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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82434F it is the complementary color #7DBCB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82434F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82434F shade: #87434A, #98555D, #A96770, #BA7983 and #CB8B96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82434F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82434F shade: #82434F, #71313C, #601F29, #4F0D16 and #3E0003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82434F shade: #834450 and #834444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82434F shade: #834450, #834461, #834472, #834483 and #724483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82434F shade matches the following richer shades: #834450, #933446, #A3233C, #B41332 and #C40328

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82434F shade: #834450, #73545A, #636464, #53746E and #438478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82434F shade: #834472, #834461, #834450, #834844 and #835944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82434F shade: #4D282F, #68363F, #834450, #9F5260 and #B16876

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82434F shade: #82434F, #838344 and #446A83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82434F shade: #82434F, #508344 and #445083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82434F shade: #82434F, #838344, #448377 and #444483

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82434F shade: #82434F, #708344, #448377 and #574483

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 39 / 49

HEX #82434F

RGB 130 67 79

HSL 348.57, 0.32%, 0.39%

LAB 36.6, 28.38, 5.11

 

Complementary color

CMYK 34 / 0 / 6 / 26

HEX #7DBCB0

RGB 125 188 176

HSL 168.57, 0.32%, 0.61%

LAB 71.87, -22.84, -0.36

 

CMYK 0 / 50 / 45 / 47

HEX #87434A

RGB 135 67 74

HSL 353.82, 0.34%, 0.4%

LAB 37.22, 29.74, 9.26

 

CMYK 0 / 44 / 39 / 40

HEX #98555D

RGB 152 85 93

HSL 352.84, 0.28%, 0.46%

LAB 44.18, 28.66, 7.62

 

CMYK 0 / 39 / 34 / 34

HEX #A96770

RGB 169 103 112

HSL 351.82, 0.28%, 0.53%

LAB 51.04, 27.65, 6.27

 

CMYK 0 / 35 / 30 / 27

HEX #BA7983

RGB 186 121 131

HSL 350.77, 0.32%, 0.6%

LAB 57.8, 26.74, 5.1

 

CMYK 0 / 32 / 26 / 20

HEX #CB8B96

RGB 203 139 150

HSL 349.69, 0.38%, 0.67%

LAB 64.45, 25.92, 4.07

 

CMYK 0 / 48 / 39 / 49

HEX #82434F

RGB 130 67 79

HSL 348.57, 0.32%, 0.39%

LAB 36.6, 28.38, 5.11

 

CMYK 0 / 57 / 47 / 56

HEX #71313C

RGB 113 49 60

HSL 349.69, 0.4%, 0.32%

LAB 29.5, 29.43, 6.92

 

CMYK 0 / 68 / 57 / 62

HEX #601F29

RGB 96 31 41

HSL 350.77, 0.51%, 0.25%

LAB 22.4, 30.37, 9.38

 

CMYK 0 / 84 / 72 / 69

HEX #4F0D16

RGB 79 13 22

HSL 351.82, 0.72%, 0.18%

LAB 15.53, 30.65, 13.02

 

CMYK 0 / 100 / 95 / 76

HEX #3E0003

RGB 62 0 3

HSL 357.1, 1%, 0.12%

LAB 9.24, 29.3, 13.37

 

CMYK 0 / 48 / 39 / 49

HEX #834450

RGB 131 68 80

HSL 348.57, 0.32%, 0.39%

LAB 37, 28.33, 5.07

 

CMYK 0 / 48 / 48 / 49

HEX #834444

RGB 131 68 68

HSL 0, 0.32%, 0.39%

LAB 36.7, 26.91, 12.21

 

CMYK 0 / 48 / 39 / 49

HEX #834450

RGB 131 68 80

HSL 348.57, 0.32%, 0.39%

LAB 37, 28.33, 5.07

 

CMYK 0 / 48 / 26 / 49

HEX #834461

RGB 131 68 97

HSL 332.38, 0.32%, 0.39%

LAB 37.52, 30.72, -4.9

 

CMYK 0 / 48 / 13 / 49

HEX #834472

RGB 131 68 114

HSL 316.19, 0.32%, 0.39%

LAB 38.15, 33.53, -14.58

 

CMYK 0 / 48 / 0 / 49

HEX #834483

RGB 131 68 131

HSL 300, 0.32%, 0.39%

LAB 38.9, 36.69, -23.94

 

CMYK 13 / 48 / 0 / 49

HEX #724483

RGB 114 68 131

HSL 283.81, 0.32%, 0.39%

LAB 36.65, 31.35, -27.62

 

CMYK 0 / 48 / 39 / 49

HEX #834450

RGB 131 68 80

HSL 348.57, 0.32%, 0.39%

LAB 37, 28.33, 5.07

 

CMYK 0 / 65 / 52 / 42

HEX #933446

RGB 147 52 70

HSL 348.63, 0.48%, 0.39%

LAB 36.18, 41.43, 10.64

 

CMYK 0 / 79 / 63 / 36

HEX #A3233C

RGB 163 35 60

HSL 348.28, 0.65%, 0.39%

LAB 36.58, 52.39, 18.09

 

CMYK 0 / 89 / 72 / 29

HEX #B41332

RGB 180 19 50

HSL 348.45, 0.81%, 0.39%

LAB 38.55, 60.43, 27.62

 

CMYK 0 / 98 / 80 / 23

HEX #C40328

RGB 196 3 40

HSL 348.5, 0.97%, 0.39%

LAB 41.14, 66.08, 37.5

 

