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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #829CFB3F it is the complementary color #7D63043F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #829CFB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #829CFB3F shade: #879CF63F, #98AEFF3F, #A9C0FF3F, #BAD2FF3F and #CBE4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #829CFB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #829CFB3F shade: #829CFB3F, #718AE83F, #6078D53F, #4F66C23F and #3E54AF3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #829CFB3F shade: #839DFB, #8A83FB, #AA83FB, #CB83FB and #EB83FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #829CFB3F shade: #839DFB and #8383FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #829CFB3F shade matches the following richer shades: #839DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #829CFB3F shade: #839DFB, #8EA3F1, #98A9E7, #A2AFDC and #ADB5D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #829CFB3F shade: #83DDFB, #83BDFB, #839DFB, #8983FB and #A983FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #829CFB3F shade: #335EF9, #5B7DFA, #839DFB, #ABBDFC and #D3DCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #829CFB3F shade: #829CFB, #F983FB and #CDFB83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #829CFB3F shade: #829CFB, #FB839D and #9DFB83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #829CFB3F shade: #829CFB, #F983FB, #FBE183 and #85FB83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #829CFB3F shade: #829CFB, #FB83D9, #FBE183 and #83FBA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 0

HEX #829CFB3F

RGBA 130 156 251 0.25

HSLA 227.11, 0.94%, 0.75%, 0.25

LABA 66.13, 15.98, -50.24, 0.25

 

Complementary color

CMYK 0 / 5 / 24 / 13

HEX #7D63043F

RGBA 125 99 4 0.25

HSLA 47.11, 0.94%, 0.25%, 0.25

LABA 43.2, 2.05, 49.31, 0.25

 

CMYK 11 / 9 / 0 / 1

HEX #879CF63F

RGBA 135 156 246 0.25

HSLA 228.65, 0.86%, 0.75%, 0.25

LABA 66.2, 15.69, -47.37, 0.25

 

CMYK 10 / 8 / 0 / 0

HEX #98AEFF3F

RGBA 152 174 255 0.25

HSLA 227.18, 1%, 0.8%, 0.25

LABA 72.34, 12.17, -42.55, 0.25

 

CMYK 8 / 6 / 0 / 0

HEX #A9C0FF3F

RGBA 169 192 255 0.25

HSLA 223.95, 1%, 0.83%, 0.25

LABA 78.08, 6.69, -33.54, 0.25

 

CMYK 7 / 4 / 0 / 0

HEX #BAD2FF3F

RGBA 186 210 255 0.25

HSLA 219.13, 1%, 0.86%, 0.25

LABA 83.84, 1.77, -24.63, 0.25

 

CMYK 5 / 3 / 0 / 0

HEX #CBE4FF3F

RGBA 203 228 255 0.25

HSLA 211.15, 1%, 0.9%, 0.25

LABA 89.58, -2.65, -15.84, 0.25

 

CMYK 12 / 9 / 0 / 0

HEX #829CFB3F

RGBA 130 156 251 0.25

HSLA 227.11, 0.94%, 0.75%, 0.25

LABA 66.13, 15.98, -50.24, 0.25

 

CMYK 13 / 10 / 0 / 2

HEX #718AE83F

RGBA 113 138 232 0.25

HSLA 227.39, 0.72%, 0.68%, 0.25

LABA 59.45, 16.98, -50.43, 0.25

 

CMYK 14 / 11 / 0 / 4

HEX #6078D53F

RGBA 96 120 213 0.25

HSLA 227.69, 0.58%, 0.61%, 0.25

LABA 52.65, 18.16, -50.66, 0.25

 

CMYK 15 / 12 / 0 / 6

HEX #4F66C23F

RGBA 79 102 194 0.25

HSLA 228, 0.49%, 0.54%, 0.25

LABA 45.72, 19.58, -50.93, 0.25

 

CMYK 16 / 13 / 0 / 8

HEX #3E54AF3F

RGBA 62 84 175 0.25

HSLA 228.32, 0.48%, 0.46%, 0.25

LABA 38.66, 21.33, -51.24, 0.25

 

CMYK 48 / 37 / 0 / 2

HEX #839DFB

RGB 131 157 251

HSL 227, 0.94%, 0.75%

LAB 66.45, 15.63, -49.73

 

CMYK 45 / 48 / 0 / 2

HEX #8A83FB

RGB 138 131 251

HSL 243.5, 0.94%, 0.75%

LAB 60.43, 32.37, -59.26

 

CMYK 32 / 48 / 0 / 2

HEX #AA83FB

RGB 170 131 251

HSL 259.5, 0.94%, 0.75%

LAB 63.13, 40.08, -54.8

 

CMYK 19 / 48 / 0 / 2

HEX #CB83FB

RGB 203 131 251

HSL 276, 0.94%, 0.75%

LAB 66.44, 48.71, -49.34

 

CMYK 6 / 48 / 0 / 2

HEX #EB83FB

RGB 235 131 251

HSL 292, 0.94%, 0.75%

LAB 70.08, 57.39, -43.37

 

CMYK 48 / 37 / 0 / 2

HEX #839DFB

RGB 131 157 251

HSL 227, 0.94%, 0.75%

LAB 66.45, 15.63, -49.73

 

CMYK 48 / 48 / 0 / 2

HEX #8383FB

RGB 131 131 251

HSL 240, 0.94%, 0.75%

LAB 59.91, 30.81, -60.12

 

CMYK 48 / 37 / 0 / 2

HEX #839DFB

RGB 131 157 251

HSL 227, 0.94%, 0.75%

LAB 66.45, 15.63, -49.73

 

