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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826AD94C it is the complementary color #7D95264C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826AD94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826AD94C shade: #876AD44C, #987CE74C, #A98EFA4C, #BAA0FF4C and #CBB2FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826AD94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826AD94C shade: #826AD94C, #7158C64C, #6046B34C, #4F34A04C and #3E228D4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826AD94C shade: #8169D8, #9F69D8, #BD69D8, #D869D6 and #D869B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826AD94C shade: #8169D8 and #6969D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826AD94C shade matches the following richer shades: #8169D8, #785AE8 and #704AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826AD94C shade: #8169D8, #8A78C9, #9288BA, #9B97AB and #A4A69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826AD94C shade: #698ED8, #6970D8, #7F69D8, #9D69D8 and #BB69D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826AD94C shade: #4F31BE, #6648D0, #8169D8, #9D8AE1 and #B8ABE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826AD94C shade: #826AD9, #D869AC and #7FD869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826AD94C shade: #826AD9, #D87F69 and #69D87F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826AD94C shade: #826AD9, #D869AC, #C2D869 and #69D896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826AD94C shade: #826AD9, #D8698A, #C2D869 and #69D8B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 15 / 0 / 4

HEX #826AD94C

RGBA 130 106 217 0.3

HSLA 252.97, 0.59%, 0.63%, 0.3

LABA 51.91, 35.5, -53.95, 0.3

 

Complementary color

CMYK 5 / 0 / 22 / 12

HEX #7D95264C

RGBA 125 149 38 0.3

HSLA 72.97, 0.59%, 0.37%, 0.3

LABA 58.03, -23.93, 52.3, 0.3

 

CMYK 11 / 15 / 0 / 5

HEX #876AD44C

RGBA 135 106 212 0.3

HSLA 256.42, 0.55%, 0.62%, 0.3

LABA 52.08, 35.37, -50.82, 0.3

 

CMYK 10 / 14 / 0 / 3

HEX #987CE74C

RGBA 152 124 231 0.3

HSLA 255.7, 0.69%, 0.7%, 0.3

LABA 58.84, 34.34, -50.65, 0.3

 

CMYK 10 / 13 / 0 / 1

HEX #A98EFA4C

RGBA 169 142 250 0.3

HSLA 255, 0.92%, 0.77%, 0.3

LABA 65.5, 33.4, -50.49, 0.3

 

CMYK 8 / 11 / 0 / 0

HEX #BAA0FF4C

RGBA 186 160 255 0.3

HSLA 256.42, 1%, 0.81%, 0.3

LABA 71.42, 29.15, -43.8, 0.3

 

CMYK 6 / 9 / 0 / 0

HEX #CBB2FF4C

RGBA 203 178 255 0.3

HSLA 259.48, 1%, 0.85%, 0.3

LABA 77.14, 24.11, -34.8, 0.3

 

CMYK 12 / 15 / 0 / 4

HEX #826AD94C

RGBA 130 106 217 0.3

HSLA 252.97, 0.59%, 0.63%, 0.3

LABA 51.91, 35.5, -53.95, 0.3

 

CMYK 13 / 17 / 0 / 7

HEX #7158C64C

RGBA 113 88 198 0.3

HSLA 253.64, 0.49%, 0.56%, 0.3

LABA 45.04, 36.73, -54.2, 0.3

 

CMYK 14 / 18 / 0 / 9

HEX #6046B34C

RGBA 96 70 179 0.3

HSLA 254.31, 0.44%, 0.49%, 0.3

LABA 38.06, 38.09, -54.44, 0.3

 

CMYK 15 / 20 / 0 / 11

HEX #4F34A04C

RGBA 79 52 160 0.3

HSLA 255, 0.51%, 0.42%, 0.3

LABA 31.01, 39.52, -54.6, 0.3

 

CMYK 17 / 23 / 0 / 13

HEX #3E228D4C

RGBA 62 34 141 0.3

HSLA 255.7, 0.61%, 0.34%, 0.3

LABA 23.97, 40.89, -54.53, 0.3

 

