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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #824FB2 it is the complementary color #7DB04D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #824FB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #824FB2 shade: #874FAD, #9861C0, #A973D3, #BA85E6 and #CB97F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #824FB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #824FB2 shade: #824FB2, #713D9F, #602B8C, #4F1979 and #3E0766

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #824FB2 shade: #814EB1, #9C4EB1, #B14EAC, #B14E91 and #B14E76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #824FB2 shade: #814EB1, #664EB1 and #4E4EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #824FB2 shade matches the following richer shades: #814EB1, #8239C6, #8225DA and #8310EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #824FB2 shade: #814EB1, #80629D, #807788, #7F8C73 and #7FA05F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #824FB2 shade: #4E51B1, #654EB1, #804EB1, #9A4EB1 and #B14EAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #824FB2 shade: #573578, #6C4195, #814EB1, #956ABE and #AA87CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #824FB2 shade: #824FB2, #B14E6C and #4EB158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #824FB2 shade: #824FB2, #B1804E and #4EB180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #824FB2 shade: #824FB2, #B14E6C, #80B14E and #4EB193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #824FB2 shade: #824FB2, #B14E4E, #80B14E and #4EB1B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 56 / 0 / 30

HEX #824FB2

RGB 130 79 178

HSL 270.91, 0.39%, 0.5%

LAB 43.58, 40.76, -44.77

 

Complementary color

CMYK 29 / 0 / 56 / 31

HEX #7DB04D

RGB 125 176 77

HSL 90.91, 0.39%, 0.5%

LAB 66.48, -33.78, 44.68

 

CMYK 22 / 54 / 0 / 32

HEX #874FAD

RGB 135 79 173

HSL 275.74, 0.37%, 0.49%

LAB 43.89, 40.89, -41.31

 

CMYK 21 / 49 / 0 / 25

HEX #9861C0

RGB 152 97 192

HSL 274.74, 0.43%, 0.57%

LAB 50.72, 40.02, -41.42

 

CMYK 20 / 45 / 0 / 17

HEX #A973D3

RGB 169 115 211

HSL 273.75, 0.52%, 0.64%

LAB 57.46, 39.16, -41.5

 

CMYK 19 / 42 / 0 / 10

HEX #BA85E6

RGB 186 133 230

HSL 272.78, 0.66%, 0.71%

LAB 64.1, 38.33, -41.58

 

CMYK 18 / 39 / 0 / 2

HEX #CB97F9

RGB 203 151 249

HSL 271.84, 0.89%, 0.78%

LAB 70.64, 37.55, -41.65

 

CMYK 27 / 56 / 0 / 30

HEX #824FB2

RGB 130 79 178

HSL 270.91, 0.39%, 0.5%

LAB 43.58, 40.76, -44.77

 

CMYK 29 / 62 / 0 / 38

HEX #713D9F

RGB 113 61 159

HSL 271.84, 0.45%, 0.43%

LAB 36.65, 41.66, -44.68

 

CMYK 31 / 69 / 0 / 45

HEX #602B8C

RGB 96 43 140

HSL 272.78, 0.53%, 0.36%

LAB 29.68, 42.4, -44.42

 

CMYK 35 / 79 / 0 / 53

HEX #4F1979

RGB 79 25 121

HSL 273.75, 0.66%, 0.29%

LAB 22.79, 42.64, -43.78

 

CMYK 39 / 93 / 0 / 60

HEX #3E0766

RGB 62 7 102

HSL 274.74, 0.87%, 0.21%

LAB 16.18, 41.64, -42.35

 

CMYK 27 / 56 / 0 / 31

HEX #814EB1

RGB 129 78 177

HSL 270.91, 0.39%, 0.5%

LAB 43.2, 40.81, -44.81

 

CMYK 12 / 56 / 0 / 31

HEX #9C4EB1

RGB 156 78 177

HSL 287.27, 0.39%, 0.5%

LAB 46.57, 47.96, -39.25

 

