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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81EE50 it is the complementary color #7E11AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81EE50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81EE50 shade: #86EE4B, #97FF5E, #A8FF71, #B9FF84 and #CAFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81EE50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81EE50 shade: #81EE50, #70DC3D, #5FCA2A, #4EB817 and #3DA604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81EE50 shade: #80EE4F, #ABEE4F, #D6EE4F, #EEDB4F and #EEB04F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81EE50 shade: #80EE4F, #55EE4F, #4FEE73, #4FEE9E and #4FEEC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81EE50 shade matches the following richer shades: #80EE4F and #7AFD3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81EE50 shade: #80EE4F, #86DE5E, #8CCE6E, #92BF7E and #98AF8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81EE50 shade: #D6EE4F, #ABEE4F, #81EE4F, #57EE4F and #4FEE71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81EE50 shade: #50D515, #65EA29, #80EE4F, #9BF174 and #B6F59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81EE50 shade: #81EE50, #4FEEDB and #EE4FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81EE50 shade: #81EE50, #4F81EE and #EE4F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81EE50 shade: #81EE50, #4FEEDB, #BB4FEE and #EE4F61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81EE50 shade: #81EE50, #4FD0EE, #BB4FEE and #EE6C4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 66 / 7

HEX #81EE50

RGB 129 238 80

HSL 101.39, 0.82%, 0.62%

LAB 85.2, -58.17, 64.23

 

Complementary color

CMYK 28 / 90 / 0 / 31

HEX #7E11AF

RGB 126 17 175

HSL 281.39, 0.82%, 0.38%

LAB 33.84, 64.33, -58.75

 

CMYK 44 / 0 / 68 / 7

HEX #86EE4B

RGB 134 238 75

HSL 98.28, 0.83%, 0.61%

LAB 85.37, -57.06, 66.36

 

CMYK 41 / 0 / 63 / 0

HEX #97FF5E

RGB 151 255 94

HSL 98.76, 1%, 0.68%

LAB 91.19, -56.95, 65.43

 

CMYK 34 / 0 / 56 / 0

HEX #A8FF71

RGB 168 255 113

HSL 96.76, 1%, 0.72%

LAB 92.15, -49.78, 58.72

 

CMYK 27 / 0 / 48 / 0

HEX #B9FF84

RGB 185 255 132

HSL 94.15, 1%, 0.76%

LAB 93.23, -42.07, 51.61

 

CMYK 21 / 0 / 41 / 0

HEX #CAFF97

RGB 202 255 151

HSL 90.58, 1%, 0.8%

LAB 94.45, -33.96, 44.29

 

CMYK 46 / 0 / 66 / 7

HEX #81EE50

RGB 129 238 80

HSL 101.39, 0.82%, 0.62%

LAB 85.2, -58.17, 64.23

 

CMYK 49 / 0 / 72 / 14

HEX #70DC3D

RGB 112 220 61

HSL 100.75, 0.69%, 0.55%

LAB 79.02, -57.74, 64.65

 

CMYK 53 / 0 / 79 / 21

HEX #5FCA2A

RGB 95 202 42

HSL 100.13, 0.66%, 0.48%

LAB 72.79, -57.06, 64.49

 

CMYK 58 / 0 / 88 / 28

HEX #4EB817

RGB 78 184 23

HSL 99.5, 0.78%, 0.41%

LAB 66.49, -56.02, 63.37

 

CMYK 63 / 0 / 98 / 35

HEX #3DA604

RGB 61 166 4

HSL 98.89, 0.95%, 0.33%

LAB 60.13, -54.51, 60.86

 

CMYK 46 / 0 / 67 / 7

HEX #80EE4F

RGB 128 238 79

HSL 101.51, 0.82%, 0.62%

LAB 85.15, -58.55, 64.55

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4F

RGB 171 238 79

HSL 85.28, 0.82%, 0.62%

LAB 87.18, -44.42, 67.3

 

