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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #828305 it is the complementary color #7D7CFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #828305. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #828305 shade: #878300, #989513, #A9A726, #BAB939 and #CBCB4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #828305. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #828305 shade: #828305, #717100, #605F00, #4F4D00 and #3E3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #828305 shade: #838404, #846304, #844004, #841E04 and #840404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #828305 shade: #838404, #618404, #3E8404, #1C8404 and #04840F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #828305 shade matches the following richer shades: #838404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #828305 shade: #838404, #78790F, #6D6E1B, #626326 and #585831

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #828305 shade: #844004, #846204, #848404, #628404 and #408404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #828305 shade: #343501, #5C5D03, #838404, #ABAC06 and #D2D407

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #828305 shade: #828305, #04841E and #510484

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #828305 shade: #828305, #048484 and #840484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #828305 shade: #828305, #04841E, #040484 and #84046B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #828305 shade: #828305, #048444, #040484 and #840444

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 96 / 49

HEX #828305

RGB 130 131 5

HSL 60.48, 0.93%, 0.27%

LAB 52.94, -13.51, 56.62

 

Complementary color

CMYK 50 / 50 / 0 / 2

HEX #7D7CFA

RGB 125 124 250

HSL 240.48, 0.93%, 0.73%

LAB 57.73, 33.34, -63.09

 

CMYK 0 / 3 / 100 / 47

HEX #878300

RGB 135 131 0

HSL 58.22, 1%, 0.26%

LAB 53.37, -11.29, 58.05

 

CMYK 0 / 2 / 88 / 40

HEX #989513

RGB 152 149 19

HSL 58.65, 0.78%, 0.34%

LAB 60.08, -12.74, 60.49

 

CMYK 0 / 1 / 78 / 34

HEX #A9A726

RGB 169 167 38

HSL 59.08, 0.63%, 0.41%

LAB 66.68, -13.96, 61.63

 

CMYK 0 / 1 / 69 / 27

HEX #BAB939

RGB 186 185 57

HSL 59.53, 0.53%, 0.48%

LAB 73.18, -14.95, 61.69

 

CMYK 0 / 0 / 63 / 20

HEX #CBCB4C

RGB 203 203 76

HSL 60, 0.55%, 0.55%

LAB 79.57, -15.76, 61.17

 

CMYK 1 / 0 / 96 / 49

HEX #828305

RGB 130 131 5

HSL 60.48, 0.93%, 0.27%

LAB 52.94, -13.51, 56.62

 

CMYK 0 / 0 / 100 / 56

HEX #717100

RGB 113 113 0

HSL 60, 1%, 0.22%

LAB 46.07, -11.83, 51.84

 

CMYK 0 / 1 / 100 / 62

HEX #605F00

RGB 96 95 0

HSL 59.38, 1%, 0.19%

LAB 39.02, -9.97, 45.98

 

CMYK 0 / 3 / 100 / 69

HEX #4F4D00

RGB 79 77 0

HSL 58.48, 1%, 0.15%

LAB 31.74, -8.04, 39.93

 

CMYK 0 / 5 / 100 / 76

HEX #3E3B00

RGB 62 59 0

HSL 57.1, 1%, 0.12%

LAB 24.17, -5.99, 32.88

 

CMYK 1 / 0 / 97 / 48

HEX #838404

RGB 131 132 4

HSL 60.47, 0.94%, 0.27%

LAB 53.32, -13.61, 57.13

 

CMYK 0 / 25 / 97 / 48

HEX #846304

RGB 132 99 4

HSL 44.53, 0.94%, 0.27%

LAB 44, 5.44, 50.26

 

CMYK 0 / 52 / 97 / 48

HEX #844004

RGB 132 64 4

HSL 28.13, 0.94%, 0.27%

LAB 35.16, 25.83, 44.06

 

CMYK 0 / 77 / 97 / 48

HEX #841E04

RGB 132 30 4

HSL 12.19, 0.94%, 0.27%

LAB 29.01, 42.04, 39.79

 

CMYK 0 / 97 / 97 / 48

HEX #840404

RGB 132 4 4

HSL 0, 0.94%, 0.27%

LAB 26.74, 48.48, 37.87

 

CMYK 1 / 0 / 97 / 48

HEX #838404

RGB 131 132 4

HSL 60.47, 0.94%, 0.27%

LAB 53.32, -13.61, 57.13

 

CMYK 27 / 0 / 97 / 48

HEX #618404

RGB 97 132 4

HSL 76.41, 0.94%, 0.27%

LAB 50.75, -28.76, 54.04

 

CMYK 53 / 0 / 97 / 48

HEX #3E8404

RGB 62 132 4

HSL 92.81, 0.94%, 0.27%

LAB 48.93, -41.79, 51.82

 

CMYK 79 / 0 / 97 / 48

HEX #1C8404

RGB 28 132 4

HSL 108.75, 0.94%, 0.27%

LAB 47.95, -49.88, 50.62

 

CMYK 97 / 0 / 89 / 48

HEX #04840F

RGB 4 132 15

HSL 125.16, 0.94%, 0.27%

LAB 47.7, -51.98, 48.07

 

CMYK 1 / 0 / 97 / 48

HEX #838404

RGB 131 132 4

HSL 60.47, 0.94%, 0.27%

LAB 53.32, -13.61, 57.13

 

CMYK 1 / 0 / 97 / 48

HEX #838404

RGB 131 132 4

HSL 60.47, 0.94%, 0.27%

LAB 53.32, -13.61, 57.13

 