CMYK 0 / 56 / 3 / 31

HEX #B14EAC

RGB 177 78 172

HSL 303.03, 0.39%, 0.5%

LAB 49.22, 52.76, -31.94

 

CMYK 0 / 56 / 18 / 31

HEX #B14E91

RGB 177 78 145

HSL 319.39, 0.39%, 0.5%

LAB 48.06, 48.32, -17.74

 

CMYK 0 / 56 / 33 / 31

HEX #B14E76

RGB 177 78 118

HSL 335.76, 0.39%, 0.5%

LAB 47.11, 44.55, -2.9

 

CMYK 27 / 56 / 0 / 31

HEX #814EB1

RGB 129 78 177

HSL 270.91, 0.39%, 0.5%

LAB 43.2, 40.81, -44.81

 

CMYK 42 / 56 / 0 / 31

HEX #664EB1

RGB 102 78 177

HSL 254.55, 0.39%, 0.5%

LAB 40.32, 34.1, -49.57

 

CMYK 56 / 56 / 0 / 31

HEX #4E4EB1

RGB 78 78 177

HSL 240, 0.39%, 0.5%

LAB 38.27, 28.87, -52.98

 

CMYK 27 / 56 / 0 / 31

HEX #814EB1

RGB 129 78 177

HSL 270.91, 0.39%, 0.5%

LAB 43.2, 40.81, -44.81

 

CMYK 34 / 71 / 0 / 22

HEX #8239C6

RGB 130 57 198

HSL 271.06, 0.55%, 0.5%

LAB 40.81, 56.72, -60.93

 

CMYK 40 / 83 / 0 / 15

HEX #8225DA

RGB 130 37 218

HSL 270.83, 0.71%, 0.5%

LAB 39.8, 68.89, -74.15

 

CMYK 45 / 93 / 0 / 6

HEX #8310EF

RGB 131 16 239

HSL 270.94, 0.87%, 0.5%

LAB 40.29, 78.26, -85.31

 

CMYK 27 / 56 / 0 / 31

HEX #814EB1

RGB 129 78 177

HSL 270.91, 0.39%, 0.5%

LAB 43.2, 40.81, -44.81

 

CMYK 18 / 38 / 0 / 38

HEX #80629D

RGB 128 98 157

HSL 270.51, 0.23%, 0.5%

LAB 46.66, 24.09, -27.55

 

CMYK 6 / 13 / 0 / 47

HEX #807788

RGB 128 119 136

HSL 271.76, 0.07%, 0.5%

LAB 51.34, 6.87, -8.01

 

CMYK 9 / 0 / 18 / 45

HEX #7F8C73

RGB 127 140 115

HSL 91.2, 0.1%, 0.5%

LAB 56.59, -9.54, 11.79

 

CMYK 21 / 0 / 41 / 37

HEX #7FA05F

RGB 127 160 95

HSL 90.46, 0.25%, 0.5%

LAB 62.07, -23.17, 30.22

 

CMYK 56 / 54 / 0 / 31

HEX #4E51B1

RGB 78 81 177

HSL 238.18, 0.39%, 0.5%

LAB 39.03, 26.97, -51.75

 

CMYK 43 / 56 / 0 / 31

HEX #654EB1

RGB 101 78 177

HSL 253.94, 0.39%, 0.5%

LAB 40.23, 33.86, -49.73

 

CMYK 28 / 56 / 0 / 31

HEX #804EB1

RGB 128 78 177

HSL 270.3, 0.39%, 0.5%

LAB 43.08, 40.55, -45

 

CMYK 13 / 56 / 0 / 31

HEX #9A4EB1

RGB 154 78 177

HSL 286.06, 0.39%, 0.5%

LAB 46.3, 47.43, -39.68

 

CMYK 0 / 56 / 2 / 31

HEX #B14EAE

RGB 177 78 174

HSL 301.82, 0.39%, 0.5%

LAB 49.32, 53.11, -32.96

 

