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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826B0B it is the complementary color #7D94F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826B0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826B0B shade: #876B06, #987D19, #A98F2C, #BAA13F and #CBB352

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826B0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826B0B shade: #826B0B, #715900, #604700, #4F3500 and #3E2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826B0B shade: #836C0B, #834C0B, #832B0B and #830B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826B0B shade: #836C0B, #7A830B, #5A830B, #3A830B and #19830B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826B0B shade matches the following richer shades: #836C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826B0B shade: #836C0B, #786517, #6C5E23, #61572E and #55503A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826B0B shade: #832B0B, #834B0B, #836B0B, #7B830B and #5B830B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826B0B shade: #372E05, #5D4D08, #836C0B, #A98B0F and #CFAB12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826B0B shade: #826B0B, #0B830B and #3B0B83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826B0B shade: #826B0B, #0B836B and #6B0B83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826B0B shade: #826B0B, #0B830B, #0B2383 and #830B83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826B0B shade: #826B0B, #0B832F, #0B2383 and #830B5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 92 / 49

HEX #826B0B

RGB 130 107 11

HSL 48.4, 0.84%, 0.28%

LAB 46.02, -0.03, 50.08

 

Complementary color

CMYK 49 / 39 / 0 / 4

HEX #7D94F4

RGB 125 148 244

HSL 228.4, 0.84%, 0.72%

LAB 63.4, 17.41, -50.74

 

CMYK 0 / 21 / 96 / 47

HEX #876B06

RGB 135 107 6

HSL 46.98, 0.91%, 0.28%

LAB 46.55, 2.27, 51.82

 

CMYK 0 / 18 / 84 / 40

HEX #987D19

RGB 152 125 25

HSL 47.24, 0.72%, 0.35%

LAB 53.4, 0.52, 53.31

 

CMYK 0 / 15 / 74 / 34

HEX #A98F2C

RGB 169 143 44

HSL 47.52, 0.59%, 0.42%

LAB 60.12, -0.91, 53.35

 

CMYK 0 / 13 / 66 / 27

HEX #BAA13F

RGB 186 161 63

HSL 47.8, 0.49%, 0.49%

LAB 66.74, -2.08, 52.66

 

CMYK 0 / 12 / 60 / 20

HEX #CBB352

RGB 203 179 82

HSL 48.1, 0.54%, 0.56%

LAB 73.25, -3.04, 51.64

 

CMYK 0 / 18 / 92 / 49

HEX #826B0B

RGB 130 107 11

HSL 48.4, 0.84%, 0.28%

LAB 46.02, -0.03, 50.08

 

CMYK 0 / 21 / 100 / 56

HEX #715900

RGB 113 89 0

HSL 47.26, 1%, 0.22%

LAB 38.99, 1.97, 46.77

 

CMYK 0 / 26 / 100 / 62

HEX #604700

RGB 96 71 0

HSL 44.38, 1%, 0.19%

LAB 31.79, 4.35, 40.84

 

CMYK 0 / 33 / 100 / 69

HEX #4F3500

RGB 79 53 0

HSL 40.25, 1%, 0.15%

LAB 24.35, 6.93, 33.75

 

CMYK 0 / 44 / 100 / 76

HEX #3E2300

RGB 62 35 0

HSL 33.87, 1%, 0.12%

LAB 16.63, 9.76, 24.48

 

CMYK 0 / 18 / 92 / 49

HEX #836C0B

RGB 131 108 11

HSL 48.5, 0.85%, 0.28%

LAB 46.41, -0.12, 50.43

 

CMYK 0 / 42 / 92 / 49

HEX #834C0B

RGB 131 76 11

HSL 32.5, 0.85%, 0.28%

LAB 37.88, 18.65, 43.72

 

CMYK 0 / 67 / 92 / 49

HEX #832B0B

RGB 131 43 11

HSL 16, 0.85%, 0.28%

LAB 30.82, 36.43, 38.24

 

CMYK 0 / 92 / 92 / 49

HEX #830B0B

RGB 131 11 11

HSL 0, 0.85%, 0.28%

LAB 26.99, 47.08, 35.14

 

CMYK 0 / 18 / 92 / 49

HEX #836C0B

RGB 131 108 11

HSL 48.5, 0.85%, 0.28%

LAB 46.41, -0.12, 50.43

 

CMYK 7 / 0 / 92 / 49

HEX #7A830B

RGB 122 131 11

HSL 64.5, 0.85%, 0.28%

LAB 52.28, -17.07, 54.75

 

CMYK 31 / 0 / 92 / 49

HEX #5A830B

RGB 90 131 11

HSL 80.5, 0.85%, 0.28%

LAB 50.01, -31, 51.96

 

CMYK 56 / 0 / 92 / 49

HEX #3A830B

RGB 58 131 11

HSL 96.5, 0.85%, 0.28%

LAB 48.46, -42.4, 50.03

 

CMYK 81 / 0 / 92 / 49

HEX #19830B

RGB 25 131 11

HSL 113, 0.85%, 0.28%

LAB 47.58, -49.76, 48.93

 

CMYK 0 / 18 / 92 / 49

HEX #836C0B

RGB 131 108 11

HSL 48.5, 0.85%, 0.28%

LAB 46.41, -0.12, 50.43

 

CMYK 0 / 18 / 92 / 49

HEX #836C0B

RGB 131 108 11

HSL 48.5, 0.85%, 0.28%

LAB 46.41, -0.12, 50.43

 

