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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8253AE it is the complementary color #7DAC51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8253AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8253AE shade: #8753A9, #9865BC, #A977CF, #BA89E2 and #CB9BF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8253AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8253AE shade: #8253AE, #71419B, #602F88, #4F1D75 and #3E0B62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8253AE shade: #8152AD, #9A52AD, #AD52A8, #AD5290 and #AD5277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8253AE shade: #8152AD, #6852AD and #5252AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8253AE shade matches the following richer shades: #8152AD, #823DC2, #8228D7 and #8314EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8253AE shade: #8152AD, #806699, #807B84, #7F8F70 and #7EA45B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8253AE shade: #5255AD, #6752AD, #8052AD, #9852AD and #AD52AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8253AE shade: #573775, #6C4491, #8152AD, #956EBB and #AA8AC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8253AE shade: #8253AE, #AD526D and #52AD5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8253AE shade: #8253AE, #AD8052 and #52AD80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8253AE shade: #8253AE, #AD526D, #80AD52 and #52AD92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8253AE shade: #8253AE, #AD5252, #80AD52 and #52ADAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 52 / 0 / 32

HEX #8253AE

RGB 130 83 174

HSL 270.99, 0.36%, 0.5%

LAB 44.22, 37.54, -41.41

 

Complementary color

CMYK 27 / 0 / 53 / 33

HEX #7DAC51

RGB 125 172 81

HSL 90.99, 0.36%, 0.5%

LAB 65.33, -31.49, 41.4

 

CMYK 20 / 51 / 0 / 34

HEX #8753A9

RGB 135 83 169

HSL 276.28, 0.34%, 0.49%

LAB 44.52, 37.74, -37.94

 

CMYK 19 / 46 / 0 / 26

HEX #9865BC

RGB 152 101 188

HSL 275.17, 0.39%, 0.57%

LAB 51.4, 36.87, -38.05

 

CMYK 18 / 43 / 0 / 19

HEX #A977CF

RGB 169 119 207

HSL 274.09, 0.48%, 0.64%

LAB 58.16, 36.03, -38.14

 

CMYK 18 / 39 / 0 / 11

HEX #BA89E2

RGB 186 137 226

HSL 273.03, 0.61%, 0.71%

LAB 64.82, 35.24, -38.23

 

CMYK 17 / 37 / 0 / 4

HEX #CB9BF5

RGB 203 155 245

HSL 272, 0.82%, 0.78%

LAB 71.37, 34.5, -38.33

 

CMYK 25 / 52 / 0 / 32

HEX #8253AE

RGB 130 83 174

HSL 270.99, 0.36%, 0.5%

LAB 44.22, 37.54, -41.41

 

CMYK 27 / 58 / 0 / 39

HEX #71419B

RGB 113 65 155

HSL 272, 0.41%, 0.43%

LAB 37.22, 38.48, -41.36

 

CMYK 29 / 65 / 0 / 47

HEX #602F88

RGB 96 47 136

HSL 273.03, 0.49%, 0.36%

LAB 30.15, 39.33, -41.19

 

CMYK 32 / 75 / 0 / 54

HEX #4F1D75

RGB 79 29 117

HSL 274.09, 0.6%, 0.29%

LAB 23.09, 39.85, -40.74

 

CMYK 37 / 89 / 0 / 62

HEX #3E0B62

RGB 62 11 98

HSL 275.17, 0.8%, 0.21%

LAB 16.23, 39.38, -39.62

 

CMYK 25 / 53 / 0 / 32

HEX #8152AD

RGB 129 82 173

HSL 270.99, 0.36%, 0.5%

LAB 43.83, 37.59, -41.45

 

CMYK 11 / 53 / 0 / 32

HEX #9A52AD

RGB 154 82 173

HSL 287.47, 0.36%, 0.5%

LAB 46.87, 44.53, -36.43

 

CMYK 0 / 53 / 3 / 32

HEX #AD52A8

RGB 173 82 168

HSL 303.3, 0.36%, 0.5%

LAB 49.19, 49, -29.68

 

CMYK 0 / 53 / 17 / 32

HEX #AD5290

RGB 173 82 144

HSL 319.12, 0.36%, 0.5%

LAB 48.17, 44.96, -17.02

 

CMYK 0 / 53 / 31 / 32

HEX #AD5277

RGB 173 82 119

HSL 335.6, 0.36%, 0.5%

LAB 47.3, 41.33, -3.3

 

CMYK 25 / 53 / 0 / 32

HEX #8152AD

RGB 129 82 173

HSL 270.99, 0.36%, 0.5%

LAB 43.83, 37.59, -41.45

 

CMYK 40 / 53 / 0 / 32

HEX #6852AD

RGB 104 82 173

HSL 254.51, 0.36%, 0.5%

LAB 41.21, 31.03, -45.78

 

CMYK 53 / 53 / 0 / 32

HEX #5252AD

RGB 82 82 173

HSL 240, 0.36%, 0.5%

LAB 39.32, 25.86, -48.91

 

CMYK 25 / 53 / 0 / 32

HEX #8152AD

RGB 129 82 173

HSL 270.99, 0.36%, 0.5%

LAB 43.83, 37.59, -41.45

 

CMYK 33 / 69 / 0 / 24

HEX #823DC2

RGB 130 61 194

HSL 271.13, 0.52%, 0.5%

LAB 41.18, 53.93, -58.01

 

CMYK 40 / 81 / 0 / 16

HEX #8228D7

RGB 130 40 215

HSL 270.86, 0.69%, 0.5%

LAB 39.86, 67.27, -72.32

 

