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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8261C3 it is the complementary color #7D9E3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8261C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8261C3 shade: #8761BE, #9873D1, #A985E4, #BA97F7 and #CBA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8261C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8261C3 shade: #8261C3, #714FB0, #603D9D, #4F2B8A and #3E1977

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8261C3 shade: #8160C3, #9C60C3, #B660C3, #C360B4 and #C3609A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8261C3 shade: #8160C3, #6760C3 and #6060C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8261C3 shade matches the following richer shades: #8160C3, #7B4ED4, #763DE6 and #702BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8261C3 shade: #8160C3, #8772B1, #8D839F, #93958D and #98A77C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8261C3 shade: #6074C3, #6760C3, #8160C3, #9B60C3 and #B660C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8261C3 shade: #593997, #6A45B5, #8160C3, #997ECE and #B19CD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8261C3 shade: #8261C3, #C3608E and #67C360

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8261C3 shade: #8261C3, #C38160 and #60C381

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8261C3 shade: #8261C3, #C3608E, #A2C360 and #60C395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8261C3 shade: #8261C3, #C36070, #A2C360 and #60C3B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 50 / 0 / 24

HEX #8261C3

RGB 130 97 195

HSL 260.2, 0.45%, 0.57%

LAB 48.56, 34.81, -46.74

 

Complementary color

CMYK 21 / 0 / 62 / 38

HEX #7D9E3C

RGB 125 158 60

HSL 80.2, 0.45%, 0.43%

LAB 60.9, -26.84, 46.23

 

CMYK 29 / 49 / 0 / 25

HEX #8761BE

RGB 135 97 190

HSL 264.52, 0.42%, 0.56%

LAB 48.78, 34.85, -43.46

 

CMYK 27 / 45 / 0 / 18

HEX #9873D1

RGB 152 115 209

HSL 263.62, 0.51%, 0.64%

LAB 55.62, 33.92, -43.39

 

CMYK 26 / 42 / 0 / 11

HEX #A985E4

RGB 169 133 228

HSL 262.74, 0.64%, 0.71%

LAB 62.35, 33.05, -43.34

 

CMYK 25 / 39 / 0 / 3

HEX #BA97F7

RGB 186 151 247

HSL 261.88, 0.86%, 0.78%

LAB 68.96, 32.26, -43.31

 

CMYK 20 / 34 / 0 / 0

HEX #CBA9FF

RGB 203 169 255

HSL 263.72, 1%, 0.83%

LAB 75.01, 29.04, -38.1

 

CMYK 33 / 50 / 0 / 24

HEX #8261C3

RGB 130 97 195

HSL 260.2, 0.45%, 0.57%

LAB 48.56, 34.81, -46.74

 

CMYK 36 / 55 / 0 / 31

HEX #714FB0

RGB 113 79 176

HSL 261.03, 0.38%, 0.5%

LAB 41.59, 35.9, -46.89

 

CMYK 39 / 61 / 0 / 38

HEX #603D9D

RGB 96 61 157

HSL 261.88, 0.44%, 0.43%

LAB 34.52, 37.06, -47.01

 

CMYK 43 / 69 / 0 / 46

HEX #4F2B8A

RGB 79 43 138

HSL 262.74, 0.52%, 0.35%

LAB 27.37, 38.2, -47.04

 

CMYK 48 / 79 / 0 / 53

HEX #3E1977

RGB 62 25 119

HSL 263.62, 0.65%, 0.28%

LAB 20.25, 39.06, -46.74

 

CMYK 34 / 51 / 0 / 24

HEX #8160C3

RGB 129 96 195

HSL 260, 0.45%, 0.57%

LAB 48.23, 35.13, -47.27

 

CMYK 20 / 51 / 0 / 24

HEX #9C60C3

RGB 156 96 195

HSL 276.36, 0.45%, 0.57%

LAB 51.12, 42.36, -42.49

 

CMYK 7 / 51 / 0 / 24

HEX #B660C3

RGB 182 96 195

HSL 292.12, 0.45%, 0.57%

LAB 54.29, 49.59, -37.28

 

CMYK 0 / 51 / 8 / 24

HEX #C360B4

RGB 195 96 180

HSL 309.09, 0.45%, 0.57%

LAB 55.34, 50.62, -26.88

 

CMYK 0 / 51 / 21 / 24

HEX #C3609A

RGB 195 96 154

HSL 324.85, 0.45%, 0.57%

LAB 54.34, 46.5, -13.28

 

CMYK 34 / 51 / 0 / 24

HEX #8160C3

RGB 129 96 195

HSL 260, 0.45%, 0.57%

LAB 48.23, 35.13, -47.27

 

CMYK 47 / 51 / 0 / 24

HEX #6760C3

RGB 103 96 195

HSL 244.24, 0.45%, 0.57%

LAB 45.89, 28.75, -51.14

 

CMYK 51 / 51 / 0 / 24

HEX #6060C3

RGB 96 96 195

HSL 240, 0.45%, 0.57%

LAB 45.35, 27.18, -52.04

 

CMYK 34 / 51 / 0 / 24

HEX #8160C3

RGB 129 96 195

HSL 260, 0.45%, 0.57%

LAB 48.23, 35.13, -47.27

 

CMYK 42 / 63 / 0 / 17

HEX #7B4ED4

RGB 123 78 212

HSL 260.15, 0.61%, 0.57%

LAB 44.82, 48.41, -62.56

 

CMYK 49 / 73 / 0 / 10

HEX #763DE6

RGB 118 61 230

HSL 260.24, 0.77%, 0.57%

LAB 42.62, 60.82, -76.44

 

CMYK 55 / 83 / 0 / 3

HEX #702BF8

RGB 112 43 248

HSL 260.2, 0.94%, 0.57%

LAB 41.14, 71.89, -89.06

 

