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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8295C74C it is the complementary color #7D6A384C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8295C74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8295C74C shade: #8795C24C, #98A7D54C, #A9B9E84C, #BACBFB4C and #CBDDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8295C74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8295C74C shade: #8295C74C, #7183B44C, #6071A14C, #4F5F8E4C and #3E4D7B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8295C74C shade: #8497C8, #8484C8, #9684C8, #A884C8 and #BA84C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8295C74C shade: #8497C8 and #8484C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8295C74C shade matches the following richer shades: #8497C8, #7590D6, #678AE5 and #5983F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8295C74C shade: #8497C8, #929DB9, #A1A3AB, #AFAA9C and #BEB08E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8295C74C shade: #84BBC8, #84A9C8, #8497C8, #8485C8 and #9584C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8295C74C shade: #4D67AC, #677EBB, #8497C8, #A0AFD4 and #BDC7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8295C74C shade: #8295C7, #C284C8 and #B2C884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8295C74C shade: #8295C7, #C88497 and #97C884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8295C74C shade: #8295C7, #C284C8, #C8B484 and #89C884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8295C74C shade: #8295C7, #C884B9, #C8B484 and #84C893

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 8 / 0 / 7

HEX #8295C74C

RGBA 130 149 199 0.3

HSLA 223.48, 0.38%, 0.65%, 0.3

LABA 61.97, 5.36, -27.98, 0.3

 

Complementary color

CMYK 0 / 5 / 17 / 15

HEX #7D6A384C

RGBA 125 106 56 0.3

HSLA 43.48, 0.38%, 0.35%, 0.3

LABA 45.57, 0.7, 30.59, 0.3

 

CMYK 9 / 7 / 0 / 7

HEX #8795C24C

RGBA 135 149 194 0.3

HSLA 225.76, 0.33%, 0.65%, 0.3

LABA 62.12, 5.51, -24.91, 0.3

 

CMYK 9 / 6 / 0 / 5

HEX #98A7D54C

RGBA 152 167 213 0.3

HSLA 225.25, 0.42%, 0.72%, 0.3

LABA 68.84, 5.17, -25.07, 0.3

 

CMYK 8 / 6 / 0 / 3

HEX #A9B9E84C

RGBA 169 185 232 0.3

HSLA 224.76, 0.58%, 0.79%, 0.3

LABA 75.43, 4.86, -25.25, 0.3

 

CMYK 8 / 6 / 0 / 0

HEX #BACBFB4C

RGBA 186 203 251 0.3

HSLA 224.31, 0.89%, 0.86%, 0.3

LABA 81.9, 4.58, -25.46, 0.3

 

CMYK 6 / 4 / 0 / 0

HEX #CBDDFF4C

RGBA 203 221 255 0.3

HSLA 219.23, 1%, 0.9%, 0.3

LABA 87.79, 0.99, -18.53, 0.3

 

CMYK 10 / 8 / 0 / 7

HEX #8295C74C

RGBA 130 149 199 0.3

HSLA 223.48, 0.38%, 0.65%, 0.3

LABA 61.97, 5.36, -27.98, 0.3

 

CMYK 11 / 8 / 0 / 9

HEX #7183B44C

RGBA 113 131 180 0.3

HSLA 223.88, 0.31%, 0.57%, 0.3

LABA 55.11, 5.8, -27.9, 0.3

 

CMYK 12 / 9 / 0 / 11

HEX #6071A14C

RGBA 96 113 161 0.3

HSLA 224.31, 0.26%, 0.5%, 0.3

LABA 48.1, 6.33, -27.88, 0.3

 

CMYK 13 / 10 / 0 / 13

HEX #4F5F8E4C

RGBA 79 95 142 0.3

HSLA 224.76, 0.29%, 0.43%, 0.3

LABA 40.9, 6.97, -27.9, 0.3

 

CMYK 15 / 11 / 0 / 16

HEX #3E4D7B4C

RGBA 62 77 123 0.3

HSLA 225.25, 0.33%, 0.36%, 0.3

LABA 33.48, 7.79, -28, 0.3

 