CMYK 40 / 51 / 0 / 15

HEX #8169D8

RGB 129 105 216

HSL 252.97, 0.59%, 0.63%

LAB 51.53, 35.57, -54

 

CMYK 26 / 51 / 0 / 15

HEX #9F69D8

RGB 159 105 216

HSL 269.19, 0.59%, 0.63%

LAB 54.48, 43.1, -49.12

 

CMYK 13 / 51 / 0 / 15

HEX #BD69D8

RGB 189 105 216

HSL 285.41, 0.59%, 0.63%

LAB 57.92, 51.1, -43.45

 

CMYK 0 / 51 / 1 / 15

HEX #D869D6

RGB 216 105 214

HSL 301.08, 0.59%, 0.63%

LAB 61.27, 58.1, -36.82

 

CMYK 0 / 51 / 15 / 15

HEX #D869B7

RGB 216 105 183

HSL 317.84, 0.59%, 0.63%

LAB 60, 53.01, -21.2

 

CMYK 40 / 51 / 0 / 15

HEX #8169D8

RGB 129 105 216

HSL 252.97, 0.59%, 0.63%

LAB 51.53, 35.57, -54

 

CMYK 51 / 51 / 0 / 15

HEX #6969D8

RGB 105 105 216

HSL 240, 0.59%, 0.63%

LAB 49.57, 30.15, -57.24

 

CMYK 40 / 51 / 0 / 15

HEX #8169D8

RGB 129 105 216

HSL 252.97, 0.59%, 0.63%

LAB 51.53, 35.57, -54

 

CMYK 48 / 61 / 0 / 9

HEX #785AE8

RGB 120 90 232

HSL 252.68, 0.76%, 0.63%

LAB 48.43, 46.74, -68.09

 

CMYK 55 / 70 / 0 / 3

HEX #704AF7

RGB 112 74 247

HSL 253.18, 0.92%, 0.63%

LAB 45.71, 58.23, -80.97

 

CMYK 40 / 51 / 0 / 15

HEX #8169D8

RGB 129 105 216

HSL 252.97, 0.59%, 0.63%

LAB 51.53, 35.57, -54

 

CMYK 31 / 40 / 0 / 21

HEX #8A78C9

RGB 138 120 201

HSL 253.33, 0.43%, 0.63%

LAB 55.13, 25.08, -39.72

 

CMYK 22 / 27 / 0 / 27

HEX #9288BA

RGB 146 136 186

HSL 252, 0.27%, 0.63%

LAB 59.22, 14.39, -24.78

 

CMYK 9 / 12 / 0 / 33

HEX #9B97AB

RGB 155 151 171

HSL 252, 0.11%, 0.63%

LAB 63.38, 5.45, -9.91

 

CMYK 1 / 0 / 7 / 35

HEX #A4A69B

RGB 164 166 155

HSL 70.91, 0.06%, 0.63%

LAB 67.67, -2.75, 5.44

 

CMYK 51 / 34 / 0 / 15

HEX #698ED8

RGB 105 142 216

HSL 220, 0.59%, 0.63%

LAB 59.26, 7.88, -41.84

 

CMYK 51 / 48 / 0 / 15

HEX #6970D8

RGB 105 112 216

HSL 236.22, 0.59%, 0.63%

LAB 51.32, 25.9, -54.44

 

CMYK 41 / 51 / 0 / 15

HEX #7F69D8

RGB 127 105 216

HSL 251.89, 0.59%, 0.63%

LAB 51.35, 35.09, -54.3

 

CMYK 27 / 51 / 0 / 15

HEX #9D69D8

RGB 157 105 216

HSL 268.11, 0.59%, 0.63%

LAB 54.27, 42.58, -49.47

 

CMYK 13 / 51 / 0 / 15

HEX #BB69D8

RGB 187 105 216

HSL 284.32, 0.59%, 0.63%

LAB 57.68, 50.56, -43.85

 

