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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825DF8CE it is the complementary color #7DA207CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825DF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825DF8CE shade: #875DF3CE, #986FFFCE, #A981FFCE, #BA93FFCE and #CBA5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825DF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825DF8CE shade: #825DF8CE, #714BE5CE, #6039D2CE, #4F27BFCE and #3E15ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825DF8CE shade: #825DF8, #AC5DF8, #D65DF8, #F85DF1 and #F85DC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825DF8CE shade: #825DF8 and #5D5DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825DF8CE shade matches the following richer shades: #825DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825DF8CE shade: #825DF8, #8A6BEB, #9179DD, #9886CF and #9F94C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825DF8CE shade: #5D8CF8, #5D63F8, #825DF8, #AB5DF8 and #D45DF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825DF8CE shade: #450EF5, #6436F7, #825DF8, #A185FA and #BFADFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825DF8CE shade: #825DF8, #F85DB5 and #77F85D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825DF8CE shade: #825DF8, #F8825D and #5DF882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825DF8CE shade: #825DF8, #F85DB5, #D4F85D and #5DF8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825DF8CE shade: #825DF8, #F85D87, #D4F85D and #5DF8CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 51 / 0 / 2

HEX #825DF8CE

RGBA 130 93 248 0.81

HSLA 254.32, 0.92%, 0.67%, 0.81

LABA 51.1, 51.46, -72.68, 0.81

 

Complementary color

CMYK 19 / 0 / 78 / 30

HEX #7DA207CE

RGBA 125 162 7 0.81

HSLA 74.32, 0.92%, 0.33%, 0.81

LABA 61.84, -31.26, 63.05, 0.81

 

CMYK 36 / 50 / 0 / 4

HEX #875DF3CE

RGBA 135 93 243 0.81

HSLA 256.8, 0.86%, 0.66%, 0.81

LABA 51.21, 51.05, -69.68, 0.81

 

CMYK 33 / 46 / 0 / 0

HEX #986FFFCE

RGBA 152 111 255 0.81

HSLA 257.08, 1%, 0.72%, 0.81

LABA 57.33, 47.95, -66.37, 0.81

 

CMYK 27 / 40 / 0 / 0

HEX #A981FFCE

RGBA 169 129 255 0.81

HSLA 259.05, 1%, 0.75%, 0.81

LABA 62.81, 41.95, -57.51, 0.81

 

CMYK 22 / 34 / 0 / 0

HEX #BA93FFCE

RGBA 186 147 255 0.81

HSLA 261.67, 1%, 0.79%, 0.81

LABA 68.41, 36.37, -48.54, 0.81

 

CMYK 17 / 29 / 0 / 0

HEX #CBA5FFCE

RGBA 203 165 255 0.81

HSLA 265.33, 1%, 0.82%, 0.81

LABA 74.08, 31.23, -39.54, 0.81

 

CMYK 39 / 51 / 0 / 2

HEX #825DF8CE

RGBA 130 93 248 0.81

HSLA 254.32, 0.92%, 0.67%, 0.81

LABA 51.1, 51.46, -72.68, 0.81

 

CMYK 41 / 54 / 0 / 8

HEX #714BE5CE

RGBA 113 75 229 0.81

HSLA 254.81, 0.75%, 0.6%, 0.81

LABA 44.52, 52.83, -72.78, 0.81

 

CMYK 44 / 59 / 0 / 14

HEX #6039D2CE

RGBA 96 57 210 0.81

HSLA 255.29, 0.63%, 0.52%, 0.81

LABA 37.96, 54.11, -72.71, 0.81

 

CMYK 47 / 64 / 0 / 20

HEX #4F27BFCE

RGBA 79 39 191 0.81

HSLA 255.79, 0.66%, 0.45%, 0.81

LABA 31.52, 55.1, -72.28, 0.81

 

CMYK 52 / 71 / 0 / 26

HEX #3E15ACCE

RGBA 62 21 172 0.81

HSLA 256.29, 0.78%, 0.38%, 0.81

LABA 25.38, 55.31, -71.17, 0.81

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 31 / 63 / 0 / 3

HEX #AC5DF8

RGB 172 93 248

HSL 270.58, 0.92%, 0.67%

LAB 55.46, 59.92, -65.41

 

CMYK 14 / 63 / 0 / 3

HEX #D65DF8

RGB 214 93 248

HSL 286.84, 0.92%, 0.67%

LAB 60.7, 69.21, -56.72

 

CMYK 0 / 63 / 3 / 3

HEX #F85DF1

RGB 248 93 241

HSL 302.71, 0.92%, 0.67%

LAB 65.07, 75.88, -45.62

 

