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Color name
HEX #81F316

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81F316 it is the complementary color #7E0CE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81F316. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81F316 shade: #86F311, #97FF24, #A8FF37, #B9FF4A and #CAFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81F316. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81F316 shade: #81F316, #70E103, #5FCF00, #4EBD00 and #3DAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81F316 shade: #81F316, #BDF316, #F3EE16, #F3B216 and #F37716

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81F316 shade: #81F316, #46F316, #16F323, #16F35E and #16F399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81F316 shade matches the following richer shades: #81F316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81F316 shade: #81F316, #82DF2A, #82CB3E, #83B752 and #84A466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81F316 shade: #F3EB16, #BFF316, #85F316, #4AF316 and #16F31E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81F316 shade: #59AE09, #6DD50B, #81F316, #96F53E and #ACF765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81F316 shade: #81F316, #16F3B1 and #F316DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81F316 shade: #81F316, #1685F3 and #F31685

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81F316 shade: #81F316, #16F3B1, #8516F3 and #F31659

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81F316 shade: #81F316, #16F3F3, #8516F3 and #F31616

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

Complementary color

CMYK 46 / 95 / 0 / 9

HEX #7E0CE9

RGB 126 12 233

HSL 270.95, 0.9%, 0.48%

LAB 38.87, 77.07, -84.28

 

CMYK 45 / 0 / 93 / 5

HEX #86F311

RGB 134 243 17

HSL 88.94, 0.9%, 0.51%

LAB 86.61, -61.49, 81.89

 

CMYK 41 / 0 / 86 / 0

HEX #97FF24

RGB 151 255 36

HSL 88.49, 1%, 0.57%

LAB 90.88, -60.22, 82.87

 

CMYK 34 / 0 / 78 / 0

HEX #A8FF37

RGB 168 255 55

HSL 86.1, 1%, 0.61%

LAB 91.74, -53.89, 79.55

 

CMYK 27 / 0 / 71 / 0

HEX #B9FF4A

RGB 185 255 74

HSL 83.2, 1%, 0.65%

LAB 92.72, -46.96, 74.97

 

CMYK 21 / 0 / 64 / 0

HEX #CAFF5D

RGB 202 255 93

HSL 79.63, 1%, 0.68%

LAB 93.83, -39.54, 69.45

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 50 / 0 / 99 / 12

HEX #70E103

RGB 112 225 3

HSL 90.54, 0.97%, 0.45%

LAB 80.35, -61.68, 77.81

 

CMYK 54 / 0 / 100 / 19

HEX #5FCF00

RGB 95 207 0

HSL 92.46, 1%, 0.41%

LAB 74.23, -60.1, 73.01

 

CMYK 59 / 0 / 100 / 26

HEX #4EBD00

RGB 78 189 0

HSL 95.24, 1%, 0.37%

LAB 68.03, -58.31, 67.88

 

CMYK 64 / 0 / 100 / 33

HEX #3DAB00

RGB 61 171 0

HSL 98.6, 1%, 0.34%

LAB 61.76, -56.3, 62.71

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 22 / 0 / 91 / 5

HEX #BDF316

RGB 189 243 22

HSL 74.66, 0.9%, 0.52%

LAB 89.38, -42.22, 84.68

 

CMYK 0 / 2 / 91 / 5

HEX #F3EE16

RGB 243 238 22

HSL 58.64, 0.9%, 0.52%

LAB 91.8, -18.17, 88.19

 

CMYK 0 / 27 / 91 / 5

HEX #F3B216

RGB 243 178 22

HSL 42.35, 0.9%, 0.52%

LAB 76.65, 12.26, 76.68

 

CMYK 0 / 51 / 91 / 5

HEX #F37716

RGB 243 119 22

HSL 26.33, 0.9%, 0.52%

LAB 63.6, 42.84, 67.12

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 71 / 0 / 91 / 5

HEX #46F316

RGB 70 243 22

HSL 106.97, 0.9%, 0.52%

LAB 84.72, -76.71, 78.94

 

CMYK 91 / 0 / 86 / 5

HEX #16F323

RGB 22 243 35

HSL 123.53, 0.9%, 0.52%

LAB 84.17, -81.47, 76.03

 

CMYK 91 / 0 / 61 / 5

HEX #16F35E

RGB 22 243 94

HSL 139.55, 0.9%, 0.52%

LAB 84.52, -76.97, 57.15

 

