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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #828C54 it is the complementary color #7D73AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #828C54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #828C54 shade: #878C4F, #989E62, #A9B075, #BAC288 and #CBD49B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #828C54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #828C54 shade: #828C54, #717A41, #60682E, #4F561B and #3E4408

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #828C54 shade: #828C54, #8C8754, #8C7854, #8C6854 and #8C5954

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #828C54 shade: #828C54, #738C54, #638C54, #548C54 and #548C62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #828C54 shade matches the following richer shades: #828C54, #8D9E41, #99B02F, #A5C21D and #B0D40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #828C54 shade: #828C54, #767A66, #6A6778, #5F558A and #53439C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #828C54 shade: #8C7754, #8C8654, #828C54, #738C54 and #648C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #828C54 shade: #525835, #6A7244, #828C54, #98A366 and #A9B280

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #828C54 shade: #828C54, #548C68 and #7F548C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #828C54 shade: #828C54, #54828C and #8C5482

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #828C54 shade: #828C54, #548C68, #5D548C and #8C5477

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #828C54 shade: #828C54, #548C79, #5D548C and #8C5466

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

Complementary color

CMYK 27 / 33 / 0 / 33

HEX #7D73AB

RGB 125 115 171

HSL 250.71, 0.25%, 0.56%

LAB 51.34, 16.46, -28.5

 

CMYK 4 / 0 / 44 / 45

HEX #878C4F

RGB 135 140 79

HSL 64.92, 0.28%, 0.43%

LAB 56.56, -11.53, 31.88

 

CMYK 4 / 0 / 38 / 38

HEX #989E62

RGB 152 158 98

HSL 66, 0.24%, 0.5%

LAB 63.35, -11.81, 30.64

 

CMYK 4 / 0 / 34 / 31

HEX #A9B075

RGB 169 176 117

HSL 67.12, 0.27%, 0.57%

LAB 70.01, -12.03, 29.45

 

CMYK 4 / 0 / 30 / 24

HEX #BAC288

RGB 186 194 136

HSL 68.28, 0.32%, 0.65%

LAB 76.56, -12.21, 28.32

 

CMYK 4 / 0 / 27 / 17

HEX #CBD49B

RGB 203 212 155

HSL 69.47, 0.4%, 0.72%

LAB 82.99, -12.35, 27.25

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 7 / 0 / 47 / 52

HEX #717A41

RGB 113 122 65

HSL 69.47, 0.3%, 0.37%

LAB 49.27, -12.79, 29.95

 

CMYK 8 / 0 / 56 / 59

HEX #60682E

RGB 96 104 46

HSL 68.28, 0.39%, 0.29%

LAB 42.13, -12.44, 31.22

 

CMYK 8 / 0 / 69 / 66

HEX #4F561B

RGB 79 86 27

HSL 67.12, 0.52%, 0.22%

LAB 34.8, -11.89, 32.28

 

CMYK 9 / 0 / 88 / 73

HEX #3E4408

RGB 62 68 8

HSL 66, 0.79%, 0.15%

LAB 27.23, -11.02, 32.47

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 0 / 4 / 40 / 45

HEX #8C8754

RGB 140 135 84

HSL 54.64, 0.25%, 0.44%

LAB 55.63, -6.09, 28.09

 

CMYK 0 / 14 / 40 / 45

HEX #8C7854

RGB 140 120 84

HSL 38.57, 0.25%, 0.44%

LAB 51.44, 2.35, 22.64

 

CMYK 0 / 26 / 40 / 45

HEX #8C6854

RGB 140 104 84

HSL 21.43, 0.25%, 0.44%

LAB 47.13, 11.62, 16.88

 

CMYK 0 / 36 / 40 / 45

HEX #8C5954

RGB 140 89 84

HSL 5.36, 0.25%, 0.44%

LAB 43.3, 20.4, 11.64

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 18 / 0 / 40 / 45

HEX #738C54

RGB 115 140 84

HSL 86.79, 0.25%, 0.44%

LAB 55.11, -19.14, 27.03

 

CMYK 29 / 0 / 40 / 45

HEX #638C54

RGB 99 140 84

HSL 103.93, 0.25%, 0.44%

LAB 54.08, -25.28, 25.49

 

CMYK 40 / 0 / 40 / 45

HEX #548C54

RGB 84 140 84

HSL 120, 0.25%, 0.44%

LAB 53.26, -30.53, 24.26

 

CMYK 40 / 0 / 30 / 45

HEX #548C62

RGB 84 140 98

HSL 135, 0.25%, 0.44%

LAB 53.52, -28.01, 16.78

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 11 / 0 / 59 / 38

HEX #8D9E41

RGB 141 158 65

HSL 70.97, 0.42%, 0.44%

LAB 62.08, -19.8, 45.56

 

CMYK 13 / 0 / 73 / 31

HEX #99B02F

RGB 153 176 47

HSL 70.7, 0.58%, 0.44%

LAB 68.04, -24.96, 59.45

 