CMYK 44 / 91 / 0 / 8

HEX #8314EB

RGB 131 20 235

HSL 270.98, 0.84%, 0.5%

LAB 40.12, 76.77, -83.32

 

CMYK 25 / 53 / 0 / 32

HEX #8152AD

RGB 129 82 173

HSL 270.99, 0.36%, 0.5%

LAB 43.83, 37.59, -41.45

 

CMYK 16 / 33 / 0 / 40

HEX #806699

RGB 128 102 153

HSL 270.59, 0.2%, 0.5%

LAB 47.48, 20.77, -23.9

 

CMYK 3 / 7 / 0 / 48

HEX #807B84

RGB 128 123 132

HSL 273.33, 0.04%, 0.5%

LAB 52.31, 3.7, -4.22

 

CMYK 11 / 0 / 22 / 44

HEX #7F8F70

RGB 127 143 112

HSL 90.97, 0.12%, 0.5%

LAB 57.39, -11.7, 14.61

 

CMYK 23 / 0 / 45 / 36

HEX #7EA45B

RGB 126 164 91

HSL 91.23, 0.29%, 0.5%

LAB 63.13, -26.07, 33.66

 

CMYK 53 / 51 / 0 / 32

HEX #5255AD

RGB 82 85 173

HSL 238.02, 0.36%, 0.5%

LAB 40.09, 23.97, -47.67

 

CMYK 40 / 53 / 0 / 32

HEX #6752AD

RGB 103 82 173

HSL 253.85, 0.36%, 0.5%

LAB 41.11, 30.78, -45.94

 

CMYK 26 / 53 / 0 / 32

HEX #8052AD

RGB 128 82 173

HSL 270.33, 0.36%, 0.5%

LAB 43.71, 37.32, -41.64

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 0 / 53 / 2 / 32

HEX #AD52AA

RGB 173 82 170

HSL 301.98, 0.36%, 0.5%

LAB 49.28, 49.35, -30.71

 

CMYK 26 / 53 / 0 / 54

HEX #573775

RGB 87 55 117

HSL 270.97, 0.36%, 0.34%

LAB 29.52, 27.45, -30.35

 

CMYK 26 / 53 / 0 / 43

HEX #6C4491

RGB 108 68 145

HSL 271.17, 0.36%, 0.42%

LAB 36.68, 32.91, -36.19

 

CMYK 25 / 53 / 0 / 32

HEX #8152AD

RGB 129 82 173

HSL 270.99, 0.36%, 0.5%

LAB 43.83, 37.59, -41.45

 

CMYK 20 / 41 / 0 / 27

HEX #956EBB

RGB 149 110 187

HSL 270.39, 0.36%, 0.58%

LAB 53.09, 30.64, -34.84

 

CMYK 15 / 31 / 0 / 22

HEX #AA8AC8

RGB 170 138 200

HSL 270.97, 0.36%, 0.66%

LAB 62.42, 24.06, -27.58

 

CMYK 25 / 52 / 0 / 32

HEX #8253AE

RGB 130 83 174

HSL 270.99, 0.36%, 0.5%

LAB 44.22, 37.54, -41.41

 

CMYK 0 / 53 / 37 / 32

HEX #AD526D

RGB 173 82 109

HSL 342.2, 0.36%, 0.5%

LAB 47, 40.06, 2.33

 

CMYK 53 / 0 / 47 / 32

HEX #52AD5B

RGB 82 173 91

HSL 125.93, 0.36%, 0.5%

LAB 63.7, -44.61, 33.92

 

CMYK 25 / 52 / 0 / 32

HEX #8253AE

RGB 130 83 174

HSL 270.99, 0.36%, 0.5%

LAB 44.22, 37.54, -41.41

 

CMYK 0 / 26 / 53 / 32

HEX #AD8052

RGB 173 128 82

HSL 30.33, 0.36%, 0.5%

LAB 57.01, 11.85, 31.61

 

CMYK 53 / 0 / 26 / 32

HEX #52AD80

RGB 82 173 128

HSL 150.33, 0.36%, 0.5%

LAB 64.35, -37.88, 15

 

CMYK 25 / 52 / 0 / 32

HEX #8253AE

RGB 130 83 174

HSL 270.99, 0.36%, 0.5%

LAB 44.22, 37.54, -41.41

 

CMYK 0 / 53 / 37 / 32

HEX #AD526D

RGB 173 82 109

HSL 342.2, 0.36%, 0.5%

LAB 47, 40.06, 2.33

 

CMYK 26 / 0 / 53 / 32

HEX #80AD52

RGB 128 173 82

HSL 89.67, 0.36%, 0.5%

LAB 65.82, -30.73, 41.53

 

CMYK 53 / 0 / 16 / 32

HEX #52AD92

RGB 82 173 146

HSL 162.2, 0.36%, 0.5%

LAB 64.77, -33.83, 5.64

 

CMYK 25 / 52 / 0 / 32

HEX #8253AE

RGB 130 83 174

HSL 270.99, 0.36%, 0.5%

LAB 44.22, 37.54, -41.41

 

CMYK 0 / 53 / 53 / 32

HEX #AD5252

RGB 173 82 82

HSL 0, 0.36%, 0.5%

LAB 46.35, 37.19, 17.77

 

CMYK 26 / 0 / 53 / 32

HEX #80AD52

RGB 128 173 82

HSL 89.67, 0.36%, 0.5%

LAB 65.82, -30.73, 41.53

 

CMYK 53 / 0 / 0 / 32

HEX #52ADAD

RGB 82 173 173

HSL 180, 0.36%, 0.5%

LAB 65.51, -26.92, -8.29

 

Description

Color code: HEX #8253AE | qconv.com Color code: HEX #8253AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 83 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 83 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 52 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 52% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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