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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8222FD it is the complementary color #7DDD02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8222FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8222FD shade: #8722F8, #9834FF, #A946FF, #BA58FF and #CB6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8222FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8222FD shade: #8222FD, #7110EA, #6000D7, #4F00C4 and #3E00B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8222FD shade: #8121FD, #BD21FD, #F821FD, #FD21C6 and #FD218B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8222FD shade: #8121FD, #4621FD and #2121FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8222FD shade matches the following richer shades: #8121FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8222FD shade: #8121FD, #8333EB, #8645D8, #8857C6 and #8A69B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8222FD shade: #2137FD, #4521FD, #8021FD, #BB21FD and #F521FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8222FD shade: #5902C9, #6B02F2, #8121FD, #984AFD and #AF73FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8222FD shade: #8222FD, #FD2171 and #21FD28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8222FD shade: #8222FD, #FD8021 and #21FD80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8222FD shade: #8222FD, #FD2171, #9DFD21 and #21FDAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8222FD shade: #8222FD, #FD2130, #9DFD21 and #21FDEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 87 / 0 / 1

HEX #8222FD

RGB 130 34 253

HSL 266.3, 0.98%, 0.56%

LAB 42.74, 77.56, -89.16

 

Complementary color

CMYK 43 / 0 / 99 / 13

HEX #7DDD02

RGB 125 221 2

HSL 86.3, 0.98%, 0.44%

LAB 79.66, -56.26, 77.57

 

CMYK 46 / 86 / 0 / 3

HEX #8722F8

RGB 135 34 248

HSL 268.32, 0.94%, 0.55%

LAB 42.87, 76.97, -86.11

 

CMYK 40 / 80 / 0 / 0

HEX #9834FF

RGB 152 52 255

HSL 269.56, 1%, 0.6%

LAB 47.43, 75.24, -82.46

 

CMYK 34 / 73 / 0 / 0

HEX #A946FF

RGB 169 70 255

HSL 272.11, 1%, 0.64%

LAB 51.88, 71.2, -75.11

 

CMYK 27 / 65 / 0 / 0

HEX #BA58FF

RGB 186 88 255

HSL 275.21, 1%, 0.67%

LAB 56.72, 66.75, -67.17

 

CMYK 20 / 58 / 0 / 0

HEX #CB6AFF

RGB 203 106 255

HSL 279.06, 1%, 0.71%

LAB 61.85, 62.16, -58.83

 

CMYK 49 / 87 / 0 / 1

HEX #8222FD

RGB 130 34 253

HSL 266.3, 0.98%, 0.56%

LAB 42.74, 77.56, -89.16

 

CMYK 52 / 93 / 0 / 8

HEX #7110EA

RGB 113 16 234

HSL 266.7, 0.87%, 0.49%

LAB 37.52, 75.59, -87.12

 

CMYK 55 / 100 / 0 / 16

HEX #6000D7

RGB 96 0 215

HSL 266.79, 1%, 0.42%

LAB 32.69, 72.36, -84.3

 

CMYK 60 / 100 / 0 / 23

HEX #4F00C4

RGB 79 0 196

HSL 264.18, 1%, 0.38%

LAB 28.51, 67.02, -80.21

 

CMYK 65 / 100 / 0 / 31

HEX #3E00B1

RGB 62 0 177

HSL 261.02, 1%, 0.35%

LAB 24.32, 61.65, -75.94

 

CMYK 49 / 87 / 0 / 1

HEX #8121FD

RGB 129 33 253

HSL 266.18, 0.98%, 0.56%

LAB 42.53, 77.71, -89.5

 

CMYK 25 / 87 / 0 / 1

HEX #BD21FD

RGB 189 33 253

HSL 282.55, 0.98%, 0.56%

LAB 50.69, 84.93, -75.82

 

CMYK 2 / 87 / 0 / 1

HEX #F821FD

RGB 248 33 253

HSL 298.64, 0.98%, 0.56%

LAB 60.01, 93.97, -60.29

 

CMYK 0 / 87 / 22 / 1

HEX #FD21C6

RGB 253 33 198

HSL 315, 0.98%, 0.56%

LAB 58.08, 87.63, -32.28

 

CMYK 0 / 87 / 45 / 1

HEX #FD218B

RGB 253 33 139

HSL 331.09, 0.98%, 0.56%

LAB 55.92, 81.74, -1.05

 

CMYK 49 / 87 / 0 / 1

HEX #8121FD

RGB 129 33 253

HSL 266.18, 0.98%, 0.56%

LAB 42.53, 77.71, -89.5

 

CMYK 72 / 87 / 0 / 1

HEX #4621FD

RGB 70 33 253

HSL 250.09, 0.98%, 0.56%

LAB 36.9, 73.31, -99.01

 

CMYK 87 / 87 / 0 / 1

HEX #2121FD

RGB 33 33 253

HSL 240, 0.98%, 0.56%

LAB 35.01, 71.98, -102.2

 

CMYK 49 / 87 / 0 / 1

HEX #8121FD

RGB 129 33 253

HSL 266.18, 0.98%, 0.56%

LAB 42.53, 77.71, -89.5

 

CMYK 49 / 87 / 0 / 1

HEX #8121FD

RGB 129 33 253

HSL 266.18, 0.98%, 0.56%

LAB 42.53, 77.71, -89.5

 

CMYK 44 / 78 / 0 / 8

HEX #8333EB

RGB 131 51 235

HSL 266.09, 0.82%, 0.56%

LAB 43.05, 68.12, -78.51

 

