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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #820C2B it is the complementary color #7DF3D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #820C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #820C2B shade: #870C26, #981E39, #A9304C, #BA425F and #CB5472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #820C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #820C2B shade: #820C2B, #710018, #600005, #4F0000 and #3E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #820C2B shade: #820C2B and #820C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #820C2B shade: #820C2B, #820C4B, #820C6B, #7A0C82 and #5A0C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #820C2B shade matches the following richer shades: #820C2B and #8E0025

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #820C2B shade: #820C2B, #771730, #6B2336, #602E3B and #543A41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #820C2B shade: #820C6A, #820C4B, #820C2B, #820C0C and #822B0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #820C2B shade: #370512, #5C081E, #820C2B, #A80F37 and #CE1344

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #820C2B shade: #820C2B, #827A0C and #0C5B82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #820C2B shade: #820C2B, #2B820C and #0C2B82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #820C2B shade: #820C2B, #827A0C, #0C8263 and #0C1482

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #820C2B shade: #820C2B, #67820C, #0C8263 and #270C82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

Complementary color

CMYK 49 / 0 / 13 / 5

HEX #7DF3D4

RGB 125 243 212

HSL 164.24, 0.83%, 0.72%

LAB 88.55, -40.68, 4.69

 

CMYK 0 / 91 / 72 / 47

HEX #870C26

RGB 135 12 38

HSL 347.32, 0.84%, 0.29%

LAB 28.26, 48.94, 20.59

 

CMYK 0 / 80 / 63 / 40

HEX #981E39

RGB 152 30 57

HSL 346.72, 0.67%, 0.36%

LAB 33.77, 50.47, 15.91

 

CMYK 0 / 72 / 55 / 34

HEX #A9304C

RGB 169 48 76

HSL 346.12, 0.56%, 0.43%

LAB 39.7, 50.85, 12.31

 

CMYK 0 / 65 / 49 / 27

HEX #BA425F

RGB 186 66 95

HSL 345.5, 0.48%, 0.49%

LAB 45.85, 50.57, 9.51

 

CMYK 0 / 59 / 44 / 20

HEX #CB5472

RGB 203 84 114

HSL 344.87, 0.53%, 0.56%

LAB 52.12, 49.94, 7.27

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 100 / 79 / 56

HEX #710018

RGB 113 0 24

HSL 347.26, 1%, 0.22%

LAB 22.22, 44.59, 21.55

 

CMYK 0 / 100 / 95 / 62

HEX #600005

RGB 96 0 5

HSL 356.88, 1%, 0.19%

LAB 17.91, 39.31, 25.58

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 91 / 91 / 49

HEX #820C0C

RGB 130 12 12

HSL 0, 0.83%, 0.28%

LAB 26.84, 46.62, 34.48

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 91 / 42 / 49

HEX #820C4B

RGB 130 12 75

HSL 327.97, 0.83%, 0.28%

LAB 28.16, 50.39, -4.6

 

CMYK 0 / 91 / 18 / 49

HEX #820C6B

RGB 130 12 107

HSL 311.69, 0.83%, 0.28%

LAB 29.59, 54.27, -23.41

 

CMYK 6 / 91 / 0 / 49

HEX #7A0C82

RGB 122 12 130

HSL 295.93, 0.83%, 0.28%

LAB 29.44, 56.25, -38.36

 

CMYK 31 / 91 / 0 / 49

HEX #5A0C82

RGB 90 12 130

HSL 279.66, 0.83%, 0.28%

LAB 23.83, 50.83, -47.72

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 100 / 74 / 44

HEX #8E0025

RGB 142 0 37

HSL 344.37, 1%, 0.28%

LAB 29.12, 52.74, 22.66

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 81 / 60 / 53

HEX #771730

RGB 119 23 48

HSL 344.38, 0.68%, 0.28%

LAB 26, 42.08, 10.27

 

CMYK 0 / 67 / 50 / 58

HEX #6B2336

RGB 107 35 54

HSL 344.17, 0.51%, 0.28%

LAB 25.55, 33.75, 5.2

 

