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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #828C50 it is the complementary color #7D73AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #828C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #828C50 shade: #878C4B, #989E5E, #A9B071, #BAC284 and #CBD497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #828C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #828C50 shade: #828C50, #717A3D, #60682A, #4F5617 and #3E4404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #828C50 shade: #818B50, #8B8550, #8B7550, #8B6550 and #8B5550

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #828C50 shade: #818B50, #718B50, #618B50, #518B50 and #508B5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #828C50 shade matches the following richer shades: #818B50, #8D9D3E, #99AF2D, #A5C01B and #B1D209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #828C50 shade: #818B50, #767A62, #6A6874, #5E5685 and #524497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #828C50 shade: #8B7650, #8B8550, #818B50, #728B50 and #628B50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #828C50 shade: #515732, #697141, #818B50, #99A461 and #AAB37B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #828C50 shade: #828C50, #508B66 and #7D508B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #828C50 shade: #828C50, #50818B and #8B5081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #828C50 shade: #828C50, #508B66, #5A508B and #8B5076

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #828C50 shade: #828C50, #508B78, #5A508B and #8B5064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 43 / 45

HEX #828C50

RGB 130 140 80

HSL 70, 0.27%, 0.43%

LAB 56.17, -13.52, 30.77

 

Complementary color

CMYK 29 / 34 / 0 / 31

HEX #7D73AF

RGB 125 115 175

HSL 250, 0.27%, 0.57%

LAB 51.52, 17.49, -30.54

 

CMYK 4 / 0 / 46 / 45

HEX #878C4B

RGB 135 140 75

HSL 64.62, 0.3%, 0.42%

LAB 56.5, -11.97, 33.93

 

CMYK 4 / 0 / 41 / 38

HEX #989E5E

RGB 152 158 94

HSL 65.63, 0.25%, 0.49%

LAB 63.29, -12.29, 32.68

 

CMYK 4 / 0 / 36 / 31

HEX #A9B071

RGB 169 176 113

HSL 66.67, 0.29%, 0.57%

LAB 69.95, -12.54, 31.48

 

CMYK 4 / 0 / 32 / 24

HEX #BAC284

RGB 186 194 132

HSL 67.74, 0.34%, 0.64%

LAB 76.49, -12.74, 30.33

 

CMYK 4 / 0 / 29 / 17

HEX #CBD497

RGB 203 212 151

HSL 68.85, 0.41%, 0.71%

LAB 82.92, -12.9, 29.23

 

CMYK 7 / 0 / 43 / 45

HEX #828C50

RGB 130 140 80

HSL 70, 0.27%, 0.43%

LAB 56.17, -13.52, 30.77

 

CMYK 7 / 0 / 50 / 52

HEX #717A3D

RGB 113 122 61

HSL 68.85, 0.33%, 0.36%

LAB 49.21, -13.24, 32.03

 

CMYK 8 / 0 / 60 / 59

HEX #60682A

RGB 96 104 42

HSL 67.74, 0.42%, 0.29%

LAB 42.08, -12.82, 33.24

 

CMYK 8 / 0 / 73 / 66

HEX #4F5617

RGB 79 86 23

HSL 66.67, 0.58%, 0.21%

LAB 34.76, -12.18, 34.1

 

CMYK 9 / 0 / 94 / 73

HEX #3E4404

RGB 62 68 4

HSL 65.63, 0.89%, 0.14%

LAB 27.21, -11.22, 34.07

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 0 / 4 / 42 / 45

HEX #8B8550

RGB 139 133 80

HSL 53.9, 0.27%, 0.43%

LAB 54.91, -5.88, 29.34

 

CMYK 0 / 16 / 42 / 45

HEX #8B7550

RGB 139 117 80

HSL 37.63, 0.27%, 0.43%

LAB 50.44, 3.15, 23.59

 

CMYK 0 / 27 / 42 / 45

HEX #8B6550

RGB 139 101 80

HSL 21.36, 0.27%, 0.43%

LAB 46.14, 12.46, 17.9

 

CMYK 0 / 39 / 42 / 45

HEX #8B5550

RGB 139 85 80

HSL 5.08, 0.27%, 0.43%

LAB 42.1, 21.82, 12.39

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 19 / 0 / 42 / 45

HEX #718B50

RGB 113 139 80

HSL 86.44, 0.27%, 0.43%

LAB 54.61, -19.96, 28.54

 

CMYK 30 / 0 / 42 / 45

HEX #618B50

RGB 97 139 80

HSL 102.71, 0.27%, 0.43%

LAB 53.58, -26.12, 27.01

 

CMYK 42 / 0 / 42 / 45

HEX #518B50

RGB 81 139 80

HSL 118.98, 0.27%, 0.43%

LAB 52.72, -31.7, 25.73

 

CMYK 42 / 0 / 32 / 45

HEX #508B5F

RGB 80 139 95

HSL 135.25, 0.27%, 0.43%

LAB 52.95, -29.36, 17.67

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 10 / 0 / 61 / 38

HEX #8D9D3E

RGB 141 157 62

HSL 70.11, 0.43%, 0.43%

LAB 61.76, -19.54, 46.59

 

CMYK 13 / 0 / 74 / 31

HEX #99AF2D

RGB 153 175 45

HSL 70.15, 0.59%, 0.43%

LAB 67.74, -24.58, 59.86

 

