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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #821853 it is the complementary color #7DE7AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #821853. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #821853 shade: #87184E, #982A61, #A93C74, #BA4E87 and #CB609A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #821853. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #821853 shade: #821853, #710640, #60002D, #4F001A and #3E0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #821853 shade: #811852, #811836, #81181A and #811818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #821853 shade: #811852, #81186F, #771881, #5B1881 and #3E1881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #821853 shade matches the following richer shades: #811852 and #8E0B54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #821853 shade: #811852, #752451, #693050, #5C3D4E and #50494D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #821853 shade: #771881, #811870, #811854, #811837 and #81181B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #821853 shade: #3C0B26, #5E113C, #811852, #A41E69 and #C7257F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #821853 shade: #821853, #815B18 and #187E81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #821853 shade: #821853, #548118 and #185481

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #821853 shade: #821853, #815B18, #188145 and #183E81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #821853 shade: #821853, #817A18, #188145 and #181F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 36 / 49

HEX #821853

RGB 130 24 83

HSL 326.6, 0.69%, 0.3%

LAB 29.47, 48.35, -7.95

 

Complementary color

CMYK 46 / 0 / 26 / 9

HEX #7DE7AC

RGB 125 231 172

HSL 146.6, 0.69%, 0.7%

LAB 84.22, -43.79, 19.39

 

CMYK 0 / 82 / 42 / 47

HEX #87184E

RGB 135 24 78

HSL 330.81, 0.7%, 0.31%

LAB 30.29, 49.16, -3.32

 

CMYK 0 / 72 / 36 / 40

HEX #982A61

RGB 152 42 97

HSL 330, 0.57%, 0.38%

LAB 36.36, 50.03, -6.27

 

CMYK 0 / 64 / 31 / 34

HEX #A93C74

RGB 169 60 116

HSL 329.17, 0.48%, 0.45%

LAB 42.65, 50.08, -8.44

 

CMYK 0 / 58 / 27 / 27

HEX #BA4E87

RGB 186 78 135

HSL 328.33, 0.44%, 0.52%

LAB 49.05, 49.69, -10.12

 

CMYK 0 / 53 / 24 / 20

HEX #CB609A

RGB 203 96 154

HSL 327.48, 0.51%, 0.59%

LAB 55.48, 49.07, -11.46

 

CMYK 0 / 82 / 36 / 49

HEX #821853

RGB 130 24 83

HSL 326.6, 0.69%, 0.3%

LAB 29.47, 48.35, -7.95

 

CMYK 0 / 95 / 43 / 56

HEX #710640

RGB 113 6 64

HSL 327.48, 0.9%, 0.23%

LAB 23.71, 46.13, -4.16

 

CMYK 0 / 100 / 53 / 62

HEX #60002D

RGB 96 0 45

HSL 331.88, 1%, 0.19%

LAB 18.7, 41.43, 1.36

 

CMYK 0 / 100 / 67 / 69

HEX #4F001A

RGB 79 0 26

HSL 340.25, 1%, 0.15%

LAB 14.04, 35.44, 8.13

 

CMYK 0 / 100 / 89 / 76

HEX #3E0007

RGB 62 0 7

HSL 353.23, 1%, 0.12%

LAB 9.32, 29.49, 11.84

 

CMYK 0 / 81 / 36 / 49

HEX #811852

RGB 129 24 82

HSL 326.86, 0.69%, 0.3%

LAB 29.23, 47.97, -7.66

 

CMYK 0 / 81 / 58 / 49

HEX #811836

RGB 129 24 54

HSL 342.86, 0.69%, 0.3%

LAB 28.34, 45.26, 9.76

 

CMYK 0 / 81 / 80 / 49

HEX #81181A

RGB 129 24 26

HSL 358.86, 0.69%, 0.3%

LAB 27.83, 43.65, 27.47

 

CMYK 0 / 81 / 81 / 49

HEX #811818

RGB 129 24 24

HSL 0, 0.69%, 0.3%

LAB 27.81, 43.58, 28.67

 

CMYK 0 / 81 / 36 / 49

HEX #811852

RGB 129 24 82

HSL 326.86, 0.69%, 0.3%

LAB 29.23, 47.97, -7.66

 

CMYK 0 / 81 / 14 / 49

HEX #81186F

RGB 129 24 111

HSL 310.29, 0.69%, 0.3%

LAB 30.56, 51.85, -24.46

 

CMYK 8 / 81 / 0 / 49

HEX #771881

RGB 119 24 129

HSL 294.29, 0.69%, 0.3%

LAB 29.81, 52.64, -37.17

 

CMYK 29 / 81 / 0 / 49

HEX #5B1881

RGB 91 24 129

HSL 278.29, 0.69%, 0.3%

LAB 25.14, 47.15, -44.94

 

CMYK 52 / 81 / 0 / 49

HEX #3E1881

RGB 62 24 129

HSL 261.71, 0.69%, 0.3%

LAB 21.07, 42.32, -51.77

 

CMYK 0 / 81 / 36 / 49

HEX #811852

RGB 129 24 82

HSL 326.86, 0.69%, 0.3%

LAB 29.23, 47.97, -7.66

 

CMYK 0 / 92 / 41 / 44

HEX #8E0B54

RGB 142 11 84

HSL 326.56, 0.86%, 0.3%

LAB 30.95, 54.42, -6.14

 

CMYK 0 / 81 / 36 / 49

HEX #811852

RGB 129 24 82

HSL 326.86, 0.69%, 0.3%

LAB 29.23, 47.97, -7.66

 

