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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82408B it is the complementary color #7DBF74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82408B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82408B shade: #874086, #985299, #A964AC, #BA76BF and #CB88D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82408B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82408B shade: #82408B, #712E78, #601C65, #4F0A52 and #3E003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82408B shade: #83408C, #8C4080, #8C406C, #8C4058 and #8C4043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82408B shade: #83408C, #6E408C, #5A408C, #46408C and #40408C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82408B shade matches the following richer shades: #83408C, #8F309C, #9C1FAD and #A80FBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82408B shade: #83408C, #76517B, #6A616B, #5D725A and #51824A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82408B shade: #59408C, #6E408C, #82408C, #8C4082 and #8C406E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82408B shade: #4E2653, #68336F, #83408C, #9D4DA8 and #AF66B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82408B shade: #82408B, #8C4540 and #408C63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82408B shade: #82408B, #8C8240 and #408C82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82408B shade: #82408B, #8C4540, #4A8C40 and #40878C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82408B shade: #82408B, #8C5C40, #4A8C40 and #40708C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 54 / 0 / 45

HEX #82408B

RGB 130 64 139

HSL 292.8, 0.37%, 0.4%

LAB 38.33, 40.14, -29.73

 

Complementary color

CMYK 35 / 0 / 39 / 25

HEX #7DBF74

RGB 125 191 116

HSL 112.8, 0.37%, 0.6%

LAB 71.48, -35.71, 31.35

 

CMYK 0 / 53 / 1 / 47

HEX #874086

RGB 135 64 134

HSL 300.85, 0.36%, 0.39%

LAB 38.79, 40.64, -25.9

 

CMYK 1 / 46 / 0 / 40

HEX #985299

RGB 152 82 153

HSL 299.15, 0.3%, 0.46%

LAB 45.65, 39.95, -26.53

 

CMYK 2 / 42 / 0 / 33

HEX #A964AC

RGB 169 100 172

HSL 297.5, 0.3%, 0.53%

LAB 52.43, 39.18, -27.02

 

CMYK 3 / 38 / 0 / 25

HEX #BA76BF

RGB 186 118 191

HSL 295.89, 0.36%, 0.61%

LAB 59.12, 38.41, -27.44

 

CMYK 3 / 35 / 0 / 18

HEX #CB88D2

RGB 203 136 210

HSL 294.32, 0.45%, 0.68%

LAB 65.72, 37.66, -27.81

 

CMYK 6 / 54 / 0 / 45

HEX #82408B

RGB 130 64 139

HSL 292.8, 0.37%, 0.4%

LAB 38.33, 40.14, -29.73

 

CMYK 6 / 62 / 0 / 53

HEX #712E78

RGB 113 46 120

HSL 294.32, 0.45%, 0.33%

LAB 31.4, 40.67, -29.05

 

CMYK 5 / 72 / 0 / 60

HEX #601C65

RGB 96 28 101

HSL 295.89, 0.57%, 0.25%

LAB 24.5, 40.71, -27.97

 

CMYK 4 / 88 / 0 / 68

HEX #4F0A52

RGB 79 10 82

HSL 297.5, 0.78%, 0.18%

LAB 17.87, 39.55, -26.09

 

CMYK 2 / 100 / 0 / 75

HEX #3E003F

RGB 62 0 63

HSL 299.05, 1%, 0.12%

LAB 11.84, 35.93, -22.73

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 0 / 54 / 9 / 45

HEX #8C4080

RGB 140 64 128

HSL 309.47, 0.37%, 0.4%

LAB 39.24, 41.06, -21.46

 

CMYK 0 / 54 / 23 / 45

HEX #8C406C

RGB 140 64 108

HSL 325.26, 0.37%, 0.4%

LAB 38.42, 37.75, -10.31

 

CMYK 0 / 54 / 37 / 45

HEX #8C4058

RGB 140 64 88

HSL 341.05, 0.37%, 0.4%

LAB 37.75, 34.94, 1.26

 

CMYK 0 / 54 / 52 / 45

HEX #8C4043

RGB 140 64 67

HSL 357.63, 0.37%, 0.4%

LAB 37.2, 32.59, 13.75

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 21 / 54 / 0 / 45

HEX #6E408C

RGB 110 64 140

HSL 276.32, 0.37%, 0.4%

LAB 35.74, 34.57, -34.61

 

CMYK 36 / 54 / 0 / 45

HEX #5A408C

RGB 90 64 140

HSL 260.53, 0.37%, 0.4%

LAB 33.42, 29.02, -38.45

 

CMYK 50 / 54 / 0 / 45

HEX #46408C

RGB 70 64 140

HSL 244.74, 0.37%, 0.4%

LAB 31.49, 23.97, -41.65

 

CMYK 54 / 54 / 0 / 45

HEX #40408C

RGB 64 64 140

HSL 240, 0.37%, 0.4%

LAB 31, 22.6, -42.47

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 8 / 69 / 0 / 39

HEX #8F309C

RGB 143 48 156

HSL 292.78, 0.53%, 0.4%

LAB 38.47, 54.38, -39.72

 

CMYK 10 / 82 / 0 / 32

HEX #9C1FAD

RGB 156 31 173

HSL 292.82, 0.7%, 0.4%

LAB 39.69, 65.75, -47.85

 

