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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #824B55 it is the complementary color #7DB4AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #824B55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #824B55 shade: #874B50, #985D63, #A96F76, #BA8189 and #CB939C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #824B55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #824B55 shade: #824B55, #713942, #60272F, #4F151C and #3E0309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #824B55 shade: #824A54 and #824A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #824B55 shade: #824A54, #824A63, #824A72, #824A81 and #734A82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #824B55 shade matches the following richer shades: #824A54, #923A4A, #A3293F, #B31935 and #C4082A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #824B55 shade: #824A54, #715B5F, #616B69, #507C74 and #408C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #824B55 shade: #824A72, #824A63, #824A55, #824F4A and #825E4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #824B55 shade: #4D2C32, #673B43, #824A54, #9C5A66 and #AD717C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #824B55 shade: #824B55, #81824A and #4A6B82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #824B55 shade: #824B55, #55824A and #4A5582

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #824B55 shade: #824B55, #81824A, #4A8277 and #4B4A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #824B55 shade: #824B55, #70824A, #4A8277 and #5C4A82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 35 / 49

HEX #824B55

RGB 130 75 85

HSL 349.09, 0.27%, 0.4%

LAB 38.61, 24.59, 4.21

 

Complementary color

CMYK 31 / 0 / 6 / 29

HEX #7DB4AA

RGB 125 180 170

HSL 169.09, 0.27%, 0.6%

LAB 69.4, -20.15, -0.67

 

CMYK 0 / 44 / 41 / 47

HEX #874B50

RGB 135 75 80

HSL 355, 0.29%, 0.41%

LAB 39.18, 25.95, 8.23

 

CMYK 0 / 39 / 35 / 40

HEX #985D63

RGB 152 93 99

HSL 353.9, 0.24%, 0.48%

LAB 46.18, 24.91, 6.82

 

CMYK 0 / 34 / 30 / 34

HEX #A96F76

RGB 169 111 118

HSL 352.76, 0.25%, 0.55%

LAB 53.07, 23.98, 5.63

 

CMYK 0 / 31 / 26 / 27

HEX #BA8189

RGB 186 129 137

HSL 351.58, 0.29%, 0.62%

LAB 59.84, 23.16, 4.58

 

CMYK 0 / 28 / 23 / 20

HEX #CB939C

RGB 203 147 156

HSL 350.36, 0.35%, 0.69%

LAB 66.49, 22.41, 3.64

 

CMYK 0 / 42 / 35 / 49

HEX #824B55

RGB 130 75 85

HSL 349.09, 0.27%, 0.4%

LAB 38.61, 24.59, 4.21

 

CMYK 0 / 50 / 42 / 56

HEX #713942

RGB 113 57 66

HSL 350.36, 0.33%, 0.33%

LAB 31.42, 25.66, 5.71

 

CMYK 0 / 59 / 51 / 62

HEX #60272F

RGB 96 39 47

HSL 351.58, 0.42%, 0.26%

LAB 24.14, 26.76, 7.68

 

CMYK 0 / 73 / 65 / 69

HEX #4F151C

RGB 79 21 28

HSL 352.76, 0.58%, 0.2%

LAB 16.9, 27.66, 10.51

 

CMYK 0 / 95 / 85 / 76

HEX #3E0309

RGB 62 3 9

HSL 353.9, 0.91%, 0.13%

LAB 9.87, 28.1, 11.82

 

CMYK 0 / 43 / 35 / 49

HEX #824A54

RGB 130 74 84

HSL 349.29, 0.27%, 0.4%

LAB 38.35, 25.04, 4.46

 

CMYK 0 / 43 / 43 / 49

HEX #824A4A

RGB 130 74 74

HSL 0, 0.27%, 0.4%

LAB 38.09, 23.75, 10.35

 

CMYK 0 / 43 / 35 / 49

HEX #824A54

RGB 130 74 84

HSL 349.29, 0.27%, 0.4%

LAB 38.35, 25.04, 4.46

 

CMYK 0 / 43 / 24 / 49

HEX #824A63

RGB 130 74 99

HSL 333.21, 0.27%, 0.4%

LAB 38.8, 27.26, -4.26

 

CMYK 0 / 43 / 12 / 49

HEX #824A72

RGB 130 74 114

HSL 317.14, 0.27%, 0.4%

LAB 39.34, 29.8, -12.79

 

CMYK 0 / 43 / 1 / 49

HEX #824A81

RGB 130 74 129

HSL 301.07, 0.27%, 0.4%

LAB 39.96, 32.64, -21.07

 

CMYK 12 / 43 / 0 / 49

HEX #734A82

RGB 115 74 130

HSL 283.93, 0.27%, 0.4%

LAB 38.12, 27.92, -24.7

 

CMYK 0 / 43 / 35 / 49

HEX #824A54

RGB 130 74 84

HSL 349.29, 0.27%, 0.4%

LAB 38.35, 25.04, 4.46

 

CMYK 0 / 60 / 49 / 43

HEX #923A4A

RGB 146 58 74

HSL 349.09, 0.43%, 0.4%

LAB 37.17, 38.6, 9.45

 

CMYK 0 / 75 / 61 / 36

HEX #A3293F

RGB 163 41 63

HSL 349.18, 0.6%, 0.4%

LAB 37.36, 50.59, 17.19

 

CMYK 0 / 86 / 70 / 30

HEX #B31935

RGB 179 25 53

HSL 349.09, 0.75%, 0.4%

LAB 38.79, 59.15, 25.99

 

CMYK 0 / 96 / 79 / 23

HEX #C4082A

RGB 196 8 42

HSL 349.15, 0.92%, 0.4%

LAB 41.34, 65.65, 36.53

 