CMYK 34 / 25 / 0 / 22

HEX #8497C8

RGB 132 151 200

HSL 223.24, 0.38%, 0.65%

LAB 62.68, 5.05, -27.42

 

CMYK 34 / 34 / 0 / 22

HEX #8484C8

RGB 132 132 200

HSL 240, 0.38%, 0.65%

LAB 57.63, 16.06, -35.26

 

CMYK 25 / 34 / 0 / 22

HEX #9684C8

RGB 150 132 200

HSL 255.88, 0.38%, 0.65%

LAB 59.12, 21.32, -32.83

 

CMYK 16 / 34 / 0 / 22

HEX #A884C8

RGB 168 132 200

HSL 271.76, 0.38%, 0.65%

LAB 60.78, 26.84, -30.12

 

CMYK 7 / 34 / 0 / 22

HEX #BA84C8

RGB 186 132 200

HSL 287.65, 0.38%, 0.65%

LAB 62.6, 32.51, -27.16

 

CMYK 34 / 25 / 0 / 22

HEX #8497C8

RGB 132 151 200

HSL 223.24, 0.38%, 0.65%

LAB 62.68, 5.05, -27.42

 

CMYK 34 / 34 / 0 / 22

HEX #8484C8

RGB 132 132 200

HSL 240, 0.38%, 0.65%

LAB 57.63, 16.06, -35.26

 

CMYK 34 / 25 / 0 / 22

HEX #8497C8

RGB 132 151 200

HSL 223.24, 0.38%, 0.65%

LAB 62.68, 5.05, -27.42

 

CMYK 45 / 33 / 0 / 16

HEX #7590D6

RGB 117 144 214

HSL 223.3, 0.54%, 0.65%

LAB 60.41, 8.96, -38.86

 

CMYK 55 / 40 / 0 / 10

HEX #678AE5

RGB 103 138 229

HSL 223.33, 0.71%, 0.65%

LAB 58.71, 13.89, -49.96

 

CMYK 63 / 46 / 0 / 5

HEX #5983F3

RGB 89 131 243

HSL 223.64, 0.87%, 0.65%

LAB 56.91, 20.07, -60.66

 

CMYK 34 / 25 / 0 / 22

HEX #8497C8

RGB 132 151 200

HSL 223.24, 0.38%, 0.65%

LAB 62.68, 5.05, -27.42

 

CMYK 21 / 15 / 0 / 27

HEX #929DB9

RGB 146 157 185

HSL 223.08, 0.22%, 0.65%

LAB 64.75, 2.2, -15.79

 

CMYK 6 / 5 / 0 / 33

HEX #A1A3AB

RGB 161 163 171

HSL 228, 0.06%, 0.65%

LAB 67.06, 0.86, -4.39

 

CMYK 0 / 3 / 11 / 31

HEX #AFAA9C

RGB 175 170 156

HSL 44.21, 0.11%, 0.65%

LAB 69.66, -0.69, 7.85

 

CMYK 0 / 7 / 25 / 25

HEX #BEB08E

RGB 190 176 142

HSL 42.5, 0.27%, 0.65%

LAB 72.2, -0.4, 19.26

 

CMYK 34 / 7 / 0 / 22

HEX #84BBC8

RGB 132 187 200

HSL 191.47, 0.38%, 0.65%

LAB 72.64, -14.66, -12.29

 

CMYK 34 / 16 / 0 / 22

HEX #84A9C8

RGB 132 169 200

HSL 207.35, 0.38%, 0.65%

LAB 67.61, -5.02, -19.87

 

CMYK 34 / 25 / 0 / 22

HEX #8497C8

RGB 132 151 200

HSL 223.24, 0.38%, 0.65%

LAB 62.68, 5.05, -27.42

 

CMYK 34 / 34 / 0 / 22

HEX #8485C8

RGB 132 133 200

HSL 239.12, 0.38%, 0.65%

LAB 57.9, 15.48, -34.85

 