CMYK 38 / 68 / 0 / 15

HEX #8645D8

RGB 134 69 216

HSL 266.53, 0.65%, 0.56%

LAB 44.64, 56.22, -65.09

 

CMYK 31 / 56 / 0 / 22

HEX #8857C6

RGB 136 87 198

HSL 266.49, 0.49%, 0.56%

LAB 47.14, 42.79, -50.69

 

CMYK 23 / 42 / 0 / 29

HEX #8A69B4

RGB 138 105 180

HSL 266.4, 0.33%, 0.56%

LAB 50.45, 28.58, -35.01

 

CMYK 87 / 78 / 0 / 1

HEX #2137FD

RGB 33 55 253

HSL 234, 0.98%, 0.56%

LAB 38.11, 62.8, -97.05

 

CMYK 73 / 87 / 0 / 1

HEX #4521FD

RGB 69 33 253

HSL 249.82, 0.98%, 0.56%

LAB 36.83, 73.26, -99.13

 

CMYK 49 / 87 / 0 / 1

HEX #8021FD

RGB 128 33 253

HSL 265.91, 0.98%, 0.56%

LAB 42.41, 77.62, -89.7

 

CMYK 26 / 87 / 0 / 1

HEX #BB21FD

RGB 187 33 253

HSL 282, 0.98%, 0.56%

LAB 50.39, 84.65, -76.32

 

CMYK 3 / 87 / 0 / 1

HEX #F521FD

RGB 245 33 253

HSL 297.82, 0.98%, 0.56%

LAB 59.52, 93.48, -61.11

 

CMYK 56 / 99 / 0 / 21

HEX #5902C9

RGB 89 2 201

HSL 266.23, 0.98%, 0.4%

LAB 30.36, 68.45, -80.04

 

CMYK 56 / 99 / 0 / 5

HEX #6B02F2

RGB 107 2 242

HSL 266.25, 0.98%, 0.48%

LAB 37.08, 78.73, -92.42

 

CMYK 49 / 87 / 0 / 1

HEX #8121FD

RGB 129 33 253

HSL 266.18, 0.98%, 0.56%

LAB 42.53, 77.71, -89.5

 

CMYK 40 / 71 / 0 / 1

HEX #984AFD

RGB 152 74 253

HSL 266.15, 0.98%, 0.64%

LAB 50.29, 66.13, -76.67

 

CMYK 31 / 55 / 0 / 0

HEX #AF73FE

RGB 175 115 254

HSL 265.9, 0.99%, 0.72%

LAB 60.37, 50.76, -60.83

 

CMYK 49 / 87 / 0 / 1

HEX #8222FD

RGB 130 34 253

HSL 266.3, 0.98%, 0.56%

LAB 42.74, 77.56, -89.16

 

CMYK 0 / 87 / 55 / 1

HEX #FD2171

RGB 253 33 113

HSL 338.18, 0.98%, 0.56%

LAB 55.24, 79.82, 13.52

 

CMYK 87 / 0 / 84 / 1

HEX #21FD28

RGB 33 253 40

HSL 121.91, 0.98%, 0.56%

LAB 87.35, -83.27, 77.84

 

CMYK 49 / 87 / 0 / 1

HEX #8222FD

RGB 130 34 253

HSL 266.3, 0.98%, 0.56%

LAB 42.74, 77.56, -89.16

 

CMYK 0 / 49 / 87 / 1

HEX #FD8021

RGB 253 128 33

HSL 25.91, 0.98%, 0.56%

LAB 66.85, 42.45, 67.1

 

CMYK 87 / 0 / 49 / 1

HEX #21FD80

RGB 33 253 128

HSL 145.91, 0.98%, 0.56%

LAB 88.03, -74.82, 46.04

 

CMYK 49 / 87 / 0 / 1

HEX #8222FD

RGB 130 34 253

HSL 266.3, 0.98%, 0.56%

LAB 42.74, 77.56, -89.16

 

CMYK 0 / 87 / 55 / 1

HEX #FD2171

RGB 253 33 113

HSL 338.18, 0.98%, 0.56%

LAB 55.24, 79.82, 13.52

 

CMYK 38 / 0 / 87 / 1

HEX #9DFD21

RGB 157 253 33

HSL 86.18, 0.98%, 0.56%

LAB 90.56, -57.58, 83.26

 

CMYK 87 / 0 / 32 / 1

HEX #21FDAC

RGB 33 253 172

HSL 157.91, 0.98%, 0.56%

LAB 88.71, -66.91, 25.26

 

CMYK 49 / 87 / 0 / 1

HEX #8222FD

RGB 130 34 253

HSL 266.3, 0.98%, 0.56%

LAB 42.74, 77.56, -89.16

 

CMYK 0 / 87 / 81 / 1

HEX #FD2130

RGB 253 33 48

HSL 355.91, 0.98%, 0.56%

LAB 54.22, 76.9, 50

 

CMYK 38 / 0 / 87 / 1

HEX #9DFD21

RGB 157 253 33

HSL 86.18, 0.98%, 0.56%

LAB 90.56, -57.58, 83.26

 

CMYK 87 / 0 / 6 / 1

HEX #21FDEE

RGB 33 253 238

HSL 175.91, 0.98%, 0.56%

LAB 90.21, -50.99, -6.65

 

Description

Color code: HEX #8222FD | qconv.com Color code: HEX #8222FD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 34 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 34 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 87 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 87% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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