CMYK 0 / 43 / 35 / 49

HEX #824A54

RGB 130 74 84

HSL 349.29, 0.27%, 0.4%

LAB 38.35, 25.04, 4.46

 

CMYK 0 / 19 / 16 / 56

HEX #715B5F

RGB 113 91 95

HSL 349.09, 0.11%, 0.4%

LAB 40.93, 9.68, 1.1

 

CMYK 9 / 0 / 2 / 58

HEX #616B69

RGB 97 107 105

HSL 168, 0.05%, 0.4%

LAB 44.34, -4.23, -0.19

 

CMYK 35 / 0 / 6 / 51

HEX #507C74

RGB 80 124 116

HSL 169.09, 0.22%, 0.4%

LAB 48.74, -17.08, -0.45

 

CMYK 54 / 0 / 10 / 45

HEX #408C7E

RGB 64 140 126

HSL 168.95, 0.37%, 0.4%

LAB 53.33, -27.11, 0.33

 

CMYK 0 / 43 / 12 / 49

HEX #824A72

RGB 130 74 114

HSL 317.14, 0.27%, 0.4%

LAB 39.34, 29.8, -12.79

 

CMYK 0 / 43 / 24 / 49

HEX #824A63

RGB 130 74 99

HSL 333.21, 0.27%, 0.4%

LAB 38.8, 27.26, -4.26

 

CMYK 0 / 43 / 35 / 49

HEX #824A55

RGB 130 74 85

HSL 348.21, 0.27%, 0.4%

LAB 38.37, 25.17, 3.87

 

CMYK 0 / 39 / 43 / 49

HEX #824F4A

RGB 130 79 74

HSL 5.36, 0.27%, 0.4%

LAB 39.3, 20.83, 12.02

 

CMYK 0 / 28 / 43 / 49

HEX #825E4A

RGB 130 94 74

HSL 21.43, 0.27%, 0.4%

LAB 43.13, 11.95, 17.24

 

CMYK 0 / 43 / 35 / 70

HEX #4D2C32

RGB 77 44 50

HSL 349.09, 0.27%, 0.24%

LAB 22.34, 16.14, 2.66

 

CMYK 0 / 43 / 35 / 60

HEX #673B43

RGB 103 59 67

HSL 349.09, 0.27%, 0.32%

LAB 30.44, 20.5, 3.47

 

CMYK 0 / 43 / 35 / 49

HEX #824A54

RGB 130 74 84

HSL 349.29, 0.27%, 0.4%

LAB 38.35, 25.04, 4.46

 

CMYK 0 / 42 / 35 / 39

HEX #9C5A66

RGB 156 90 102

HSL 349.09, 0.27%, 0.48%

LAB 46.1, 28.57, 4.95

 

CMYK 0 / 35 / 28 / 32

HEX #AD717C

RGB 173 113 124

HSL 349, 0.27%, 0.56%

LAB 54.19, 25.25, 3.77

 

CMYK 0 / 42 / 35 / 49

HEX #824B55

RGB 130 75 85

HSL 349.09, 0.27%, 0.4%

LAB 38.61, 24.59, 4.21

 

CMYK 1 / 0 / 43 / 49

HEX #81824A

RGB 129 130 74

HSL 61.07, 0.27%, 0.4%

LAB 53.09, -9.22, 30.12

 

CMYK 43 / 18 / 0 / 49

HEX #4A6B82

RGB 74 107 130

HSL 204.64, 0.27%, 0.4%

LAB 43.63, -5.42, -16.48

 

CMYK 0 / 42 / 35 / 49

HEX #824B55

RGB 130 75 85

HSL 349.09, 0.27%, 0.4%

LAB 38.61, 24.59, 4.21

 

CMYK 35 / 0 / 43 / 49

HEX #55824A

RGB 85 130 74

HSL 108.21, 0.27%, 0.4%

LAB 49.97, -26.96, 25.52

 

CMYK 43 / 35 / 0 / 49

HEX #4A5582

RGB 74 85 130

HSL 228.21, 0.27%, 0.4%

LAB 37.05, 8.18, -26.66

 

CMYK 0 / 42 / 35 / 49

HEX #824B55

RGB 130 75 85

HSL 349.09, 0.27%, 0.4%

LAB 38.61, 24.59, 4.21

 

CMYK 1 / 0 / 43 / 49

HEX #81824A

RGB 129 130 74

HSL 61.07, 0.27%, 0.4%

LAB 53.09, -9.22, 30.12

 

CMYK 43 / 0 / 8 / 49

HEX #4A8277

RGB 74 130 119

HSL 168.21, 0.27%, 0.4%

LAB 50.4, -21.28, 0.17

 

CMYK 42 / 43 / 0 / 49

HEX #4B4A82

RGB 75 74 130

HSL 241.07, 0.27%, 0.4%

LAB 33.99, 15.57, -31.46

 

CMYK 0 / 42 / 35 / 49

HEX #824B55

RGB 130 75 85

HSL 349.09, 0.27%, 0.4%

LAB 38.61, 24.59, 4.21

 

CMYK 14 / 0 / 43 / 49

HEX #70824A

RGB 112 130 74

HSL 79.29, 0.27%, 0.4%

LAB 51.73, -16.43, 28.12

 

CMYK 43 / 0 / 8 / 49

HEX #4A8277

RGB 74 130 119

HSL 168.21, 0.27%, 0.4%

LAB 50.4, -21.28, 0.17

 

CMYK 29 / 43 / 0 / 49

HEX #5C4A82

RGB 92 74 130

HSL 259.29, 0.27%, 0.4%

LAB 35.57, 20.59, -28.88

 

Description

Color code: HEX #824B55 | qconv.com Color code: HEX #824B55 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 75 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 75 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 35 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 35% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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