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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82237B it is the complementary color #7DDC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82237B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82237B shade: #872376, #983589, #A9479C, #BA59AF and #CB6BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82237B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82237B shade: #82237B, #711168, #600055, #4F0042 and #3E002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82237B shade: #81227A, #812260, #812247, #81222D and #812222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82237B shade: #81227A, #6E2281, #552281, #3B2281 and #222281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82237B shade matches the following richer shades: #81227A, #8E1585 and #9B0890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82237B shade: #81227A, #742F6F, #673D63, #594A58 and #4C574D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82237B shade: #552281, #6E2281, #81227B, #812261 and #812248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82237B shade: #40113C, #601A5B, #81227A, #A22B99 and #C234B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82237B shade: #82237B, #813C22 and #228161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82237B shade: #82237B, #7B8122 and #227B81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82237B shade: #82237B, #813C22, #228129 and #226881

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82237B shade: #82237B, #815822, #228129 and #224B81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 5 / 49

HEX #82237B

RGB 130 35 123

HSL 304.42, 0.58%, 0.32%

LAB 32.65, 50.41, -28.77

 

Complementary color

CMYK 43 / 0 / 40 / 14

HEX #7DDC84

RGB 125 220 132

HSL 124.42, 0.58%, 0.68%

LAB 80.3, -46.04, 34.66

 

CMYK 0 / 74 / 13 / 47

HEX #872376

RGB 135 35 118

HSL 310.2, 0.59%, 0.33%

LAB 33.27, 50.84, -24.59

 

CMYK 0 / 65 / 10 / 40

HEX #983589

RGB 152 53 137

HSL 309.09, 0.48%, 0.4%

LAB 39.63, 51.23, -26.24

 

CMYK 0 / 58 / 8 / 34

HEX #A9479C

RGB 169 71 156

HSL 307.96, 0.41%, 0.47%

LAB 46.1, 51.04, -27.43

 

CMYK 0 / 52 / 6 / 27

HEX #BA59AF

RGB 186 89 175

HSL 306.8, 0.41%, 0.54%

LAB 52.6, 50.56, -28.33

 

CMYK 0 / 47 / 4 / 20

HEX #CB6BC2

RGB 203 107 194

HSL 305.63, 0.48%, 0.61%

LAB 59.07, 49.93, -29.05

 

CMYK 0 / 73 / 5 / 49

HEX #82237B

RGB 130 35 123

HSL 304.42, 0.58%, 0.32%

LAB 32.65, 50.41, -28.77

 

CMYK 0 / 85 / 8 / 56

HEX #711168

RGB 113 17 104

HSL 305.63, 0.74%, 0.25%

LAB 26.48, 49.01, -26.59

 

CMYK 0 / 100 / 11 / 62

HEX #600055

RGB 96 0 85

HSL 306.88, 1%, 0.19%

LAB 20.61, 46.3, -23.55

 

CMYK 0 / 100 / 16 / 69

HEX #4F0042

RGB 79 0 66

HSL 309.87, 1%, 0.15%

LAB 15.78, 39.91, -18.37

 

CMYK 0 / 100 / 24 / 76

HEX #3E002F

RGB 62 0 47

HSL 314.52, 1%, 0.12%

LAB 10.77, 33.29, -12.84

 

CMYK 0 / 74 / 5 / 49

HEX #81227A

RGB 129 34 122

HSL 304.42, 0.58%, 0.32%

LAB 32.29, 50.36, -28.72

 

CMYK 0 / 74 / 26 / 49

HEX #812260

RGB 129 34 96

HSL 320.84, 0.58%, 0.32%

LAB 31.01, 46.36, -14.12

 

CMYK 0 / 74 / 45 / 49

HEX #812247

RGB 129 34 71

HSL 336.63, 0.58%, 0.32%

LAB 30.07, 43.3, 0.86

 

CMYK 0 / 74 / 65 / 49

HEX #81222D

RGB 129 34 45

HSL 353.05, 0.58%, 0.32%

LAB 29.41, 41.07, 17.17

 

CMYK 0 / 74 / 74 / 49

HEX #812222

RGB 129 34 34

HSL 0, 0.58%, 0.32%

LAB 29.23, 40.42, 24.05

 

CMYK 0 / 74 / 5 / 49

HEX #81227A

RGB 129 34 122

HSL 304.42, 0.58%, 0.32%

LAB 32.29, 50.36, -28.72

 

CMYK 15 / 74 / 0 / 49

HEX #6E2281

RGB 110 34 129

HSL 288, 0.58%, 0.32%

LAB 29.52, 47.18, -37.72

 

CMYK 34 / 74 / 0 / 49

HEX #552281

RGB 85 34 129

HSL 272.21, 0.58%, 0.32%

LAB 25.74, 41.72, -44

 

CMYK 54 / 74 / 0 / 49

HEX #3B2281

RGB 59 34 129

HSL 255.79, 0.58%, 0.32%

LAB 22.51, 36.77, -49.42

 

CMYK 74 / 74 / 0 / 49

HEX #222281

RGB 34 34 129

HSL 240, 0.58%, 0.32%

LAB 20.32, 33.2, -53.1

 

CMYK 0 / 74 / 5 / 49

HEX #81227A

RGB 129 34 122

HSL 304.42, 0.58%, 0.32%

LAB 32.29, 50.36, -28.72

 

CMYK 0 / 85 / 6 / 44

HEX #8E1585

RGB 142 21 133

HSL 304.46, 0.74%, 0.32%

LAB 33.94, 58.82, -32.84

 

CMYK 0 / 95 / 7 / 39

HEX #9B0890

RGB 155 8 144

HSL 304.49, 0.9%, 0.32%

LAB 36.28, 65.13, -35.77

 

