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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81FF01 it is the complementary color #7E00FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81FF01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81FF01 shade: #86FF00, #97FF0F, #A8FF22, #B9FF35 and #CAFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81FF01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81FF01 shade: #81FF01, #70ED00, #5FDB00, #4EC900 and #3DB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81FF01 shade: #81FF00, #C5FF00, #FFF400, #FFAF00 and #FF6A00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81FF01 shade: #81FF00, #3CFF00, #00FF09, #00FF4E and #00FF93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81FF01 shade matches the following richer shades: #81FF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81FF01 shade: #81FF00, #80EA15, #80D629, #80C13E and #80AC53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81FF01 shade: #FFF200, #C8FF00, #84FF00, #40FF00 and #00FF04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81FF01 shade: #57AC00, #6CD600, #81FF00, #95FF29 and #A9FF53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81FF01 shade: #81FF01, #00FFAE and #FF00EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81FF01 shade: #81FF01, #0084FF and #FF0084

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81FF01 shade: #81FF01, #00FFAE, #7B00FF and #FF0051

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81FF01 shade: #81FF01, #00FFFB, #7B00FF and #FF0004

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 100 / 0

HEX #81FF01

RGB 129 255 1

HSL 89.76, 1%, 0.5%

LAB 89.95, -67.49, 85.8

 

Complementary color

CMYK 50 / 100 / 0 / 0

HEX #7E00FE

RGB 126 0 254

HSL 269.76, 1%, 0.5%

LAB 40.56, 82.83, -93.33

 

CMYK 47 / 0 / 100 / 0

HEX #86FF00

RGB 134 255 0

HSL 88.47, 1%, 0.5%

LAB 90.13, -66.07, 86.09

 

CMYK 41 / 0 / 94 / 0

HEX #97FF0F

RGB 151 255 15

HSL 86, 1%, 0.53%

LAB 90.84, -60.67, 85.8

 

CMYK 34 / 0 / 87 / 0

HEX #A8FF22

RGB 168 255 34

HSL 83.62, 1%, 0.57%

LAB 91.67, -54.63, 84.22

 

CMYK 27 / 0 / 79 / 0

HEX #B9FF35

RGB 185 255 53

HSL 80.79, 1%, 0.6%

LAB 92.62, -47.98, 81.2

 

CMYK 21 / 0 / 72 / 0

HEX #CAFF48

RGB 202 255 72

HSL 77.38, 1%, 0.64%

LAB 93.69, -40.82, 76.92

 

CMYK 49 / 0 / 100 / 0

HEX #81FF01

RGB 129 255 1

HSL 89.76, 1%, 0.5%

LAB 89.95, -67.49, 85.8

 

CMYK 53 / 0 / 100 / 7

HEX #70ED00

RGB 112 237 0

HSL 91.65, 1%, 0.46%

LAB 83.97, -65.94, 80.92

 

CMYK 57 / 0 / 100 / 14

HEX #5FDB00

RGB 95 219 0

HSL 93.97, 1%, 0.43%

LAB 77.93, -64.25, 75.93

 

CMYK 61 / 0 / 100 / 21

HEX #4EC900

RGB 78 201 0

HSL 96.72, 1%, 0.39%

LAB 71.82, -62.38, 70.88

 

CMYK 67 / 0 / 100 / 28

HEX #3DB700

RGB 61 183 0

HSL 100, 1%, 0.36%

LAB 65.64, -60.27, 65.79

 

CMYK 49 / 0 / 100 / 0

HEX #81FF00

RGB 129 255 0

HSL 89.65, 1%, 0.5%

LAB 89.95, -67.51, 85.87

 

CMYK 23 / 0 / 100 / 0

HEX #C5FF00

RGB 197 255 0

HSL 73.65, 1%, 0.5%

LAB 93.19, -44.62, 89.77

 

CMYK 0 / 4 / 100 / 0

HEX #FFF400

RGB 255 244 0

HSL 57.41, 1%, 0.5%

LAB 94.3, -16.29, 92.41

 

CMYK 0 / 31 / 100 / 0

HEX #FFAF00

RGB 255 175 0

HSL 41.18, 1%, 0.5%

LAB 77.23, 18.72, 80.47

 

CMYK 0 / 58 / 100 / 0

HEX #FF6A00

RGB 255 106 0

HSL 24.94, 1%, 0.5%

LAB 62.98, 53.23, 71.7

 

CMYK 49 / 0 / 100 / 0

HEX #81FF00

RGB 129 255 0

HSL 89.65, 1%, 0.5%

LAB 89.95, -67.51, 85.87

 

CMYK 76 / 0 / 100 / 0

HEX #3CFF00

RGB 60 255 0

HSL 105.88, 1%, 0.5%

LAB 88.2, -82.01, 83.75

 

CMYK 100 / 0 / 96 / 0

HEX #00FF09

RGB 0 255 9

HSL 122.12, 1%, 0.5%

LAB 87.75, -86.06, 82.51

 

CMYK 100 / 0 / 69 / 0

HEX #00FF4E

RGB 0 255 78

HSL 138.35, 1%, 0.5%

LAB 88, -82.76, 67.24

 

CMYK 100 / 0 / 42 / 0

HEX #00FF93

RGB 0 255 147

HSL 154.59, 1%, 0.5%

LAB 88.75, -73.62, 37.77

 

CMYK 49 / 0 / 100 / 0

HEX #81FF00

RGB 129 255 0

HSL 89.65, 1%, 0.5%

LAB 89.95, -67.51, 85.87

 

