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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82ADD6 it is the complementary color #7D5229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82ADD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82ADD6 shade: #87ADD1, #98BFE4, #A9D1F7, #BAE3FF and #CBF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82ADD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82ADD6 shade: #82ADD6, #719BC3, #6089B0, #4F779D and #3E658A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82ADD6 shade: #80ACD6, #8095D6, #8280D6, #9980D6 and #B180D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82ADD6 shade: #80ACD6, #8095D6 and #8080D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82ADD6 shade matches the following richer shades: #80ACD6, #72ACE3, #65ADF1 and #57ADFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82ADD6 shade: #80ACD6, #8EACC8, #9BABBB, #A9ABAD and #B6AB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82ADD6 shade: #80D6D1, #80C3D6, #80ACD6, #8095D6 and #8180D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82ADD6 shade: #4283C2, #6197CC, #80ACD6, #9FC0E0 and #BED5EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82ADD6 shade: #82ADD6, #BB80D6 and #CFD680

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82ADD6 shade: #82ADD6, #D680AC and #ACD680

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82ADD6 shade: #82ADD6, #BB80D6, #D6A980 and #9BD680

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82ADD6 shade: #82ADD6, #D480D6, #D6A980 and #81D680

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 19 / 0 / 16

HEX #82ADD6

RGB 130 173 214

HSL 209.29, 0.51%, 0.67%

LAB 69.1, -4.1, -25.33

 

Complementary color

CMYK 0 / 34 / 67 / 51

HEX #7D5229

RGB 125 82 41

HSL 29.29, 0.51%, 0.33%

LAB 38.82, 13.67, 30.87

 

CMYK 35 / 17 / 0 / 18

HEX #87ADD1

RGB 135 173 209

HSL 209.19, 0.45%, 0.67%

LAB 69.21, -4.06, -22.39

 

CMYK 33 / 16 / 0 / 11

HEX #98BFE4

RGB 152 191 228

HSL 209.21, 0.58%, 0.75%

LAB 75.79, -4.25, -22.64

 

CMYK 32 / 15 / 0 / 3

HEX #A9D1F7

RGB 169 209 247

HSL 209.23, 0.83%, 0.82%

LAB 82.24, -4.42, -22.9

 

CMYK 27 / 11 / 0 / 0

HEX #BAE3FF

RGB 186 227 255

HSL 204.35, 1%, 0.86%

LAB 88.26, -7.13, -17.94

 

CMYK 20 / 4 / 0 / 0

HEX #CBF5FF

RGB 203 245 255

HSL 191.54, 1%, 0.9%

LAB 93.98, -11.33, -9.28

 

CMYK 39 / 19 / 0 / 16

HEX #82ADD6

RGB 130 173 214

HSL 209.29, 0.51%, 0.67%

LAB 69.1, -4.1, -25.33

 

CMYK 42 / 21 / 0 / 24

HEX #719BC3

RGB 113 155 195

HSL 209.27, 0.41%, 0.6%

LAB 62.42, -3.81, -25.13

 

CMYK 45 / 22 / 0 / 31

HEX #6089B0

RGB 96 137 176

HSL 209.25, 0.34%, 0.53%

LAB 55.6, -3.45, -24.95

 

CMYK 50 / 24 / 0 / 38

HEX #4F779D

RGB 79 119 157

HSL 209.23, 0.33%, 0.46%

LAB 48.62, -3.01, -24.79

 

CMYK 55 / 27 / 0 / 46

HEX #3E658A

RGB 62 101 138

HSL 209.21, 0.38%, 0.39%

LAB 41.48, -2.42, -24.66

 

CMYK 40 / 20 / 0 / 16

HEX #80ACD6

RGB 128 172 214

HSL 209.3, 0.51%, 0.67%

LAB 68.71, -4.08, -25.94

 

CMYK 40 / 30 / 0 / 16

HEX #8095D6

RGB 128 149 214

HSL 225.35, 0.51%, 0.67%

LAB 62.46, 8.89, -35.61

 

