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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8276AF it is the complementary color #7D8950. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8276AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8276AF shade: #8776AA, #9888BD, #A99AD0, #BAACE3 and #CBBEF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8276AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8276AF shade: #8276AF, #71649C, #605289, #4F4076 and #3E2E63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8276AF shade: #8175AE, #9075AE, #A075AE, #AE75AD and #AE759D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8276AF shade: #8175AE and #7575AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8276AF shade matches the following richer shades: #8175AE, #7763C0, #6C51D1, #6240E3 and #582EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8276AF shade: #8175AE, #8B879C, #95988A, #A0AA79 and #AABC67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8276AF shade: #7588AE, #7579AE, #8075AE, #8F75AE and #9F75AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8276AF shade: #584D83, #6A5C9D, #8175AE, #998FBD and #B0A9CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8276AF shade: #8276AF, #AE7597 and #80AE75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8276AF shade: #8276AF, #AE8075 and #75AE80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8276AF shade: #8276AF, #AE7597, #A2AE75 and #75AE8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8276AF shade: #8276AF, #AE7586, #A2AE75 and #75AE9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 33 / 0 / 31

HEX #8276AF

RGB 130 118 175

HSL 252.63, 0.26%, 0.57%

LAB 52.73, 17.23, -28.62

 

Complementary color

CMYK 9 / 0 / 42 / 46

HEX #7D8950

RGB 125 137 80

HSL 72.63, 0.26%, 0.43%

LAB 54.9, -14, 29.08

 

CMYK 21 / 31 / 0 / 33

HEX #8776AA

RGB 135 118 170

HSL 259.62, 0.23%, 0.56%

LAB 52.96, 17.58, -25.33

 

CMYK 20 / 28 / 0 / 26

HEX #9888BD

RGB 152 136 189

HSL 258.11, 0.29%, 0.64%

LAB 59.85, 17, -25.46

 

CMYK 19 / 26 / 0 / 18

HEX #A99AD0

RGB 169 154 208

HSL 256.67, 0.36%, 0.71%

LAB 66.6, 16.49, -25.62

 

CMYK 18 / 24 / 0 / 11

HEX #BAACE3

RGB 186 172 227

HSL 255.27, 0.5%, 0.78%

LAB 73.21, 16.02, -25.81

 

CMYK 17 / 23 / 0 / 4

HEX #CBBEF6

RGB 203 190 246

HSL 253.93, 0.76%, 0.85%

LAB 79.71, 15.58, -26.01

 

CMYK 26 / 33 / 0 / 31

HEX #8276AF

RGB 130 118 175

HSL 252.63, 0.26%, 0.57%

LAB 52.73, 17.23, -28.62

 

CMYK 28 / 36 / 0 / 39

HEX #71649C

RGB 113 100 156

HSL 253.93, 0.22%, 0.5%

LAB 45.67, 17.92, -28.61

 

CMYK 30 / 40 / 0 / 46

HEX #605289

RGB 96 82 137

HSL 255.27, 0.25%, 0.43%

LAB 38.42, 18.71, -28.65

 

CMYK 33 / 46 / 0 / 54

HEX #4F4076

RGB 79 64 118

HSL 256.67, 0.3%, 0.36%

LAB 30.97, 19.64, -28.75

 

CMYK 37 / 54 / 0 / 61

HEX #3E2E63

RGB 62 46 99

HSL 258.11, 0.37%, 0.28%

LAB 23.27, 20.75, -28.92

 

CMYK 26 / 33 / 0 / 32

HEX #8175AE

RGB 129 117 174

HSL 252.63, 0.26%, 0.57%

LAB 52.34, 17.27, -28.66

 

CMYK 17 / 33 / 0 / 32

HEX #9075AE

RGB 144 117 174

HSL 268.42, 0.26%, 0.57%

LAB 53.72, 21.99, -26.41

 

