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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #823028 it is the complementary color #7DCFD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #823028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #823028 shade: #873023, #984236, #A95449, #BA665C and #CB786F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #823028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #823028 shade: #823028, #711E15, #600C02, #4F0000 and #3E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #823028 shade: #812F28 and #812828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #823028 shade: #812F28, #814828, #816028, #817828 and #728128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #823028 shade matches the following richer shades: #812F28, #8E241A and #9C190C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #823028 shade: #812F28, #733B35, #664643, #585150 and #4A5C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #823028 shade: #812850, #812838, #812F28, #814728 and #815F28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #823028 shade: #421814, #61241E, #812F28, #A03B31 and #C0473B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #823028 shade: #823028, #678128 and #284481

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #823028 shade: #823028, #28812F and #2F2881

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #823028 shade: #823028, #678128, #287981 and #412881

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #823028 shade: #823028, #4D8128, #287981 and #5C2881

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 69 / 49

HEX #823028

RGB 130 48 40

HSL 5.33, 0.53%, 0.33%

LAB 31.84, 34.83, 23.44

 

Complementary color

CMYK 42 / 4 / 0 / 16

HEX #7DCFD7

RGB 125 207 215

HSL 185.33, 0.53%, 0.67%

LAB 78.4, -22.95, -11.83

 

CMYK 0 / 64 / 74 / 47

HEX #873023

RGB 135 48 35

HSL 7.8, 0.59%, 0.33%

LAB 32.67, 36.45, 27.7

 

CMYK 0 / 57 / 64 / 40

HEX #984236

RGB 152 66 54

HSL 7.35, 0.48%, 0.4%

LAB 39.31, 35.15, 24.89

 

CMYK 0 / 50 / 57 / 34

HEX #A95449

RGB 169 84 73

HSL 6.88, 0.4%, 0.47%

LAB 45.98, 33.82, 22.56

 

CMYK 0 / 45 / 51 / 27

HEX #BA665C

RGB 186 102 92

HSL 6.38, 0.41%, 0.55%

LAB 52.64, 32.57, 20.61

 

CMYK 0 / 41 / 45 / 20

HEX #CB786F

RGB 203 120 111

HSL 5.87, 0.47%, 0.62%

LAB 59.23, 31.41, 18.93

 

CMYK 0 / 63 / 69 / 49

HEX #823028

RGB 130 48 40

HSL 5.33, 0.53%, 0.33%

LAB 31.84, 34.83, 23.44

 

CMYK 0 / 73 / 81 / 56

HEX #711E15

RGB 113 30 21

HSL 5.87, 0.69%, 0.26%

LAB 25.24, 35.84, 26.77

 

CMYK 0 / 88 / 98 / 62

HEX #600C02

RGB 96 12 2

HSL 6.38, 0.96%, 0.19%

LAB 19.03, 35.93, 28.13

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 64 / 69 / 49

HEX #812F28

RGB 129 47 40

HSL 4.72, 0.53%, 0.33%

LAB 31.47, 34.94, 22.96

 

CMYK 0 / 69 / 69 / 49

HEX #812828

RGB 129 40 40

HSL 0, 0.53%, 0.33%

LAB 30.25, 38.22, 21.47

 

CMYK 0 / 64 / 69 / 49

HEX #812F28

RGB 129 47 40

HSL 4.72, 0.53%, 0.33%

LAB 31.47, 34.94, 22.96

 

CMYK 0 / 44 / 69 / 49

HEX #814828

RGB 129 72 40

HSL 21.57, 0.53%, 0.33%

LAB 36.85, 21.32, 29.31

 

CMYK 0 / 26 / 69 / 49

HEX #816028

RGB 129 96 40

HSL 37.75, 0.53%, 0.33%

LAB 43.04, 7.15, 36.24

 

CMYK 0 / 7 / 69 / 49

HEX #817828

RGB 129 120 40

HSL 53.93, 0.53%, 0.33%

LAB 49.8, -6.68, 43.4

 

CMYK 12 / 0 / 69 / 49

HEX #728128

RGB 114 129 40

HSL 70.11, 0.53%, 0.33%

LAB 51.19, -18.37, 44.42

 

CMYK 0 / 64 / 69 / 49

HEX #812F28

RGB 129 47 40

HSL 4.72, 0.53%, 0.33%

LAB 31.47, 34.94, 22.96

 

CMYK 0 / 75 / 82 / 44

HEX #8E241A

RGB 142 36 26

HSL 5.17, 0.69%, 0.33%

LAB 32, 43.73, 32.64

 

CMYK 0 / 84 / 92 / 39

HEX #9C190C

RGB 156 25 12

HSL 5.42, 0.86%, 0.33%

LAB 33.54, 51.3, 42.09

 

CMYK 0 / 64 / 69 / 49

HEX #812F28

RGB 129 47 40

HSL 4.72, 0.53%, 0.33%

LAB 31.47, 34.94, 22.96

 

CMYK 0 / 49 / 54 / 55

HEX #733B35

RGB 115 59 53

HSL 5.81, 0.37%, 0.33%

LAB 31.87, 23.85, 14.77

 

CMYK 0 / 31 / 34 / 60

HEX #664643

RGB 102 70 67

HSL 5.14, 0.21%, 0.33%

LAB 33.16, 13.3, 7.31

 

