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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #823A2C it is the complementary color #7DC5D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #823A2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #823A2C shade: #873A27, #984C3A, #A95E4D, #BA7060 and #CB8273

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #823A2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #823A2C shade: #823A2C, #712819, #601606, #4F0400 and #3E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #823A2C shade: #813A2C and #812C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #823A2C shade: #813A2C, #81512C, #81682C, #817F2C and #6D812C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #823A2C shade matches the following richer shades: #813A2C, #8F311E, #9D2710 and #AB1E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #823A2C shade: #813A2C, #73443A, #654D48, #575656 and #496064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #823A2C shade: #812C4D, #812C36, #81392C, #81502C and #81662C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #823A2C shade: #441E17, #622C22, #813A2C, #A04837 and #BE5642

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #823A2C shade: #823A2C, #63812C and #2C4181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #823A2C shade: #823A2C, #2C8139 and #392C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #823A2C shade: #823A2C, #63812C, #2C7481 and #4A2C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #823A2C shade: #823A2C, #4A812C, #2C7481 and #632C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 66 / 49

HEX #823A2C

RGB 130 58 44

HSL 9.77, 0.49%, 0.34%

LAB 33.89, 29.91, 23.47

 

Complementary color

CMYK 41 / 7 / 0 / 17

HEX #7DC5D3

RGB 125 197 211

HSL 189.77, 0.49%, 0.66%

LAB 75.45, -18.91, -14.09

 

CMYK 0 / 57 / 71 / 47

HEX #873A27

RGB 135 58 39

HSL 11.88, 0.55%, 0.34%

LAB 34.65, 31.62, 27.59

 

CMYK 0 / 50 / 62 / 40

HEX #984C3A

RGB 152 76 58

HSL 11.49, 0.45%, 0.41%

LAB 41.45, 30.13, 25.17

 

CMYK 0 / 44 / 54 / 34

HEX #A95E4D

RGB 169 94 77

HSL 11.09, 0.37%, 0.48%

LAB 48.23, 28.76, 23.13

 

CMYK 0 / 40 / 48 / 27

HEX #BA7060

RGB 186 112 96

HSL 10.67, 0.39%, 0.55%

LAB 54.94, 27.53, 21.37

 

CMYK 0 / 36 / 43 / 20

HEX #CB8273

RGB 203 130 115

HSL 10.23, 0.46%, 0.62%

LAB 61.57, 26.43, 19.84

 

CMYK 0 / 55 / 66 / 49

HEX #823A2C

RGB 130 58 44

HSL 9.77, 0.49%, 0.34%

LAB 33.89, 29.91, 23.47

 

CMYK 0 / 65 / 78 / 56

HEX #712819

RGB 113 40 25

HSL 10.23, 0.64%, 0.27%

LAB 27.01, 31.36, 26.26

 

CMYK 0 / 77 / 94 / 62

HEX #601606

RGB 96 22 6

HSL 10.67, 0.88%, 0.2%

LAB 20.34, 32.5, 27.99

 

CMYK 0 / 95 / 100 / 69

HEX #4F0400

RGB 79 4 0

HSL 3.04, 1%, 0.15%

LAB 14.11, 32.79, 21.96

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 55 / 66 / 49

HEX #813A2C

RGB 129 58 44

HSL 9.88, 0.49%, 0.34%

LAB 33.72, 29.5, 23.23

 

CMYK 0 / 66 / 66 / 49

HEX #812C2C

RGB 129 44 44

HSL 0, 0.49%, 0.34%

LAB 31, 36.64, 19.84

 

CMYK 0 / 55 / 66 / 49

HEX #813A2C

RGB 129 58 44

HSL 9.88, 0.49%, 0.34%

LAB 33.72, 29.5, 23.23

 

CMYK 0 / 37 / 66 / 49

HEX #81512C

RGB 129 81 44

HSL 26.12, 0.49%, 0.34%

LAB 39.13, 16.31, 29.7

 

CMYK 0 / 19 / 66 / 49

HEX #81682C

RGB 129 104 44

HSL 42.35, 0.49%, 0.34%

LAB 45.29, 2.73, 36.69

 

CMYK 0 / 2 / 66 / 49

HEX #817F2C

RGB 129 127 44

HSL 58.59, 0.49%, 0.34%

LAB 51.87, -10.29, 43.77

 

CMYK 16 / 0 / 66 / 49

HEX #6D812C

RGB 109 129 44

HSL 74.12, 0.49%, 0.34%

LAB 50.84, -20.27, 42.2

 

CMYK 0 / 55 / 66 / 49

HEX #813A2C

RGB 129 58 44

HSL 9.88, 0.49%, 0.34%

LAB 33.72, 29.5, 23.23

 

CMYK 0 / 66 / 79 / 44

HEX #8F311E

RGB 143 49 30

HSL 10.09, 0.65%, 0.34%

LAB 34.25, 38.75, 32.75

 

CMYK 0 / 75 / 90 / 38

HEX #9D2710

RGB 157 39 16

HSL 9.79, 0.82%, 0.34%

LAB 35.31, 47.35, 41.79

 

CMYK 0 / 82 / 99 / 33

HEX #AB1E02

RGB 171 30 2

HSL 9.94, 0.98%, 0.34%

LAB 37.1, 54.33, 49.69

 

CMYK 0 / 55 / 66 / 49

HEX #813A2C

RGB 129 58 44

HSL 9.88, 0.49%, 0.34%

LAB 33.72, 29.5, 23.23

 