CMYK 8 / 33 / 0 / 32

HEX #A075AE

RGB 160 117 174

HSL 285.26, 0.26%, 0.57%

LAB 55.33, 27.19, -23.78

 

CMYK 0 / 33 / 1 / 32

HEX #AE75AD

RGB 174 117 173

HSL 301.05, 0.26%, 0.57%

LAB 56.82, 31.62, -20.79

 

CMYK 0 / 33 / 10 / 32

HEX #AE759D

RGB 174 117 157

HSL 317.89, 0.26%, 0.57%

LAB 56.24, 28.67, -12.43

 

CMYK 26 / 33 / 0 / 32

HEX #8175AE

RGB 129 117 174

HSL 252.63, 0.26%, 0.57%

LAB 52.34, 17.27, -28.66

 

CMYK 33 / 33 / 0 / 32

HEX #7575AE

RGB 117 117 174

HSL 240, 0.26%, 0.57%

LAB 51.34, 13.64, -30.29

 

CMYK 26 / 33 / 0 / 32

HEX #8175AE

RGB 129 117 174

HSL 252.63, 0.26%, 0.57%

LAB 52.34, 17.27, -28.66

 

CMYK 38 / 48 / 0 / 25

HEX #7763C0

RGB 119 99 192

HSL 252.9, 0.42%, 0.57%

LAB 47.82, 29.97, -46.25

 

CMYK 48 / 61 / 0 / 18

HEX #6C51D1

RGB 108 81 209

HSL 252.66, 0.58%, 0.57%

LAB 43.77, 42.9, -62.61

 

CMYK 57 / 72 / 0 / 11

HEX #6240E3

RGB 98 64 227

HSL 252.52, 0.74%, 0.57%

LAB 40.91, 55.69, -77.61

 

CMYK 64 / 81 / 0 / 4

HEX #582EF5

RGB 88 46 245

HSL 252.66, 0.91%, 0.57%

LAB 38.94, 67.78, -91.09

 

CMYK 26 / 33 / 0 / 32

HEX #8175AE

RGB 129 117 174

HSL 252.63, 0.26%, 0.57%

LAB 52.34, 17.27, -28.66

 

CMYK 11 / 13 / 0 / 39

HEX #8B879C

RGB 139 135 156

HSL 251.43, 0.1%, 0.57%

LAB 57.29, 5.8, -10.63

 

CMYK 2 / 0 / 9 / 40

HEX #95988A

RGB 149 152 138

HSL 72.86, 0.06%, 0.57%

LAB 62.24, -3.71, 6.99

 

CMYK 6 / 0 / 29 / 33

HEX #A0AA79

RGB 160 170 121

HSL 72.24, 0.22%, 0.57%

LAB 67.73, -11.89, 24.15

 

CMYK 10 / 0 / 45 / 26

HEX #AABC67

RGB 170 188 103

HSL 72.71, 0.39%, 0.57%

LAB 73.21, -19.43, 40.77

 

CMYK 33 / 22 / 0 / 32

HEX #7588AE

RGB 117 136 174

HSL 220, 0.26%, 0.57%

LAB 56.53, 2.42, -22.26

 

CMYK 33 / 30 / 0 / 32

HEX #7579AE

RGB 117 121 174

HSL 235.79, 0.26%, 0.57%

LAB 52.41, 11.25, -28.62

 

CMYK 26 / 33 / 0 / 32

HEX #8075AE

RGB 128 117 174

HSL 251.58, 0.26%, 0.57%

LAB 52.25, 16.96, -28.8

 

CMYK 18 / 33 / 0 / 32

HEX #8F75AE

RGB 143 117 174

HSL 267.37, 0.26%, 0.57%

LAB 53.62, 21.67, -26.57

 

CMYK 9 / 33 / 0 / 32

HEX #9F75AE

RGB 159 117 174

HSL 284.21, 0.26%, 0.57%

LAB 55.23, 26.87, -23.96

 

