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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81FC7E it is the complementary color #7E0381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81FC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81FC7E shade: #86FC79, #97FF8C, #A8FF9F, #B9FFB2 and #CAFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81FC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81FC7E shade: #81FC7E, #70EA6B, #5FD858, #4EC645 and #3DB432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81FC7E shade: #81FC7E, #A3FC7E, #C5FC7E, #E7FC7E and #FCEF7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81FC7E shade: #81FC7E, #7EFC9D, #7EFCBF, #7EFCE1 and #7EF5FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81FC7E shade matches the following richer shades: #81FC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81FC7E shade: #81FC7E, #8BF188, #95E693, #9FDC9E and #AAD1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81FC7E shade: #C5FC7E, #A4FC7E, #82FC7E, #7EFC9B and #7EFCBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81FC7E shade: #32FA2D, #59FB55, #81FC7E, #A8FDA6 and #CFFECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81FC7E shade: #81FC7E, #7EE7FC and #FC7EB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81FC7E shade: #81FC7E, #7E82FC and #FC7E82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81FC7E shade: #81FC7E, #7EE7FC, #F77EFC and #FC937E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81FC7E shade: #81FC7E, #7EC1FC, #F77EFC and #FCB97E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

Complementary color

CMYK 2 / 98 / 0 / 49

HEX #7E0381

RGB 126 3 129

HSL 298.57, 0.95%, 0.26%

LAB 29.63, 58.27, -37.4

 

CMYK 47 / 0 / 52 / 1

HEX #86FC79

RGB 134 252 121

HSL 114.05, 0.96%, 0.73%

LAB 89.89, -58, 52.09

 

CMYK 41 / 0 / 45 / 0

HEX #97FF8C

RGB 151 255 140

HSL 114.26, 1%, 0.77%

LAB 91.68, -51.94, 45.54

 

CMYK 34 / 0 / 38 / 0

HEX #A8FF9F

RGB 168 255 159

HSL 114.38, 1%, 0.81%

LAB 92.73, -44.15, 37.8

 

CMYK 27 / 0 / 30 / 0

HEX #B9FFB2

RGB 185 255 178

HSL 114.55, 1%, 0.85%

LAB 93.9, -35.93, 30.04

 

CMYK 21 / 0 / 23 / 0

HEX #CAFFC5

RGB 202 255 197

HSL 114.83, 1%, 0.89%

LAB 95.21, -27.38, 22.36

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 52 / 0 / 54 / 8

HEX #70EA6B

RGB 112 234 107

HSL 117.64, 0.75%, 0.67%

LAB 83.63, -58.65, 50.8

 

CMYK 56 / 0 / 59 / 15

HEX #5FD858

RGB 95 216 88

HSL 116.72, 0.62%, 0.6%

LAB 77.43, -58.4, 51.97

 

CMYK 61 / 0 / 65 / 22

HEX #4EC645

RGB 78 198 69

HSL 115.81, 0.53%, 0.52%

LAB 71.17, -57.92, 53

 

CMYK 66 / 0 / 72 / 29

HEX #3DB432

RGB 61 180 50

HSL 114.92, 0.57%, 0.45%

LAB 64.86, -57.08, 53.72

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 35 / 0 / 50 / 1

HEX #A3FC7E

RGB 163 252 126

HSL 102.38, 0.95%, 0.74%

LAB 91.2, -48.75, 51.65

 

CMYK 22 / 0 / 50 / 1

HEX #C5FC7E

RGB 197 252 126

HSL 86.19, 0.95%, 0.74%

LAB 93.01, -37.18, 54.28

 

CMYK 8 / 0 / 50 / 1

HEX #E7FC7E

RGB 231 252 126

HSL 70, 0.95%, 0.74%

LAB 95.21, -24.55, 57.43

 

CMYK 0 / 5 / 50 / 1

HEX #FCEF7E

RGB 252 239 126

HSL 53.81, 0.95%, 0.74%

LAB 93.42, -10.07, 55.69

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 50 / 0 / 38 / 1

HEX #7EFC9D

RGB 126 252 157

HSL 134.76, 0.95%, 0.74%

LAB 90.09, -54.99, 34.98

 

CMYK 50 / 0 / 24 / 1

HEX #7EFCBF

RGB 126 252 191

HSL 150.95, 0.95%, 0.74%

LAB 90.7, -48.83, 18.61

 

CMYK 50 / 0 / 11 / 1

HEX #7EFCE1

RGB 126 252 225

HSL 167.14, 0.95%, 0.74%

LAB 91.46, -41.52, 2.15

 

CMYK 50 / 3 / 0 / 1

HEX #7EF5FC

RGB 126 245 252

HSL 183.33, 0.95%, 0.74%

LAB 90.22, -31.72, -13.72

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 42 / 0 / 44 / 5

HEX #8BF188

RGB 139 241 136

HSL 118.29, 0.79%, 0.74%

LAB 87.08, -50.21, 41.53

 

