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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82A2F7CE it is the complementary color #7D5D08CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82A2F7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82A2F7CE shade: #87A2F2CE, #98B4FFCE, #A9C6FFCE, #BAD8FFCE and #CBEAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82A2F7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82A2F7CE shade: #82A2F7CE, #7190E4CE, #607ED1CE, #4F6CBECE and #3E5AABCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82A2F7CE shade: #82A2F7, #8283F7, #A182F7, #C182F7 and #E082F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82A2F7CE shade: #82A2F7, #8283F7 and #8282F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82A2F7CE shade matches the following richer shades: #82A2F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82A2F7CE shade: #82A2F7, #8DA7EC, #98ACE2, #A3B1D7 and #ADB6CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82A2F7CE shade: #82E2F7, #82C3F7, #82A3F7, #8284F7 and #A082F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82A2F7CE shade: #3569F2, #5C85F5, #82A2F7, #A9BFFA and #D0DCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82A2F7CE shade: #82A2F7, #ED82F7 and #D2F782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82A2F7CE shade: #82A2F7, #F782A3 and #A3F782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82A2F7CE shade: #82A2F7, #ED82F7, #F7D682 and #8CF782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82A2F7CE shade: #82A2F7, #F782DE, #F7D682 and #82F79C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 28 / 0 / 3

HEX #82A2F7CE

RGBA 130 162 247 0.81

HSLA 223.59, 0.88%, 0.74%, 0.81

LABA 67.5, 11.35, -45.89, 0.81

 

Complementary color

CMYK 0 / 21 / 76 / 41

HEX #7D5D08CE

RGBA 125 93 8 0.81

HSLA 43.59, 0.88%, 0.26%, 0.81

LABA 41.54, 5.67, 47.05, 0.81

 

CMYK 36 / 27 / 0 / 4

HEX #87A2F2CE

RGBA 135 162 242 0.81

HSLA 224.86, 0.8%, 0.74%, 0.81

LABA 67.58, 11.1, -43.02, 0.81

 

CMYK 33 / 24 / 0 / 0

HEX #98B4FFCE

RGBA 152 180 255 0.81

HSLA 223.69, 1%, 0.8%, 0.81

LABA 73.89, 8.81, -40.13, 0.81

 

CMYK 27 / 18 / 0 / 0

HEX #A9C6FFCE

RGBA 169 198 255 0.81

HSLA 219.77, 1%, 0.83%, 0.81

LABA 79.64, 3.43, -31.15, 0.81

 

CMYK 22 / 12 / 0 / 0

HEX #BAD8FFCE

RGBA 186 216 255 0.81

HSLA 213.91, 1%, 0.86%, 0.81

LABA 85.39, -1.4, -22.27, 0.81

 

CMYK 17 / 7 / 0 / 0

HEX #CBEAFFCE

RGBA 203 234 255 0.81

HSLA 204.23, 1%, 0.9%, 0.81

LABA 91.13, -5.75, -13.52, 0.81

 

CMYK 38 / 28 / 0 / 3

HEX #82A2F7CE

RGBA 130 162 247 0.81

HSLA 223.59, 0.88%, 0.74%, 0.81

LABA 67.5, 11.35, -45.89, 0.81

 

CMYK 41 / 30 / 0 / 9

HEX #7190E4CE

RGBA 113 144 228 0.81

HSLA 223.83, 0.68%, 0.67%, 0.81

LABA 60.83, 12.21, -46.01, 0.81

 

CMYK 44 / 32 / 0 / 15

HEX #607ED1CE

RGBA 96 126 209 0.81

HSLA 224.07, 0.55%, 0.6%, 0.81

LABA 54.04, 13.22, -46.18, 0.81

 

CMYK 47 / 35 / 0 / 21

HEX #4F6CBECE

RGBA 79 108 190 0.81

HSLA 224.32, 0.46%, 0.53%, 0.81

LABA 47.11, 14.46, -46.39, 0.81

 

CMYK 52 / 38 / 0 / 27

HEX #3E5AABCE

RGBA 62 90 171 0.81

HSLA 224.59, 0.47%, 0.46%, 0.81

LABA 40.04, 16.01, -46.64, 0.81

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 47 / 47 / 0 / 3

HEX #8283F7

RGB 130 131 247

HSL 239.49, 0.88%, 0.74%

LAB 59.61, 29.41, -58.4

 

CMYK 35 / 47 / 0 / 3

HEX #A182F7

RGB 161 130 247

HSL 255.9, 0.88%, 0.74%

LAB 61.88, 37.36, -54.64

 

CMYK 22 / 47 / 0 / 3

HEX #C182F7

RGB 193 130 247

HSL 272.31, 0.88%, 0.74%

LAB 64.98, 45.68, -49.53

 

CMYK 9 / 47 / 0 / 3

HEX #E082F7

RGB 224 130 247

HSL 288.21, 0.88%, 0.74%

LAB 68.41, 54.12, -43.89

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 47 / 47 / 0 / 3

HEX #8283F7

RGB 130 131 247

HSL 239.49, 0.88%, 0.74%

LAB 59.61, 29.41, -58.4

 