CMYK 26 / 34 / 0 / 22

HEX #9584C8

RGB 149 132 200

HSL 255, 0.38%, 0.65%

LAB 59.03, 21.02, -32.97

 

CMYK 55 / 40 / 0 / 33

HEX #4D67AC

RGB 77 103 172

HSL 223.58, 0.38%, 0.49%

LAB 44.6, 11.13, -39.91

 

CMYK 45 / 33 / 0 / 27

HEX #677EBB

RGB 103 126 187

HSL 223.57, 0.38%, 0.57%

LAB 53.38, 8.07, -34.67

 

CMYK 34 / 25 / 0 / 22

HEX #8497C8

RGB 132 151 200

HSL 223.24, 0.38%, 0.65%

LAB 62.68, 5.05, -27.42

 

CMYK 25 / 17 / 0 / 17

HEX #A0AFD4

RGB 160 175 212

HSL 222.69, 0.38%, 0.73%

LAB 71.48, 2.9, -20.44

 

CMYK 16 / 12 / 0 / 12

HEX #BDC7E1

RGB 189 199 225

HSL 223.33, 0.38%, 0.81%

LAB 80.24, 1.84, -14.06

 

CMYK 35 / 25 / 0 / 22

HEX #8295C7

RGB 130 149 199

HSL 223.48, 0.38%, 0.65%

LAB 61.97, 5.36, -27.98

 

CMYK 3 / 34 / 0 / 22

HEX #C284C8

RGB 194 132 200

HSL 294.71, 0.38%, 0.65%

LAB 63.46, 35.06, -25.77

 

CMYK 11 / 0 / 34 / 22

HEX #B2C884

RGB 178 200 132

HSL 79.41, 0.38%, 0.65%

LAB 77.54, -18.83, 31.61

 

CMYK 35 / 25 / 0 / 22

HEX #8295C7

RGB 130 149 199

HSL 223.48, 0.38%, 0.65%

LAB 61.97, 5.36, -27.98

 

CMYK 0 / 34 / 25 / 22

HEX #C88497

RGB 200 132 151

HSL 343.24, 0.38%, 0.65%

LAB 62.52, 28.78, 0.66

 

CMYK 25 / 0 / 34 / 22

HEX #97C884

RGB 151 200 132

HSL 103.24, 0.38%, 0.65%

LAB 75.79, -28.68, 28.98

 

CMYK 35 / 25 / 0 / 22

HEX #8295C7

RGB 130 149 199

HSL 223.48, 0.38%, 0.65%

LAB 61.97, 5.36, -27.98

 

CMYK 3 / 34 / 0 / 22

HEX #C284C8

RGB 194 132 200

HSL 294.71, 0.38%, 0.65%

LAB 63.46, 35.06, -25.77

 

CMYK 0 / 10 / 34 / 22

HEX #C8B484

RGB 200 180 132

HSL 42.35, 0.38%, 0.65%

LAB 73.93, 0.07, 27.13

 

CMYK 32 / 0 / 34 / 22

HEX #89C884

RGB 137 200 132

HSL 115.59, 0.38%, 0.65%

LAB 75.01, -33.44, 27.79

 

CMYK 35 / 25 / 0 / 22

HEX #8295C7

RGB 130 149 199

HSL 223.48, 0.38%, 0.65%

LAB 61.97, 5.36, -27.98

 

CMYK 0 / 34 / 8 / 22

HEX #C884B9

RGB 200 132 185

HSL 313.24, 0.38%, 0.65%

LAB 63.58, 34.25, -17.08

 

CMYK 0 / 10 / 34 / 22

HEX #C8B484

RGB 200 180 132

HSL 42.35, 0.38%, 0.65%

LAB 73.93, 0.07, 27.13

 

CMYK 34 / 0 / 27 / 22

HEX #84C893

RGB 132 200 147

HSL 133.24, 0.38%, 0.65%

LAB 75.03, -32.49, 19.86

 

Description

Color code: HEX #8295C74C | qconv.com Color code: HEX #8295C74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 149 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 149 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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