CMYK 33 / 41 / 0 / 49

HEX #584D83

RGB 88 77 131

HSL 252.22, 0.26%, 0.41%

LAB 36.02, 17.74, -28.8

 

CMYK 32 / 41 / 0 / 38

HEX #6A5C9D

RGB 106 92 157

HSL 252.92, 0.26%, 0.49%

LAB 42.99, 20.97, -33.44

 

CMYK 26 / 33 / 0 / 32

HEX #8175AE

RGB 129 117 174

HSL 252.63, 0.26%, 0.57%

LAB 52.34, 17.27, -28.66

 

CMYK 19 / 24 / 0 / 26

HEX #998FBD

RGB 153 143 189

HSL 253.04, 0.26%, 0.65%

LAB 61.73, 13.3, -22.57

 

CMYK 14 / 17 / 0 / 20

HEX #B0A9CC

RGB 176 169 204

HSL 252, 0.26%, 0.73%

LAB 70.85, 9.47, -16.89

 

CMYK 26 / 33 / 0 / 31

HEX #8276AF

RGB 130 118 175

HSL 252.63, 0.26%, 0.57%

LAB 52.73, 17.23, -28.62

 

CMYK 0 / 33 / 13 / 32

HEX #AE7597

RGB 174 117 151

HSL 324.21, 0.26%, 0.57%

LAB 56.04, 27.63, -9.25

 

CMYK 26 / 0 / 33 / 32

HEX #80AE75

RGB 128 174 117

HSL 108.42, 0.26%, 0.57%

LAB 66.63, -26.48, 24.45

 

CMYK 26 / 33 / 0 / 31

HEX #8276AF

RGB 130 118 175

HSL 252.63, 0.26%, 0.57%

LAB 52.73, 17.23, -28.62

 

CMYK 0 / 26 / 33 / 32

HEX #AE8075

RGB 174 128 117

HSL 11.58, 0.26%, 0.57%

LAB 57.77, 16.23, 12.94

 

CMYK 33 / 0 / 26 / 32

HEX #75AE80

RGB 117 174 128

HSL 131.58, 0.26%, 0.57%

LAB 66.22, -28.31, 17.83

 

CMYK 26 / 33 / 0 / 31

HEX #8276AF

RGB 130 118 175

HSL 252.63, 0.26%, 0.57%

LAB 52.73, 17.23, -28.62

 

CMYK 0 / 33 / 13 / 32

HEX #AE7597

RGB 174 117 151

HSL 324.21, 0.26%, 0.57%

LAB 56.04, 27.63, -9.25

 

CMYK 7 / 0 / 33 / 32

HEX #A2AE75

RGB 162 174 117

HSL 72.63, 0.26%, 0.57%

LAB 68.92, -13.75, 27.91

 

CMYK 33 / 0 / 20 / 32

HEX #75AE8C

RGB 117 174 140

HSL 144.21, 0.26%, 0.57%

LAB 66.48, -26, 11.61

 

CMYK 26 / 33 / 0 / 31

HEX #8276AF

RGB 130 118 175

HSL 252.63, 0.26%, 0.57%

LAB 52.73, 17.23, -28.62

 

CMYK 0 / 33 / 23 / 32

HEX #AE7586

RGB 174 117 134

HSL 342.11, 0.26%, 0.57%

LAB 55.53, 24.87, -0.12

 

CMYK 7 / 0 / 33 / 32

HEX #A2AE75

RGB 162 174 117

HSL 72.63, 0.26%, 0.57%

LAB 68.92, -13.75, 27.91

 

CMYK 33 / 0 / 10 / 32

HEX #75AE9D

RGB 117 174 157

HSL 162.11, 0.26%, 0.57%

LAB 66.89, -22.4, 2.8

 

Description

Color code: HEX #8276AF | qconv.com Color code: HEX #8276AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 118 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 118 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 33 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 33% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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