CMYK 10 / 0 / 67 / 7

HEX #D6EE4F

RGB 214 238 79

HSL 69.06, 0.82%, 0.62%

LAB 89.86, -28.07, 70.92

 

CMYK 0 / 8 / 67 / 7

HEX #EEDB4F

RGB 238 219 79

HSL 52.83, 0.82%, 0.62%

LAB 86.7, -9.05, 68.28

 

CMYK 0 / 26 / 67 / 7

HEX #EEB04F

RGB 238 176 79

HSL 36.6, 0.82%, 0.62%

LAB 75.94, 13.15, 56.96

 

CMYK 46 / 0 / 67 / 7

HEX #80EE4F

RGB 128 238 79

HSL 101.51, 0.82%, 0.62%

LAB 85.15, -58.55, 64.55

 

CMYK 64 / 0 / 67 / 7

HEX #55EE4F

RGB 85 238 79

HSL 117.74, 0.82%, 0.62%

LAB 83.78, -69.22, 62.68

 

CMYK 67 / 0 / 52 / 7

HEX #4FEE73

RGB 79 238 115

HSL 133.58, 0.82%, 0.62%

LAB 83.99, -66.27, 47.31

 

CMYK 67 / 0 / 34 / 7

HEX #4FEE9E

RGB 79 238 158

HSL 149.81, 0.82%, 0.62%

LAB 84.63, -59.14, 26.94

 

CMYK 67 / 0 / 16 / 7

HEX #4FEEC9

RGB 79 238 201

HSL 166.04, 0.82%, 0.62%

LAB 85.52, -49.79, 5.89

 

CMYK 46 / 0 / 67 / 7

HEX #80EE4F

RGB 128 238 79

HSL 101.51, 0.82%, 0.62%

LAB 85.15, -58.55, 64.55

 

CMYK 52 / 0 / 75 / 1

HEX #7AFD3F

RGB 122 253 63

HSL 101.37, 0.98%, 0.62%

LAB 89.27, -66.84, 74.22

 

CMYK 46 / 0 / 67 / 7

HEX #80EE4F

RGB 128 238 79

HSL 101.51, 0.82%, 0.62%

LAB 85.15, -58.55, 64.55

 

CMYK 40 / 0 / 58 / 13

HEX #86DE5E

RGB 134 222 94

HSL 101.25, 0.66%, 0.62%

LAB 80.8, -49.01, 53.58

 

CMYK 32 / 0 / 47 / 19

HEX #8CCE6E

RGB 140 206 110

HSL 101.25, 0.49%, 0.62%

LAB 76.58, -38.31, 41.06

 

CMYK 24 / 0 / 34 / 25

HEX #92BF7E

RGB 146 191 126

HSL 101.54, 0.34%, 0.62%

LAB 72.81, -27, 28.1

 

CMYK 13 / 0 / 19 / 31

HEX #98AF8D

RGB 152 175 141

HSL 100.59, 0.18%, 0.62%

LAB 68.94, -14.38, 14.83

 

CMYK 10 / 0 / 67 / 7

HEX #D6EE4F

RGB 214 238 79

HSL 69.06, 0.82%, 0.62%

LAB 89.86, -28.07, 70.92

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4F

RGB 171 238 79

HSL 85.28, 0.82%, 0.62%

LAB 87.18, -44.42, 67.3

 

CMYK 46 / 0 / 67 / 7

HEX #81EE4F

RGB 129 238 79

HSL 101.13, 0.82%, 0.62%

LAB 85.19, -58.25, 64.6

 

CMYK 63 / 0 / 67 / 7

HEX #57EE4F

RGB 87 238 79

HSL 116.98, 0.82%, 0.62%

LAB 83.83, -68.82, 62.75

 

CMYK 67 / 0 / 53 / 7

HEX #4FEE71

RGB 79 238 113

HSL 132.83, 0.82%, 0.62%

LAB 83.97, -66.54, 48.22

 

