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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #822595 it is the complementary color #7DDA6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #822595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #822595 shade: #872590, #9837A3, #A949B6, #BA5BC9 and #CB6DDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #822595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #822595 shade: #822595, #711382, #60016F, #4F005C and #3E0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #822595 shade: #802593, #932588, #93256A, #93254C and #93252F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #822595 shade: #802593, #622593, #452593, #272593 and #252593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #822595 shade matches the following richer shades: #802593, #8A16A2 and #9407B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #822595 shade: #802593, #763484, #6D4275, #635166 and #596057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #822595 shade: #442593, #612593, #7F2593, #93258A and #93256C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #822595 shade: #471451, #631C72, #802593, #9D2DB4 and #B53CCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #822595 shade: #822595, #932725 and #259353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #822595 shade: #822595, #937F25 and #25937F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #822595 shade: #822595, #932725, #399325 and #259193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #822595 shade: #822595, #934825, #399325 and #257093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 75 / 0 / 42

HEX #822595

RGB 130 37 149

HSL 289.82, 0.6%, 0.36%

LAB 34.48, 54.38, -41.97

 

Complementary color

CMYK 43 / 0 / 51 / 15

HEX #7DDA6A

RGB 125 218 106

HSL 109.82, 0.6%, 0.64%

LAB 79.35, -48.81, 46.24

 

CMYK 6 / 74 / 0 / 44

HEX #872590

RGB 135 37 144

HSL 294.95, 0.59%, 0.35%

LAB 34.98, 54.53, -38.06

 

CMYK 7 / 66 / 0 / 36

HEX #9837A3

RGB 152 55 163

HSL 293.89, 0.5%, 0.43%

LAB 41.3, 54.94, -39.34

 

CMYK 7 / 60 / 0 / 29

HEX #A949B6

RGB 169 73 182

HSL 292.84, 0.43%, 0.5%

LAB 47.72, 54.78, -40.23

 

CMYK 7 / 55 / 0 / 21

HEX #BA5BC9

RGB 186 91 201

HSL 291.82, 0.5%, 0.57%

LAB 54.17, 54.31, -40.87

 

CMYK 8 / 50 / 0 / 14

HEX #CB6DDC

RGB 203 109 220

HSL 290.81, 0.61%, 0.65%

LAB 60.61, 53.69, -41.36

 

CMYK 13 / 75 / 0 / 42

HEX #822595

RGB 130 37 149

HSL 289.82, 0.6%, 0.36%

LAB 34.48, 54.38, -41.97

 

CMYK 13 / 85 / 0 / 49

HEX #711382

RGB 113 19 130

HSL 290.81, 0.74%, 0.29%

LAB 28.35, 53.04, -40.21

 

CMYK 14 / 99 / 0 / 56

HEX #60016F

RGB 96 1 111

HSL 291.82, 0.98%, 0.22%

LAB 22.5, 50.43, -37.68

 

CMYK 14 / 100 / 0 / 64

HEX #4F005C

RGB 79 0 92

HSL 291.52, 1%, 0.18%

LAB 17.62, 44.36, -33.23

 

CMYK 15 / 100 / 0 / 71

HEX #3E0049

RGB 62 0 73

HSL 290.96, 1%, 0.14%

LAB 12.64, 37.82, -28.49

 

CMYK 13 / 75 / 0 / 42

HEX #802593

RGB 128 37 147

HSL 289.64, 0.6%, 0.36%

LAB 34.02, 53.56, -41.5

 

CMYK 0 / 75 / 7 / 42

HEX #932588

RGB 147 37 136

HSL 306, 0.6%, 0.36%

LAB 36.56, 55.91, -30.5

 

CMYK 0 / 75 / 28 / 42

HEX #93256A

RGB 147 37 106

HSL 322.36, 0.6%, 0.36%

LAB 35.14, 51.55, -13.93

 

CMYK 0 / 75 / 48 / 42

HEX #93254C

RGB 147 37 76

HSL 338.73, 0.6%, 0.36%

LAB 34.08, 48.18, 3.81

 

CMYK 0 / 75 / 68 / 42

HEX #93252F

RGB 147 37 47

HSL 354.55, 0.6%, 0.36%

LAB 33.42, 45.97, 21.7

 

CMYK 13 / 75 / 0 / 42

HEX #802593

RGB 128 37 147

HSL 289.64, 0.6%, 0.36%

LAB 34.02, 53.56, -41.5

 

CMYK 33 / 75 / 0 / 42

HEX #622593

RGB 98 37 147

HSL 273.27, 0.6%, 0.36%

LAB 29.48, 47.37, -49.06

 

CMYK 53 / 75 / 0 / 42

HEX #452593

RGB 69 37 147

HSL 257.45, 0.6%, 0.36%

LAB 25.85, 42.18, -55.14

 

CMYK 73 / 75 / 0 / 42

HEX #272593

RGB 39 37 147

HSL 241.09, 0.6%, 0.36%

LAB 23.21, 38.21, -59.57

 

CMYK 75 / 75 / 0 / 42

HEX #252593

RGB 37 37 147

HSL 240, 0.6%, 0.36%

LAB 23.08, 38.01, -59.79

 

CMYK 13 / 75 / 0 / 42

HEX #802593

RGB 128 37 147

HSL 289.64, 0.6%, 0.36%

LAB 34.02, 53.56, -41.5

 

CMYK 15 / 86 / 0 / 36

HEX #8A16A2

RGB 138 22 162

HSL 289.71, 0.76%, 0.36%

LAB 35.17, 62.73, -48.68

 

CMYK 16 / 96 / 0 / 31

HEX #9407B1

RGB 148 7 177

HSL 289.76, 0.92%, 0.36%

LAB 37.16, 69.38, -54.39

 