CMYK 39 / 40 / 0 / 16

HEX #8280D6

RGB 130 128 214

HSL 241.4, 0.51%, 0.67%

LAB 57.11, 21.7, -43.99

 

CMYK 29 / 40 / 0 / 16

HEX #9980D6

RGB 153 128 214

HSL 257.44, 0.51%, 0.67%

LAB 59.04, 27.97, -40.83

 

CMYK 17 / 40 / 0 / 16

HEX #B180D6

RGB 177 128 214

HSL 274.19, 0.51%, 0.67%

LAB 61.34, 34.93, -37.05

 

CMYK 40 / 20 / 0 / 16

HEX #80ACD6

RGB 128 172 214

HSL 209.3, 0.51%, 0.67%

LAB 68.71, -4.08, -25.94

 

CMYK 40 / 30 / 0 / 16

HEX #8095D6

RGB 128 149 214

HSL 225.35, 0.51%, 0.67%

LAB 62.46, 8.89, -35.61

 

CMYK 40 / 40 / 0 / 16

HEX #8080D6

RGB 128 128 214

HSL 240, 0.51%, 0.67%

LAB 56.96, 21.19, -44.24

 

CMYK 40 / 20 / 0 / 16

HEX #80ACD6

RGB 128 172 214

HSL 209.3, 0.51%, 0.67%

LAB 68.71, -4.08, -25.94

 

CMYK 50 / 24 / 0 / 11

HEX #72ACE3

RGB 114 172 227

HSL 209.2, 0.67%, 0.67%

LAB 68.48, -3.87, -33.49

 

CMYK 58 / 28 / 0 / 5

HEX #65ADF1

RGB 101 173 241

HSL 209.14, 0.83%, 0.67%

LAB 68.75, -2.93, -40.76

 

CMYK 66 / 32 / 0 / 0

HEX #57ADFF

RGB 87 173 255

HSL 209.29, 1%, 0.67%

LAB 68.85, -0.89, -48.26

 

CMYK 40 / 20 / 0 / 16

HEX #80ACD6

RGB 128 172 214

HSL 209.3, 0.51%, 0.67%

LAB 68.71, -4.08, -25.94

 

CMYK 29 / 14 / 0 / 22

HEX #8EACC8

RGB 142 172 200

HSL 208.97, 0.35%, 0.67%

LAB 69.06, -3.76, -17.62

 

CMYK 17 / 9 / 0 / 27

HEX #9BABBB

RGB 155 171 187

HSL 210, 0.19%, 0.67%

LAB 69.24, -2.18, -10.08

 

CMYK 2 / 1 / 0 / 32

HEX #A9ABAD

RGB 169 171 173

HSL 210, 0.02%, 0.67%

LAB 69.88, -0.32, -1.28

 

CMYK 0 / 6 / 13 / 29

HEX #B6AB9F

RGB 182 171 159

HSL 31.3, 0.14%, 0.67%

LAB 70.58, 1.87, 7.58

 

CMYK 40 / 0 / 2 / 16

HEX #80D6D1

RGB 128 214 209

HSL 176.51, 0.51%, 0.67%

LAB 80.34, -27.13, -5.71

 

CMYK 40 / 9 / 0 / 16

HEX #80C3D6

RGB 128 195 214

HSL 193.26, 0.51%, 0.67%

LAB 75.12, -16.35, -16.19

 

CMYK 40 / 20 / 0 / 16

HEX #80ACD6

RGB 128 172 214

HSL 209.3, 0.51%, 0.67%

LAB 68.71, -4.08, -25.94

 

CMYK 40 / 30 / 0 / 16

HEX #8095D6

RGB 128 149 214

HSL 225.35, 0.51%, 0.67%

LAB 62.46, 8.89, -35.61

 

CMYK 40 / 40 / 0 / 16

HEX #8180D6

RGB 129 128 214

HSL 240.7, 0.51%, 0.67%

LAB 57.04, 21.44, -44.11

 