CMYK 0 / 52 / 39 / 62

HEX #602E3B

RGB 96 46 59

HSL 344.4, 0.35%, 0.28%

LAB 26.03, 24.25, 2.27

 

CMYK 0 / 31 / 23 / 67

HEX #543A41

RGB 84 58 65

HSL 343.85, 0.18%, 0.28%

LAB 27.55, 12.71, 0.27

 

CMYK 0 / 91 / 18 / 49

HEX #820C6A

RGB 130 12 106

HSL 312.2, 0.83%, 0.28%

LAB 29.54, 54.13, -22.85

 

CMYK 0 / 91 / 42 / 49

HEX #820C4B

RGB 130 12 75

HSL 327.97, 0.83%, 0.28%

LAB 28.16, 50.39, -4.6

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 91 / 91 / 49

HEX #820C0C

RGB 130 12 12

HSL 0, 0.83%, 0.28%

LAB 26.84, 46.62, 34.48

 

CMYK 0 / 67 / 91 / 49

HEX #822B0C

RGB 130 43 12

HSL 15.76, 0.83%, 0.28%

LAB 30.64, 36.07, 37.6

 

CMYK 0 / 91 / 67 / 78

HEX #370512

RGB 55 5 18

HSL 344.4, 0.83%, 0.12%

LAB 8.69, 25.32, 5.45

 

CMYK 0 / 91 / 67 / 64

HEX #5C081E

RGB 92 8 30

HSL 344.29, 0.84%, 0.2%

LAB 18.11, 36.95, 11.19

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 91 / 67 / 34

HEX #A80F37

RGB 168 15 55

HSL 344.31, 0.84%, 0.36%

LAB 35.87, 58.17, 20.58

 

CMYK 0 / 91 / 67 / 19

HEX #CE1344

RGB 206 19 68

HSL 344.28, 0.83%, 0.44%

LAB 44.24, 67.93, 24.66

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 6 / 91 / 49

HEX #827A0C

RGB 130 122 12

HSL 55.93, 0.83%, 0.28%

LAB 50.32, -8.48, 53.28

 

CMYK 91 / 30 / 0 / 49

HEX #0C5B82

RGB 12 91 130

HSL 199.83, 0.83%, 0.28%

LAB 36.31, -7.08, -28

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 67 / 0 / 91 / 49

HEX #2B820C

RGB 43 130 12

HSL 104.24, 0.83%, 0.28%

LAB 47.63, -45.99, 48.92

 

CMYK 91 / 67 / 0 / 49

HEX #0C2B82

RGB 12 43 130

HSL 224.24, 0.83%, 0.28%

LAB 21.64, 25.64, -51.58

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 0 / 6 / 91 / 49

HEX #827A0C

RGB 130 122 12

HSL 55.93, 0.83%, 0.28%

LAB 50.32, -8.48, 53.28

 

CMYK 91 / 0 / 24 / 49

HEX #0C8263

RGB 12 130 99

HSL 164.24, 0.83%, 0.28%

LAB 48.19, -37.64, 8.47

 

CMYK 91 / 85 / 0 / 49

HEX #0C1482

RGB 12 20 130

HSL 235.93, 0.83%, 0.28%

LAB 16.46, 40.06, -60.16

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 21 / 0 / 91 / 49

HEX #67820C

RGB 103 130 12

HSL 73.73, 0.83%, 0.28%

LAB 50.54, -25.02, 52.55

 

CMYK 91 / 0 / 24 / 49

HEX #0C8263

RGB 12 130 99

HSL 164.24, 0.83%, 0.28%

LAB 48.19, -37.64, 8.47

 

CMYK 70 / 91 / 0 / 49

HEX #270C82

RGB 39 12 130

HSL 253.73, 0.83%, 0.28%

LAB 17.02, 45, -59.18

 

Description

Color code: HEX #820C2B | qconv.com Color code: HEX #820C2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 12 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 12 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 67 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 67% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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