CMYK 49 / 0 / 100 / 0

HEX #81FF00

RGB 129 255 0

HSL 89.65, 1%, 0.5%

LAB 89.95, -67.51, 85.87

 

CMYK 45 / 0 / 91 / 8

HEX #80EA15

RGB 128 234 21

HSL 89.86, 0.84%, 0.5%

LAB 83.7, -59.91, 78.92

 

CMYK 40 / 0 / 81 / 16

HEX #80D629

RGB 128 214 41

HSL 89.83, 0.68%, 0.5%

LAB 77.78, -51.58, 69.86

 

CMYK 34 / 0 / 68 / 24

HEX #80C13E

RGB 128 193 62

HSL 89.77, 0.51%, 0.5%

LAB 71.61, -41.62, 56.92

 

CMYK 26 / 0 / 52 / 33

HEX #80AC53

RGB 128 172 83

HSL 89.66, 0.35%, 0.5%

LAB 65.53, -30.14, 40.7

 

CMYK 0 / 5 / 100 / 0

HEX #FFF200

RGB 255 242 0

HSL 56.94, 1%, 0.5%

LAB 93.78, -15.32, 92.04

 

CMYK 22 / 0 / 100 / 0

HEX #C8FF00

RGB 200 255 0

HSL 72.94, 1%, 0.5%

LAB 93.36, -43.48, 89.99

 

CMYK 48 / 0 / 100 / 0

HEX #84FF00

RGB 132 255 0

HSL 88.94, 1%, 0.5%

LAB 90.06, -66.65, 86

 

CMYK 75 / 0 / 100 / 0

HEX #40FF00

RGB 64 255 0

HSL 104.94, 1%, 0.5%

LAB 88.26, -81.47, 83.82

 

CMYK 100 / 0 / 98 / 0

HEX #00FF04

RGB 0 255 4

HSL 120.94, 1%, 0.5%

LAB 87.74, -86.13, 82.88

 

CMYK 49 / 0 / 100 / 33

HEX #57AC00

RGB 87 172 0

HSL 89.65, 1%, 0.34%

LAB 62.95, -49.6, 64.03

 

CMYK 50 / 0 / 100 / 16

HEX #6CD600

RGB 108 214 0

HSL 89.72, 1%, 0.42%

LAB 76.85, -58.91, 75.27

 

CMYK 49 / 0 / 100 / 0

HEX #81FF00

RGB 129 255 0

HSL 89.65, 1%, 0.5%

LAB 89.95, -67.51, 85.87

 

CMYK 42 / 0 / 84 / 0

HEX #95FF29

RGB 149 255 41

HSL 89.72, 1%, 0.58%

LAB 90.81, -60.7, 81.77

 

CMYK 34 / 0 / 67 / 0

HEX #A9FF53

RGB 169 255 83

HSL 90, 1%, 0.66%

LAB 91.94, -51.97, 70.73

 

CMYK 49 / 0 / 100 / 0

HEX #81FF01

RGB 129 255 1

HSL 89.76, 1%, 0.5%

LAB 89.95, -67.49, 85.8

 

CMYK 100 / 0 / 32 / 0

HEX #00FFAE

RGB 0 255 174

HSL 160.94, 1%, 0.5%

LAB 89.19, -68.4, 24.89

 

CMYK 0 / 100 / 8 / 0

HEX #FF00EA

RGB 255 0 234

HSL 304.94, 1%, 0.5%

LAB 59.16, 95.43, -50.99

 

CMYK 49 / 0 / 100 / 0

HEX #81FF01

RGB 129 255 1

HSL 89.76, 1%, 0.5%

LAB 89.95, -67.49, 85.8

 

CMYK 100 / 48 / 0 / 0

HEX #0084FF

RGB 0 132 255

HSL 208.94, 1%, 0.5%

LAB 55.81, 16.3, -69.16

 

CMYK 0 / 100 / 48 / 0

HEX #FF0084

RGB 255 0 132

HSL 328.94, 1%, 0.5%

LAB 55, 84.85, 1.83

 

CMYK 49 / 0 / 100 / 0

HEX #81FF01

RGB 129 255 1

HSL 89.76, 1%, 0.5%

LAB 89.95, -67.49, 85.8

 

CMYK 100 / 0 / 32 / 0

HEX #00FFAE

RGB 0 255 174

HSL 160.94, 1%, 0.5%

LAB 89.19, -68.4, 24.89

 

CMYK 52 / 100 / 0 / 0

HEX #7B00FF

RGB 123 0 255

HSL 268.94, 1%, 0.5%

LAB 40.3, 82.82, -94.34

 

CMYK 0 / 100 / 68 / 0

HEX #FF0051

RGB 255 0 81

HSL 340.94, 1%, 0.5%

LAB 53.87, 81.85, 30.99

 

CMYK 49 / 0 / 100 / 0

HEX #81FF01

RGB 129 255 1

HSL 89.76, 1%, 0.5%

LAB 89.95, -67.49, 85.8

 

CMYK 100 / 0 / 2 / 0

HEX #00FFFB

RGB 0 255 251

HSL 179.06, 1%, 0.5%

LAB 91, -49.22, -12.24

 

CMYK 52 / 100 / 0 / 0

HEX #7B00FF

RGB 123 0 255

HSL 268.94, 1%, 0.5%

LAB 40.3, 82.82, -94.34

 

CMYK 0 / 100 / 98 / 0

HEX #FF0004

RGB 255 0 4

HSL 359.06, 1%, 0.5%

LAB 53.24, 80.14, 66.22

 

Description

Color code: HEX #81FF01 | qconv.com Color code: HEX #81FF01 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 255 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 255 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 100% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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