CMYK 0 / 48 / 39 / 49

HEX #834450

RGB 131 68 80

HSL 348.57, 0.32%, 0.39%

LAB 37, 28.33, 5.07

 

CMYK 0 / 27 / 22 / 55

HEX #73545A

RGB 115 84 90

HSL 348.39, 0.16%, 0.39%

LAB 39.11, 13.88, 1.57

 

CMYK 1 / 0 / 0 / 61

HEX #636464

RGB 99 100 100

HSL 180, 0.01%, 0.39%

LAB 42.29, -0.39, -0.14

 

CMYK 28 / 0 / 5 / 55

HEX #53746E

RGB 83 116 110

HSL 169.09, 0.17%, 0.39%

LAB 46.25, -13.2, -0.51

 

CMYK 49 / 0 / 9 / 48

HEX #438478

RGB 67 132 120

HSL 168.92, 0.33%, 0.39%

LAB 50.75, -23.92, 0.06

 

CMYK 0 / 48 / 13 / 49

HEX #834472

RGB 131 68 114

HSL 316.19, 0.32%, 0.39%

LAB 38.15, 33.53, -14.58

 

CMYK 0 / 48 / 26 / 49

HEX #834461

RGB 131 68 97

HSL 332.38, 0.32%, 0.39%

LAB 37.52, 30.72, -4.9

 

CMYK 0 / 48 / 39 / 49

HEX #834450

RGB 131 68 80

HSL 348.57, 0.32%, 0.39%

LAB 37, 28.33, 5.07

 

CMYK 0 / 45 / 48 / 49

HEX #834844

RGB 131 72 68

HSL 3.81, 0.32%, 0.39%

LAB 37.62, 24.63, 13.47

 

CMYK 0 / 32 / 48 / 49

HEX #835944

RGB 131 89 68

HSL 20, 0.32%, 0.39%

LAB 41.83, 14.66, 19.11

 

CMYK 0 / 48 / 39 / 70

HEX #4D282F

RGB 77 40 47

HSL 348.65, 0.32%, 0.23%

LAB 21.21, 18.22, 3.1

 

CMYK 0 / 48 / 39 / 59

HEX #68363F

RGB 104 54 63

HSL 349.2, 0.32%, 0.31%

LAB 29.26, 23.35, 4.41

 

CMYK 0 / 48 / 39 / 49

HEX #834450

RGB 131 68 80

HSL 348.57, 0.32%, 0.39%

LAB 37, 28.33, 5.07

 

CMYK 0 / 48 / 40 / 38

HEX #9F5260

RGB 159 82 96

HSL 349.09, 0.32%, 0.47%

LAB 44.59, 33.36, 6.51

 

CMYK 0 / 41 / 33 / 31

HEX #B16876

RGB 177 104 118

HSL 348.49, 0.32%, 0.55%

LAB 52.46, 30.95, 4.88

 

CMYK 0 / 48 / 39 / 49

HEX #82434F

RGB 130 67 79

HSL 348.57, 0.32%, 0.39%

LAB 36.6, 28.38, 5.11

 

CMYK 0 / 0 / 48 / 49

HEX #838344

RGB 131 131 68

HSL 60, 0.32%, 0.39%

LAB 53.47, -9.55, 33.83

 

CMYK 48 / 19 / 0 / 49

HEX #446A83

RGB 68 106 131

HSL 203.81, 0.32%, 0.39%

LAB 43.03, -6.16, -18.03

 

CMYK 0 / 48 / 39 / 49

HEX #82434F

RGB 130 67 79

HSL 348.57, 0.32%, 0.39%

LAB 36.6, 28.38, 5.11

 

CMYK 39 / 0 / 48 / 49

HEX #508344

RGB 80 131 68

HSL 108.57, 0.32%, 0.39%

LAB 49.92, -30.11, 28.68

 

CMYK 48 / 39 / 0 / 49

HEX #445083

RGB 68 80 131

HSL 228.57, 0.32%, 0.39%

LAB 35.21, 10.06, -30.19

 

CMYK 0 / 48 / 39 / 49

HEX #82434F

RGB 130 67 79

HSL 348.57, 0.32%, 0.39%

LAB 36.6, 28.38, 5.11

 

CMYK 0 / 0 / 48 / 49

HEX #838344

RGB 131 131 68

HSL 60, 0.32%, 0.39%

LAB 53.47, -9.55, 33.83

 

CMYK 48 / 0 / 9 / 49

HEX #448377

RGB 68 131 119

HSL 168.57, 0.32%, 0.39%

LAB 50.44, -23.41, 0.21

 

CMYK 48 / 48 / 0 / 49

HEX #444483

RGB 68 68 131

HSL 240, 0.32%, 0.39%

LAB 31.81, 17.93, -35.59

 

CMYK 0 / 48 / 39 / 49

HEX #82434F

RGB 130 67 79

HSL 348.57, 0.32%, 0.39%

LAB 36.6, 28.38, 5.11

 

CMYK 15 / 0 / 48 / 49

HEX #708344

RGB 112 131 68

HSL 78.1, 0.32%, 0.39%

LAB 51.94, -17.7, 31.63

 

CMYK 48 / 0 / 9 / 49

HEX #448377

RGB 68 131 119

HSL 168.57, 0.32%, 0.39%

LAB 50.44, -23.41, 0.21

 

CMYK 34 / 48 / 0 / 49

HEX #574483

RGB 87 68 131

HSL 258.1, 0.32%, 0.39%

LAB 33.56, 23.16, -32.7

 

Description

Color code: HEX #82434F | qconv.com Color code: HEX #82434F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 67 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 67 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 39 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 39% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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