CMYK 14 / 0 / 86 / 25

HEX #A5C01B

RGB 165 192 27

HSL 69.82, 0.75%, 0.43%

LAB 73.4, -28.46, 70.19

 

CMYK 16 / 0 / 96 / 18

HEX #B1D209

RGB 177 210 9

HSL 69.85, 0.92%, 0.43%

LAB 79.31, -32.31, 77.88

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 3 / 0 / 20 / 52

HEX #767A62

RGB 118 122 98

HSL 70, 0.11%, 0.43%

LAB 50.28, -6, 12.66

 

CMYK 9 / 10 / 0 / 55

HEX #6A6874

RGB 106 104 116

HSL 250, 0.05%, 0.43%

LAB 44.55, 3.34, -6.42

 

CMYK 29 / 35 / 0 / 48

HEX #5E5685

RGB 94 86 133

HSL 250.21, 0.21%, 0.43%

LAB 39.12, 14.48, -25.14

 

CMYK 46 / 55 / 0 / 41

HEX #524497

RGB 82 68 151

HSL 250.12, 0.38%, 0.43%

LAB 34.32, 27.75, -43.77

 

CMYK 0 / 15 / 42 / 45

HEX #8B7650

RGB 139 118 80

HSL 38.64, 0.27%, 0.43%

LAB 50.72, 2.58, 23.95

 

CMYK 0 / 4 / 42 / 45

HEX #8B8550

RGB 139 133 80

HSL 53.9, 0.27%, 0.43%

LAB 54.91, -5.88, 29.34

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 18 / 0 / 42 / 45

HEX #728B50

RGB 114 139 80

HSL 85.42, 0.27%, 0.43%

LAB 54.68, -19.56, 28.64

 

CMYK 29 / 0 / 42 / 45

HEX #628B50

RGB 98 139 80

HSL 101.69, 0.27%, 0.43%

LAB 53.64, -25.75, 27.1

 

CMYK 7 / 0 / 43 / 66

HEX #515732

RGB 81 87 50

HSL 69.73, 0.27%, 0.27%

LAB 35.59, -9.08, 20.7

 

CMYK 7 / 0 / 42 / 56

HEX #697141

RGB 105 113 65

HSL 70, 0.27%, 0.35%

LAB 45.9, -11.29, 25.6

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 7 / 0 / 41 / 36

HEX #99A461

RGB 153 164 97

HSL 69.85, 0.27%, 0.51%

LAB 65.11, -14.68, 33.43

 

CMYK 5 / 0 / 31 / 30

HEX #AAB37B

RGB 170 179 123

HSL 69.64, 0.27%, 0.59%

LAB 71.02, -12.41, 27.61

 

CMYK 7 / 0 / 43 / 45

HEX #828C50

RGB 130 140 80

HSL 70, 0.27%, 0.43%

LAB 56.17, -13.52, 30.77

 

CMYK 42 / 0 / 27 / 45

HEX #508B66

RGB 80 139 102

HSL 142.37, 0.27%, 0.43%

LAB 53.09, -27.97, 13.89

 

CMYK 10 / 42 / 0 / 45

HEX #7D508B

RGB 125 80 139

HSL 285.76, 0.27%, 0.43%

LAB 41.15, 29.64, -25.37

 

CMYK 7 / 0 / 43 / 45

HEX #828C50

RGB 130 140 80

HSL 70, 0.27%, 0.43%

LAB 56.17, -13.52, 30.77

 

CMYK 42 / 7 / 0 / 45

HEX #50818B

RGB 80 129 139

HSL 190.17, 0.27%, 0.43%

LAB 51, -13.77, -10.61

 

CMYK 0 / 42 / 7 / 45

HEX #8B5081

RGB 139 80 129

HSL 310.17, 0.27%, 0.43%

LAB 42.48, 32.27, -17.1

 

CMYK 7 / 0 / 43 / 45

HEX #828C50

RGB 130 140 80

HSL 70, 0.27%, 0.43%

LAB 56.17, -13.52, 30.77

 

CMYK 42 / 0 / 27 / 45

HEX #508B66

RGB 80 139 102

HSL 142.37, 0.27%, 0.43%

LAB 53.09, -27.97, 13.89

 

CMYK 35 / 42 / 0 / 45

HEX #5A508B

RGB 90 80 139

HSL 250.17, 0.27%, 0.43%

LAB 37.44, 18.72, -31.46

 

CMYK 0 / 42 / 15 / 45

HEX #8B5076

RGB 139 80 118

HSL 321.36, 0.27%, 0.43%

LAB 42.05, 30.3, -11.03

 

CMYK 7 / 0 / 43 / 45

HEX #828C50

RGB 130 140 80

HSL 70, 0.27%, 0.43%

LAB 56.17, -13.52, 30.77

 

CMYK 42 / 0 / 14 / 45

HEX #508B78

RGB 80 139 120

HSL 160.68, 0.27%, 0.43%

LAB 53.52, -23.98, 4.16

 

CMYK 35 / 42 / 0 / 45

HEX #5A508B

RGB 90 80 139

HSL 250.17, 0.27%, 0.43%

LAB 37.44, 18.72, -31.46

 

CMYK 0 / 42 / 28 / 45

HEX #8B5064

RGB 139 80 100

HSL 339.66, 0.27%, 0.43%

LAB 41.45, 27.4, -0.85

 

Description

Color code: HEX #828C50 | qconv.com Color code: HEX #828C50 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 140 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 140 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 43 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 43% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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