CMYK 48 / 37 / 0 / 2

HEX #839DFB

RGB 131 157 251

HSL 227, 0.94%, 0.75%

LAB 66.45, 15.63, -49.73

 

CMYK 41 / 32 / 0 / 5

HEX #8EA3F1

RGB 142 163 241

HSL 227.27, 0.78%, 0.75%

LAB 68.24, 12, -41.41

 

CMYK 34 / 27 / 0 / 9

HEX #98A9E7

RGB 152 169 231

HSL 227.09, 0.62%, 0.75%

LAB 70.05, 8.6, -33.07

 

CMYK 26 / 20 / 0 / 14

HEX #A2AFDC

RGB 162 175 220

HSL 226.55, 0.45%, 0.75%

LAB 71.9, 5.4, -24.16

 

CMYK 18 / 14 / 0 / 18

HEX #ADB5D2

RGB 173 181 210

HSL 227.03, 0.29%, 0.75%

LAB 73.92, 3.22, -15.55

 

CMYK 48 / 12 / 0 / 2

HEX #83DDFB

RGB 131 221 251

HSL 195, 0.94%, 0.75%

LAB 83.71, -19.19, -22.98

 

CMYK 48 / 25 / 0 / 2

HEX #83BDFB

RGB 131 189 251

HSL 211, 0.94%, 0.75%

LAB 74.94, -2.38, -36.43

 

CMYK 48 / 37 / 0 / 2

HEX #839DFB

RGB 131 157 251

HSL 227, 0.94%, 0.75%

LAB 66.45, 15.63, -49.73

 

CMYK 45 / 48 / 0 / 2

HEX #8983FB

RGB 137 131 251

HSL 243, 0.94%, 0.75%

LAB 60.35, 32.14, -59.39

 

CMYK 33 / 48 / 0 / 2

HEX #A983FB

RGB 169 131 251

HSL 259, 0.94%, 0.75%

LAB 63.04, 39.83, -54.95

 

CMYK 80 / 62 / 0 / 2

HEX #335EF9

RGB 51 94 249

HSL 226.97, 0.94%, 0.59%

LAB 46.38, 40.29, -81.15

 

CMYK 64 / 50 / 0 / 2

HEX #5B7DFA

RGB 91 125 250

HSL 227.17, 0.94%, 0.67%

LAB 55.88, 26.4, -66.18

 

CMYK 48 / 37 / 0 / 2

HEX #839DFB

RGB 131 157 251

HSL 227, 0.94%, 0.75%

LAB 66.45, 15.63, -49.73

 

CMYK 32 / 25 / 0 / 1

HEX #ABBDFC

RGB 171 189 252

HSL 226.67, 0.93%, 0.83%

LAB 77.33, 8.13, -33.09

 

CMYK 17 / 13 / 0 / 0

HEX #D3DCFE

RGB 211 220 254

HSL 227.44, 0.96%, 0.91%

LAB 88.06, 3.74, -17.55

 

CMYK 48 / 38 / 0 / 2

HEX #829CFB

RGB 130 156 251

HSL 227.11, 0.94%, 0.75%

LAB 66.13, 15.98, -50.24

 

CMYK 1 / 48 / 0 / 2

HEX #F983FB

RGB 249 131 251

HSL 299, 0.94%, 0.75%

LAB 71.78, 61.22, -40.58

 

CMYK 18 / 0 / 48 / 2

HEX #CDFB83

RGB 205 251 131

HSL 83, 0.94%, 0.75%

LAB 93.28, -33.32, 52.4

 

CMYK 48 / 38 / 0 / 2

HEX #829CFB

RGB 130 156 251

HSL 227.11, 0.94%, 0.75%

LAB 66.13, 15.98, -50.24

 

CMYK 0 / 48 / 37 / 2

HEX #FB839D

RGB 251 131 157

HSL 347, 0.94%, 0.75%

LAB 68.88, 48.22, 7.26

 

CMYK 37 / 0 / 48 / 2

HEX #9DFB83

RGB 157 251 131

HSL 107, 0.94%, 0.75%

LAB 90.69, -49.63, 48.63

 

CMYK 48 / 38 / 0 / 2

HEX #829CFB

RGB 130 156 251

HSL 227.11, 0.94%, 0.75%

LAB 66.13, 15.98, -50.24

 

CMYK 1 / 48 / 0 / 2

HEX #F983FB

RGB 249 131 251

HSL 299, 0.94%, 0.75%

LAB 71.78, 61.22, -40.58

 

CMYK 0 / 10 / 48 / 2

HEX #FBE183

RGB 251 225 131

HSL 47, 0.94%, 0.75%

LAB 89.86, -3.03, 48.98

 

CMYK 47 / 0 / 48 / 2

HEX #85FB83

RGB 133 251 131

HSL 119, 0.94%, 0.75%

LAB 89.68, -56.62, 47.16

 

CMYK 48 / 38 / 0 / 2

HEX #829CFB

RGB 130 156 251

HSL 227.11, 0.94%, 0.75%

LAB 66.13, 15.98, -50.24

 

CMYK 0 / 48 / 14 / 2

HEX #FB83D9

RGB 251 131 217

HSL 317, 0.94%, 0.75%

LAB 70.7, 56.22, -23.56

 

CMYK 0 / 10 / 48 / 2

HEX #FBE183

RGB 251 225 131

HSL 47, 0.94%, 0.75%

LAB 89.86, -3.03, 48.98

 

CMYK 48 / 0 / 34 / 2

HEX #83FBA5

RGB 131 251 165

HSL 137, 0.94%, 0.75%

LAB 90.11, -52, 31.05

 

Description

Color code: HEX #829CFB3F | qconv.com Color code: HEX #829CFB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 156 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 156 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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