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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825CB7 it is the complementary color #7DA348. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825CB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825CB7 shade: #875CB2, #986EC5, #A980D8, #BA92EB and #CBA4FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825CB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825CB7 shade: #825CB7, #714AA4, #603891, #4F267E and #3E146B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825CB7 shade: #825CB7, #9B5CB7, #B35CB7, #B75CA3 and #B75C8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825CB7 shade: #825CB7, #695CB7 and #5C5CB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825CB7 shade matches the following richer shades: #825CB7, #7F49CA, #7C36DD and #7923F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825CB7 shade: #825CB7, #856FA4, #888291, #8C957F and #8FA86C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825CB7 shade: #5C67B7, #6A5CB7, #825CB7, #9A5CB7 and #B35CB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825CB7 shade: #5A3B86, #6E47A3, #825CB7, #9879C4 and #AE95D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825CB7 shade: #825CB7, #B75C7F and #5CB75D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825CB7 shade: #825CB7, #B7825C and #5CB782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825CB7 shade: #825CB7, #B75C7F, #91B75C and #5CB794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825CB7 shade: #825CB7, #B75C64, #91B75C and #5CB7B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

Complementary color

CMYK 23 / 0 / 56 / 36

HEX #7DA348

RGB 125 163 72

HSL 85.05, 0.39%, 0.46%

LAB 62.53, -28.15, 42.47

 

CMYK 24 / 48 / 0 / 30

HEX #875CB2

RGB 135 92 178

HSL 270, 0.36%, 0.53%

LAB 47, 34.77, -39.31

 

CMYK 23 / 44 / 0 / 23

HEX #986EC5

RGB 152 110 197

HSL 268.97, 0.43%, 0.6%

LAB 53.88, 33.87, -39.32

 

CMYK 22 / 41 / 0 / 15

HEX #A980D8

RGB 169 128 216

HSL 267.95, 0.53%, 0.67%

LAB 60.63, 33.04, -39.34

 

CMYK 21 / 38 / 0 / 8

HEX #BA92EB

RGB 186 146 235

HSL 266.97, 0.69%, 0.75%

LAB 67.27, 32.27, -39.37

 

CMYK 20 / 35 / 0 / 0

HEX #CBA4FE

RGB 203 164 254

HSL 266, 0.98%, 0.82%

LAB 73.81, 31.55, -39.43

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 31 / 55 / 0 / 36

HEX #714AA4

RGB 113 74 164

HSL 266, 0.38%, 0.47%

LAB 39.73, 35.63, -42.75

 

CMYK 34 / 61 / 0 / 43

HEX #603891

RGB 96 56 145

HSL 266.97, 0.44%, 0.39%

LAB 32.61, 36.68, -42.78

 

CMYK 37 / 70 / 0 / 51

HEX #4F267E

RGB 79 38 126

HSL 267.95, 0.54%, 0.32%

LAB 25.43, 37.63, -42.67

 

CMYK 42 / 81 / 0 / 58

HEX #3E146B

RGB 62 20 107

HSL 268.97, 0.69%, 0.25%

LAB 18.3, 38.11, -42.16

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 15 / 50 / 0 / 28

HEX #9B5CB7

RGB 155 92 183

HSL 281.54, 0.39%, 0.54%

LAB 49.55, 41.6, -38.05

 

CMYK 2 / 50 / 0 / 28

HEX #B35CB7

RGB 179 92 183

HSL 297.36, 0.39%, 0.54%

LAB 52.57, 48.47, -33.09

 

CMYK 0 / 50 / 11 / 28

HEX #B75CA3

RGB 183 92 163

HSL 313.19, 0.39%, 0.54%

LAB 52.25, 46.13, -21.9

 

CMYK 0 / 50 / 25 / 28

HEX #B75C8A

RGB 183 92 138

HSL 329.67, 0.39%, 0.54%

LAB 51.33, 42.24, -8.54

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 43 / 50 / 0 / 28

HEX #695CB7

RGB 105 92 183

HSL 248.57, 0.39%, 0.54%

LAB 44.34, 28.1, -46.64

 

CMYK 50 / 50 / 0 / 28

HEX #5C5CB7

RGB 92 92 183

HSL 240, 0.39%, 0.54%

LAB 43.28, 25, -48.39

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 37 / 64 / 0 / 21

HEX #7F49CA

RGB 127 73 202

HSL 265.12, 0.55%, 0.54%

LAB 43.57, 49.28, -58.81

 

CMYK 44 / 76 / 0 / 13

HEX #7C36DD

RGB 124 54 221

HSL 265.15, 0.71%, 0.54%

LAB 41.44, 62.53, -73.21

 