CMYK 0 / 63 / 20 / 3

HEX #F85DC7

RGB 248 93 199

HSL 318.97, 0.92%, 0.67%

LAB 63.27, 69.7, -24.9

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 41 / 54 / 0 / 8

HEX #8A6BEB

RGB 138 107 235

HSL 254.53, 0.76%, 0.67%

LAB 53.94, 41.73, -60.79

 

CMYK 34 / 45 / 0 / 13

HEX #9179DD

RGB 145 121 221

HSL 254.4, 0.6%, 0.67%

LAB 56.99, 31.63, -48.03

 

CMYK 27 / 35 / 0 / 19

HEX #9886CF

RGB 152 134 207

HSL 254.79, 0.43%, 0.67%

LAB 60.1, 22.48, -35.24

 

CMYK 18 / 24 / 0 / 24

HEX #9F94C2

RGB 159 148 194

HSL 254.35, 0.27%, 0.67%

LAB 63.71, 13.52, -22.31

 

CMYK 63 / 44 / 0 / 3

HEX #5D8CF8

RGB 93 140 248

HSL 221.81, 0.92%, 0.67%

LAB 59.76, 17, -58.83

 

CMYK 63 / 60 / 0 / 3

HEX #5D63F8

RGB 93 99 248

HSL 237.68, 0.92%, 0.67%

LAB 49.53, 41.78, -75.35

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 31 / 63 / 0 / 3

HEX #AB5DF8

RGB 171 93 248

HSL 270.19, 0.92%, 0.67%

LAB 55.34, 59.7, -65.6

 

CMYK 15 / 63 / 0 / 3

HEX #D45DF8

RGB 212 93 248

HSL 286.06, 0.92%, 0.67%

LAB 60.43, 68.76, -57.16

 

CMYK 72 / 94 / 0 / 4

HEX #450EF5

RGB 69 14 245

HSL 254.29, 0.92%, 0.51%

LAB 34.34, 75.85, -98.77

 

CMYK 60 / 78 / 0 / 3

HEX #6436F7

RGB 100 54 247

HSL 254.3, 0.92%, 0.59%

LAB 41.32, 66.16, -88.24

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 36 / 47 / 0 / 2

HEX #A185FA

RGB 161 133 250

HSL 254.36, 0.92%, 0.75%

LAB 62.72, 36.44, -54.95

 

CMYK 24 / 31 / 0 / 1

HEX #BFADFC

RGB 191 173 252

HSL 253.67, 0.93%, 0.83%

LAB 74.82, 22.65, -36.85

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 0 / 63 / 27 / 3

HEX #F85DB5

RGB 248 93 181

HSL 325.94, 0.92%, 0.67%

LAB 62.61, 67.37, -15.66

 

CMYK 52 / 0 / 63 / 3

HEX #77F85D

RGB 119 248 93

HSL 109.94, 0.92%, 0.67%

LAB 87.89, -63.54, 61.86

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 0 / 48 / 63 / 3

HEX #F8825D

RGB 248 130 93

HSL 14.32, 0.92%, 0.67%

LAB 67.06, 42, 40.2

 

CMYK 63 / 0 / 48 / 3

HEX #5DF882

RGB 93 248 130

HSL 134.32, 0.92%, 0.67%

LAB 87.52, -65.04, 44.66

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 0 / 63 / 27 / 3

HEX #F85DB5

RGB 248 93 181

HSL 325.94, 0.92%, 0.67%

LAB 62.61, 67.37, -15.66

 

CMYK 15 / 0 / 63 / 3

HEX #D4F85D

RGB 212 248 93

HSL 73.94, 0.92%, 0.67%

LAB 92.54, -32.6, 68.26

 

CMYK 63 / 0 / 35 / 3

HEX #5DF8A1

RGB 93 248 161

HSL 146.32, 0.92%, 0.67%

LAB 87.99, -59.92, 30.01

 

CMYK 48 / 63 / 0 / 3

HEX #825DF8

RGB 130 93 248

HSL 254.32, 0.92%, 0.67%

LAB 51.1, 51.46, -72.68

 

CMYK 0 / 63 / 46 / 3

HEX #F85D87

RGB 248 93 135

HSL 343.74, 0.92%, 0.67%

LAB 61.25, 62.41, 8.88

 

CMYK 15 / 0 / 63 / 3

HEX #D4F85D

RGB 212 248 93

HSL 73.94, 0.92%, 0.67%

LAB 92.54, -32.6, 68.26

 

CMYK 63 / 0 / 17 / 3

HEX #5DF8CF

RGB 93 248 207

HSL 164.13, 0.92%, 0.67%

LAB 88.91, -50.33, 7.68

 

Description

Color code: HEX #825DF8CE | qconv.com Color code: HEX #825DF8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 93 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 93 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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