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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826133 it is the complementary color #7D9ECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826133 shade: #87612E, #987341, #A98554, #BA9767 and #CBA97A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826133 shade: #826133, #714F20, #603D0D, #4F2B00 and #3E1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826133 shade: #816032, #814B32, #813532 and #813232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826133 shade: #816032, #817532, #778132, #628132 and #4D8132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826133 shade matches the following richer shades: #816032, #8F6224, #9D6415 and #AC6707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826133 shade: #816032, #725D40, #645B4F, #55595D and #47566C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826133 shade: #813532, #814A32, #815E32, #817332 and #798132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826133 shade: #45331B, #634A26, #816032, #9E763E and #B98C4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826133 shade: #826133, #448132 and #3F3281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826133 shade: #826133, #32815E and #5E3281

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826133 shade: #826133, #448132, #325481 and #6E3281

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826133 shade: #826133, #328137, #325481 and #81327B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 61 / 49

HEX #826133

RGB 130 97 51

HSL 34.94, 0.44%, 0.35%

LAB 43.56, 7.84, 31.05

 

Complementary color

CMYK 39 / 23 / 0 / 20

HEX #7D9ECC

RGB 125 158 204

HSL 214.94, 0.44%, 0.65%

LAB 64.3, 0.19, -27.2

 

CMYK 0 / 28 / 66 / 47

HEX #87612E

RGB 135 97 46

HSL 34.38, 0.49%, 0.35%

LAB 44.09, 9.76, 34.5

 

CMYK 0 / 24 / 57 / 40

HEX #987341

RGB 152 115 65

HSL 34.48, 0.4%, 0.43%

LAB 51.06, 8.52, 33

 

CMYK 0 / 21 / 50 / 34

HEX #A98554

RGB 169 133 84

HSL 34.59, 0.34%, 0.5%

LAB 57.89, 7.51, 31.55

 

CMYK 0 / 19 / 45 / 27

HEX #BA9767

RGB 186 151 103

HSL 34.7, 0.38%, 0.57%

LAB 64.61, 6.68, 30.18

 

CMYK 0 / 17 / 40 / 20

HEX #CBA97A

RGB 203 169 122

HSL 34.81, 0.44%, 0.64%

LAB 71.2, 5.97, 28.9

 

CMYK 0 / 25 / 61 / 49

HEX #826133

RGB 130 97 51

HSL 34.94, 0.44%, 0.35%

LAB 43.56, 7.84, 31.05

 

CMYK 0 / 30 / 72 / 56

HEX #714F20

RGB 113 79 32

HSL 34.81, 0.56%, 0.28%

LAB 36.38, 9.21, 32.54

 

CMYK 0 / 36 / 86 / 62

HEX #603D0D

RGB 96 61 13

HSL 34.7, 0.76%, 0.21%

LAB 29.04, 11.02, 33.59

 

CMYK 0 / 46 / 100 / 69

HEX #4F2B00

RGB 79 43 0

HSL 32.66, 1%, 0.15%

LAB 21.54, 13.37, 30.87

 

CMYK 0 / 60 / 100 / 76

HEX #3E1900

RGB 62 25 0

HSL 24.19, 1%, 0.12%

LAB 13.94, 16.28, 21.05

 

CMYK 0 / 26 / 61 / 49

HEX #816032

RGB 129 96 50

HSL 34.94, 0.44%, 0.35%

LAB 43.16, 7.88, 31.1

 

CMYK 0 / 42 / 61 / 49

HEX #814B32

RGB 129 75 50

HSL 18.99, 0.44%, 0.35%

LAB 37.72, 20.31, 24.54

 

CMYK 0 / 59 / 61 / 49

HEX #813532

RGB 129 53 50

HSL 2.28, 0.44%, 0.35%

LAB 32.8, 32.61, 18.32

 

CMYK 0 / 61 / 61 / 49

HEX #813232

RGB 129 50 50

HSL 0, 0.44%, 0.35%

LAB 32.21, 34.15, 17.56

 

CMYK 0 / 26 / 61 / 49

HEX #816032

RGB 129 96 50

HSL 34.94, 0.44%, 0.35%

LAB 43.16, 7.88, 31.1

 

CMYK 0 / 9 / 61 / 49

HEX #817532

RGB 129 117 50

HSL 50.89, 0.44%, 0.35%

LAB 49.03, -4.29, 37.85

 

CMYK 8 / 0 / 61 / 49

HEX #778132

RGB 119 129 50

HSL 67.59, 0.44%, 0.35%

LAB 51.67, -15.41, 40.55

 

CMYK 24 / 0 / 61 / 49

HEX #628132

RGB 98 129 50

HSL 83.54, 0.44%, 0.35%

LAB 50.13, -24.4, 38.4

 

CMYK 40 / 0 / 61 / 49

HEX #4D8132

RGB 77 129 50

HSL 99.49, 0.44%, 0.35%

LAB 48.89, -32.51, 36.67

 

CMYK 0 / 26 / 61 / 49

HEX #816032

RGB 129 96 50

HSL 34.94, 0.44%, 0.35%

LAB 43.16, 7.88, 31.1

 

CMYK 0 / 31 / 75 / 44

HEX #8F6224

RGB 143 98 36

HSL 34.77, 0.6%, 0.35%

LAB 45.22, 12.26, 41

 

CMYK 0 / 36 / 87 / 38

HEX #9D6415

RGB 157 100 21

HSL 34.85, 0.76%, 0.35%

LAB 47.41, 16.94, 49.72

 

CMYK 0 / 40 / 96 / 33

HEX #AC6707

RGB 172 103 7

HSL 34.91, 0.92%, 0.35%

LAB 50.08, 21.71, 56.23

 