CMYK 35 / 0 / 36 / 10

HEX #95E693

RGB 149 230 147

HSL 118.55, 0.62%, 0.74%

LAB 84.53, -40.88, 32.83

 

CMYK 28 / 0 / 28 / 14

HEX #9FDC9E

RGB 159 220 158

HSL 119.03, 0.47%, 0.74%

LAB 82.39, -31.36, 24.4

 

CMYK 19 / 0 / 19 / 18

HEX #AAD1A9

RGB 170 209 169

HSL 118.5, 0.3%, 0.74%

LAB 80.19, -20.5, 15.67

 

CMYK 22 / 0 / 50 / 1

HEX #C5FC7E

RGB 197 252 126

HSL 86.19, 0.95%, 0.74%

LAB 93.01, -37.18, 54.28

 

CMYK 35 / 0 / 50 / 1

HEX #A4FC7E

RGB 164 252 126

HSL 101.9, 0.95%, 0.74%

LAB 91.24, -48.43, 51.72

 

CMYK 48 / 0 / 50 / 1

HEX #82FC7E

RGB 130 252 126

HSL 118.1, 0.95%, 0.74%

LAB 89.8, -58.47, 49.63

 

CMYK 50 / 0 / 38 / 1

HEX #7EFC9B

RGB 126 252 155

HSL 133.81, 0.95%, 0.74%

LAB 90.06, -55.32, 35.94

 

CMYK 50 / 0 / 25 / 1

HEX #7EFCBD

RGB 126 252 189

HSL 150, 0.95%, 0.74%

LAB 90.66, -49.22, 19.58

 

CMYK 80 / 0 / 82 / 2

HEX #32FA2D

RGB 50 250 45

HSL 118.54, 0.95%, 0.58%

LAB 86.62, -80.66, 76.11

 

CMYK 65 / 0 / 66 / 2

HEX #59FB55

RGB 89 251 85

HSL 118.55, 0.95%, 0.66%

LAB 87.86, -72.18, 64.76

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 34 / 0 / 34 / 1

HEX #A8FDA6

RGB 168 253 166

HSL 118.62, 0.96%, 0.82%

LAB 92.28, -42.23, 33.72

 

CMYK 19 / 0 / 19 / 0

HEX #CFFECE

RGB 207 254 206

HSL 118.75, 0.96%, 0.9%

LAB 95.42, -23.78, 18.11

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 50 / 8 / 0 / 1

HEX #7EE7FC

RGB 126 231 252

HSL 190, 0.95%, 0.74%

LAB 86.31, -24.98, -19.58

 

CMYK 0 / 50 / 29 / 1

HEX #FC7EB4

RGB 252 126 180

HSL 334.29, 0.95%, 0.74%

LAB 68.69, 53.74, -5.93

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 50 / 48 / 0 / 1

HEX #7E82FC

RGB 126 130 252

HSL 238.1, 0.95%, 0.74%

LAB 59.37, 30.61, -61.56

 

CMYK 0 / 50 / 48 / 1

HEX #FC7E82

RGB 252 126 130

HSL 358.1, 0.95%, 0.74%

LAB 67.45, 48.29, 20.46

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 50 / 8 / 0 / 1

HEX #7EE7FC

RGB 126 231 252

HSL 190, 0.95%, 0.74%

LAB 86.31, -24.98, -19.58

 

CMYK 2 / 50 / 0 / 1

HEX #F77EFC

RGB 247 126 252

HSL 297.62, 0.95%, 0.74%

LAB 70.68, 63.22, -42.87

 

CMYK 0 / 42 / 50 / 1

HEX #FC937E

RGB 252 147 126

HSL 10, 0.95%, 0.74%

LAB 71.6, 37.4, 28.26

 

CMYK 49 / 0 / 50 / 1

HEX #81FC7E

RGB 129 252 126

HSL 118.57, 0.95%, 0.74%

LAB 89.76, -58.73, 49.58

 

CMYK 50 / 23 / 0 / 1

HEX #7EC1FC

RGB 126 193 252

HSL 208.1, 0.95%, 0.74%

LAB 75.83, -5.4, -35.62

 

CMYK 2 / 50 / 0 / 1

HEX #F77EFC

RGB 247 126 252

HSL 297.62, 0.95%, 0.74%

LAB 70.68, 63.22, -42.87

 

CMYK 0 / 27 / 50 / 1

HEX #FCB97E

RGB 252 185 126

HSL 28.1, 0.95%, 0.74%

LAB 80.12, 17.58, 39.32

 

Description

Color code: HEX #81FC7E | qconv.com Color code: HEX #81FC7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 252 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 252 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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