CMYK 1 / 0 / 88 / 53

HEX #78790F

RGB 120 121 15

HSL 60.57, 0.78%, 0.27%

LAB 49.13, -12.54, 51.26

 

CMYK 1 / 0 / 75 / 57

HEX #6D6E1B

RGB 109 110 27

HSL 60.72, 0.61%, 0.27%

LAB 44.92, -11.18, 43.34

 

CMYK 1 / 0 / 62 / 61

HEX #626326

RGB 98 99 38

HSL 60.98, 0.45%, 0.27%

LAB 40.67, -9.43, 33.72

 

CMYK 0 / 0 / 44 / 65

HEX #585831

RGB 88 88 49

HSL 60, 0.28%, 0.27%

LAB 36.51, -6.59, 22.58

 

CMYK 0 / 52 / 97 / 48

HEX #844004

RGB 132 64 4

HSL 28.13, 0.94%, 0.27%

LAB 35.16, 25.83, 44.06

 

CMYK 0 / 26 / 97 / 48

HEX #846204

RGB 132 98 4

HSL 44.06, 0.94%, 0.27%

LAB 43.73, 6.02, 50.06

 

CMYK 0 / 0 / 97 / 48

HEX #848404

RGB 132 132 4

HSL 60, 0.94%, 0.27%

LAB 53.4, -13.14, 57.23

 

CMYK 26 / 0 / 97 / 48

HEX #628404

RGB 98 132 4

HSL 75.94, 0.94%, 0.27%

LAB 50.81, -28.34, 54.11

 

CMYK 52 / 0 / 97 / 48

HEX #408404

RGB 64 132 4

HSL 91.88, 0.94%, 0.27%

LAB 49.01, -41.16, 51.92

 

CMYK 2 / 0 / 98 / 79

HEX #343501

RGB 52 53 1

HSL 61.15, 0.96%, 0.11%

LAB 21.13, -7.56, 28.99

 

CMYK 1 / 0 / 97 / 64

HEX #5C5D03

RGB 92 93 3

HSL 60.67, 0.94%, 0.19%

LAB 38.04, -10.71, 44.21

 

CMYK 1 / 0 / 97 / 48

HEX #838404

RGB 131 132 4

HSL 60.47, 0.94%, 0.27%

LAB 53.32, -13.61, 57.13

 

CMYK 1 / 0 / 97 / 33

HEX #ABAC06

RGB 171 172 6

HSL 60.36, 0.93%, 0.35%

LAB 68.15, -16.41, 69.5

 

CMYK 1 / 0 / 97 / 17

HEX #D2D407

RGB 210 212 7

HSL 60.59, 0.94%, 0.43%

LAB 82.27, -19.53, 81.38

 

CMYK 1 / 0 / 96 / 49

HEX #828305

RGB 130 131 5

HSL 60.48, 0.93%, 0.27%

LAB 52.94, -13.51, 56.62

 

CMYK 97 / 0 / 77 / 48

HEX #04841E

RGB 4 132 30

HSL 132.19, 0.94%, 0.27%

LAB 47.78, -51.01, 43.55

 

CMYK 39 / 97 / 0 / 48

HEX #510484

RGB 81 4 132

HSL 276.09, 0.94%, 0.27%

LAB 21.95, 51.84, -52.11

 

CMYK 1 / 0 / 96 / 49

HEX #828305

RGB 130 131 5

HSL 60.48, 0.93%, 0.27%

LAB 52.94, -13.51, 56.62

 

CMYK 97 / 0 / 0 / 48

HEX #048484

RGB 4 132 132

HSL 180, 0.94%, 0.27%

LAB 49.73, -29.28, -8.62

 

CMYK 0 / 97 / 0 / 48

HEX #840484

RGB 132 4 132

HSL 300, 0.94%, 0.27%

LAB 31.02, 59.66, -36.99

 

CMYK 1 / 0 / 96 / 49

HEX #828305

RGB 130 131 5

HSL 60.48, 0.93%, 0.27%

LAB 52.94, -13.51, 56.62

 

CMYK 97 / 0 / 77 / 48

HEX #04841E

RGB 4 132 30

HSL 132.19, 0.94%, 0.27%

LAB 47.78, -51.01, 43.55

 

CMYK 97 / 97 / 0 / 48

HEX #040484

RGB 4 4 132

HSL 240, 0.94%, 0.27%

LAB 14.28, 47.07, -65.06

 

CMYK 0 / 97 / 19 / 48

HEX #84046B

RGB 132 4 107

HSL 311.72, 0.94%, 0.27%

LAB 29.55, 55.98, -23.45

 

CMYK 1 / 0 / 96 / 49

HEX #828305

RGB 130 131 5

HSL 60.48, 0.93%, 0.27%

LAB 52.94, -13.51, 56.62

 

CMYK 97 / 0 / 48 / 48

HEX #048444

RGB 4 132 68

HSL 150, 0.94%, 0.27%

LAB 48.19, -45.92, 26.05

 

CMYK 97 / 97 / 0 / 48

HEX #040484

RGB 4 4 132

HSL 240, 0.94%, 0.27%

LAB 14.28, 47.07, -65.06

 

CMYK 0 / 97 / 48 / 48

HEX #840444

RGB 132 4 68

HSL 330, 0.94%, 0.27%

LAB 27.87, 51.59, -0.27

 

Description

Color code: HEX #828305 | qconv.com Color code: HEX #828305 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 131 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 131 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 96 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 96% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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