CMYK 0 / 69 / 31 / 54

HEX #752451

RGB 117 36 81

HSL 326.67, 0.53%, 0.3%

LAB 28.48, 39.93, -8.37

 

CMYK 0 / 54 / 24 / 59

HEX #693050

RGB 105 48 80

HSL 326.32, 0.37%, 0.3%

LAB 28.63, 29.72, -7.68

 

CMYK 0 / 34 / 15 / 64

HEX #5C3D4E

RGB 92 61 78

HSL 327.1, 0.2%, 0.3%

LAB 29.82, 16.55, -4.78

 

CMYK 0 / 9 / 4 / 69

HEX #50494D

RGB 80 73 77

HSL 325.71, 0.05%, 0.3%

LAB 31.82, 3.76, -1.33

 

CMYK 8 / 81 / 0 / 49

HEX #771881

RGB 119 24 129

HSL 294.29, 0.69%, 0.3%

LAB 29.81, 52.64, -37.17

 

CMYK 0 / 81 / 13 / 49

HEX #811870

RGB 129 24 112

HSL 309.71, 0.69%, 0.3%

LAB 30.62, 52, -25.02

 

CMYK 0 / 81 / 35 / 49

HEX #811854

RGB 129 24 84

HSL 325.71, 0.69%, 0.3%

LAB 29.31, 48.2, -8.86

 

CMYK 0 / 81 / 57 / 49

HEX #811837

RGB 129 24 55

HSL 342.29, 0.69%, 0.3%

LAB 28.37, 45.34, 9.12

 

CMYK 0 / 81 / 79 / 49

HEX #81181B

RGB 129 24 27

HSL 358.29, 0.69%, 0.3%

LAB 27.84, 43.69, 26.87

 

CMYK 0 / 82 / 37 / 76

HEX #3C0B26

RGB 60 11 38

HSL 326.94, 0.69%, 0.14%

LAB 11.55, 26.55, -5

 

CMYK 0 / 82 / 36 / 63

HEX #5E113C

RGB 94 17 60

HSL 326.49, 0.69%, 0.22%

LAB 20.47, 37.75, -6.67

 

CMYK 0 / 81 / 36 / 49

HEX #811852

RGB 129 24 82

HSL 326.86, 0.69%, 0.3%

LAB 29.23, 47.97, -7.66

 

CMYK 0 / 82 / 36 / 36

HEX #A41E69

RGB 164 30 105

HSL 326.42, 0.69%, 0.38%

LAB 37.56, 58, -9.32

 

CMYK 0 / 81 / 36 / 22

HEX #C7257F

RGB 199 37 127

HSL 326.67, 0.69%, 0.46%

LAB 45.63, 67.22, -10.19

 

CMYK 0 / 82 / 36 / 49

HEX #821853

RGB 130 24 83

HSL 326.6, 0.69%, 0.3%

LAB 29.47, 48.35, -7.95

 

CMYK 0 / 29 / 81 / 49

HEX #815B18

RGB 129 91 24

HSL 38.29, 0.69%, 0.3%

LAB 41.56, 9.26, 42.1

 

CMYK 81 / 2 / 0 / 49

HEX #187E81

RGB 24 126 129

HSL 181.71, 0.69%, 0.3%

LAB 47.88, -25.92, -9.61

 

CMYK 0 / 82 / 36 / 49

HEX #821853

RGB 130 24 83

HSL 326.6, 0.69%, 0.3%

LAB 29.47, 48.35, -7.95

 

CMYK 35 / 0 / 81 / 49

HEX #548118

RGB 84 129 24

HSL 85.71, 0.69%, 0.3%

LAB 49.07, -31.95, 47.67

 

CMYK 81 / 35 / 0 / 49

HEX #185481

RGB 24 84 129

HSL 205.71, 0.69%, 0.3%

LAB 34.23, -1.96, -30.65

 

CMYK 0 / 82 / 36 / 49

HEX #821853

RGB 130 24 83

HSL 326.6, 0.69%, 0.3%

LAB 29.47, 48.35, -7.95

 

CMYK 0 / 29 / 81 / 49

HEX #815B18

RGB 129 91 24

HSL 38.29, 0.69%, 0.3%

LAB 41.56, 9.26, 42.1

 

CMYK 81 / 0 / 47 / 49

HEX #188145

RGB 24 129 69

HSL 145.71, 0.69%, 0.3%

LAB 47.4, -42.85, 24.54

 

CMYK 81 / 52 / 0 / 49

HEX #183E81

RGB 24 62 129

HSL 218.29, 0.69%, 0.3%

LAB 27.36, 12.85, -41.62

 

CMYK 0 / 82 / 36 / 49

HEX #821853

RGB 130 24 83

HSL 326.6, 0.69%, 0.3%

LAB 29.47, 48.35, -7.95

 

CMYK 0 / 5 / 81 / 49

HEX #817A18

RGB 129 122 24

HSL 56, 0.69%, 0.3%

LAB 50.28, -8.58, 50.01

 

CMYK 81 / 0 / 47 / 49

HEX #188145

RGB 24 129 69

HSL 145.71, 0.69%, 0.3%

LAB 47.4, -42.85, 24.54

 

CMYK 81 / 76 / 0 / 49

HEX #181F81

RGB 24 31 129

HSL 236, 0.69%, 0.3%

LAB 19.05, 34.1, -55.2

 

Description

Color code: HEX #821853 | qconv.com Color code: HEX #821853 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 24 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 24 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 36 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 36% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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