CMYK 0 / 16 / 81 / 53

HEX #786517

RGB 120 101 23

HSL 48.25, 0.68%, 0.28%

LAB 43.3, -0.99, 43.72

 

CMYK 0 / 13 / 68 / 58

HEX #6C5E23

RGB 108 94 35

HSL 48.49, 0.51%, 0.28%

LAB 40.11, -2, 34.88

 

CMYK 0 / 10 / 53 / 62

HEX #61572E

RGB 97 87 46

HSL 48.24, 0.36%, 0.28%

LAB 37.03, -2.12, 25.15

 

CMYK 0 / 6 / 32 / 67

HEX #55503A

RGB 85 80 58

HSL 48.89, 0.19%, 0.28%

LAB 33.93, -1.91, 13.74

 

CMYK 0 / 67 / 92 / 49

HEX #832B0B

RGB 131 43 11

HSL 16, 0.85%, 0.28%

LAB 30.82, 36.43, 38.24

 

CMYK 0 / 43 / 92 / 49

HEX #834B0B

RGB 131 75 11

HSL 32, 0.85%, 0.28%

LAB 37.63, 19.23, 43.53

 

CMYK 0 / 18 / 92 / 49

HEX #836B0B

RGB 131 107 11

HSL 48, 0.85%, 0.28%

LAB 46.13, 0.45, 50.21

 

CMYK 6 / 0 / 92 / 49

HEX #7B830B

RGB 123 131 11

HSL 64, 0.85%, 0.28%

LAB 52.36, -16.62, 54.85

 

CMYK 31 / 0 / 92 / 49

HEX #5B830B

RGB 91 131 11

HSL 80, 0.85%, 0.28%

LAB 50.07, -30.59, 52.04

 

CMYK 0 / 16 / 91 / 78

HEX #372E05

RGB 55 46 5

HSL 49.2, 0.83%, 0.12%

LAB 19.13, -1.15, 25.2

 

CMYK 0 / 17 / 91 / 64

HEX #5D4D08

RGB 93 77 8

HSL 48.71, 0.84%, 0.2%

LAB 33.25, -0.6, 38.89

 

CMYK 0 / 18 / 92 / 49

HEX #836C0B

RGB 131 108 11

HSL 48.5, 0.85%, 0.28%

LAB 46.41, -0.12, 50.43

 

CMYK 0 / 18 / 91 / 34

HEX #A98B0F

RGB 169 139 15

HSL 48.31, 0.84%, 0.36%

LAB 58.91, 0.34, 61.07

 

CMYK 0 / 17 / 91 / 19

HEX #CFAB12

RGB 207 171 18

HSL 48.57, 0.84%, 0.44%

LAB 71.17, 0.22, 71.6

 

CMYK 0 / 18 / 92 / 49

HEX #826B0B

RGB 130 107 11

HSL 48.4, 0.84%, 0.28%

LAB 46.02, -0.03, 50.08

 

CMYK 92 / 0 / 92 / 49

HEX #0B830B

RGB 11 131 11

HSL 120, 0.85%, 0.28%

LAB 47.4, -51.32, 48.71

 

CMYK 55 / 92 / 0 / 49

HEX #3B0B83

RGB 59 11 131

HSL 264, 0.85%, 0.28%

LAB 19.26, 47.34, -56.03

 

CMYK 0 / 18 / 92 / 49

HEX #826B0B

RGB 130 107 11

HSL 48.4, 0.84%, 0.28%

LAB 46.02, -0.03, 50.08

 

CMYK 92 / 0 / 18 / 49

HEX #0B836B

RGB 11 131 107

HSL 168, 0.85%, 0.28%

LAB 48.72, -35.97, 4.55

 

CMYK 18 / 92 / 0 / 49

HEX #6B0B83

RGB 107 11 131

HSL 288, 0.85%, 0.28%

LAB 26.75, 53.98, -43.48

 

CMYK 0 / 18 / 92 / 49

HEX #826B0B

RGB 130 107 11

HSL 48.4, 0.84%, 0.28%

LAB 46.02, -0.03, 50.08

 

CMYK 92 / 0 / 92 / 49

HEX #0B830B

RGB 11 131 11

HSL 120, 0.85%, 0.28%

LAB 47.4, -51.32, 48.71

 

CMYK 92 / 73 / 0 / 49

HEX #0B2383

RGB 11 35 131

HSL 228, 0.85%, 0.28%

LAB 19.69, 31.45, -55.44

 

CMYK 0 / 92 / 0 / 49

HEX #830B83

RGB 131 11 131

HSL 300, 0.85%, 0.28%

LAB 31.12, 58.26, -36.21

 

CMYK 0 / 18 / 92 / 49

HEX #826B0B

RGB 130 107 11

HSL 48.4, 0.84%, 0.28%

LAB 46.02, -0.03, 50.08

 

CMYK 92 / 0 / 64 / 49

HEX #0B832F

RGB 11 131 47

HSL 138, 0.85%, 0.28%

LAB 47.64, -48.37, 36.17

 

CMYK 92 / 73 / 0 / 49

HEX #0B2383

RGB 11 35 131

HSL 228, 0.85%, 0.28%

LAB 19.69, 31.45, -55.44

 

CMYK 0 / 92 / 27 / 49

HEX #830B5F

RGB 131 11 95

HSL 318, 0.85%, 0.28%

LAB 29.14, 53.07, -16.32

 

Description

Color code: HEX #826B0B | qconv.com Color code: HEX #826B0B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 107 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 107 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 92 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 92% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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