CMYK 0 / 8 / 9 / 65

HEX #585150

RGB 88 81 80

HSL 7.5, 0.05%, 0.33%

LAB 35.08, 2.67, 1.62

 

CMYK 21 / 2 / 0 / 63

HEX #4A5C5E

RGB 74 92 94

HSL 186, 0.12%, 0.33%

LAB 37.7, -6.36, -3.44

 

CMYK 0 / 69 / 38 / 49

HEX #812850

RGB 129 40 80

HSL 333.03, 0.53%, 0.33%

LAB 31.26, 41.85, -3.32

 

CMYK 0 / 69 / 57 / 49

HEX #812838

RGB 129 40 56

HSL 349.21, 0.53%, 0.33%

LAB 30.57, 39.38, 11.48

 

CMYK 0 / 64 / 69 / 49

HEX #812F28

RGB 129 47 40

HSL 4.72, 0.53%, 0.33%

LAB 31.47, 34.94, 22.96

 

CMYK 0 / 45 / 69 / 49

HEX #814728

RGB 129 71 40

HSL 20.9, 0.53%, 0.33%

LAB 36.61, 21.9, 29.03

 

CMYK 0 / 26 / 69 / 49

HEX #815F28

RGB 129 95 40

HSL 37.08, 0.53%, 0.33%

LAB 42.77, 7.74, 35.94

 

CMYK 0 / 64 / 70 / 74

HEX #421814

RGB 66 24 20

HSL 5.22, 0.53%, 0.17%

LAB 14.75, 20.03, 12.85

 

CMYK 0 / 63 / 69 / 62

HEX #61241E

RGB 97 36 30

HSL 5.37, 0.53%, 0.25%

LAB 23.33, 27.28, 18.06

 

CMYK 0 / 64 / 69 / 49

HEX #812F28

RGB 129 47 40

HSL 4.72, 0.53%, 0.33%

LAB 31.47, 34.94, 22.96

 

CMYK 0 / 63 / 69 / 37

HEX #A03B31

RGB 160 59 49

HSL 5.41, 0.53%, 0.41%

LAB 39.28, 41.29, 28.17

 

CMYK 0 / 63 / 69 / 25

HEX #C0473B

RGB 192 71 59

HSL 5.41, 0.53%, 0.49%

LAB 47.01, 47.82, 32.85

 

CMYK 0 / 63 / 69 / 49

HEX #823028

RGB 130 48 40

HSL 5.33, 0.53%, 0.33%

LAB 31.84, 34.83, 23.44

 

CMYK 20 / 0 / 69 / 49

HEX #678128

RGB 103 129 40

HSL 77.53, 0.53%, 0.33%

LAB 50.38, -23.15, 43.33

 

CMYK 69 / 47 / 0 / 49

HEX #284481

RGB 40 68 129

HSL 221.12, 0.53%, 0.33%

LAB 29.84, 11.05, -37.61

 

CMYK 0 / 63 / 69 / 49

HEX #823028

RGB 130 48 40

HSL 5.33, 0.53%, 0.33%

LAB 31.84, 34.83, 23.44

 

CMYK 69 / 0 / 64 / 49

HEX #28812F

RGB 40 129 47

HSL 124.72, 0.53%, 0.33%

LAB 47.44, -43.55, 36.08

 

CMYK 64 / 69 / 0 / 49

HEX #2F2881

RGB 47 40 129

HSL 244.72, 0.53%, 0.33%

LAB 22.68, 31.19, -49.19

 

CMYK 0 / 63 / 69 / 49

HEX #823028

RGB 130 48 40

HSL 5.33, 0.53%, 0.33%

LAB 31.84, 34.83, 23.44

 

CMYK 20 / 0 / 69 / 49

HEX #678128

RGB 103 129 40

HSL 77.53, 0.53%, 0.33%

LAB 50.38, -23.15, 43.33

 

CMYK 69 / 6 / 0 / 49

HEX #287981

RGB 40 121 129

HSL 185.39, 0.53%, 0.33%

LAB 46.59, -21.25, -11.51

 

CMYK 50 / 69 / 0 / 49

HEX #412881

RGB 65 40 129

HSL 256.85, 0.53%, 0.33%

LAB 24.41, 34.43, -46.29

 

CMYK 0 / 63 / 69 / 49

HEX #823028

RGB 130 48 40

HSL 5.33, 0.53%, 0.33%

LAB 31.84, 34.83, 23.44

 

CMYK 40 / 0 / 69 / 49

HEX #4D8128

RGB 77 129 40

HSL 95.06, 0.53%, 0.33%

LAB 48.8, -33.49, 41.18

 

CMYK 69 / 6 / 0 / 49

HEX #287981

RGB 40 121 129

HSL 185.39, 0.53%, 0.33%

LAB 46.59, -21.25, -11.51

 

CMYK 29 / 69 / 0 / 49

HEX #5C2881

RGB 92 40 129

HSL 275.06, 0.53%, 0.33%

LAB 27.79, 40.3, -40.66

 

Description

Color code: HEX #823028 | qconv.com Color code: HEX #823028 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 48 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 48 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 69 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 69% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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