26%

LAB 30.82, -13.6, 10.35

 

CMYK 28 / 0 / 29 / 49

HEX #5D815C

RGB 93 129 92

HSL 118.38, 0.17%, 0.43%

LAB 50.45, -20.53, 16.09

 

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

CMYK 28 / 4 / 0 / 29

HEX #82ACB4

RGB 130 172 180

HSL 189.6, 0.25%, 0.61%

LAB 67.68, -12.16, -8.7

 

CMYK 0 / 28 / 16 / 29

HEX #B48298

RGB 180 130 152

HSL 333.6, 0.25%, 0.61%

LAB 59.83, 22.68, -4.12

 

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

CMYK 28 / 27 / 0 / 29

HEX #8284B4

RGB 130 132 180

HSL 237.6, 0.25%, 0.61%

LAB 56.63, 10.25, -25.46

 

CMYK 0 / 28 / 27 / 29

HEX #B48284

RGB 180 130 132

HSL 357.6, 0.25%, 0.61%

LAB 59.28, 19.57, 6.56

 

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

CMYK 28 / 4 / 0 / 29

HEX #82ACB4

RGB 130 172 180

HSL 189.6, 0.25%, 0.61%

LAB 67.68, -12.16, -8.7

 

CMYK 1 / 28 / 0 / 29

HEX #B282B4

RGB 178 130 180

HSL 297.6, 0.25%, 0.61%

LAB 60.54, 27.04, -19.08

 

CMYK 0 / 23 / 28 / 29

HEX #B48A82

RGB 180 138 130

HSL 9.6, 0.25%, 0.61%

LAB 61.21, 14.8, 10.45

 

CMYK 28 / 0 / 28 / 29

HEX #82B481

RGB 130 180 129

HSL 118.82, 0.25%, 0.61%

LAB 68.73, -26.73, 20.85

 

CMYK 28 / 13 / 0 / 29

HEX #829DB4

RGB 130 157 180

HSL 207.6, 0.25%, 0.61%

LAB 63.47, -4.01, -15.02

 

CMYK 1 / 28 / 0 / 29

HEX #B282B4

RGB 178 130 180

HSL 297.6, 0.25%, 0.61%

LAB 60.54, 27.04, -19.08

 

CMYK 0 / 15 / 28 / 29

HEX #B49982

RGB 180 153 130

HSL 27.6, 0.25%, 0.61%

LAB 65.04, 6.47, 15.81

 

Description

Color code: HEX #82B481 | qconv.com Color code: HEX #82B481 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 180 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 180 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 28% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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