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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #824B46 it is the complementary color #7DB4B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #824B46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #824B46 shade: #874B41, #985D54, #A96F67, #BA817A and #CB938D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #824B46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #824B46 shade: #824B46, #713933, #602720, #4F150D and #3E0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #824B46 shade: #814B46 and #814646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #824B46 shade: #814B46, #815B46, #816B46, #817B46 and #788146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #824B46 shade matches the following richer shades: #814B46, #913D36, #A13025, #B22215 and #C21505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #824B46 shade: #814B46, #715856, #616566, #517376 and #418086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #824B46 shade: #814660, #814651, #814B46, #815A46 and #816A46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #824B46 shade: #4C2C29, #663B37, #814B46, #9C5A54 and #AF706A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #824B46 shade: #824B46, #708146 and #465981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #824B46 shade: #824B46, #46814B and #4B4681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #824B46 shade: #824B46, #708146, #467C81 and #574681

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #824B46 shade: #824B46, #5E8146, #467C81 and #684681

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 46 / 49

HEX #824B46

RGB 130 75 70

HSL 5, 0.3%, 0.39%

LAB 38.23, 22.7, 13.04

 

Complementary color

CMYK 32 / 3 / 0 / 27

HEX #7DB4B9

RGB 125 180 185

HSL 185, 0.3%, 0.61%

LAB 69.83, -16.63, -8.3

 

CMYK 0 / 44 / 52 / 47

HEX #874B41

RGB 135 75 65

HSL 8.57, 0.35%, 0.39%

LAB 38.84, 24.26, 17.07

 

CMYK 0 / 39 / 45 / 40

HEX #985D54

RGB 152 93 84

HSL 7.94, 0.29%, 0.46%

LAB 45.83, 23.06, 15.37

 

CMYK 0 / 34 / 39 / 34

HEX #A96F67

RGB 169 111 103

HSL 7.27, 0.28%, 0.53%

LAB 52.71, 22.02, 13.92

 

CMYK 0 / 31 / 34 / 27

HEX #BA817A

RGB 186 129 122

HSL 6.56, 0.32%, 0.6%

LAB 59.48, 21.1, 12.66

 

CMYK 0 / 28 / 31 / 20

HEX #CB938D

RGB 203 147 141

HSL 5.81, 0.37%, 0.67%

LAB 66.13, 20.3, 11.53

 

CMYK 0 / 42 / 46 / 49

HEX #824B46

RGB 130 75 70

HSL 5, 0.3%, 0.39%

LAB 38.23, 22.7, 13.04

 

CMYK 0 / 50 / 55 / 56

HEX #713933

RGB 113 57 51

HSL 5.81, 0.38%, 0.32%

LAB 31.06, 23.97, 14.91

 

CMYK 0 / 59 / 67 / 62

HEX #602720

RGB 96 39 32

HSL 6.56, 0.5%, 0.25%

LAB 23.81, 25.37, 17.31

 

CMYK 0 / 73 / 84 / 69

HEX #4F150D

RGB 79 21 13

HSL 7.27, 0.72%, 0.18%

LAB 16.64, 26.69, 19.78

 

CMYK 0 / 95 / 100 / 76

HEX #3E0300

RGB 62 3 0

HSL 2.9, 1%, 0.12%

LAB 9.71, 27.64, 15.26

 

CMYK 0 / 42 / 46 / 49

HEX #814B46

RGB 129 75 70

HSL 5.08, 0.3%, 0.39%

LAB 38.1, 22.28, 12.83

 

CMYK 0 / 46 / 46 / 49

HEX #814646

RGB 129 70 70

HSL 0, 0.3%, 0.39%

LAB 36.91, 25.18, 11.2

 

CMYK 0 / 42 / 46 / 49

HEX #814B46

RGB 129 75 70

HSL 5.08, 0.3%, 0.39%

LAB 38.1, 22.28, 12.83

 

CMYK 0 / 29 / 46 / 49

HEX #815B46

RGB 129 91 70

HSL 21.36, 0.3%, 0.39%

LAB 42.14, 12.82, 18.29

 

CMYK 0 / 17 / 46 / 49

HEX #816B46

RGB 129 107 70

HSL 37.63, 0.3%, 0.39%

LAB 46.48, 3.38, 23.96

 

CMYK 0 / 5 / 46 / 49

HEX #817B46

RGB 129 123 70

HSL 53.9, 0.3%, 0.39%

LAB 51.01, -5.78, 29.7

 

CMYK 7 / 0 / 46 / 49

HEX #788146

RGB 120 129 70

HSL 69.15, 0.3%, 0.39%

LAB 51.99, -13.01, 30.75

 

CMYK 0 / 42 / 46 / 49

HEX #814B46

RGB 129 75 70

HSL 5.08, 0.3%, 0.39%

LAB 38.1, 22.28, 12.83

 

CMYK 0 / 58 / 63 / 43

HEX #913D36

RGB 145 61 54

HSL 4.62, 0.46%, 0.39%

LAB 37.16, 35, 21.95

 

CMYK 0 / 70 / 77 / 37

HEX #A13025

RGB 161 48 37

HSL 5.32, 0.63%, 0.39%

LAB 37.53, 45.87, 33.26

 

CMYK 0 / 81 / 88 / 30

HEX #B22215

RGB 178 34 21

HSL 4.97, 0.79%, 0.39%

LAB 39.01, 55.6, 44.25

 

CMYK 0 / 89 / 97 / 24

HEX #C21505

RGB 194 21 5

HSL 5.08, 0.95%, 0.39%

LAB 41.24, 62.77, 53.28

 