CMYK 28 / 56 / 0 / 53

HEX #573578

RGB 87 53 120

HSL 270.45, 0.39%, 0.34%

LAB 29.23, 29.45, -32.71

 

CMYK 28 / 56 / 0 / 42

HEX #6C4195

RGB 108 65 149

HSL 270.71, 0.39%, 0.42%

LAB 36.25, 35.66, -39.31

 

CMYK 27 / 56 / 0 / 31

HEX #814EB1

RGB 129 78 177

HSL 270.91, 0.39%, 0.5%

LAB 43.2, 40.81, -44.81

 

CMYK 22 / 44 / 0 / 25

HEX #956ABE

RGB 149 106 190

HSL 270.71, 0.39%, 0.58%

LAB 52.3, 33.63, -37.8

 

CMYK 16 / 33 / 0 / 21

HEX #AA87CA

RGB 170 135 202

HSL 271.34, 0.39%, 0.66%

LAB 61.77, 26.21, -29.7

 

CMYK 27 / 56 / 0 / 30

HEX #824FB2

RGB 130 79 178

HSL 270.91, 0.39%, 0.5%

LAB 43.58, 40.76, -44.77

 

CMYK 0 / 56 / 39 / 31

HEX #B14E6C

RGB 177 78 108

HSL 341.82, 0.39%, 0.5%

LAB 46.81, 43.34, 2.74

 

CMYK 56 / 0 / 50 / 31

HEX #4EB158

RGB 78 177 88

HSL 126.06, 0.39%, 0.5%

LAB 64.78, -47.72, 36.76

 

CMYK 27 / 56 / 0 / 30

HEX #824FB2

RGB 130 79 178

HSL 270.91, 0.39%, 0.5%

LAB 43.58, 40.76, -44.77

 

CMYK 0 / 28 / 56 / 31

HEX #B1804E

RGB 177 128 78

HSL 30.3, 0.39%, 0.5%

LAB 57.4, 13.21, 34.37

 

CMYK 56 / 0 / 28 / 31

HEX #4EB180

RGB 78 177 128

HSL 150.3, 0.39%, 0.5%

LAB 65.45, -40.6, 16.51

 

CMYK 27 / 56 / 0 / 30

HEX #824FB2

RGB 130 79 178

HSL 270.91, 0.39%, 0.5%

LAB 43.58, 40.76, -44.77

 

CMYK 0 / 56 / 39 / 31

HEX #B14E6C

RGB 177 78 108

HSL 341.82, 0.39%, 0.5%

LAB 46.81, 43.34, 2.74

 

CMYK 28 / 0 / 56 / 31

HEX #80B14E

RGB 128 177 78

HSL 89.7, 0.39%, 0.5%

LAB 66.96, -33.03, 44.81

 

CMYK 56 / 0 / 17 / 31

HEX #4EB193

RGB 78 177 147

HSL 161.82, 0.39%, 0.5%

LAB 65.88, -36.34, 6.67

 

CMYK 27 / 56 / 0 / 30

HEX #824FB2

RGB 130 79 178

HSL 270.91, 0.39%, 0.5%

LAB 43.58, 40.76, -44.77

 

CMYK 0 / 56 / 56 / 31

HEX #B14E4E

RGB 177 78 78

HSL 0, 0.39%, 0.5%

LAB 46.1, 40.37, 19.96

 

CMYK 28 / 0 / 56 / 31

HEX #80B14E

RGB 128 177 78

HSL 89.7, 0.39%, 0.5%

LAB 66.96, -33.03, 44.81

 

CMYK 56 / 0 / 0 / 31

HEX #4EB1B1

RGB 78 177 177

HSL 180, 0.39%, 0.5%

LAB 66.7, -28.6, -8.75

 

Description

Color code: HEX #824FB2 | qconv.com Color code: HEX #824FB2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 79 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 79 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 56 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 56% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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