CMYK 50 / 85 / 0 / 6

HEX #7923F0

RGB 121 35 240

HSL 265.17, 0.87%, 0.54%

LAB 40.51, 73.41, -85.56

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 19 / 32 / 0 / 36

HEX #856FA4

RGB 133 111 164

HSL 264.91, 0.23%, 0.54%

LAB 50.73, 19.64, -25.31

 

CMYK 6 / 10 / 0 / 43

HEX #888291

RGB 136 130 145

HSL 264, 0.06%, 0.54%

LAB 55.32, 5.26, -7.24

 

CMYK 6 / 0 / 15 / 42

HEX #8C957F

RGB 140 149 127

HSL 84.55, 0.09%, 0.54%

LAB 60.43, -7.41, 10.53

 

CMYK 15 / 0 / 36 / 34

HEX #8FA86C

RGB 143 168 108

HSL 85, 0.26%, 0.54%

LAB 65.69, -19.28, 28.21

 

CMYK 50 / 44 / 0 / 28

HEX #5C67B7

RGB 92 103 183

HSL 232.75, 0.39%, 0.54%

LAB 46.17, 18.15, -43.78

 

CMYK 42 / 50 / 0 / 28

HEX #6A5CB7

RGB 106 92 183

HSL 249.23, 0.39%, 0.54%

LAB 44.43, 28.34, -46.49

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 16 / 50 / 0 / 28

HEX #9A5CB7

RGB 154 92 183

HSL 280.88, 0.39%, 0.54%

LAB 49.43, 41.31, -38.25

 

CMYK 2 / 50 / 0 / 28

HEX #B35CB7

RGB 179 92 183

HSL 297.36, 0.39%, 0.54%

LAB 52.57, 48.47, -33.09

 

CMYK 33 / 56 / 0 / 47

HEX #5A3B86

RGB 90 59 134

HSL 264.8, 0.39%, 0.38%

LAB 31.86, 30.41, -37.25

 

CMYK 33 / 56 / 0 / 36

HEX #6E47A3

RGB 110 71 163

HSL 265.43, 0.39%, 0.46%

LAB 38.67, 36.33, -43.87

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 22 / 38 / 0 / 23

HEX #9879C4

RGB 152 121 196

HSL 264.8, 0.39%, 0.62%

LAB 56.42, 27.32, -34.76

 

CMYK 17 / 29 / 0 / 18

HEX #AE95D1

RGB 174 149 209

HSL 265, 0.39%, 0.7%

LAB 65.82, 21.1, -27.33

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 0 / 50 / 31 / 28

HEX #B75C7F

RGB 183 92 127

HSL 336.92, 0.39%, 0.54%

LAB 50.98, 40.72, -2.51

 

CMYK 50 / 0 / 49 / 28

HEX #5CB75D

RGB 92 183 93

HSL 120.66, 0.39%, 0.54%

LAB 67.23, -45.71, 37.4

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 0 / 29 / 50 / 28

HEX #B7825C

RGB 183 130 92

HSL 25.05, 0.39%, 0.54%

LAB 58.79, 15.93, 28.62

 

CMYK 50 / 0 / 29 / 28

HEX #5CB782

RGB 92 183 130

HSL 145.05, 0.39%, 0.54%

LAB 67.84, -39.42, 18.79

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 0 / 50 / 31 / 28

HEX #B75C7F

RGB 183 92 127

HSL 336.92, 0.39%, 0.54%

LAB 50.98, 40.72, -2.51

 

CMYK 21 / 0 / 50 / 28

HEX #91B75C

RGB 145 183 92

HSL 85.05, 0.39%, 0.54%

LAB 69.94, -27.95, 41.83

 

CMYK 50 / 0 / 19 / 28

HEX #5CB794

RGB 92 183 148

HSL 156.92, 0.39%, 0.54%

LAB 68.23, -35.62, 9.53

 

CMYK 29 / 50 / 0 / 28

HEX #825CB7

RGB 130 92 183

HSL 265.05, 0.39%, 0.54%

LAB 46.74, 34.62, -42.68

 

CMYK 0 / 50 / 45 / 28

HEX #B75C64

RGB 183 92 100

HSL 354.73, 0.39%, 0.54%

LAB 50.27, 37.51, 12.58

 

CMYK 21 / 0 / 50 / 28

HEX #91B75C

RGB 145 183 92

HSL 85.05, 0.39%, 0.54%

LAB 69.94, -27.95, 41.83

 

CMYK 50 / 0 / 4 / 28

HEX #5CB7B0

RGB 92 183 176

HSL 175.38, 0.39%, 0.54%

LAB 68.95, -28.85, -4.81

 

Description

Color code: HEX #825CB7 | qconv.com Color code: HEX #825CB7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 92 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 92 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 50 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 50% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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