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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827115 it is the complementary color #7D8EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827115 shade: #877110, #988323, #A99536, #BAA749 and #CBB95C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827115 shade: #827115, #715F02, #604D00, #4F3B00 and #3E2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827115 shade: #847215, #845515, #843715, #841915 and #841515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827115 shade: #847215, #778415, #598415, #3C8415 and #1E8415

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827115 shade matches the following richer shades: #847215 and #907B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827115 shade: #847215, #776A22, #6B612E, #5E593B and #525047

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827115 shade: #843615, #845415, #847115, #798415 and #5B8415

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827115 shade: #3D350A, #605410, #847215, #A7911B and #CBB021

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827115 shade: #827115, #158419 and #451584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827115 shade: #827115, #158471 and #711584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827115 shade: #827115, #158419, #152884 and #841580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827115 shade: #827115, #15843A, #152884 and #84155F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 84 / 49

HEX #827115

RGB 130 113 21

HSL 50.64, 0.72%, 0.3%

LAB 47.77, -3.18, 48.79

 

Complementary color

CMYK 47 / 39 / 0 / 8

HEX #7D8EEA

RGB 125 142 234

HSL 230.64, 0.72%, 0.7%

LAB 61.35, 17.96, -48.47

 

CMYK 0 / 16 / 88 / 47

HEX #877110

RGB 135 113 16

HSL 48.91, 0.79%, 0.3%

LAB 48.26, -0.95, 50.87

 

CMYK 0 / 14 / 77 / 40

HEX #988323

RGB 152 131 35

HSL 49.23, 0.63%, 0.37%

LAB 55.1, -2.45, 51.41

 

CMYK 0 / 12 / 68 / 34

HEX #A99536

RGB 169 149 54

HSL 49.57, 0.52%, 0.44%

LAB 61.82, -3.64, 50.92

 

CMYK 0 / 10 / 61 / 27

HEX #BAA749

RGB 186 167 73

HSL 49.91, 0.45%, 0.51%

LAB 68.43, -4.62, 49.98

 

CMYK 0 / 9 / 55 / 20

HEX #CBB95C

RGB 203 185 92

HSL 50.27, 0.52%, 0.58%

LAB 74.93, -5.42, 48.85

 

CMYK 0 / 13 / 84 / 49

HEX #827115

RGB 130 113 21

HSL 50.64, 0.72%, 0.3%

LAB 47.77, -3.18, 48.79

 

CMYK 0 / 16 / 98 / 56

HEX #715F02

RGB 113 95 2

HSL 50.27, 0.97%, 0.23%

LAB 40.73, -1.53, 47.44

 

CMYK 0 / 20 / 100 / 62

HEX #604D00

RGB 96 77 0

HSL 48.13, 1%, 0.19%

LAB 33.55, 0.66, 42.06

 

CMYK 0 / 25 / 100 / 69

HEX #4F3B00

RGB 79 59 0

HSL 44.81, 1%, 0.15%

LAB 26.13, 3.08, 35.43

 

CMYK 0 / 34 / 100 / 76

HEX #3E2900

RGB 62 41 0

HSL 39.68, 1%, 0.12%

LAB 18.41, 5.73, 26.63

 

CMYK 0 / 14 / 84 / 48

HEX #847215

RGB 132 114 21

HSL 50.27, 0.73%, 0.3%

LAB 48.25, -2.8, 49.29

 

CMYK 0 / 36 / 84 / 48

HEX #845515

RGB 132 85 21

HSL 34.59, 0.73%, 0.3%

LAB 40.34, 14.11, 42.33

 

CMYK 0 / 58 / 84 / 48

HEX #843715

RGB 132 55 21

HSL 18.38, 0.73%, 0.3%

LAB 33.33, 31.15, 35.93

 

CMYK 0 / 81 / 84 / 48

HEX #841915

RGB 132 25 21

HSL 2.16, 0.73%, 0.3%

LAB 28.52, 44.12, 31.36

 

CMYK 0 / 84 / 84 / 48

HEX #841515

RGB 132 21 21

HSL 0, 0.73%, 0.3%

LAB 28.1, 45.3, 30.95

 

CMYK 0 / 14 / 84 / 48

HEX #847215

RGB 132 114 21

HSL 50.27, 0.73%, 0.3%

LAB 48.25, -2.8, 49.29

 

CMYK 10 / 0 / 84 / 48

HEX #778415

RGB 119 132 21

HSL 67.03, 0.73%, 0.3%

LAB 52.37, -18.67, 52.42

 

CMYK 33 / 0 / 84 / 48

HEX #598415

RGB 89 132 21

HSL 83.24, 0.73%, 0.3%

LAB 50.31, -31.51, 49.81

 

CMYK 55 / 0 / 84 / 48

HEX #3C8415

RGB 60 132 21

HSL 98.92, 0.73%, 0.3%

LAB 48.91, -41.77, 48.01

 

CMYK 77 / 0 / 84 / 48

HEX #1E8415

RGB 30 132 21

HSL 115.14, 0.73%, 0.3%

LAB 48.05, -48.83, 46.91

 

CMYK 0 / 14 / 84 / 48

HEX #847215

RGB 132 114 21

HSL 50.27, 0.73%, 0.3%

LAB 48.25, -2.8, 49.29

 

CMYK 0 / 15 / 94 / 44

HEX #907B09

RGB 144 123 9

HSL 50.67, 0.88%, 0.3%

LAB 51.97, -2.5, 55.73

 

CMYK 0 / 14 / 84 / 48

HEX #847215

RGB 132 114 21

HSL 50.27, 0.73%, 0.3%

LAB 48.25, -2.8, 49.29

 