CMYK 0 / 26 / 61 / 49

HEX #816032

RGB 129 96 50

HSL 34.94, 0.44%, 0.35%

LAB 43.16, 7.88, 31.1

 

CMYK 0 / 18 / 44 / 55

HEX #725D40

RGB 114 93 64

HSL 34.8, 0.28%, 0.35%

LAB 40.86, 4.21, 19.86

 

CMYK 0 / 9 / 21 / 61

HEX #645B4F

RGB 100 91 79

HSL 34.29, 0.12%, 0.35%

LAB 39.17, 1.42, 8.24

 

CMYK 9 / 4 / 0 / 64

HEX #55595D

RGB 85 89 93

HSL 210, 0.04%, 0.35%

LAB 37.6, -0.69, -2.86

 

CMYK 34 / 20 / 0 / 58

HEX #47566C

RGB 71 86 108

HSL 215.68, 0.21%, 0.35%

LAB 36.13, 0.04, -14.51

 

CMYK 0 / 59 / 61 / 49

HEX #813532

RGB 129 53 50

HSL 2.28, 0.44%, 0.35%

LAB 32.8, 32.61, 18.32

 

CMYK 0 / 43 / 61 / 49

HEX #814A32

RGB 129 74 50

HSL 18.23, 0.44%, 0.35%

LAB 37.47, 20.89, 24.23

 

CMYK 0 / 27 / 61 / 49

HEX #815E32

RGB 129 94 50

HSL 33.42, 0.44%, 0.35%

LAB 42.62, 9.06, 30.46

 

CMYK 0 / 11 / 61 / 49

HEX #817332

RGB 129 115 50

HSL 49.37, 0.44%, 0.35%

LAB 48.46, -3.15, 37.21

 

CMYK 6 / 0 / 61 / 49

HEX #798132

RGB 121 129 50

HSL 66.08, 0.44%, 0.35%

LAB 51.83, -14.53, 40.77

 

CMYK 0 / 26 / 61 / 73

HEX #45331B

RGB 69 51 27

HSL 34.29, 0.44%, 0.19%

LAB 22.7, 4.72, 18.23

 

CMYK 0 / 25 / 62 / 61

HEX #634A26

RGB 99 74 38

HSL 35.41, 0.45%, 0.27%

LAB 33.33, 5.99, 25.33

 

CMYK 0 / 26 / 61 / 49

HEX #816032

RGB 129 96 50

HSL 34.94, 0.44%, 0.35%

LAB 43.16, 7.88, 31.1

 

CMYK 0 / 25 / 61 / 38

HEX #9E763E

RGB 158 118 62

HSL 35, 0.44%, 0.43%

LAB 52.48, 9.24, 36.46

 

CMYK 0 / 24 / 59 / 27

HEX #B98C4C

RGB 185 140 76

HSL 35.23, 0.44%, 0.51%

LAB 61.3, 9.83, 40.32

 

CMYK 0 / 25 / 61 / 49

HEX #826133

RGB 130 97 51

HSL 34.94, 0.44%, 0.35%

LAB 43.56, 7.84, 31.05

 

CMYK 47 / 0 / 61 / 49

HEX #448132

RGB 68 129 50

HSL 106.33, 0.44%, 0.35%

LAB 48.46, -35.6, 36.06

 

CMYK 51 / 61 / 0 / 49

HEX #3F3281

RGB 63 50 129

HSL 249.87, 0.44%, 0.35%

LAB 26.51, 27.85, -42.88

 

CMYK 0 / 25 / 61 / 49

HEX #826133

RGB 130 97 51

HSL 34.94, 0.44%, 0.35%

LAB 43.56, 7.84, 31.05

 

CMYK 61 / 0 / 27 / 49

HEX #32815E

RGB 50 129 94

HSL 153.42, 0.44%, 0.35%

LAB 48.49, -32.97, 11.92

 

CMYK 27 / 61 / 0 / 49

HEX #5E3281

RGB 94 50 129

HSL 273.42, 0.44%, 0.35%

LAB 30.02, 35.43, -37.04

 

CMYK 0 / 25 / 61 / 49

HEX #826133

RGB 130 97 51

HSL 34.94, 0.44%, 0.35%

LAB 43.56, 7.84, 31.05

 

CMYK 47 / 0 / 61 / 49

HEX #448132

RGB 68 129 50

HSL 106.33, 0.44%, 0.35%

LAB 48.46, -35.6, 36.06

 

CMYK 61 / 35 / 0 / 49

HEX #325481

RGB 50 84 129

HSL 214.18, 0.44%, 0.35%

LAB 35.21, 2.41, -29.04

 

CMYK 15 / 61 / 0 / 49

HEX #6E3281

RGB 110 50 129

HSL 285.57, 0.44%, 0.35%

LAB 32.22, 39.71, -33.42

 

CMYK 0 / 25 / 61 / 49

HEX #826133

RGB 130 97 51

HSL 34.94, 0.44%, 0.35%

LAB 43.56, 7.84, 31.05

 

CMYK 61 / 0 / 57 / 49

HEX #328137

RGB 50 129 55

HSL 123.8, 0.44%, 0.35%

LAB 47.82, -40.2, 32.64

 

CMYK 61 / 35 / 0 / 49

HEX #325481

RGB 50 84 129

HSL 214.18, 0.44%, 0.35%

LAB 35.21, 2.41, -29.04

 

CMYK 0 / 61 / 5 / 49

HEX #81327B

RGB 129 50 123

HSL 304.56, 0.44%, 0.35%

LAB 34.76, 43.81, -25.47

 

Description

Color code: HEX #826133 | qconv.com Color code: HEX #826133 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 97 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 97 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 61 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 61% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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