CMYK 11 / 92 / 0 / 26

HEX #A80FBD

RGB 168 15 189

HSL 292.76, 0.85%, 0.4%

LAB 41.75, 73.57, -53.88

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 4 / 34 / 0 / 52

HEX #76517B

RGB 118 81 123

HSL 292.86, 0.21%, 0.4%

LAB 39.86, 23.21, -17.68

 

CMYK 1 / 9 / 0 / 58

HEX #6A616B

RGB 106 97 107

HSL 294, 0.05%, 0.4%

LAB 42.27, 5.61, -4.36

 

CMYK 18 / 0 / 21 / 55

HEX #5D725A

RGB 93 114 90

HSL 112.5, 0.12%, 0.4%

LAB 45.77, -12.82, 10.79

 

CMYK 38 / 0 / 43 / 49

HEX #51824A

RGB 81 130 74

HSL 112.5, 0.27%, 0.4%

LAB 49.75, -28.37, 25.19

 

CMYK 36 / 54 / 0 / 45

HEX #59408C

RGB 89 64 140

HSL 259.74, 0.37%, 0.4%

LAB 33.32, 28.76, -38.62

 

CMYK 21 / 54 / 0 / 45

HEX #6E408C

RGB 110 64 140

HSL 276.32, 0.37%, 0.4%

LAB 35.74, 34.57, -34.61

 

CMYK 7 / 54 / 0 / 45

HEX #82408C

RGB 130 64 140

HSL 292.11, 0.37%, 0.4%

LAB 38.39, 40.34, -30.26

 

CMYK 0 / 54 / 7 / 45

HEX #8C4082

RGB 140 64 130

HSL 307.89, 0.37%, 0.4%

LAB 39.33, 41.42, -22.55

 

CMYK 0 / 54 / 21 / 45

HEX #8C406E

RGB 140 64 110

HSL 323.68, 0.37%, 0.4%

LAB 38.5, 38.06, -11.45

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 6 / 54 / 0 / 56

HEX #68336F

RGB 104 51 111

HSL 293, 0.37%, 0.32%

LAB 30.54, 33.55, -24.79

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 7 / 54 / 0 / 34

HEX #9D4DA8

RGB 157 77 168

HSL 292.75, 0.37%, 0.48%

LAB 46.05, 46.94, -34.76

 

CMYK 5 / 45 / 0 / 27

HEX #AF66B9

RGB 175 102 185

HSL 292.77, 0.37%, 0.56%

LAB 54.15, 42.48, -31.81

 

CMYK 6 / 54 / 0 / 45

HEX #82408B

RGB 130 64 139

HSL 292.8, 0.37%, 0.4%

LAB 38.33, 40.14, -29.73

 

CMYK 0 / 51 / 54 / 45

HEX #8C4540

RGB 140 69 64

HSL 3.95, 0.37%, 0.4%

LAB 38.2, 29.6, 16.97

 

CMYK 54 / 0 / 29 / 45

HEX #408C63

RGB 64 140 99

HSL 147.63, 0.37%, 0.4%

LAB 52.67, -33.56, 14.91

 

CMYK 6 / 54 / 0 / 45

HEX #82408B

RGB 130 64 139

HSL 292.8, 0.37%, 0.4%

LAB 38.33, 40.14, -29.73

 

CMYK 0 / 7 / 54 / 45

HEX #8C8240

RGB 140 130 64

HSL 52.11, 0.37%, 0.4%

LAB 53.93, -5.42, 36.67

 

CMYK 54 / 0 / 7 / 45

HEX #408C82

RGB 64 140 130

HSL 172.11, 0.37%, 0.4%

LAB 53.45, -26.04, -1.82

 

CMYK 6 / 54 / 0 / 45

HEX #82408B

RGB 130 64 139

HSL 292.8, 0.37%, 0.4%

LAB 38.33, 40.14, -29.73

 

CMYK 0 / 51 / 54 / 45

HEX #8C4540

RGB 140 69 64

HSL 3.95, 0.37%, 0.4%

LAB 38.2, 29.6, 16.97

 

CMYK 47 / 0 / 54 / 45

HEX #4A8C40

RGB 74 140 64

HSL 112.11, 0.37%, 0.4%

LAB 52.49, -36.76, 33.86

 

CMYK 54 / 4 / 0 / 45

HEX #40878C

RGB 64 135 140

HSL 183.95, 0.37%, 0.4%

LAB 52.19, -20.67, -9.49

 

CMYK 6 / 54 / 0 / 45

HEX #82408B

RGB 130 64 139

HSL 292.8, 0.37%, 0.4%

LAB 38.33, 40.14, -29.73

 

CMYK 0 / 34 / 54 / 45

HEX #8C5C40

RGB 140 92 64

HSL 22.11, 0.37%, 0.4%

LAB 43.65, 16.44, 24.07

 

CMYK 47 / 0 / 54 / 45

HEX #4A8C40

RGB 74 140 64

HSL 112.11, 0.37%, 0.4%

LAB 52.49, -36.76, 33.86

 

CMYK 54 / 20 / 0 / 45

HEX #40708C

RGB 64 112 140

HSL 202.11, 0.37%, 0.4%

LAB 45.04, -7.88, -20.34

 

Description

Color code: HEX #82408B | qconv.com Color code: HEX #82408B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 64 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 64 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 54 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 54% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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