CMYK 15 / 0 / 85 / 24

HEX #A5C21D

RGB 165 194 29

HSL 70.55, 0.74%, 0.44%

LAB 73.98, -29.35, 70.25

 

CMYK 17 / 0 / 95 / 17

HEX #B0D40B

RGB 176 212 11

HSL 70.75, 0.9%, 0.44%

LAB 79.81, -33.62, 78.05

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 3 / 0 / 16 / 52

HEX #767A66

RGB 118 122 102

HSL 72, 0.09%, 0.44%

LAB 50.37, -5.31, 10.46

 

CMYK 12 / 14 / 0 / 53

HEX #6A6778

RGB 106 103 120

HSL 250.59, 0.08%, 0.44%

LAB 44.41, 4.84, -9.06

 

CMYK 31 / 38 / 0 / 46

HEX #5F558A

RGB 95 85 138

HSL 251.32, 0.24%, 0.44%

LAB 39.18, 16.79, -28.08

 

CMYK 47 / 57 / 0 / 39

HEX #53439C

RGB 83 67 156

HSL 250.79, 0.4%, 0.44%

LAB 34.51, 30.14, -46.49

 

CMYK 0 / 15 / 40 / 45

HEX #8C7754

RGB 140 119 84

HSL 37.5, 0.25%, 0.44%

LAB 51.16, 2.92, 22.28

 

CMYK 0 / 4 / 40 / 45

HEX #8C8654

RGB 140 134 84

HSL 53.57, 0.25%, 0.44%

LAB 55.35, -5.54, 27.72

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 18 / 0 / 40 / 45

HEX #738C54

RGB 115 140 84

HSL 86.79, 0.25%, 0.44%

LAB 55.11, -19.14, 27.03

 

CMYK 29 / 0 / 40 / 45

HEX #648C54

RGB 100 140 84

HSL 102.86, 0.25%, 0.44%

LAB 54.14, -24.91, 25.58

 

CMYK 7 / 0 / 40 / 65

HEX #525835

RGB 82 88 53

HSL 70.29, 0.25%, 0.28%

LAB 36.04, -8.8, 19.52

 

CMYK 7 / 0 / 40 / 55

HEX #6A7244

RGB 106 114 68

HSL 70.43, 0.25%, 0.36%

LAB 46.33, -11.03, 24.48

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 7 / 0 / 37 / 36

HEX #98A366

RGB 152 163 102

HSL 70.82, 0.25%, 0.52%

LAB 64.83, -13.95, 30.41

 

CMYK 5 / 0 / 28 / 30

HEX #A9B280

RGB 169 178 128

HSL 70.8, 0.25%, 0.6%

LAB 70.76, -11.59, 24.57

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 40 / 0 / 26 / 45

HEX #548C68

RGB 84 140 104

HSL 141.43, 0.25%, 0.44%

LAB 53.64, -26.82, 13.54

 

CMYK 9 / 40 / 0 / 45

HEX #7F548C

RGB 127 84 140

HSL 286.07, 0.25%, 0.44%

LAB 42.38, 28.17, -24.05

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 40 / 7 / 0 / 45

HEX #54828C

RGB 84 130 140

HSL 190.71, 0.25%, 0.44%

LAB 51.55, -12.94, -10.36

 

CMYK 0 / 40 / 7 / 45

HEX #8C5482

RGB 140 84 130

HSL 310.71, 0.25%, 0.44%

LAB 43.55, 30.54, -16.06

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 40 / 0 / 26 / 45

HEX #548C68

RGB 84 140 104

HSL 141.43, 0.25%, 0.44%

LAB 53.64, -26.82, 13.54

 

CMYK 34 / 40 / 0 / 45

HEX #5D548C

RGB 93 84 140

HSL 249.64, 0.25%, 0.44%

LAB 38.83, 17.37, -29.85

 

CMYK 0 / 40 / 15 / 45

HEX #8C5477

RGB 140 84 119

HSL 322.5, 0.25%, 0.44%

LAB 43.13, 28.55, -10

 

CMYK 7 / 0 / 40 / 45

HEX #828C54

RGB 130 140 84

HSL 70.71, 0.25%, 0.44%

LAB 56.23, -13.03, 28.69

 

CMYK 40 / 0 / 14 / 45

HEX #548C79

RGB 84 140 121

HSL 159.64, 0.25%, 0.44%

LAB 54.05, -23.1, 4.36

 

CMYK 34 / 40 / 0 / 45

HEX #5D548C

RGB 93 84 140

HSL 249.64, 0.25%, 0.44%

LAB 38.83, 17.37, -29.85

 

CMYK 0 / 40 / 27 / 45

HEX #8C5466

RGB 140 84 102

HSL 340.71, 0.25%, 0.44%

LAB 42.57, 25.79, -0.41

 

Description

Color code: HEX #828C54 | qconv.com Color code: HEX #828C54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 140 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 140 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 40 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 40% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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