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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825AB5 it is the complementary color #7DA54A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825AB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825AB5 shade: #875AB0, #986CC3, #A97ED6, #BA90E9 and #CBA2FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825AB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825AB5 shade: #825AB5, #7148A2, #60368F, #4F247C and #3E1269

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825AB5 shade: #825AB5, #9A5AB5, #B35AB5, #B55A9E and #B55A85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825AB5 shade: #825AB5, #695AB5 and #5A5AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825AB5 shade matches the following richer shades: #825AB5, #7F46C8, #7D33DB and #7B1FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825AB5 shade: #825AB5, #846DA1, #86808E, #89947B and #8BA767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825AB5 shade: #5A63B5, #695AB5, #815AB5, #995AB5 and #B25AB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825AB5 shade: #5A3A82, #6D479E, #825AB5, #9776C1 and #AD93CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825AB5 shade: #825AB5, #B55A7B and #5AB55D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825AB5 shade: #825AB5, #B5815A and #5AB581

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825AB5 shade: #825AB5, #B55A7B, #8DB55A and #5AB593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825AB5 shade: #825AB5, #B55A60, #8DB55A and #5AB5AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

Complementary color

CMYK 24 / 0 / 55 / 35

HEX #7DA54A

RGB 125 165 74

HSL 86.37, 0.38%, 0.47%

LAB 63.15, -28.91, 42.23

 

CMYK 23 / 49 / 0 / 31

HEX #875AB0

RGB 135 90 176

HSL 271.4, 0.35%, 0.52%

LAB 46.44, 35.43, -39.02

 

CMYK 22 / 45 / 0 / 24

HEX #986CC3

RGB 152 108 195

HSL 270.34, 0.42%, 0.59%

LAB 53.32, 34.54, -39.05

 

CMYK 21 / 41 / 0 / 16

HEX #A97ED6

RGB 169 126 214

HSL 269.32, 0.52%, 0.67%

LAB 60.08, 33.7, -39.08

 

CMYK 20 / 38 / 0 / 9

HEX #BA90E9

RGB 186 144 233

HSL 268.31, 0.67%, 0.74%

LAB 66.72, 32.93, -39.13

 

CMYK 19 / 36 / 0 / 1

HEX #CBA2FC

RGB 203 162 252

HSL 267.33, 0.94%, 0.81%

LAB 73.26, 32.21, -39.19

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 30 / 56 / 0 / 36

HEX #7148A2

RGB 113 72 162

HSL 267.33, 0.38%, 0.46%

LAB 39.16, 36.27, -42.46

 

CMYK 33 / 62 / 0 / 44

HEX #60368F

RGB 96 54 143

HSL 268.31, 0.45%, 0.39%

LAB 32.05, 37.28, -42.45

 

CMYK 36 / 71 / 0 / 51

HEX #4F247C

RGB 79 36 124

HSL 269.32, 0.55%, 0.31%

LAB 24.89, 38.16, -42.27

 

CMYK 41 / 83 / 0 / 59

HEX #3E1269

RGB 62 18 105

HSL 270.34, 0.71%, 0.24%

LAB 17.81, 38.46, -41.66

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 15 / 50 / 0 / 29

HEX #9A5AB5

RGB 154 90 181

HSL 282.2, 0.38%, 0.53%

LAB 48.91, 41.96, -37.9

 

CMYK 1 / 50 / 0 / 29

HEX #B35AB5

RGB 179 90 181

HSL 298.68, 0.38%, 0.53%

LAB 52.1, 49.11, -32.67

 

CMYK 0 / 50 / 13 / 29

HEX #B55A9E

RGB 181 90 158

HSL 315.16, 0.38%, 0.53%

LAB 51.39, 45.69, -20.31

 

CMYK 0 / 50 / 27 / 29

HEX #B55A85

RGB 181 90 133

HSL 331.65, 0.38%, 0.53%

LAB 50.49, 41.88, -6.86

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 42 / 50 / 0 / 29

HEX #695AB5

RGB 105 90 181

HSL 249.89, 0.38%, 0.53%

LAB 43.73, 28.73, -46.45

 

CMYK 50 / 50 / 0 / 29

HEX #5A5AB5

RGB 90 90 181

HSL 240, 0.38%, 0.53%

LAB 42.49, 25.17, -48.49

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 37 / 65 / 0 / 22

HEX #7F46C8

RGB 127 70 200

HSL 266.31, 0.54%, 0.53%

LAB 42.86, 50.33, -58.8

 

CMYK 43 / 77 / 0 / 14

HEX #7D33DB

RGB 125 51 219

HSL 266.43, 0.7%, 0.53%

LAB 40.96, 63.44, -72.84

 