CMYK 13 / 75 / 0 / 42

HEX #802593

RGB 128 37 147

HSL 289.64, 0.6%, 0.36%

LAB 34.02, 53.56, -41.5

 

CMYK 11 / 61 / 0 / 48

HEX #763484

RGB 118 52 132

HSL 289.5, 0.43%, 0.36%

LAB 33.93, 41.51, -32.49

 

CMYK 7 / 44 / 0 / 54

HEX #6D4275

RGB 109 66 117

HSL 290.59, 0.28%, 0.36%

LAB 34.87, 27.8, -21.76

 

CMYK 3 / 21 / 0 / 60

HEX #635166

RGB 99 81 102

HSL 291.43, 0.11%, 0.36%

LAB 36.92, 11.69, -9.34

 

CMYK 7 / 0 / 9 / 62

HEX #596057

RGB 89 96 87

HSL 106.67, 0.05%, 0.36%

LAB 39.88, -4.63, 4.2

 

CMYK 54 / 75 / 0 / 42

HEX #442593

RGB 68 37 147

HSL 256.91, 0.6%, 0.36%

LAB 25.74, 42.02, -55.32

 

CMYK 34 / 75 / 0 / 42

HEX #612593

RGB 97 37 147

HSL 272.73, 0.6%, 0.36%

LAB 29.34, 47.18, -49.29

 

CMYK 14 / 75 / 0 / 42

HEX #7F2593

RGB 127 37 147

HSL 289.09, 0.6%, 0.36%

LAB 33.86, 53.35, -41.76

 

CMYK 0 / 75 / 6 / 42

HEX #93258A

RGB 147 37 138

HSL 304.91, 0.6%, 0.36%

LAB 36.67, 56.23, -31.56

 

CMYK 0 / 75 / 27 / 42

HEX #93256C

RGB 147 37 108

HSL 321.27, 0.6%, 0.36%

LAB 35.22, 51.81, -15.07

 

CMYK 12 / 75 / 0 / 68

HEX #471451

RGB 71 20 81

HSL 290.16, 0.6%, 0.2%

LAB 17.62, 33.73, -25.9

 

CMYK 13 / 75 / 0 / 55

HEX #631C72

RGB 99 28 114

HSL 289.53, 0.61%, 0.28%

LAB 25.86, 44.04, -34.19

 

CMYK 13 / 75 / 0 / 42

HEX #802593

RGB 128 37 147

HSL 289.64, 0.6%, 0.36%

LAB 34.02, 53.56, -41.5

 

CMYK 13 / 75 / 0 / 29

HEX #9D2DB4

RGB 157 45 180

HSL 289.78, 0.6%, 0.44%

LAB 41.75, 63.01, -48.68

 

CMYK 12 / 71 / 0 / 19

HEX #B53CCE

RGB 181 60 206

HSL 289.73, 0.6%, 0.52%

LAB 48.9, 67.42, -52.16

 

CMYK 13 / 75 / 0 / 42

HEX #822595

RGB 130 37 149

HSL 289.82, 0.6%, 0.36%

LAB 34.48, 54.38, -41.97

 

CMYK 0 / 73 / 75 / 42

HEX #932725

RGB 147 39 37

HSL 1.09, 0.6%, 0.36%

LAB 33.54, 44.7, 28.09

 

CMYK 75 / 0 / 44 / 42

HEX #259353

RGB 37 147 83

HSL 145.09, 0.6%, 0.36%

LAB 53.91, -45.31, 25.35

 

CMYK 13 / 75 / 0 / 42

HEX #822595

RGB 130 37 149

HSL 289.82, 0.6%, 0.36%

LAB 34.48, 54.38, -41.97

 

CMYK 0 / 14 / 75 / 42

HEX #937F25

RGB 147 127 37

HSL 49.09, 0.6%, 0.36%

LAB 53.51, -2.43, 48.94

 

CMYK 75 / 0 / 14 / 42

HEX #25937F

RGB 37 147 127

HSL 169.09, 0.6%, 0.36%

LAB 54.86, -35.06, 1.89

 

CMYK 13 / 75 / 0 / 42

HEX #822595

RGB 130 37 149

HSL 289.82, 0.6%, 0.36%

LAB 34.48, 54.38, -41.97

 

CMYK 0 / 73 / 75 / 42

HEX #932725

RGB 147 39 37

HSL 1.09, 0.6%, 0.36%

LAB 33.54, 44.7, 28.09

 

CMYK 61 / 0 / 75 / 42

HEX #399325

RGB 57 147 37

HSL 109.09, 0.6%, 0.36%

LAB 53.89, -47.29, 47.4

 

CMYK 75 / 1 / 0 / 42

HEX #259193

RGB 37 145 147

HSL 181.09, 0.6%, 0.36%

LAB 54.81, -28.27, -9.68

 

CMYK 13 / 75 / 0 / 42

HEX #822595

RGB 130 37 149

HSL 289.82, 0.6%, 0.36%

LAB 34.48, 54.38, -41.97

 

CMYK 0 / 51 / 75 / 42

HEX #934825

RGB 147 72 37

HSL 19.09, 0.6%, 0.36%

LAB 39.53, 28.93, 34.71

 

CMYK 61 / 0 / 75 / 42

HEX #399325

RGB 57 147 37

HSL 109.09, 0.6%, 0.36%

LAB 53.89, -47.29, 47.4

 

CMYK 75 / 24 / 0 / 42

HEX #257093

RGB 37 112 147

HSL 199.09, 0.6%, 0.36%

LAB 44.36, -10.57, -25.64

 

Description

Color code: HEX #822595 | qconv.com Color code: HEX #822595 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 37 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 37 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 75 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 75% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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