CMYK 0 / 11 / 71 / 53

HEX #776A22

RGB 119 106 34

HSL 50.82, 0.56%, 0.3%

LAB 44.72, -3.79, 40.54

 

CMYK 0 / 9 / 57 / 58

HEX #6B612E

RGB 107 97 46

HSL 50.16, 0.4%, 0.3%

LAB 41.01, -3.33, 30.16

 

CMYK 0 / 5 / 37 / 63

HEX #5E593B

RGB 94 89 59

HSL 51.43, 0.23%, 0.3%

LAB 37.55, -3.13, 18.12

 

CMYK 0 / 2 / 13 / 68

HEX #525047

RGB 82 80 71

HSL 49.09, 0.07%, 0.3%

LAB 33.95, -1, 5.6

 

CMYK 0 / 59 / 84 / 48

HEX #843615

RGB 132 54 21

HSL 17.84, 0.73%, 0.3%

LAB 33.13, 31.67, 35.74

 

CMYK 0 / 36 / 84 / 48

HEX #845415

RGB 132 84 21

HSL 34.05, 0.73%, 0.3%

LAB 40.08, 14.7, 42.1

 

CMYK 0 / 14 / 84 / 48

HEX #847115

RGB 132 113 21

HSL 49.73, 0.73%, 0.3%

LAB 47.97, -2.23, 49.05

 

CMYK 8 / 0 / 84 / 48

HEX #798415

RGB 121 132 21

HSL 65.95, 0.73%, 0.3%

LAB 52.53, -17.77, 52.62

 

CMYK 31 / 0 / 84 / 48

HEX #5B8415

RGB 91 132 21

HSL 82.16, 0.73%, 0.3%

LAB 50.43, -30.71, 49.96

 

CMYK 0 / 13 / 84 / 76

HEX #3D350A

RGB 61 53 10

HSL 50.59, 0.72%, 0.14%

LAB 22.16, -2.16, 26.72

 

CMYK 0 / 13 / 83 / 62

HEX #605410

RGB 96 84 16

HSL 51, 0.71%, 0.22%

LAB 35.72, -3.02, 38.47

 

CMYK 0 / 14 / 84 / 48

HEX #847215

RGB 132 114 21

HSL 50.27, 0.73%, 0.3%

LAB 48.25, -2.8, 49.29

 

CMYK 0 / 13 / 84 / 35

HEX #A7911B

RGB 167 145 27

HSL 50.57, 0.72%, 0.38%

LAB 60.38, -3.57, 59.3

 

CMYK 0 / 13 / 84 / 20

HEX #CBB021

RGB 203 176 33

HSL 50.47, 0.72%, 0.46%

LAB 72.13, -3.86, 68.98

 

CMYK 0 / 13 / 84 / 49

HEX #827115

RGB 130 113 21

HSL 50.64, 0.72%, 0.3%

LAB 47.77, -3.18, 48.79

 

CMYK 84 / 0 / 81 / 48

HEX #158419

RGB 21 132 25

HSL 122.16, 0.73%, 0.3%

LAB 47.92, -49.87, 45.49

 

CMYK 48 / 84 / 0 / 48

HEX #451584

RGB 69 21 132

HSL 265.95, 0.73%, 0.3%

LAB 21.83, 45.41, -52.38

 

CMYK 0 / 13 / 84 / 49

HEX #827115

RGB 130 113 21

HSL 50.64, 0.72%, 0.3%

LAB 47.77, -3.18, 48.79

 

CMYK 84 / 0 / 14 / 48

HEX #158471

RGB 21 132 113

HSL 169.73, 0.73%, 0.3%

LAB 49.32, -33.95, 1.92

 

CMYK 14 / 84 / 0 / 48

HEX #711584

RGB 113 21 132

HSL 289.73, 0.73%, 0.3%

LAB 28.68, 52.87, -40.93

 

CMYK 0 / 13 / 84 / 49

HEX #827115

RGB 130 113 21

HSL 50.64, 0.72%, 0.3%

LAB 47.77, -3.18, 48.79

 

CMYK 84 / 0 / 81 / 48

HEX #158419

RGB 21 132 25

HSL 122.16, 0.73%, 0.3%

LAB 47.92, -49.87, 45.49

 

CMYK 84 / 70 / 0 / 48

HEX #152884

RGB 21 40 132

HSL 229.73, 0.73%, 0.3%

LAB 21.37, 29.14, -53.28

 

CMYK 0 / 84 / 3 / 48

HEX #841580

RGB 132 21 128

HSL 302.16, 0.73%, 0.3%

LAB 31.81, 55.96, -33.22

 

CMYK 0 / 13 / 84 / 49

HEX #827115

RGB 130 113 21

HSL 50.64, 0.72%, 0.3%

LAB 47.77, -3.18, 48.79

 

CMYK 84 / 0 / 56 / 48

HEX #15843A

RGB 21 132 58

HSL 140, 0.73%, 0.3%

LAB 48.22, -46.2, 31.42

 

CMYK 84 / 70 / 0 / 48

HEX #152884

RGB 21 40 132

HSL 229.73, 0.73%, 0.3%

LAB 21.37, 29.14, -53.28

 

CMYK 0 / 84 / 28 / 48

HEX #84155F

RGB 132 21 95

HSL 320, 0.73%, 0.3%

LAB 30.08, 51.16, -14.85

 

Description

Color code: HEX #827115 | qconv.com Color code: HEX #827115 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 113 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 113 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 84 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 84% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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