CMYK 49 / 87 / 0 / 6

HEX #7B1FEF

RGB 123 31 239

HSL 266.54, 0.87%, 0.53%

LAB 40.28, 74.47, -85.36

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 18 / 32 / 0 / 37

HEX #846DA1

RGB 132 109 161

HSL 266.54, 0.22%, 0.53%

LAB 50, 19.79, -24.69

 

CMYK 6 / 10 / 0 / 44

HEX #86808E

RGB 134 128 142

HSL 265.71, 0.06%, 0.53%

LAB 54.51, 5.07, -6.73

 

CMYK 7 / 0 / 17 / 42

HEX #89947B

RGB 137 148 123

HSL 86.4, 0.1%, 0.53%

LAB 59.82, -8.7, 11.9

 

CMYK 17 / 0 / 38 / 35

HEX #8BA767

RGB 139 167 103

HSL 86.25, 0.27%, 0.53%

LAB 65.05, -21, 29.98

 

CMYK 50 / 45 / 0 / 29

HEX #5A63B5

RGB 90 99 181

HSL 234.07, 0.38%, 0.53%

LAB 44.85, 19.54, -44.73

 

CMYK 42 / 50 / 0 / 29

HEX #695AB5

RGB 105 90 181

HSL 249.89, 0.38%, 0.53%

LAB 43.73, 28.73, -46.45

 

CMYK 29 / 50 / 0 / 29

HEX #815AB5

RGB 129 90 181

HSL 265.71, 0.38%, 0.53%

LAB 46.06, 35, -42.59

 

CMYK 15 / 50 / 0 / 29

HEX #995AB5

RGB 153 90 181

HSL 281.54, 0.38%, 0.53%

LAB 48.79, 41.68, -38.1

 

CMYK 2 / 50 / 0 / 29

HEX #B25AB5

RGB 178 90 181

HSL 298.02, 0.38%, 0.53%

LAB 51.97, 48.82, -32.89

 

CMYK 31 / 55 / 0 / 49

HEX #5A3A82

RGB 90 58 130

HSL 266.67, 0.38%, 0.37%

LAB 31.37, 29.93, -35.54

 

CMYK 31 / 55 / 0 / 38

HEX #6D479E

RGB 109 71 158

HSL 266.21, 0.38%, 0.45%

LAB 38.25, 34.76, -41.55

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 22 / 39 / 0 / 24

HEX #9776C1

RGB 151 118 193

HSL 266.4, 0.38%, 0.61%

LAB 55.47, 28.04, -34.54

 

CMYK 16 / 29 / 0 / 19

HEX #AD93CE

RGB 173 147 206

HSL 266.44, 0.38%, 0.69%

LAB 65.13, 21.25, -26.74

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 0 / 50 / 32 / 29

HEX #B55A7B

RGB 181 90 123

HSL 338.24, 0.38%, 0.53%

LAB 50.18, 40.53, -1.34

 

CMYK 50 / 0 / 49 / 29

HEX #5AB55D

RGB 90 181 93

HSL 121.98, 0.38%, 0.53%

LAB 66.53, -45.44, 36.51

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 0 / 29 / 50 / 29

HEX #B5815A

RGB 181 129 90

HSL 25.71, 0.38%, 0.53%

LAB 58.29, 15.45, 29.03

 

CMYK 50 / 0 / 29 / 29

HEX #5AB581

RGB 90 181 129

HSL 145.71, 0.38%, 0.53%

LAB 67.13, -39.24, 18.35

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 0 / 50 / 32 / 29

HEX #B55A7B

RGB 181 90 123

HSL 338.24, 0.38%, 0.53%

LAB 50.18, 40.53, -1.34

 

CMYK 22 / 0 / 50 / 29

HEX #8DB55A

RGB 141 181 90

HSL 86.37, 0.38%, 0.53%

LAB 69.08, -28.73, 41.72

 

CMYK 50 / 0 / 19 / 29

HEX #5AB593

RGB 90 181 147

HSL 157.58, 0.38%, 0.53%

LAB 67.52, -35.41, 9.07

 

CMYK 28 / 50 / 0 / 29

HEX #825AB5

RGB 130 90 181

HSL 266.37, 0.38%, 0.53%

LAB 46.17, 35.27, -42.41

 

CMYK 0 / 50 / 47 / 29

HEX #B55A60

RGB 181 90 96

HSL 356.04, 0.38%, 0.53%

LAB 49.47, 37.39, 13.83

 

CMYK 22 / 0 / 50 / 29

HEX #8DB55A

RGB 141 181 90

HSL 86.37, 0.38%, 0.53%

LAB 69.08, -28.73, 41.72

 

CMYK 50 / 0 / 3 / 29

HEX #5AB5AF

RGB 90 181 175

HSL 176.04, 0.38%, 0.53%

LAB 68.25, -28.58, -5.3

 

Description

Color code: HEX #825AB5 | qconv.com Color code: HEX #825AB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 90 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 90 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 50 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 50% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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