CMYK 58 / 74 / 0 / 25

HEX #4F31BE

RGB 79 49 190

HSL 252.77, 0.59%, 0.47%

LAB 33.09, 50.05, -69.11

 

CMYK 51 / 65 / 0 / 18

HEX #6648D0

RGB 102 72 208

HSL 253.24, 0.59%, 0.55%

LAB 41.24, 46.57, -66.17

 

CMYK 40 / 51 / 0 / 15

HEX #8169D8

RGB 129 105 216

HSL 252.97, 0.59%, 0.63%

LAB 51.53, 35.57, -54

 

CMYK 30 / 39 / 0 / 12

HEX #9D8AE1

RGB 157 138 225

HSL 253.1, 0.59%, 0.71%

LAB 62.32, 26.11, -41.78

 

CMYK 21 / 27 / 0 / 9

HEX #B8ABE9

RGB 184 171 233

HSL 252.58, 0.58%, 0.79%

LAB 73.02, 17.3, -29.38

 

CMYK 40 / 51 / 0 / 15

HEX #826AD9

RGB 130 106 217

HSL 252.97, 0.59%, 0.63%

LAB 51.91, 35.5, -53.95

 

CMYK 0 / 51 / 20 / 15

HEX #D869AC

RGB 216 105 172

HSL 323.78, 0.59%, 0.63%

LAB 59.6, 51.37, -15.5

 

CMYK 41 / 0 / 51 / 15

HEX #7FD869

RGB 127 216 105

HSL 108.11, 0.59%, 0.63%

LAB 78.84, -47.49, 46.11

 

CMYK 40 / 51 / 0 / 15

HEX #826AD9

RGB 130 106 217

HSL 252.97, 0.59%, 0.63%

LAB 51.91, 35.5, -53.95

 

CMYK 0 / 41 / 51 / 15

HEX #D87F69

RGB 216 127 105

HSL 11.89, 0.59%, 0.63%

LAB 62.34, 32.16, 26.78

 

CMYK 51 / 0 / 41 / 15

HEX #69D87F

RGB 105 216 127

HSL 131.89, 0.59%, 0.63%

LAB 78.26, -50.6, 34.38

 

CMYK 40 / 51 / 0 / 15

HEX #826AD9

RGB 130 106 217

HSL 252.97, 0.59%, 0.63%

LAB 51.91, 35.5, -53.95

 

CMYK 0 / 51 / 20 / 15

HEX #D869AC

RGB 216 105 172

HSL 323.78, 0.59%, 0.63%

LAB 59.6, 51.37, -15.5

 

CMYK 10 / 0 / 51 / 15

HEX #C2D869

RGB 194 216 105

HSL 71.89, 0.59%, 0.63%

LAB 82.7, -23.55, 51.66

 

CMYK 51 / 0 / 31 / 15

HEX #69D896

RGB 105 216 150

HSL 144.32, 0.59%, 0.63%

LAB 78.65, -46.57, 23.06

 

CMYK 40 / 51 / 0 / 15

HEX #826AD9

RGB 130 106 217

HSL 252.97, 0.59%, 0.63%

LAB 51.91, 35.5, -53.95

 

CMYK 0 / 51 / 36 / 15

HEX #D8698A

RGB 216 105 138

HSL 342.16, 0.59%, 0.63%

LAB 58.54, 46.9, 2.61

 

CMYK 10 / 0 / 51 / 15

HEX #C2D869

RGB 194 216 105

HSL 71.89, 0.59%, 0.63%

LAB 82.7, -23.55, 51.66

 

CMYK 51 / 0 / 15 / 15

HEX #69D8B7

RGB 105 216 183

HSL 162.16, 0.59%, 0.63%

LAB 79.35, -39.66, 6.61

 

Description

Color code: HEX #826AD94C | qconv.com Color code: HEX #826AD94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 106 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 106 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 15 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 15% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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