CMYK 0 / 74 / 5 / 49

HEX #81227A

RGB 129 34 122

HSL 304.42, 0.58%, 0.32%

LAB 32.29, 50.36, -28.72

 

CMYK 0 / 59 / 4 / 55

HEX #742F6F

RGB 116 47 111

HSL 304.35, 0.42%, 0.32%

LAB 31.56, 39.3, -23.06

 

CMYK 0 / 41 / 4 / 60

HEX #673D63

RGB 103 61 99

HSL 305.71, 0.26%, 0.32%

LAB 32.08, 24.9, -14.76

 

CMYK 0 / 17 / 1 / 65

HEX #594A58

RGB 89 74 88

HSL 304, 0.09%, 0.32%

LAB 33.41, 9.14, -5.9

 

CMYK 13 / 0 / 11 / 66

HEX #4C574D

RGB 76 87 77

HSL 125.45, 0.07%, 0.32%

LAB 35.77, -6.53, 4.36

 

CMYK 34 / 74 / 0 / 49

HEX #552281

RGB 85 34 129

HSL 272.21, 0.58%, 0.32%

LAB 25.74, 41.72, -44

 

CMYK 15 / 74 / 0 / 49

HEX #6E2281

RGB 110 34 129

HSL 288, 0.58%, 0.32%

LAB 29.52, 47.18, -37.72

 

CMYK 0 / 74 / 5 / 49

HEX #81227B

RGB 129 34 123

HSL 303.79, 0.58%, 0.32%

LAB 32.35, 50.53, -29.26

 

CMYK 0 / 74 / 25 / 49

HEX #812261

RGB 129 34 97

HSL 320.21, 0.58%, 0.32%

LAB 31.05, 46.49, -14.7

 

CMYK 0 / 74 / 44 / 49

HEX #812248

RGB 129 34 72

HSL 336, 0.58%, 0.32%

LAB 30.11, 43.41, 0.24

 

CMYK 0 / 73 / 6 / 75

HEX #40113C

RGB 64 17 60

HSL 305.11, 0.58%, 0.16%

LAB 14.5, 28.82, -16.37

 

CMYK 0 / 73 / 5 / 62

HEX #601A5B

RGB 96 26 91

HSL 304.29, 0.57%, 0.24%

LAB 23.61, 39.67, -22.82

 

CMYK 0 / 74 / 5 / 49

HEX #81227A

RGB 129 34 122

HSL 304.42, 0.58%, 0.32%

LAB 32.29, 50.36, -28.72

 

CMYK 0 / 73 / 6 / 36

HEX #A22B99

RGB 162 43 153

HSL 304.54, 0.58%, 0.4%

LAB 40.75, 60.11, -34.1

 

CMYK 0 / 73 / 5 / 24

HEX #C234B8

RGB 194 52 184

HSL 304.23, 0.58%, 0.48%

LAB 48.74, 69.23, -39.54

 

CMYK 0 / 73 / 5 / 49

HEX #82237B

RGB 130 35 123

HSL 304.42, 0.58%, 0.32%

LAB 32.65, 50.41, -28.77

 

CMYK 0 / 53 / 74 / 49

HEX #813C22

RGB 129 60 34

HSL 16.42, 0.58%, 0.32%

LAB 34.01, 27.78, 29.52

 

CMYK 74 / 0 / 25 / 49

HEX #228161

RGB 34 129 97

HSL 159.79, 0.58%, 0.32%

LAB 48.14, -35.28, 9.61

 

CMYK 0 / 73 / 5 / 49

HEX #82237B

RGB 130 35 123

HSL 304.42, 0.58%, 0.32%

LAB 32.65, 50.41, -28.77

 

CMYK 5 / 0 / 74 / 49

HEX #7B8122

RGB 123 129 34

HSL 63.79, 0.58%, 0.32%

LAB 51.87, -14.7, 47.77

 

CMYK 74 / 5 / 0 / 49

HEX #227B81

RGB 34 123 129

HSL 183.79, 0.58%, 0.32%

LAB 47.09, -23.19, -10.77

 

CMYK 0 / 73 / 5 / 49

HEX #82237B

RGB 130 35 123

HSL 304.42, 0.58%, 0.32%

LAB 32.65, 50.41, -28.77

 

CMYK 0 / 53 / 74 / 49

HEX #813C22

RGB 129 60 34

HSL 16.42, 0.58%, 0.32%

LAB 34.01, 27.78, 29.52

 

CMYK 74 / 0 / 68 / 49

HEX #228129

RGB 34 129 41

HSL 124.42, 0.58%, 0.32%

LAB 47.24, -45.44, 38.6

 

CMYK 74 / 19 / 0 / 49

HEX #226881

RGB 34 104 129

HSL 195.79, 0.58%, 0.32%

LAB 40.94, -12.79, -20.16

 

CMYK 0 / 73 / 5 / 49

HEX #82237B

RGB 130 35 123

HSL 304.42, 0.58%, 0.32%

LAB 32.65, 50.41, -28.77

 

CMYK 0 / 32 / 74 / 49

HEX #815822

RGB 129 88 34

HSL 34.11, 0.58%, 0.32%

LAB 40.84, 11.52, 36.87

 

CMYK 74 / 0 / 68 / 49

HEX #228129

RGB 34 129 41

HSL 124.42, 0.58%, 0.32%

LAB 47.24, -45.44, 38.6

 

CMYK 74 / 42 / 0 / 49

HEX #224B81

RGB 34 75 129

HSL 214.11, 0.58%, 0.32%

LAB 31.71, 5.31, -34.63

 

Description

Color code: HEX #82237B | qconv.com Color code: HEX #82237B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 35 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 35 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 5 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 5% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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