CMYK 47 / 47 / 0 / 3

HEX #8282F7

RGB 130 130 247

HSL 240, 0.88%, 0.74%

LAB 59.37, 30, -58.79

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 40 / 29 / 0 / 7

HEX #8DA7EC

RGB 141 167 236

HSL 223.58, 0.71%, 0.74%

LAB 69.01, 8.1, -37.48

 

CMYK 33 / 24 / 0 / 11

HEX #98ACE2

RGB 152 172 226

HSL 223.78, 0.56%, 0.74%

LAB 70.64, 5.64, -29.42

 

CMYK 24 / 18 / 0 / 16

HEX #A3B1D7

RGB 163 177 215

HSL 223.85, 0.39%, 0.74%

LAB 72.32, 3.42, -20.78

 

CMYK 15 / 11 / 0 / 20

HEX #ADB6CC

RGB 173 182 204

HSL 222.58, 0.23%, 0.74%

LAB 74, 1.38, -12.17

 

CMYK 47 / 9 / 0 / 3

HEX #82E2F7

RGB 130 226 247

HSL 190.77, 0.88%, 0.74%

LAB 84.92, -22.97, -19.03

 

CMYK 47 / 21 / 0 / 3

HEX #82C3F7

RGB 130 195 247

HSL 206.67, 0.88%, 0.74%

LAB 76.37, -6.98, -32.08

 

CMYK 47 / 34 / 0 / 3

HEX #82A3F7

RGB 130 163 247

HSL 223.08, 0.88%, 0.74%

LAB 67.77, 10.78, -45.47

 

CMYK 47 / 47 / 0 / 3

HEX #8284F7

RGB 130 132 247

HSL 238.97, 0.88%, 0.74%

LAB 59.86, 28.82, -58.01

 

CMYK 35 / 47 / 0 / 3

HEX #A082F7

RGB 160 130 247

HSL 255.38, 0.88%, 0.74%

LAB 61.79, 37.11, -54.79

 

CMYK 78 / 57 / 0 / 5

HEX #3569F2

RGB 53 105 242

HSL 223.49, 0.88%, 0.58%

LAB 48.6, 31.07, -73.6

 

CMYK 62 / 46 / 0 / 4

HEX #5C85F5

RGB 92 133 245

HSL 223.92, 0.88%, 0.66%

LAB 57.7, 20.04, -60.49

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 32 / 24 / 0 / 2

HEX #A9BFFA

RGB 169 191 250

HSL 223.7, 0.89%, 0.82%

LAB 77.64, 5.98, -31.55

 

CMYK 17 / 13 / 0 / 1

HEX #D0DCFC

RGB 208 220 252

HSL 223.64, 0.88%, 0.9%

LAB 87.79, 2.4, -16.92

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 4 / 47 / 0 / 3

HEX #ED82F7

RGB 237 130 247

HSL 294.87, 0.88%, 0.74%

LAB 69.95, 57.7, -41.36

 

CMYK 15 / 0 / 47 / 3

HEX #D2F782

RGB 210 247 130

HSL 78.97, 0.88%, 0.74%

LAB 92.5, -29.74, 51.99

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 0 / 47 / 34 / 3

HEX #F782A3

RGB 247 130 163

HSL 343.08, 0.88%, 0.74%

LAB 68.3, 48.04, 2.99

 

CMYK 34 / 0 / 47 / 3

HEX #A3F782

RGB 163 247 130

HSL 103.08, 0.88%, 0.74%

LAB 89.82, -46.16, 48.09

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 4 / 47 / 0 / 3

HEX #ED82F7

RGB 237 130 247

HSL 294.87, 0.88%, 0.74%

LAB 69.95, 57.7, -41.36

 

CMYK 0 / 13 / 47 / 3

HEX #F7D682

RGB 247 214 130

HSL 43.08, 0.88%, 0.74%

LAB 86.74, 0.88, 45.53

 

CMYK 43 / 0 / 47 / 3

HEX #8CF782

RGB 140 247 130

HSL 114.87, 0.88%, 0.74%

LAB 88.78, -53.19, 46.58

 

CMYK 47 / 34 / 0 / 3

HEX #82A2F7

RGB 130 162 247

HSL 223.59, 0.88%, 0.74%

LAB 67.5, 11.35, -45.89

 

CMYK 0 / 47 / 10 / 3

HEX #F782DE

RGB 247 130 222

HSL 312.82, 0.88%, 0.74%

LAB 70.19, 56.3, -27.16

 

CMYK 0 / 13 / 47 / 3

HEX #F7D682

RGB 247 214 130

HSL 43.08, 0.88%, 0.74%

LAB 86.74, 0.88, 45.53

 

CMYK 47 / 0 / 37 / 3

HEX #82F79C

RGB 130 247 156

HSL 133.33, 0.88%, 0.74%

LAB 88.77, -52.11, 33.76

 

Description

Color code: HEX #82A2F7CE | qconv.com Color code: HEX #82A2F7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 162 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 162 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 28 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 28% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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