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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82188D it is the complementary color #7DE772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82188D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82188D shade: #871888, #982A9B, #A93CAE, #BA4EC1 and #CB60D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82188D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82188D shade: #82188D, #71067A, #600067, #4F0054 and #3E0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82188D shade: #81188C, #8C1877, #8C1858, #8C1839 and #8C1819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82188D shade: #81188C, #61188C, #42188C, #23188C and #18188C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82188D shade matches the following richer shades: #81188C and #8B0A99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82188D shade: #81188C, #76257E, #6B3271, #603F64 and #564C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82188D shade: #42188C, #61188C, #80188C, #8C1878 and #8C1859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82188D shade: #400C45, #601268, #81188C, #A11EAF and #C224D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82188D shade: #82188D, #8C2318 and #188C52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82188D shade: #82188D, #8C8018 and #188C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82188D shade: #82188D, #8C2318, #238C18 and #18808C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82188D shade: #82188D, #8C4618, #238C18 and #185D8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 83 / 0 / 45

HEX #82188D

RGB 130 24 141

HSL 294.36, 0.71%, 0.32%

LAB 32.53, 57, -40.18

 

Complementary color

CMYK 46 / 0 / 51 / 9

HEX #7DE772

RGB 125 231 114

HSL 114.36, 0.71%, 0.68%

LAB 83.3, -53.1, 47.26

 

CMYK 1 / 82 / 0 / 47

HEX #871888

RGB 135 24 136

HSL 299.46, 0.7%, 0.31%

LAB 33.1, 57.14, -36.13

 

CMYK 2 / 73 / 0 / 39

HEX #982A9B

RGB 152 42 155

HSL 298.41, 0.57%, 0.39%

LAB 39.07, 58.51, -38.08

 

CMYK 3 / 66 / 0 / 32

HEX #A93CAE

RGB 169 60 174

HSL 297.37, 0.49%, 0.46%

LAB 45.25, 58.96, -39.44

 

CMYK 4 / 60 / 0 / 24

HEX #BA4EC1

RGB 186 78 193

HSL 296.35, 0.48%, 0.53%

LAB 51.54, 58.88, -40.43

 

CMYK 4 / 55 / 0 / 17

HEX #CB60D4

RGB 203 96 212

HSL 295.34, 0.57%, 0.6%

LAB 57.86, 58.48, -41.16

 

CMYK 8 / 83 / 0 / 45

HEX #82188D

RGB 130 24 141

HSL 294.36, 0.71%, 0.32%

LAB 32.53, 57, -40.18

 

CMYK 7 / 95 / 0 / 52

HEX #71067A

RGB 113 6 122

HSL 295.34, 0.91%, 0.25%

LAB 26.87, 54.29, -37.54

 

CMYK 7 / 100 / 0 / 60

HEX #600067

RGB 96 0 103

HSL 295.92, 1%, 0.2%

LAB 21.82, 49.24, -33.57

 

CMYK 6 / 100 / 0 / 67

HEX #4F0054

RGB 79 0 84

HSL 296.43, 1%, 0.16%

LAB 17, 42.89, -28.84

 

CMYK 5 / 100 / 0 / 75

HEX #3E0041

RGB 62 0 65

HSL 297.23, 1%, 0.13%

LAB 12, 36.29, -23.91

 

CMYK 8 / 83 / 0 / 45

HEX #81188C

RGB 129 24 140

HSL 294.31, 0.71%, 0.32%

LAB 32.29, 56.63, -39.96

 

CMYK 0 / 83 / 15 / 45

HEX #8C1877

RGB 140 24 119

HSL 310.86, 0.71%, 0.32%

LAB 33.05, 55.57, -25.5

 

CMYK 0 / 83 / 37 / 45

HEX #8C1858

RGB 140 24 88

HSL 326.9, 0.71%, 0.32%

LAB 31.65, 51.57, -7.74

 

CMYK 0 / 83 / 59 / 45

HEX #8C1839

RGB 140 24 57

HSL 342.93, 0.71%, 0.32%

LAB 30.7, 48.71, 11.35

 

CMYK 0 / 83 / 82 / 45

HEX #8C1819

RGB 140 24 25

HSL 359.48, 0.71%, 0.32%

LAB 30.15, 47.04, 31.22

 

CMYK 8 / 83 / 0 / 45

HEX #81188C

RGB 129 24 140

HSL 294.31, 0.71%, 0.32%

LAB 32.29, 56.63, -39.96

 

CMYK 31 / 83 / 0 / 45

HEX #61188C

RGB 97 24 140

HSL 277.76, 0.71%, 0.32%

LAB 26.98, 50.69, -48.79

 

CMYK 53 / 83 / 0 / 45

HEX #42188C

RGB 66 24 140

HSL 261.72, 0.71%, 0.32%

LAB 22.67, 45.92, -56.02

 

CMYK 75 / 83 / 0 / 45

HEX #23188C

RGB 35 24 140

HSL 245.69, 0.71%, 0.32%

LAB 19.66, 42.63, -61.1

 

CMYK 83 / 83 / 0 / 45

HEX #18188C

RGB 24 24 140

HSL 240, 0.71%, 0.32%

LAB 18.97, 41.9, -62.25

 

CMYK 8 / 83 / 0 / 45

HEX #81188C

RGB 129 24 140

HSL 294.31, 0.71%, 0.32%

LAB 32.29, 56.63, -39.96

 

CMYK 9 / 93 / 0 / 40

HEX #8B0A99

RGB 139 10 153

HSL 294.13, 0.88%, 0.32%

LAB 34, 63.46, -45.11

 