CMYK 66 / 32 / 0 / 24

HEX #4283C2

RGB 66 131 194

HSL 209.53, 0.51%, 0.51%

LAB 53.26, -0.65, -38.98

 

CMYK 52 / 26 / 0 / 20

HEX #6197CC

RGB 97 151 204

HSL 209.72, 0.51%, 0.59%

LAB 60.81, -2.83, -32.72

 

CMYK 40 / 20 / 0 / 16

HEX #80ACD6

RGB 128 172 214

HSL 209.3, 0.51%, 0.67%

LAB 68.71, -4.08, -25.94

 

CMYK 29 / 14 / 0 / 12

HEX #9FC0E0

RGB 159 192 224

HSL 209.54, 0.51%, 0.75%

LAB 76.35, -3.77, -19.59

 

CMYK 19 / 9 / 0 / 8

HEX #BED5EA

RGB 190 213 234

HSL 208.64, 0.51%, 0.83%

LAB 84.21, -3.32, -12.9

 

CMYK 39 / 19 / 0 / 16

HEX #82ADD6

RGB 130 173 214

HSL 209.29, 0.51%, 0.67%

LAB 69.1, -4.1, -25.33

 

CMYK 13 / 40 / 0 / 16

HEX #BB80D6

RGB 187 128 214

HSL 281.16, 0.51%, 0.67%

LAB 62.39, 37.91, -35.34

 

CMYK 3 / 0 / 40 / 16

HEX #CFD680

RGB 207 214 128

HSL 64.88, 0.51%, 0.67%

LAB 83.4, -15.16, 41.62

 

CMYK 39 / 19 / 0 / 16

HEX #82ADD6

RGB 130 173 214

HSL 209.29, 0.51%, 0.67%

LAB 69.1, -4.1, -25.33

 

CMYK 0 / 40 / 20 / 16

HEX #D680AC

RGB 214 128 172

HSL 329.3, 0.51%, 0.67%

LAB 63.93, 39.01, -9.02

 

CMYK 20 / 0 / 40 / 16

HEX #ACD680

RGB 172 214 128

HSL 89.3, 0.51%, 0.67%

LAB 80.97, -28.42, 38.03

 

CMYK 39 / 19 / 0 / 16

HEX #82ADD6

RGB 130 173 214

HSL 209.29, 0.51%, 0.67%

LAB 69.1, -4.1, -25.33

 

CMYK 13 / 40 / 0 / 16

HEX #BB80D6

RGB 187 128 214

HSL 281.16, 0.51%, 0.67%

LAB 62.39, 37.91, -35.34

 

CMYK 0 / 21 / 40 / 16

HEX #D6A980

RGB 214 169 128

HSL 28.6, 0.51%, 0.67%

LAB 72.38, 11.08, 27.44

 

CMYK 28 / 0 / 40 / 16

HEX #9BD680

RGB 155 214 128

HSL 101.16, 0.51%, 0.67%

LAB 79.97, -34.44, 36.53

 

CMYK 39 / 19 / 0 / 16

HEX #82ADD6

RGB 130 173 214

HSL 209.29, 0.51%, 0.67%

LAB 69.1, -4.1, -25.33

 

CMYK 1 / 40 / 0 / 16

HEX #D480D6

RGB 212 128 214

HSL 298.6, 0.51%, 0.67%

LAB 65.19, 45.44, -30.77

 

CMYK 0 / 21 / 40 / 16

HEX #D6A980

RGB 214 169 128

HSL 28.6, 0.51%, 0.67%

LAB 72.38, 11.08, 27.44

 

CMYK 40 / 0 / 40 / 16

HEX #81D680

RGB 129 214 128

HSL 119.3, 0.51%, 0.67%

LAB 78.65, -42.89, 34.57

 

Description

Color code: HEX #82ADD6 | qconv.com Color code: HEX #82ADD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 173 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 173 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 19 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 19% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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