CMYK 0 / 42 / 46 / 49

HEX #814B46

RGB 129 75 70

HSL 5.08, 0.3%, 0.39%

LAB 38.1, 22.28, 12.83

 

CMYK 0 / 22 / 24 / 56

HEX #715856

RGB 113 88 86

HSL 4.44, 0.14%, 0.39%

LAB 39.85, 9.95, 5.09

 

CMYK 5 / 1 / 0 / 60

HEX #616566

RGB 97 101 102

HSL 192, 0.03%, 0.39%

LAB 42.47, -1.33, -1.11

 

CMYK 31 / 3 / 0 / 54

HEX #517376

RGB 81 115 118

HSL 184.86, 0.19%, 0.39%

LAB 46.07, -11.29, -5.57

 

CMYK 51 / 4 / 0 / 47

HEX #418086

RGB 65 128 134

HSL 185.22, 0.35%, 0.39%

LAB 49.84, -18.46, -9.5

 

CMYK 0 / 46 / 26 / 49

HEX #814660

RGB 129 70 96

HSL 333.56, 0.3%, 0.39%

LAB 37.65, 28.7, -4.11

 

CMYK 0 / 46 / 37 / 49

HEX #814651

RGB 129 70 81

HSL 348.81, 0.3%, 0.39%

LAB 37.19, 26.54, 4.67

 

CMYK 0 / 42 / 46 / 49

HEX #814B46

RGB 129 75 70

HSL 5.08, 0.3%, 0.39%

LAB 38.1, 22.28, 12.83

 

CMYK 0 / 30 / 46 / 49

HEX #815A46

RGB 129 90 70

HSL 20.34, 0.3%, 0.39%

LAB 41.88, 13.41, 17.94

 

CMYK 0 / 18 / 46 / 49

HEX #816A46

RGB 129 106 70

HSL 36.61, 0.3%, 0.39%

LAB 46.2, 3.96, 23.6

 

CMYK 0 / 42 / 46 / 70

HEX #4C2C29

RGB 76 44 41

HSL 5.14, 0.3%, 0.23%

LAB 21.94, 14.38, 8.21

 

CMYK 0 / 42 / 46 / 60

HEX #663B37

RGB 102 59 55

HSL 5.11, 0.3%, 0.31%

LAB 29.98, 18.46, 10.6

 

CMYK 0 / 42 / 46 / 49

HEX #814B46

RGB 129 75 70

HSL 5.08, 0.3%, 0.39%

LAB 38.1, 22.28, 12.83

 

CMYK 0 / 42 / 46 / 39

HEX #9C5A54

RGB 156 90 84

HSL 5, 0.3%, 0.47%

LAB 45.66, 26.4, 15.22

 

CMYK 0 / 36 / 39 / 31

HEX #AF706A

RGB 175 112 106

HSL 5.22, 0.3%, 0.55%

LAB 53.75, 24.23, 13.73

 

CMYK 0 / 42 / 46 / 49

HEX #824B46

RGB 130 75 70

HSL 5, 0.3%, 0.39%

LAB 38.23, 22.7, 13.04

 

CMYK 13 / 0 / 46 / 49

HEX #708146

RGB 112 129 70

HSL 77.29, 0.3%, 0.39%

LAB 51.37, -16.4, 29.84

 

CMYK 46 / 31 / 0 / 49

HEX #465981

RGB 70 89 129

HSL 220.68, 0.3%, 0.39%

LAB 37.9, 4.19, -24.74

 

CMYK 0 / 42 / 46 / 49

HEX #824B46

RGB 130 75 70

HSL 5, 0.3%, 0.39%

LAB 38.23, 22.7, 13.04

 

CMYK 46 / 0 / 42 / 49

HEX #46814B

RGB 70 129 75

HSL 125.08, 0.3%, 0.39%

LAB 48.9, -31.39, 23.43

 

CMYK 42 / 46 / 0 / 49

HEX #4B4681

RGB 75 70 129

HSL 245.08, 0.3%, 0.39%

LAB 32.83, 17.86, -32.68

 

CMYK 0 / 42 / 46 / 49

HEX #824B46

RGB 130 75 70

HSL 5, 0.3%, 0.39%

LAB 38.23, 22.7, 13.04

 

CMYK 13 / 0 / 46 / 49

HEX #708146

RGB 112 129 70

HSL 77.29, 0.3%, 0.39%

LAB 51.37, -16.4, 29.84

 

CMYK 46 / 4 / 0 / 49

HEX #467C81

RGB 70 124 129

HSL 185.08, 0.3%, 0.39%

LAB 48.64, -16.48, -8.33

 

CMYK 33 / 46 / 0 / 49

HEX #574681

RGB 87 70 129

HSL 257.29, 0.3%, 0.39%

LAB 33.97, 21.33, -30.82

 

CMYK 0 / 42 / 46 / 49

HEX #824B46

RGB 130 75 70

HSL 5, 0.3%, 0.39%

LAB 38.23, 22.7, 13.04

 

CMYK 27 / 0 / 46 / 49

HEX #5E8146

RGB 94 129 70

HSL 95.59, 0.3%, 0.39%

LAB 50.12, -23.68, 28.02

 

CMYK 46 / 4 / 0 / 49

HEX #467C81

RGB 70 124 129

HSL 185.08, 0.3%, 0.39%

LAB 48.64, -16.48, -8.33

 

CMYK 19 / 46 / 0 / 49

HEX #684681

RGB 104 70 129

HSL 274.58, 0.3%, 0.39%

LAB 35.81, 26.56, -27.79

 

Description

Color code: HEX #824B46 | qconv.com Color code: HEX #824B46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 75 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 75 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 46 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 46% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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