CMYK 8 / 83 / 0 / 45

HEX #81188C

RGB 129 24 140

HSL 294.31, 0.71%, 0.32%

LAB 32.29, 56.63, -39.96

 

CMYK 6 / 71 / 0 / 51

HEX #76257E

RGB 118 37 126

HSL 294.61, 0.55%, 0.32%

LAB 31.07, 47.24, -33.29

 

CMYK 5 / 56 / 0 / 56

HEX #6B3271

RGB 107 50 113

HSL 294.29, 0.39%, 0.32%

LAB 30.88, 35.43, -25.5

 

CMYK 4 / 37 / 0 / 61

HEX #603F64

RGB 96 63 100

HSL 293.51, 0.23%, 0.32%

LAB 31.72, 21.37, -16.03

 

CMYK 1 / 13 / 0 / 66

HEX #564C57

RGB 86 76 87

HSL 294.55, 0.07%, 0.32%

LAB 33.64, 6.46, -4.95

 

CMYK 53 / 83 / 0 / 45

HEX #42188C

RGB 66 24 140

HSL 261.72, 0.71%, 0.32%

LAB 22.67, 45.92, -56.02

 

CMYK 31 / 83 / 0 / 45

HEX #61188C

RGB 97 24 140

HSL 277.76, 0.71%, 0.32%

LAB 26.98, 50.69, -48.79

 

CMYK 9 / 83 / 0 / 45

HEX #80188C

RGB 128 24 140

HSL 293.79, 0.71%, 0.32%

LAB 32.11, 56.43, -40.25

 

CMYK 0 / 83 / 14 / 45

HEX #8C1878

RGB 140 24 120

HSL 310.34, 0.71%, 0.32%

LAB 33.1, 55.71, -26.05

 

CMYK 0 / 83 / 36 / 45

HEX #8C1859

RGB 140 24 89

HSL 326.38, 0.71%, 0.32%

LAB 31.69, 51.68, -8.34

 

CMYK 7 / 83 / 0 / 73

HEX #400C45

RGB 64 12 69

HSL 294.74, 0.7%, 0.16%

LAB 14.3, 32.83, -23

 

CMYK 8 / 83 / 0 / 59

HEX #601268

RGB 96 18 104

HSL 294.42, 0.7%, 0.24%

LAB 23.4, 45, -31.69

 

CMYK 8 / 83 / 0 / 45

HEX #81188C

RGB 129 24 140

HSL 294.31, 0.71%, 0.32%

LAB 32.29, 56.63, -39.96

 

CMYK 8 / 83 / 0 / 31

HEX #A11EAF

RGB 161 30 175

HSL 294.21, 0.71%, 0.4%

LAB 40.57, 67.27, -47.57

 

CMYK 8 / 83 / 0 / 18

HEX #C224D2

RGB 194 36 210

HSL 294.48, 0.71%, 0.48%

LAB 48.74, 77.65, -54.6

 

CMYK 8 / 83 / 0 / 45

HEX #82188D

RGB 130 24 141

HSL 294.36, 0.71%, 0.32%

LAB 32.53, 57, -40.18

 

CMYK 0 / 75 / 83 / 45

HEX #8C2318

RGB 140 35 24

HSL 5.69, 0.71%, 0.32%

LAB 31.45, 43.36, 33.08

 

CMYK 83 / 0 / 41 / 45

HEX #188C52

RGB 24 140 82

HSL 150, 0.71%, 0.32%

LAB 51.34, -44.54, 22.49

 

CMYK 8 / 83 / 0 / 45

HEX #82188D

RGB 130 24 141

HSL 294.36, 0.71%, 0.32%

LAB 32.53, 57, -40.18

 

CMYK 0 / 9 / 83 / 45

HEX #8C8018

RGB 140 128 24

HSL 53.79, 0.71%, 0.32%

LAB 53.04, -6.77, 52.84

 

CMYK 83 / 0 / 9 / 45

HEX #188C80

RGB 24 140 128

HSL 173.79, 0.71%, 0.32%

LAB 52.41, -33.01, -2.3

 

CMYK 8 / 83 / 0 / 45

HEX #82188D

RGB 130 24 141

HSL 294.36, 0.71%, 0.32%

LAB 32.53, 57, -40.18

 

CMYK 0 / 75 / 83 / 45

HEX #8C2318

RGB 140 35 24

HSL 5.69, 0.71%, 0.32%

LAB 31.45, 43.36, 33.08

 

CMYK 75 / 0 / 83 / 45

HEX #238C18

RGB 35 140 24

HSL 114.31, 0.71%, 0.32%

LAB 50.9, -50.46, 48.71

 

CMYK 83 / 9 / 0 / 45

HEX #18808C

RGB 24 128 140

HSL 186.21, 0.71%, 0.32%

LAB 48.92, -23.33, -14.52

 

CMYK 8 / 83 / 0 / 45

HEX #82188D

RGB 130 24 141

HSL 294.36, 0.71%, 0.32%

LAB 32.53, 57, -40.18

 

CMYK 0 / 50 / 83 / 45

HEX #8C4618

RGB 140 70 24

HSL 23.79, 0.71%, 0.32%

LAB 37.88, 26.49, 39.23

 

CMYK 75 / 0 / 83 / 45

HEX #238C18

RGB 35 140 24

HSL 114.31, 0.71%, 0.32%

LAB 50.9, -50.46, 48.71

 

CMYK 83 / 34 / 0 / 45

HEX #185D8C

RGB 24 93 140

HSL 204.31, 0.71%, 0.32%

LAB 37.69, -3.33, -31.9

 

Description

Color code: HEX #82188D | qconv.com Color code: HEX #82188D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 24 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 24 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 83 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 83% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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