CMYK 91 / 0 / 37 / 5

HEX #16F399

RGB 22 243 153

HSL 155.57, 0.9%, 0.52%

LAB 85.29, -67.82, 30.24

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 42 / 0 / 81 / 13

HEX #82DF2A

RGB 130 223 42

HSL 90.83, 0.74%, 0.52%

LAB 80.57, -54.43, 72.15

 

CMYK 36 / 0 / 69 / 20

HEX #82CB3E

RGB 130 203 62

HSL 91.06, 0.58%, 0.52%

LAB 74.7, -45.19, 60.15

 

CMYK 28 / 0 / 55 / 28

HEX #83B752

RGB 131 183 82

HSL 90.89, 0.41%, 0.52%

LAB 68.97, -34.28, 45.31

 

CMYK 20 / 0 / 38 / 36

HEX #84A466

RGB 132 164 102

HSL 90.97, 0.25%, 0.52%

LAB 63.69, -22.3, 28.65

 

CMYK 0 / 3 / 91 / 5

HEX #F3EB16

RGB 243 235 22

HSL 57.83, 0.9%, 0.52%

LAB 91.02, -16.72, 87.59

 

CMYK 21 / 0 / 91 / 5

HEX #BFF316

RGB 191 243 22

HSL 74.12, 0.9%, 0.52%

LAB 89.5, -41.46, 84.82

 

CMYK 45 / 0 / 91 / 5

HEX #85F316

RGB 133 243 22

HSL 89.86, 0.9%, 0.52%

LAB 86.58, -61.7, 81.24

 

CMYK 70 / 0 / 91 / 5

HEX #4AF316

RGB 74 243 22

HSL 105.88, 0.9%, 0.52%

LAB 84.8, -76.03, 79.04

 

CMYK 91 / 0 / 88 / 5

HEX #16F31E

RGB 22 243 30

HSL 122.17, 0.9%, 0.52%

LAB 84.16, -81.65, 76.97

 

CMYK 49 / 0 / 95 / 32

HEX #59AE09

RGB 89 174 9

HSL 90.91, 0.9%, 0.36%

LAB 63.68, -49.56, 63.47

 

CMYK 49 / 0 / 95 / 16

HEX #6DD50B

RGB 109 213 11

HSL 90.89, 0.9%, 0.44%

LAB 76.6, -58.08, 74.02

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 39 / 0 / 75 / 4

HEX #96F53E

RGB 150 245 62

HSL 91.15, 0.9%, 0.6%

LAB 88.03, -55.58, 73.72

 

CMYK 30 / 0 / 59 / 3

HEX #ACF765

RGB 172 247 101

HSL 90.82, 0.9%, 0.68%

LAB 89.97, -46.19, 61.47

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 91 / 0 / 27 / 5

HEX #16F3B1

RGB 22 243 177

HSL 162.08, 0.9%, 0.52%

LAB 85.73, -62.8, 18.58

 

CMYK 0 / 91 / 9 / 5

HEX #F316DD

RGB 243 22 221

HSL 305.97, 0.9%, 0.52%

LAB 56.93, 90.09, -47.33

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 91 / 45 / 0 / 5

HEX #1685F3

RGB 22 133 243

HSL 209.86, 0.9%, 0.52%

LAB 55.5, 11.73, -63.02

 

CMYK 0 / 91 / 45 / 5

HEX #F31685

RGB 243 22 133

HSL 329.86, 0.9%, 0.52%

LAB 53.3, 80.56, -1.53

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 91 / 0 / 27 / 5

HEX #16F3B1

RGB 22 243 177

HSL 162.08, 0.9%, 0.52%

LAB 85.73, -62.8, 18.58

 

CMYK 45 / 91 / 0 / 5

HEX #8516F3

RGB 133 22 243

HSL 270.14, 0.9%, 0.52%

LAB 41.27, 78.31, -85.95

 

CMYK 0 / 91 / 63 / 5

HEX #F31659

RGB 243 22 89

HSL 341.81, 0.9%, 0.52%

LAB 52.23, 77.61, 23.59

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

CMYK 91 / 0 / 0 / 5

HEX #16F3F3

RGB 22 243 243

HSL 180, 0.9%, 0.52%

LAB 87.36, -45.8, -13.5

 

CMYK 45 / 91 / 0 / 5

HEX #8516F3

RGB 133 22 243

HSL 270.14, 0.9%, 0.52%

LAB 41.27, 78.31, -85.95

 

CMYK 0 / 91 / 91 / 5

HEX #F31616

RGB 243 22 22

HSL 0, 0.9%, 0.52%

LAB 51.48, 75.51, 58.84

 

Description

Color code: HEX #81F316 | qconv.com Color code: HEX #81F316 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 243 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 243 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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