CMYK 34 / 51 / 0 / 24

HEX #8160C3

RGB 129 96 195

HSL 260, 0.45%, 0.57%

LAB 48.23, 35.13, -47.27

 

CMYK 24 / 36 / 0 / 31

HEX #8772B1

RGB 135 114 177

HSL 260, 0.29%, 0.57%

LAB 52.24, 21.64, -30.5

 

CMYK 11 / 18 / 0 / 38

HEX #8D839F

RGB 141 131 159

HSL 261.43, 0.13%, 0.57%

LAB 56.48, 9.45, -13.54

 

CMYK 1 / 0 / 5 / 42

HEX #93958D

RGB 147 149 141

HSL 75, 0.04%, 0.57%

LAB 61.33, -2.25, 3.96

 

CMYK 9 / 0 / 26 / 35

HEX #98A77C

RGB 152 167 124

HSL 80.93, 0.2%, 0.57%

LAB 66.34, -12.96, 20.54

 

CMYK 51 / 41 / 0 / 24

HEX #6074C3

RGB 96 116 195

HSL 227.88, 0.45%, 0.57%

LAB 50.59, 14.86, -43.67

 

CMYK 47 / 51 / 0 / 24

HEX #6760C3

RGB 103 96 195

HSL 244.24, 0.45%, 0.57%

LAB 45.89, 28.75, -51.14

 

CMYK 34 / 51 / 0 / 24

HEX #8160C3

RGB 129 96 195

HSL 260, 0.45%, 0.57%

LAB 48.23, 35.13, -47.27

 

CMYK 21 / 51 / 0 / 24

HEX #9B60C3

RGB 155 96 195

HSL 275.76, 0.45%, 0.57%

LAB 51.01, 42.08, -42.68

 

CMYK 7 / 51 / 0 / 24

HEX #B660C3

RGB 182 96 195

HSL 292.12, 0.45%, 0.57%

LAB 54.29, 49.59, -37.28

 

CMYK 41 / 62 / 0 / 41

HEX #593997

RGB 89 57 151

HSL 260.43, 0.45%, 0.41%

LAB 32.45, 36.08, -46.75

 

CMYK 41 / 62 / 0 / 29

HEX #6A45B5

RGB 106 69 181

HSL 259.82, 0.45%, 0.49%

LAB 39, 41.38, -54.05

 

CMYK 34 / 51 / 0 / 24

HEX #8160C3

RGB 129 96 195

HSL 260, 0.45%, 0.57%

LAB 48.23, 35.13, -47.27

 

CMYK 26 / 39 / 0 / 19

HEX #997ECE

RGB 153 126 206

HSL 260.25, 0.45%, 0.65%

LAB 58.18, 27.15, -37.67

 

CMYK 18 / 28 / 0 / 15

HEX #B19CD9

RGB 177 156 217

HSL 260.66, 0.45%, 0.73%

LAB 68.12, 19.89, -28.21

 

CMYK 33 / 50 / 0 / 24

HEX #8261C3

RGB 130 97 195

HSL 260.2, 0.45%, 0.57%

LAB 48.56, 34.81, -46.74

 

CMYK 0 / 51 / 27 / 24

HEX #C3608E

RGB 195 96 142

HSL 332.12, 0.45%, 0.57%

LAB 53.94, 44.8, -6.83

 

CMYK 47 / 0 / 51 / 24

HEX #67C360

RGB 103 195 96

HSL 115.76, 0.45%, 0.57%

LAB 71.39, -47.11, 41.14

 

CMYK 33 / 50 / 0 / 24

HEX #8261C3

RGB 130 97 195

HSL 260.2, 0.45%, 0.57%

LAB 48.56, 34.81, -46.74

 

CMYK 0 / 34 / 51 / 24

HEX #C38160

RGB 195 129 96

HSL 20, 0.45%, 0.57%

LAB 60.02, 21.84, 28.27

 

CMYK 51 / 0 / 34 / 24

HEX #60C381

RGB 96 195 129

HSL 140, 0.45%, 0.57%

LAB 71.62, -43.81, 24.51

 

CMYK 33 / 50 / 0 / 24

HEX #8261C3

RGB 130 97 195

HSL 260.2, 0.45%, 0.57%

LAB 48.56, 34.81, -46.74

 

CMYK 0 / 51 / 27 / 24

HEX #C3608E

RGB 195 96 142

HSL 332.12, 0.45%, 0.57%

LAB 53.94, 44.8, -6.83

 

CMYK 17 / 0 / 51 / 24

HEX #A2C360

RGB 162 195 96

HSL 80, 0.45%, 0.57%

LAB 74.54, -26.76, 45.7

 

CMYK 51 / 0 / 24 / 24

HEX #60C395

RGB 96 195 149

HSL 152.12, 0.45%, 0.57%

LAB 72.02, -39.85, 14.37

 

CMYK 33 / 50 / 0 / 24

HEX #8261C3

RGB 130 97 195

HSL 260.2, 0.45%, 0.57%

LAB 48.56, 34.81, -46.74

 

CMYK 0 / 51 / 43 / 24

HEX #C36070

RGB 195 96 112

HSL 350.3, 0.45%, 0.57%

LAB 53.1, 41.12, 9.68

 

CMYK 17 / 0 / 51 / 24

HEX #A2C360

RGB 162 195 96

HSL 80, 0.45%, 0.57%

LAB 74.54, -26.76, 45.7

 

CMYK 51 / 0 / 9 / 24

HEX #60C3B2

RGB 96 195 178

HSL 169.7, 0.45%, 0.57%

LAB 72.71, -33.2, -0.36

 

Description

Color code: HEX #8261C3 | qconv.com Color code: HEX #8261C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 97 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 97 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 50 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 50% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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