CMYK 0 / 41 / 50 / 55

HEX #73443A

RGB 115 68 58

HSL 10.53, 0.33%, 0.34%

LAB 34.16, 19.06, 14.66

 

CMYK 0 / 24 / 29 / 60

HEX #654D48

RGB 101 77 72

HSL 10.34, 0.17%, 0.34%

LAB 35.09, 9.29, 6.85

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 27 / 4 / 0 / 61

HEX #496064

RGB 73 96 100

HSL 188.89, 0.16%, 0.34%

LAB 39.07, -7.56, -5.11

 

CMYK 0 / 66 / 40 / 49

HEX #812C4D

RGB 129 44 77

HSL 336.71, 0.49%, 0.34%

LAB 31.82, 39.7, -0.54

 

CMYK 0 / 66 / 58 / 49

HEX #812C36

RGB 129 44 54

HSL 352.94, 0.49%, 0.34%

LAB 31.2, 37.39, 13.63

 

CMYK 0 / 56 / 66 / 49

HEX #81392C

RGB 129 57 44

HSL 9.18, 0.49%, 0.34%

LAB 33.51, 30.04, 22.97

 

CMYK 0 / 38 / 66 / 49

HEX #81502C

RGB 129 80 44

HSL 25.41, 0.49%, 0.34%

LAB 38.87, 16.9, 29.4

 

CMYK 0 / 21 / 66 / 49

HEX #81662C

RGB 129 102 44

HSL 40.94, 0.49%, 0.34%

LAB 44.73, 3.9, 36.07

 

CMYK 0 / 56 / 66 / 73

HEX #441E17

RGB 68 30 23

HSL 9.33, 0.49%, 0.18%

LAB 16.6, 17.55, 13.22

 

CMYK 0 / 55 / 65 / 62

HEX #622C22

RGB 98 44 34

HSL 9.38, 0.48%, 0.26%

LAB 25.3, 23.54, 17.95

 

CMYK 0 / 55 / 66 / 49

HEX #813A2C

RGB 129 58 44

HSL 9.88, 0.49%, 0.34%

LAB 33.72, 29.5, 23.23

 

CMYK 0 / 55 / 66 / 37

HEX #A04837

RGB 160 72 55

HSL 9.71, 0.49%, 0.42%

LAB 41.82, 35.25, 27.68

 

CMYK 0 / 55 / 65 / 25

HEX #BE5642

RGB 190 86 66

HSL 9.68, 0.49%, 0.5%

LAB 49.49, 40.39, 31.74

 

CMYK 0 / 55 / 66 / 49

HEX #823A2C

RGB 130 58 44

HSL 9.77, 0.49%, 0.34%

LAB 33.89, 29.91, 23.47

 

CMYK 23 / 0 / 66 / 49

HEX #63812C

RGB 99 129 44

HSL 81.18, 0.49%, 0.34%

LAB 50.14, -24.52, 41.23

 

CMYK 66 / 50 / 0 / 49

HEX #2C4181

RGB 44 65 129

HSL 225.18, 0.49%, 0.34%

LAB 29.16, 13.83, -38.68

 

CMYK 0 / 55 / 66 / 49

HEX #823A2C

RGB 130 58 44

HSL 9.77, 0.49%, 0.34%

LAB 33.89, 29.91, 23.47

 

CMYK 66 / 0 / 56 / 49

HEX #2C8139

RGB 44 129 57

HSL 129.18, 0.49%, 0.34%

LAB 47.66, -41.34, 31.38

 

CMYK 56 / 66 / 0 / 49

HEX #392C81

RGB 57 44 129

HSL 249.18, 0.49%, 0.34%

LAB 24.5, 30.42, -46.17

 

CMYK 0 / 55 / 66 / 49

HEX #823A2C

RGB 130 58 44

HSL 9.77, 0.49%, 0.34%

LAB 33.89, 29.91, 23.47

 

CMYK 23 / 0 / 66 / 49

HEX #63812C

RGB 99 129 44

HSL 81.18, 0.49%, 0.34%

LAB 50.14, -24.52, 41.23

 

CMYK 66 / 10 / 0 / 49

HEX #2C7481

RGB 44 116 129

HSL 189.18, 0.49%, 0.34%

LAB 45.1, -17.88, -13.77

 

CMYK 43 / 66 / 0 / 49

HEX #4A2C81

RGB 74 44 129

HSL 261.18, 0.49%, 0.34%

LAB 26.28, 33.99, -43.2

 

CMYK 0 / 55 / 66 / 49

HEX #823A2C

RGB 130 58 44

HSL 9.77, 0.49%, 0.34%

LAB 33.89, 29.91, 23.47

 

CMYK 43 / 0 / 66 / 49

HEX #4A812C

RGB 74 129 44

HSL 98.82, 0.49%, 0.34%

LAB 48.68, -34.2, 39.23

 

CMYK 66 / 10 / 0 / 49

HEX #2C7481

RGB 44 116 129

HSL 189.18, 0.49%, 0.34%

LAB 45.1, -17.88, -13.77

 

CMYK 23 / 66 / 0 / 49

HEX #632C81

RGB 99 44 129

HSL 278.82, 0.49%, 0.34%

LAB 29.51, 39.94, -37.83

 

Description

Color code: HEX #823A2C | qconv.com Color code: HEX #823A2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 58 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 58 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 66 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 66% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Westbank Salon Serie...
Link: http://gwerk.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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