CMYK 62 / 0 / 90 / 16

HEX #50D515

RGB 80 213 21

HSL 101.56, 0.82%, 0.46%

LAB 75.67, -65.47, 71.58

 

CMYK 57 / 0 / 82 / 8

HEX #65EA29

RGB 101 234 41

HSL 101.35, 0.82%, 0.54%

LAB 82.79, -66.8, 74

 

CMYK 46 / 0 / 67 / 7

HEX #80EE4F

RGB 128 238 79

HSL 101.51, 0.82%, 0.62%

LAB 85.15, -58.55, 64.55

 

CMYK 36 / 0 / 52 / 5

HEX #9BF174

RGB 155 241 116

HSL 101.28, 0.82%, 0.7%

LAB 87.55, -47.83, 51.79

 

CMYK 26 / 0 / 37 / 4

HEX #B6F59A

RGB 182 245 154

HSL 101.54, 0.82%, 0.78%

LAB 90.59, -35.88, 37.61

 

CMYK 46 / 0 / 66 / 7

HEX #81EE50

RGB 129 238 80

HSL 101.39, 0.82%, 0.62%

LAB 85.2, -58.17, 64.23

 

CMYK 67 / 0 / 8 / 7

HEX #4FEEDB

RGB 79 238 219

HSL 172.83, 0.82%, 0.62%

LAB 85.97, -45.3, -2.89

 

CMYK 0 / 67 / 19 / 7

HEX #EE4FC1

RGB 238 79 193

HSL 316.98, 0.82%, 0.62%

LAB 59.54, 71.67, -27.35

 

CMYK 46 / 0 / 66 / 7

HEX #81EE50

RGB 129 238 80

HSL 101.39, 0.82%, 0.62%

LAB 85.2, -58.17, 64.23

 

CMYK 67 / 46 / 0 / 7

HEX #4F81EE

RGB 79 129 238

HSL 221.13, 0.82%, 0.62%

LAB 55.62, 17.97, -59.97

 

CMYK 0 / 67 / 46 / 7

HEX #EE4F81

RGB 238 79 129

HSL 341.13, 0.82%, 0.62%

LAB 57.42, 64.43, 6.7

 

CMYK 46 / 0 / 66 / 7

HEX #81EE50

RGB 129 238 80

HSL 101.39, 0.82%, 0.62%

LAB 85.2, -58.17, 64.23

 

CMYK 67 / 0 / 8 / 7

HEX #4FEEDB

RGB 79 238 219

HSL 172.83, 0.82%, 0.62%

LAB 85.97, -45.3, -2.89

 

CMYK 21 / 67 / 0 / 7

HEX #BB4FEE

RGB 187 79 238

HSL 280.75, 0.82%, 0.62%

LAB 54.38, 67.32, -61.48

 

CMYK 0 / 67 / 59 / 7

HEX #EE4F61

RGB 238 79 97

HSL 353.21, 0.82%, 0.62%

LAB 56.72, 61.93, 24.56

 

CMYK 46 / 0 / 66 / 7

HEX #81EE50

RGB 129 238 80

HSL 101.39, 0.82%, 0.62%

LAB 85.2, -58.17, 64.23

 

CMYK 67 / 13 / 0 / 7

HEX #4FD0EE

RGB 79 208 238

HSL 191.32, 0.82%, 0.62%

LAB 77.84, -26.05, -25.16

 

CMYK 21 / 67 / 0 / 7

HEX #BB4FEE

RGB 187 79 238

HSL 280.75, 0.82%, 0.62%

LAB 54.38, 67.32, -61.48

 

CMYK 0 / 55 / 67 / 7

HEX #EE6C4F

RGB 238 108 79

HSL 10.94, 0.82%, 0.62%

LAB 61.19, 48.22, 40.31

 

Description

Color code: HEX #81EE50 | qconv.com Color code: HEX #81EE50 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 238 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 238 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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